including bio, artwork descriptions and prices

Transcripción

P R E S S R E L E A S E
FOR IMMEDIATE RELEASE > November 1, 2013
Yellow Peril Gallery
60 Valley Street #5
Providence, RI 02909
Media Contact: V Souvannasane
Tel: +1 917 655 1497
E/M: [email protected]
Yellow Peril Gallery presents “Model
Minority” at SCOPE Miami Beach 2013
RAQUEL PAIEWONSKY, Sensory Insulation / Container of Ideas / Hair Ball (2010) from series: Gurardarropía,
photographic print on acrylic, series of 9 / edition of 3, 32” x 48” each
December 2 – 8, 2013 | SCOPE PAVILION | 1000 Ocean Drive | Miami Beach, FL 33139
YELLOW PERIL GALLERY | BOOTH G 09
FEATURED ARTISTS:
Kathryn Parker Almanas
Caleb Cain Marcus
Naomi Campbell
Jamey Morrill
Rodrigo Nava
Hao Ni
Raquel Paiewonsky
Anne Morgan Spalter
Quintín Rivera Toro
Diego Rodriguez-Warner
FIRST VIEW SCHEDULE:
Platinum Preview Gala
Mon | Dec 02 | 5:00PM-8:00PM
Invitation or Platinum VIP card for entry
Proceeds benefit the Mourning Family
Foundation
SHOW HOURS:
Wed | Dec 04 | 11:00AM - 8:00PM
Thurs | Dec 05 | 11:00AM - 8:00PM
Fri | Dec 06 | 11:00AM - 8:00PM
Sat | Dec 07 | 11:00AM - 8:00PM
Sun | Dec 08 | 11:00AM - 8:00PM
Tues | Dec 03 | 1:00PM - 9:00PM
For VIP and Press
Yellow Peril Gallery is pleased to present "Model Minority" at SCOPE Miami Beach 2013,
featuring 10 artists whose body of work is not marginalized by society's definitions of
success, beauty and power. This is the Providence-based contemporary art gallery’s
debut as one of 15 galleries selected by a panel of independent curators to join SCOPE’s
Breeder Program, which introduces the most advanced cutting-edge galleries to the
contemporary market for the first time.
“Fostering critical dialogue about contemporary art and its impact on society has been integral
to the success of Yellow Peril since day one,” notes Vanphouthon Souvannasane, Director.
“At SCOPE Miami Beach, we aspire to extend the reach of our artists to new audiences,
collectors, curators and critics. We are honored to be a part of the most dynamic and riveting
week in the global contemporary art calendar.”
At its core, "Model Minority" refers to a minority group (whether ethnic, racial or religious) in
certain countries whose members are most often perceived to achieve a higher degree of
success than the population average. Typically, this success is measured in income,
education, and related factors such as low crime rate and high family stability.
“Our mission with “Model Minority” is to exhibit provocative and visually arresting artwork that
challenges our pre-conceived notions about the roles of art and artists in the general global
conversation,” says Robert P. Stack, Curator. “Not only are our featured artists exceptionally
talented, they are ahead of the curve with their vision and execution – they have no qualms
about questioning the status quo and engaging with audiences in innovative and original
ways.”
Featured artists at “Model Minority” include: Kathryn Parker Almanas, Caleb Cain Marcus,
Naomi Campbell, Jamey Morrill, Rodrigo Nava, Hao Ni, Raquel Paiewonsky, Anne Morgan
Spalter, Quintín Rivera Toro and Diego Rodriguez-Warner.
SCOPE Miami Beach opens on Monday, December 2, with its exclusive Platinum VIP Gala,
continuing Tuesday, December 3, to welcome VIPs and Press at its First View benefit, and will
open to the general public December 4 - 8, 2013. Yellow Peril Gallery will host “Model
Minority” in Booth G 09.
About SCOPE
With over 65 art fairs spanning more than a decade, SCOPE is the largest and most global art fair in the
world, celebrated as the premier showcase for international emerging contemporary art and multidisciplinary creative programming. Renowned for its uncanny ability to forecast new visual trends that
are embraced globally, SCOPE Art Shows in Miami, Basel, New York, London and the Hamptons have
garnered extensive critical acclaim, with sales of over $500 million and attendance of over 700,000
visitors. For more info about SCOPE, visit scope-art.com.
About Yellow Peril Gallery
YELLOW PERIL GALLERY is a contemporary art gallery located at The Plant, a historic mill complex in
the Olneyville neighborhood of Providence, Rhode Island. The Gallery strives to foster modern art
critiques on popular culture and society from emerging, mid-career and established artists in the United
States and abroad. We aspire to exhibit provocative and visually arresting artwork created specifically to
ignite conversations long after viewers have left the building. Artists that we represent share our
commitment to social responsibility, and a percentage from the sale of all artwork is donated to a
charitable organization of the Artists’ choice. For more info about future exhibitions, visit
www.yellowperilgallery.com.
*****
If you’d like more information about this press release, or to schedule an interview with artists featured in
MODEL MINORITY, please contact Vanphouthon Souvannasane at +1 917 655 1497 or via e-mail at
[email protected].
KATHRYN PARKER ALMANAS
BIO
Kathryn Parker Almanas earned a BFA in Photography from MassArt in 2003 and a
MFA in Photography from Yale University in 2007. While at Yale, she was awarded the
Schickle-Collingwood Prize, and upon receiving her MFA, was the recipient of the Alice
Kimball English Traveling Fellowship to conduct research on the history of anatomical
dissection in Italy. Her work has been published in 25 Under 25 Up-and-Coming
American Photographers, Photo District News, Metropolis, to name a few. She has
created art on commission basis for New York, Time, Details, Culture+Travel, among
other magazines. Almanas's work has been exhibited in solo and group exhibitions in
New York, Boston, Chicago, Miami, and Philadelphia. Her photographs and collage
work investigate destruction and healing within the body and the terrors and pleasures
of embodiment, often drawing ideas from the medical world.
ARTIST STATEMENT
As an artist, I am dedicated to the expression of the human condition; what it means to be alive
existing within our skin, the sensations of embodiment, and the relationship between the
ethereal and corporeal. I investigate destruction and healing within the body and the terrors
and pleasures of embodiment.
My visceral tableaux are constructed with dough, jelly, fruit juices, white cloth and women's
tights. I create and photograph surrogate organs. Within this work, I play with how we
recognize ourselves in textures and materials; dough and jelly act as viscera, light evokes both
a surgical and divine gaze. I flirt with and subvert the genre of still life from both historical
painting and contemporary editorial photography to evoke an anatomical perspective and
awareness of the body.
The jelled fruit is encased in a skin of dough. Juice seeps through the stocking skin,
surrounded by plastic tubing, draped fabric, or stained cloth. Sweet objects, that could
potentially be consumed, act as surrogate body parts. The fleshy forms lie, hang, and nestle
within these explicit scenes, both seducing and disgusting the viewer. The images provoke
sensations of pain and pleasure, creating an intimate tension.
In Piero Camporesi's book entitled Juice of Life, a Franciscan apothecary in 1679 instructs
patients how to use blood let from a healthy body and jar it like jelly with the intention of
consuming it as a health elixir. This semi-cannibalistic view of blood resonates with
contemporary analysis of autoimmune disease as a condition within which the body is
destroying (consuming or digesting) itself. I am interested in resonances between forms of selfdestruction – digestion, cannibalism, self-flagellation, autoimmune disease – and their
emotional, spiritual, and psychic implications.
The collage work shown in correlation with the photographs are works I created prior to and
during the making of the photographed visceral tableaux. Creating theses collages opened a
way for me to clarify my thoughts, concepts, and materials for the photographs I constructed. I
discovered that collage was a way for me to think, but also a form and medium I want to
pursue and evolve in my practice as an artist.
The collages Fig. 116., Fig. 39., Fig. 104., and Fig. 95. are the first set of collage sketching I
was doing prior to the visceral tableaux photographs within Pre-Existing Condition. Using
suturing thread, I sewed sections of pastry imagery I cut from magazines over organs in
anatomical illustrations. By doing so, I realized I wanted to use actual pastry ingredients to
directly create surrogate organs, thereby leading to my photographic works.
Chronic Care Collection is a series of twelve collages constructed from photographs cut from
one of my mother’s nursing guides from the 1970s, sections of my own photographs, sections
of medical bandaging and gauze, sewn together with suturing thread. Within this series, I am
considering: the act and confusion of healing and care, the comfort and threat of the medical
world, the patient perspective.
The triptych Three Systems of a Woman: Digestive, Reproductive, Nervous has to do with the
use of the female body within anatomical dissection illustration. It has been noted that the
female body has been used to primarily illustrate the nervous and reproductive systems, i.e.
woman as “nervous Nelly” or as a vessel for baby-making. I added the digestive element
to further extend this conversation of what the female body is thought to represent to
that perception of woman being one that devours.
CV
EDUCATION
2007
2003
2002
Yale University School of Art, New Haven, CT
Degree: M.F.A. in Photography
Massachusetts College of Art: Boston, MA
Degree: B.F.A. in Photography
Distinction and Departmental Honors
Accademia di Belli Arte: Viterbo, Italy, in conjunction with Montserrat College of Art:
Beverly, MA
Study Abroad Program
EXHIBITIONS
2013
2013
2013
2013
2012
2010
2010
Pre-Existing Condition, Yellow Peril Gallery: Providence, RI
Work Harder, Yellow Peril Gallery: Brooklyn, NY
Strangely Human, Broad Street Gallery: Hartford, CT
Parallax: Women’s Photography Exhibition, Gormley Gallery, Notre Dame of Maryland
University: Baltimore, MD
Come Together, FotoWeekDC Festival: Washington, DC
Try: Benefit Art Show, Jen Bekman Gallery: New York, NY
Housed, Women In Photography: online exhibition http://www.wipnyc.org/blog/housed
2010
2009
2008
2008
2008
2007
2007
2007
2007
2007
2007
2006
2006
2005
2004
2004
2003
2003
2002
Housed, Alice Austen House: Staten Island, NY
Slide Slam, Real Art Ways: Hartford, CT
25 Under 25 Up-and-Coming American Photographers, Gulf and Western Gallery: New
York, NY
Slide Slam, Real Art Ways: Hartford, CT
FRESH: Emerging Artists Series, Kasia Kay Art Projects Gallery: Chicago, IL
Bridge Art Fair, Kasia Kay Art Projects: Miami, FL
The Photo Review 2007 Competition Group Show, Gallery 1401, University of the Arts:
Philadelphia, PA
Yale M.F.A Photography Show, Danziger Projects: New York, NY
(photographs) Group Show, (photographs) Gallery: Chicago, IL
Yale M.F.A Thesis Show, Green Art Gallery, Yale University: New Haven, CT
Recent Work, Culpeper Gallery: Abrons Art Center, Henry Street Settlement: New York, NY
Second-year M.F.A Exhibition, Green Art Gallery, Yale University: New Haven, CT
Montserrat College of Art’s 20th Annual Artrageous Auction, Montserrat Gallery:
Beverly, MA
First-year MFA Exhibition, Green Art Gallery, Yale University: New Haven, CT
Ladies’ Night Fall: A Convergence of Women, Art, and Fashion, Jose Hernandez Cultural
Center: Boston, MA
(photographs) Group Show, Worcester Artist Group Gallery: Worcester, MA
Senior Photo Show, Tower Gallery, Massachusetts College of Art: Boston, MA
Solo Student Exhibition, A4 Gallery, Massachusetts College of Art, Boston, MA
Viterbo, Carol Schlosberg Alumni Gallery, Montserrat College of Art: Beverly, MA
AWARDS
2012
2010
2010
2009
2008
2007
2006
2002
1999
The American Academy in Rome, nomination for application for the 2013 Rome Prize:
New York, NY
Aperture Portfolio Prize Runner-up, Aperture Foundation: New York, NY
http://www.aperture.org/apertureprize/2010-2.php
ScanDigital's Top 100 Online Photographer's Award for 2010
The Louis Comfort Tiffany Foundation Biennial Award: Nominee: New York, NY
The Singular Image Color Competition, Center Santa Fe: Santa Fe, NM
Alice Kimball English Traveling Fellowship recipient, Yale University School of Art:
New Haven, CT
Schickle-Collingwood Prize, Yale University School of Art: New Haven, CT
Foundation Auction Award, Massachusetts College of Art: Boston, MA
Merit Scholarship, Massachusetts College of Art: 1999-2003
HONORS, PANELS, VISITING LECTURES
2013
2013
2012
2012
2011
Visiting Artist Lecture, Humanities in Medicine Lecture Series, Yale School of Medicine:
New Haven, CT
Visiting Artist Lecture, Art Department: Semester in NYC, Hamilton College: New York, NY
Visiting Artist Lecture, Art As A Source Of Healing, Brown University and RISD:
Providence, RI
Discussion Panelist: Yale Photography MFA Alumni: Kathryn Parker Almanas, Daniel
Gordon, and David Benjamin Sherry: Graduate Photography: Yale University School of Art:
New Haven, CT
Bravo, Work of Art: Season Two: Artist: New York, NY
2011
2011
2010
2009
2008
2008
2008
2007
2008
2005
http://www.bravotv.com/work-of-art/season-2/bio/kathryn
Visiting Artist Lecture, Undergraduate Painting, Temple University, Tyler School of Art:
Philadelphia, PA
Visiting Artist Lecture, Undergraduate Photography, Wesleyan College: Middleton, CT
Visiting Artist Lecture, Undergraduate Photography, Rowan University: Glassboro, NJ
Visiting Artist Lecture, Undergraduate Photography, Bard College:
Annandale-on-Hudson, NY
Visiting Artist Lecture, Undergraduate Photography, Rowan University: Glassboro, NJ
Review Santa Fe, Conference and Portfolio Review: Center: Santa Fe, NM
Visiting Artist Lecture, Undergraduate Photography, Yale University School of Art:
New Haven, CT
Open Studio Panelist: Ethics in Photography, Graduate Student Symposium: Yale Center
for British Art: New Haven, CT
Discussion Panelist: Photography Documenting History of Medicine, Research, and
Experimentation: Medical Historical Library, Yale University School of Medicine:
New Haven, CT
Class of 2007 Representative: Graduate Photography Department, Yale University School
of Art: Fall 2005-Spring 2007
BIBLIOGRAPHY
2013
2012
2012
2012
2011
2011
2011
2011
2011
2011
2011
2011
2011
2011
2011
Schaufenster Die Presse, Weekend Feature: Gourmet Kostnitiz, Vienna, Austria
Kenya Daily Nation Newspaper, Saturday Magazine, Feature: Wangechi Mutu: December 8
TAR Magazine: Wangechi Mutu, cover
PMS 485 C Project: Online Portfolio: http://www.pms485c.com/
freq.uenci.es: A collaborative Genealogy of Spirituality: photograph titled Limbic featured:
http://freq.uenci.es/2011/10/28/blood/
Village Voice: Q&A: Kathryn Parker Almanas on Her Work of Art Elimination:
http://blogs.villagevoice.com/runninscared/2011/10/qa_kathryn_parker_almanas_work_of_art.php
Artillery Magazine: Interview: Kathryn Has Intestinal Fortitude:
http://www.artillerymag.com/blog/entry.php?id=kathryn-has-intestinal-fortitude
ArtInfo.com: "We're All Going to Die": Our "Work of Art" Exit Interview With Kathryn
Parker Almanas:
http://www.artinfo.com/news/story/38918/were-all-going-to-die-our-work-of-art-exit-interviewwith-kathryn-parker-almanas/
BloggingBravo.com: Interview: http://bloggingbravo.blogspot.com/2011/10/blogging-bravointerview-with-work-of_20.html
NewYorkMag.com: Work of Art Recap: Jerry Saltz Shows Appreciation on a Gut Level:
October 20, 2011:
http://nymag.com/daily/entertainment/2011/10/work_of_art_recap_jerry_saltz_1.html
Delicate: New Food Culture: Gestalten: Pastry Anatomy series featured in book publication:
p. 147.
.default magazine: Online magazine, collage work: Chronic Care Collection featured:
p.118: http://www.defaultmagazine.com/eng/issues/16/
Fototazo: Curated Photographer Recognition: http://www.fototazo.com/2011/08/f100-owenbruce-tamar-latzman-kathryn.html
500 Photographers by Pieter Wisse: Photographer #316:
http://500photographers.blogspot.com/2011/06/photographer-316-kathryn-parker-almanas.html
Photopol.us: Online Interview: ArtStar Kathryn Parker Almanas Photographs the
Visceral Tableaux: http://photopol.us/2011/04/28/artstar-kathryn-parker-almanas-photographsthe-visceral-tableaux/
2011
2011
2010
2010
2010
2010
2009
2009
2009
2008
2008
2008
2008
2008
2008
2007
2007
2007
2006
2004
2004
Share Mag: Online Portfolio:
http://SHAREMAG.NET/index.php?option=com_content&view=article&id=1140:pre-existingcondition-kathryn-parker-almanas&catid=19:portfolios&Itemid=214
The Placenta Cookbook , New York Magazine: August 29th Issue.
Ruby Magazine: Issue 49: http://www.ruby-mag.com.ar
Critics’ Picks: Artforum: Housed at Alice Austen House, by Megan Heuer:
http://www.artforum.com/?pn=picks&section=nyc#picks26059
A Guided Tour, essay by Susan Bright in conjunction with the exhibition, Housed: July
Food In Contemporary Photography, Gastronomica Magazine: Winter
PDN’s 30 2009, Photo District News Magazine: March
Superbugged, Toronto Life Magazine: p.58-59, 61, 62: March
The Collector’s Guide to Emerging Art Photography: Humble Arts Foundation: March
Emerging Artists 2008, American Photo Magazine: October
Between the Rivers, Waterstone Review, Volume 11: October
A Dose of Reality, Metropolis Magazine: September
25 Under 25- the World Through Their Eyes, O, The Oprah Magazine: September
Wangechi Mutu: A Shady Promise, endpages
25 Under 25 Up-and-Coming American Photographers Catalogue: Duke University Center
for Documentary Studies: 2005 competition
A Spice Odyssey, Culture+Travel Magazine: p.100-105: Winter
Competition 2007, The Photo Review: October
Graduate Photography 2007 at Yale Catalogue, GHP, West Haven, CT
(photographs) Magazine, p. 3, 6, 16: No.5/ Winter
CMYK Magazine, p.15, 45: Summer
(photographs) Magazine, p.9-13: No.2/ Spring
TEACHING
EXPERIENCE
2011- International Center of Photography: New York, NY
present Continuing Education Faculty, Course Taught: Building A Vision: Advanced Perspective,
Collage and Construction: Navigating the Imagination
2008- Hamilton College: Art Department: Clinton, NY
2010 Visiting Assistant Professor of Art responsible for Photography courses and facilities: July 2008July 2010.
Courses taught: Introduction to B&W Photography, Introduction to Digital Photography,
Advanced Photography, Senior Art Majors
2007 Yale University School of Art, Undergraduate Department of Photography:
New Haven, CT
Teaching assistant to Sarah Anne Johnson: Spring 2007.
Course: Introductory Photography.
2006 Yale University School of Art, Undergraduate Department of Photography:
New Haven, CT
Teaching assistant to Lisa Kereszi: Fall 2006.
Course: Medium Format Photography.
2004 Massachusetts College of Art, Department of Photography: Boston, MA
Teaching assistant to Nicholas Nixon: Fall 2004.
Course: Large Format Photography.
2004 Franklin Public School: Franklin, MA
Substitute Art Instructor, Franklin High School: October 2003- January 2004 and
December 2001- January 2002.
2004 Norwood Public School: Norwood, MA
2003
2003
Substitute Art Instructor, Norwood High School: November 2003- January 2004.
Massachusetts College of Art, Department of Photography: Boston, MA
Teaching assistant to Nicholas Nixon: Fall 2003.
Hostelling International’s Opening Doors, Opening minds Travel Scholars Program in
Collaboration with the Greater Boston Arc’s KOALA Program: Boston, MA
Volunteer Photographic Instructor: August 2003.
PROFESSIONAL
2012
2011
2010
2008
2008
2007
2007
2006
2005
EXPERIENCE
Wangechi Mutu Studio: Brooklyn, NY
Freelance Photographer commissioned for Installation image to be printed on cover of TAR
Magazine.
New York Magazine: New York, NY
Freelance Photographer commissioned for August 29th Issue story: The Placenta Cookbook.
Time Magazine: New York, NY
Freelance Photographer commissioned for October 25th Issue story: The Joy of Cookbooks.
Details Magazine: New York, NY
Freelance Photographer commissioned for September story: Know+Tell Drinks: Obscure Classic
Cocktails.
Bettyann Holtzmann Kevles: New Haven, CT
Assistant to Yale University History of Science & Medicine Professor: Spring 2008.
Culture+Travel Magazine
Freelance Photographer commissioned for Winter story: A Spice Odyssey.
Wangechi Mutu Studio: Brooklyn, NY
Freelance Photographer commissioned for Portrait to be included in book publication.
Art Collection Deutsche Boerse: Frankfurt am Main, Germany
Internship under Curator, Anne-Marie Beckmann: Summer 2006.
Yale University School of Art, Admissions Office: New Haven, CT
Office assistant, work-study: Winter 2005.
Limbic (2010)
from series: Pre-Existing Condition
archival pigment print
edition of 3 + 1AP / 50" x 40" - $5,000 / $6,500 framed
edition of 5 + 1AP / 24” x 20” - $3,300
Surgical Theatre (2009)
archival pigment print
30" x 40" / Edition of 3 + 1AP - $4,400 / $5,500 framed
16" x 20" / Edition of 5 + 1AP - $2,200
Bloatation (2009)
Archival Pigment Print
20" x 24" / Edition of 3 + 1AP - $3,300 / $4,400 framed
10" x 12" / Edition of 5 + 1AP - $1,200
CALEB CAIN MARCUS
BIO
Caleb Cain Marcus is a New York City based photographer, born in the Rocky
Mountains. Cain Marcus has dedicated himself to the poetic search for the balance
between city, nature, man and the invisible.
In an effort to re-create a feeling of solitude that occurs in nature he photographed
New York City at night, when the vibrations of the space could be observed without
the pollution of people. The series culminated in his first book, The Silent Aftermath of
Space (2010), which included a foreword by Robert Frank. Cain Marcus’ response to
the night work, A Portrait of Ice (2012), was a two-year journey onto the glaciers of
Patagonia, Iceland, Norway, New Zealand and Alaska. Cain Marcus attempts to create
a bond between the viewer and the glaciers that is not based on analytic data, but one
that is felt through the use of instinctual color.
His photographs are in the collections of the Metropolitan Museum of Art, the Museum
of Fine Arts Houston, and the High Museum of Art, among others. He holds an MFA
from Columbia University.
CV
EDUCATION
MFA Columbia University
EXHIBITIONS
2014
National Academy of Sciences, Washington, DC (upcoming)
2013
The Ross Art Museum, Delaware, OH
Additions to the Collection from Antiquity to Today, Mead Art Museum, Amherst College, MA
2012
Full of Grace: The Child in Photography, Palm Beach Photo Centre, West Palm Beach, FL
2011
Photography and Its Influence on Contemporary Art, Vanderbilt University Fine Arts Gallery
Nashville, TN
Cool and Collected, Delaware Art Museum, Wellington, DE
The Buhl Collection: Speaking with Hands, Palm Beach Photo Centre, West Palm Beach, FL
2009
Selected Black and White Photography, Schimmel Gallery, New York, NY
Through the Lens, Studies in Photography, Trout Gallery, Carlisle, PA
2008
Recent Additions to the Permanent Collection, Delaware Art Museum, Wellington, DE
2007
Between Language and Geography, Miskin Gallery, NY, NY
New Acquisitions, Bucknell University, Samek Art Gallery, Lewisburg, PA
COLLECTIONS (PARTIAL LIST)
Amherst College, Amherst, MA
The Buhl Collection, New York, NY
Center for Creative Photography, Tucson, AZ
The Cohen Collection, New York, NY
Cooper Union, New York, NY
George Eastman House, Rochester, NY
High Museum of Art, Atlanta, GA
Hood Museum of Art, Hanover, NH
The Metropolitan Museum of Art, New York, NY
The Museum of Fine Arts Houston, Houston, TX
The Museum of the City of New York, NY
The Norton Museum of Art, Palm Beach, FL
ART FAIRS
SCOPE Miami Beach, Yellow Peril Gallery, 2013
The Armory Show, New York, Howard Greenberg Gallery, 2013
MONOGRAPHS
A Portrait of Ice. Text Marvin Heiferman, Robin Bell. Damiani, 2012.
The Silent Aftermath of Space. Foreword: Robert Frank. Damiani, 2010.
ANTHOLOGIES
Shared Space. Damiani, 2009.
Full of Grace. PowerHouse, 2006.
AWARDS + HONORS
William H. Eells National Colloquium Artist. 2013
PDN Annual, A Portrait of Ice. 2013
International Photography Award, The Silent Aftermath of Space. 2010
Double Elephant Editions Portfolio. 2006
ARTIST LECTURES
National Colloquium, OH, 2013
FotoFusion, FL, 2012
PRESS
Audubon Magazine, “Field Notes” July/August, 2013
Artsy “Follow these four landscape photographers” June 7, 2013
Fraction Magazine “A Portrait of Ice” June, 2013
Photo District News “Photo Annual Photo Books 2013” June, 2013
Smithsonian “Caleb Cain Marcus’ Photos of Glaciers on a Disappearing Horizon” March 21,
2012, Megan Gambino.
Musée Magazine “Caleb Cain Marcus” March 13, 2012, Marsin.
Urbanautica “Book Review: Caleb Cain Marcus’s Portraits of Ice” December 31, 2012, Steve
Bisson.
The Watch “Caleb Cain Marcus Brings Clarity to a Brief Moment in the Long History of
Glaciers” December 20, Marta Tarbell.
Design Arts Daily “Caleb Cain Marcus: A Portrait of Ice” December 17, 2012, Peggy Roalf.
Photo-eye Magazine. “A Portrait of Ice” October 26, 2012, Tom Leininger.
A Photo Editor. “This Week In Photography Books – Caleb Cain Marcus” October 12, 2012,
Jonathan Blaustein.
A Sky Filled with Shooting Stars. “Read this now: “A Portrait of Ice” by Caleb Cain Marcus”
October 10, 2012, Robert Ayers.
Photo District News Blog. “Ice Age” September 18, 2012, Amber Terranova.
Trendland. “A Portrait of Ice by Caleb Cain Marcus” September 14, 2012, Izabella Tzenkova.
Resource Magazine. “Caleb Cain Marcus’ Portrait of Ice” September 14, 2012.
NBC Photo Blog. “A Portrait of Ice” September 11, 2012.
Time LightBox. “A Portrait of Ice” September, 2012.
Antiques & Fine Art Magazine. “Museum of the City of New York…” Autumn 2011, Sean
Corcoran, Lacy Schutz.
Photo-eye Magazine. “The Silent Aftermath of Space” June 2011, Tom Leinnger.
Frankfurter Allgemeine Zeitung. “Kopfüber in die Nacht” December 23, 2010
CALEB CAIN MARCUS
Perito Moreno, Plat I, Patagonia (2012)
from series: A Portrait of Ice
pigment fiber print
54” x 43” / Edition of 4 + 2AP - $9,000 ($12,000 framed) | 2/4 framed + 1AP framed + 1AP unframed available
29” x 23” / Edition of 9 - $5,000 unframed
COLLECTIONS: The Metropolitan Museum of Art
EXHIBITION HISTORY: Ross Museum 2013 / National Academy of Sciences 2014
CALEB CAIN MARCUS
Nigardsbreen, Plate I, Norway (2011)
pigment fiber print
54” x 43” / Edition of 4 + 2AP - $9,000 ($12,000 framed) | 2/4 framed + 2AP available
EXHIBITION HISTORY: Ross Museum 2013 / National Academy of Sciences 2014 / Tufts University 2014
CALEB CAIN MARCUS
Fox, Plate IV, New Zealand (2010)
pigment fiber print
54” x 43” / Edition of 4 + 2AP - $9,000 ($12,000 framed) | 3/4 + 1AP available
CALEB CAIN MARCUS
Sólheimajökull, Plate II, Iceland (2010)
pigment fiber print
43” x 54” / Edition of 4 + 2AP - $9,000 ($12,000 framed) | 3/4 + 1AP available
NAOMI CAMPBELL
BIO
Canadian born Naomi Campbell grew up in Montréal, now lives in Brooklyn, New York.
She is an interdisciplinary artist and instructor of the contemporary figure at the Art
Students League of New York whose paintings, graphics and sculpture installations
explore the cross section between art, science and social consciousness. Throughout
her career she has exhibited extensively both nationally and internationally in galleries
and museums.
Prior to 2008, a significant part of her work has been site-specific public art projects. In
2003 she took part in the City’s MTA Arts for Transit, a two-year art and redesign
project for the New York Transit Authority. Allocated the Bronx Zoo and Wildlife
Conservation Society, Naomi created a complex series of stain glass walls, dividers
and enclosures. Other projects during that time included the SWIFT Pan-Americas
acquisition of her artwork in their permanent collection. This two-year project
completed in 2007 was a five hundred pound custom glass sculpture selected to be
the central piece in their Times Square head office. The City of Geochang in South
Korea commissioned a six-foot granite sculpture for their sculpture park as part of their
Sculpture Symposium event in 2007.
Recently her practice investigates the human presence questioning the boundaries of
identity and individual memory. 20 Seconds, Objects of affection, Ritual and Silence
are part of a series addressing the use of firearms in America that began in 2004. Her
works on this issue are now being considered for an upcoming book Guns-Love, fear
and loathing by Rizzoli.
In 2007 she created an installation based on her wire drawings of cancer survivors
shown in Berlin and New York.
In 2008 exploring the physiological mapping of the face she produced the glass and
mirror work Exit/Enter for White Box [NY].
Following that she her attention was drawn to investigate the effects of technology
through the context of speed and the passage of time. A renewed examination of
Futurism at the time of its centennial, Campbell incorporated glowing industrial
nocturnes as freeze-framed “filmstrips” around the gallery. These plexiglas painted
panels were bolted to the walls in her solo exhibition at White Box Projects in 2010.
Her x-rays and light installation at Governors Island in 2011 and in the recent Seeing
Ourselves exhibition curated by Dr. Jeff Koan Baysa developed from her research into
the 2011 nuclear power plant disaster in Japan. Homeless myths and Indigo cried
black were tributes to the nuclear power plant workers. The room installations used
analogue x-rays to create interactive environments for the viewer to walk through.
Campbell has lectured and conducted critiques at institutions such as Lehman College
[NY], the MTA Arts for Transit, the New York Transit Museum, and several national and
international art organizations. She has been a contributing writer to some art journals
and magazines. Campbell’s work is featured in public collections including the City of
New York, the City of Irving [TX], the Trenton City Museum [NJ], the New York Public
Library, and Maimonides Hospital [New York].
CV
EDUCATION
§
Graduate Collège de Champlain, Quèbec, DEC, Studied: University of Guelph, Ontario, CDA
§
School of Visual Arts, New School, graduate in painting & printmaking at The Art Students
League of New York, NY
RESIDENCIES
§
SVA, Public Arts, NY
PUBLIC/CORPORATE COMMISSIONS (select)
2006-7 S.W.I.F.T. Pan-Americas NY Corporate head office. 500 lb. glass sculpture
2006
Maimonides Hospital; Cancer Treatment Center entrance. 15 ft. work on paper
2003-5 MTA Arts for Transit, Bronx Zoo subway station 2,5 line, North & South platforms. 2 yr. project,
450 sq. ft. faceted glass
2005
ASPCA Humane Award used in perpetuity
LIA London International Advertising, Top Awards used in perpetuity
EXHIBITIONS
Select, solo to four person, * indicates catalogue/brochure
2012
Retinal Displacement, Yellow Peril Gallery, RI*(solo)
2010
Silent Harvest, White Box Projects, NY*(solo)
Silent Harvest, Galerie Gee 71, Netherlands (solo)
2007
2003
Twist of Fate, Trenton City Museum, NJ*
Tetrasoma, Heidi Cho Gallery, NY
1997
Urban Relief, Heidi Cho Gallery, NY
Blue Exhibition, Heidi Cho Gallery, NY
Int’l Group, International House, NY
1996
International Art, International House, NY
Select, group, post 2000
2013
Model Minority, Yellow Peril Gallery at SCOPE Miami Beach, FL
Work Harder, Yellow Peril at LightSpace, NY, curator Robert Stack
Past Perfect, Future Imperfect, Art Share LA, CA, curator Dr. Koan Jeff Baysa
2012
The Flat Files, Yellow Peril Gallery, Providence, RI
Seeing Ourselves, Center for Photography and the Moving Image Museum, NY,
curators Dr. Koan Jeff Baysa, Dr. Caitlin Hardy*
Taiwan International Pastel Group Exhibition, Department of Education of Taiwan, Taipei*
2011
Buildings of New York, George Billis Gallery, NY*
Hudson River Contemporary: Works on Paper, curators Dr. Katherine Manthorne & Mr. James
McElhinney, Boscobel Museum, Garrison, NY*
Governor’s Island Art Fair, NY*
Arte et Amicitae, Amsterdam, Netherlands*
The Eternal Landscape, curators Christopher Sweet & Charles Yoder, Salmagundi Center for
American Art, NY*
2008-10 Documents Please international traveling exhibition*
2009
Theatre of More/21, White Box, NY
2009-10 Etching and Monotype Exhibition, Pyramida Center for Contemporary Art, Haifa, Israel*
Zeeland Ontdekt Amerika, Zeeuws, Maritiem Muzeum, Holland*
2008
Talent Preview ’09, White Box, NY*
Basel Miami, Scope Art Fair, Miami, FL
Asian Contemporary Art Fair, Pier 94, NY
2007
Geochang Sculpture Symposium Exhibition, Geochang, South Korea*
Threading Trends, Galeria Galou, NY
Threading Trends, Alte Poste, Berlin, Germany
Etching Salon, David Kiehl curator of Whitney Museum, Gregg Gallery, NAC, NY*
Bennington AAA Invitational, Bennington Center, VT*
Clifton Arts Center PSA Invitational, Clifton, NJ2006
Bronx Bound, Lehman College Gallery, CUNY, NY*
Taiwan Center for Art International Exhibition, Taiwan Center for Art, NY*
Renaissance Pastel, Slater Memorial Museum, CT
Trenton City Museum Ellarslie, Trenton City Museum, NJ
Greenwich Council of the Arts, Bendheim Gallery, Greenwich, CT
2005
Along the Way MTA Arts for Transit 20 Year Retrospective Exhibition, UBS Gallery, NY
The League Then and Now; Art Students League of New York, Gallery Salute to 130th
Anniversary, Phyllis-Harriman Mason Gallery, curator Pam Koob, NY
Water Mill Museum Annual Exhibition, Water Mill, NY
2003
Contemporary Japanese Prints, Harold Lemmerman Gallery, New Jersey City University, NJ
The Lobby Gallery, Durst Organization, NY
Japanese Contemporary Prints, GOGA, NY
Watercolor U.S.A., Springfield Museum, MI*
Okayama Sculpture Exhibition, Okayama, Japan
International Art of the Fan, Tokyo Metropolitan Museum of Art, Japan, Seoul, Korea*
Paper Ball, Jersey City Museum, NJ
Just Visiting, John Meagher Gallery, Jersey City Hall, NJ
2002-3 Message from New York, Traveling, Umeda Sky Gallery, Osaka, Japan, Durst Organization, NY
2002
A Century on Paper, Prints by Art Students League of New York Artists 1901-2001, UBS Gallery,
curator Pam Koob, NY
Emerging Artists of New York Society of Etchers, Golden Street Galleries, CT*
Print Exhibition, GOGA, NY
Butler Museum of American Art Annual Exhibition, Youngstown, OH*
Emerging Artists of New York Society of Etchers, Golden Street Art Galleries, CT
Reactions, Exit Art, NY*
New York City Non-Profit Print Workshop, Phyllis Harriman Gallery, ASL, NY*
2001
Butler Museum of American Art Annual Exhibition, Youngstown, OH*
International Print Exhibition, Shoreline Gallery, NJ
Print Exhibition, Gallery of Graphic Arts, NY
Emerging Printmakers from Around the World, Swaine Gallery, CT
International Artists Print Exhibition, Shoreline Gallery, NJ
2000
New York Underground, Sylvestre Galleries, NJ
International Print Exhibition, Gallery of Graphic Arts, NY
Miyazaka, Gendaikko Museum, Miyazaka, Japan
AWARDS, HONORS (select)
Several scholarships including:
§
§
§
Tung Wah Scholarship
National Academy
UBS Scholarship
Several awards including:
§
§
§
§
§
4 Gold Medals of Honor for visual arts from National Juried Exhibitions
4 Signature Memberships from National Juried Organizations
2004 Award - Annual Okayama Sculpture Invitational Exhibition, Okayama, Japan
Award - The Pastel Journal 5th International Competition Top Finalist 3,000 entries
2002 Award - The Artists Magazine International Competition Top Finalist 14,000 entries
PROFESSIONAL POSITIONS (select)
§
Instructor in Fine Arts: the Contemporary Figure in Watercolor, The Art Students League of New
York, since 2007
§
Serve on Selection Committee for the City of New York, MTA Arts for Transit, for permanent
artwork for the subway
§
Guest Lecturer at New York College & National Art Organizations including New York Transit
Museum, City of New York MTA Arts for Transit, Lehman College, & Salmagundi Center for
American Art, NY 2005-2011
§
Contributing writer, American Artist 2011, Artscape 2009, Linea Art Journal 2003-2004
§
Research Assistant, New York art critic and writer 2000, 2005
BIBLIOGRAPHY (select, post 2000)
Featured in 14 book publications including:
§
§
100 Mid-Atlantic Artists, 2010
Along The Way, MTA Arts for Transit, 2006
2012
Naomi Campbell, “Retinal Displacement,” Collect magazine, Autumn 2012
“Editor’s Pick: Retinal Displacement, new works by Naomi Campbell,” Providence Phoenix, Sept. 13
“Top Pick, Get Out Calendar,” Providence Monthly, September
“Seeing Ourselves: The Science and Art of Diagnostic Medical Imaging”, Huffington Post 2012/03/06
“Mixed Media; Experiencing the Experimental”, The Complete Painter’s Handbook 2012, American Artist
Magazine
2011
Master Palettes, by Naomi Ekperign, American Artist Magazine, Fall Watercolor issue
2010
Bahr, Bob. “Rediscovering Acrylics”, American Artist Magazine
2007
Purcell, Janet. “Detour to Fame,” The Times, Trenton Metro, January
2006
Carpenter, Sandra. “Portraits of Life: Naomi Campbell,” Pastel Journal Magazine
Fletcher, Heather. “Bronx Bound,” Daily News, February
2005
McGee, Celia. “Carving out a Niche,” Daily News, Sunday Now, October
Purcell, Janet. “Source of Life, Naomi Campbell,” WatercolorMagic Magazine
2004
Haler, Vera. “100 Years of the Subway,” Newsday New York.com, interview & video, October
“Master Painters of the World 2004: United States Showcase,” International Artist Magazine, June/July
Johnson, Michael Johnson, Michael Chelsey. “The Year’s Best,” Pastel Journal, April
2002
Sullivan, Jenny. “That Something Special,” The Artist’s Magazine
Elliot, Virgil. “The Contemporary Portrait,” Journal of American Society of Portrait Artists, Vol. 2
2000
Sasaki, Kana. “Auctioned,” The Yomuri America Newspaper, NY, October
NAOMI CAMPBELL
Spawning (2013)
acrylic and metal on canvas
70” x 38”
$15,000
NAOMI CAMPBELL
Erasure (2012)
from series: Retinal Displacement
acrylic on canvas
48" x 72”
$12,000
NAOMI CAMPBELL
Untitled I (2013)
acrylic on canvas
48" x 22”
$7,000
NAOMI CAMPBELL
Untitled II (2013)
acrylic on canvas
28" x 40”
$7,000
JAMEY MORRILL
BIO
JAMEY MORRILL is a Providence-based sculptor and adjunct professor of art at
Rhode Island College in Providence, RI. In recent years Morrill's sculpture has become
increasingly sprawling and site-specific, with emphasis on mass-produced materials
and organic forms. Often using commonplace materials, such as plastic bottles,
chicken wire, and duct tape, Morrill constructs sculptures that are outwardly cerebral
and systematic but that are fundamentally random and irrational.
Morrill recently completed a residency at Fountainhead in Miami and was nominated
for the Rappaport Prize from the DeCordova Museum in 2010 and The Louis Comfort
Tiffany Foundation Grant in 2009. Previous select solo and group exhibitions include:
Yellow Peril Gallery, Providence (2012 & 2013), Locust Projects, Miami (2011 & 2012),
Curfman Gallery at Colorado State University (2011), Maya Allison Projects (2010),
Aqua Art Fair, Miami (2009) and David Winton Bell Gallery (2005). He received his
M.F.A. in Sculpture from Indiana University, Bloomington in 2002 and his B.A in Art
History from Bowdoin College in 1992.
CV
EDUCATION
M.F.A. Sculpture; Indiana University, Bloomington. 2002
Exchange Fellow; Freie Universitaet, Berlin, Germany 1994-1995
B.A. Magna Cum Laude Bowdoin College.1992
DISTINCTIONS
Visiting Artist; Fountainhead Residency; Miami, FL. 2012
Artist-in-Residence, Bannister Gallery, Rhode Island College; 2011
Nominee; Rappaport Prize; DeCordova Museum, Lincoln, MA. 2010
Nominee; The Louis Comfort Tiffany Foundation Grant 2009
Visiting Artist and Lecturer; UMass Lowell, Lowell, MA. 2008
Visiting Artist and Lecturer; Marlboro College, Marlboro, VT. 2008
Visiting Lecturer; Rhode Island School of Design, Providence, RI. 2006
Visiting Artist and Lecturer; Bowdoin College, Brunswick, ME. 2004
Fellowship Grantee; Vermont Studio Center, Johnson, VT. 2003
Recipient, Grant-in-aid of Research; Indiana University, Bloomington, IN. 2002
EXHIBITIONS
SOLO EXHIBITIONS
Yellow Peril Gallery, Providence, RI 2013
Yellow Peril Gallery, Providence, RI 2012
Curfman Gallery, Colorado State University, Fort Collins, CO 2011
Maya Allison Projects, Providence, RI 2010
University Gallery, UMass Lowell, Lowell, MA 2008
Fine Arts Gallery, Community College of Rhode Island, Lincoln, RI 2008
Drury Gallery, Marlboro College, Marlboro, VT 2008
The Space at Alice, Providence, RI 2006
NAO Gallery, Boston, MA. 2005
Clara M. Eagle Gallery, Murray State University, Murray, KY 2004
Bluebird Gallery, Louisville, KY 2003
Hand-Laundry Gallery, Louisville, KY 2002
Indiana University Museum of Art, Bloomington, IN 2002
Gallery Hertz, Louisville, KY 1998
David Hungerford Gallery, Lexington, KY 1998
GROUP EXHIBITIONS
Yellow Peril at Lightspace, Brooklyn, NY 2013
Locust Projects, Miami, FL 2012
Locust Projects, Miami, FL 2011
Aqua Art Fair, Miami, FL 2009
Bannister Gallery, Rhode Island College; Providence, RI 2009
David Winton Bell Gallery, Brown University; Providence, RI 2005
South County Art Association, Kingston, RI 2005
Clara M. Eagle Gallery, Murray State University, Murray, KY 2003
Foothills Art Center, Golden, CO 2001
Wood Street Gallery, Chicago, IL 2000
Hunter Museum of Art, Chattanooga, TN 2000
JAMEY MORRILL
Untitled (Tire) (2013)
rubber, wood, nylon, silk, paint
26” x 26” x 10”
$7,500
JAMEY MORRILL
Landscape Sculpture #9 (2013)
wood, nylon, silk, paint
12” x 8” x 4”
$600
JAMEY MORRILL
24” x 9” x 4”
$1,200
JAMEY MORRILL
12” x 8” x 4.5”
$600
JAMEY MORRILL
15” x 8” x 3”
$900
JAMEY MORRILL
16” x 8” x 3.5”
$900
JAMEY MORRILL
Stool (2013)
29" H x 14" W x 17" L
$2,500
RODRIGO NAVA
BIO
Mexico City, Mexico, b. 1978
Born in Mexico City, Mexico in 1978, RODRIGO NAVA mentored under artists Edgar
Guzman, Joseph Fichter, and Franco Ciarlo. Through these experiences, Nava became
familiar with the sculptural use of stone, ironwork and mixed media.
Nava took Fichter’s position as Head of Sculpture Department at The Putney School in
Putney, Vermont, returning to stone sculpture and incorporating process with materials
such as wax, brass, and poured tin.
From his current studio in Putney, Nava explores the interaction between the
intentional hand of the sculpture, the material quality of steel and experimental
explosive processes that alter the form created by hand.
Although Nava frequents New York City, he maintains residence in Putney, where he
continues to teach part-time, and at times holds process-restrained, temporary art
collaborations.
CV
EDUCATION
• American University of Paris, Paris, FRANCE | BFA (2000)
EXHIBITIONS
•
•
•
•
•
•
Model Minority, SCOPE Miami Beach 2013, Yellow Peril Gallery, Providence, RI
Governors Island Art Fair, 7 Sept – 29 Sept 2013, New York, NY
Work Harder, Yellow Peril Gallery at LightSpace, 11-13 May 2013, Brooklyn, NY
Collect, #102 Satellite Projects at The Plant, Nov - Dec 2013, Providence, RI
Visible Force, 19 July – 12 August 2012, Yellow Peril Gallery, Providence, RI
Expansions, 10 March – 2 April 2012, Partners & Spade, New York, NY
RODRIGO NAVA
Expansion #14 (2012)
from series: Visible Force
expanded, welded steel sculpture
dimensions variable
$4,200
RODRIGO NAVA
Expansion #5 (2012)
dimensions variable
$3,700
RODRIGO NAVA
Expansion #7 (2012)
dimensions variable
$3,700
HAO NI
BIO
B: 1989 in Hsin Chu, Taiwan
HAO NI is an artist who is currently pursuing an MFA at The Rhode Island School of
Design. Originally born and raised in Taiwan, Hao arrived in the United States in 2007
after obtaining his citizenship in Canada. Lost in translation from one culture to the
next, Hao’s work is often informed by the dislocation he feels as a Taiwanese Canadian
(now American). Hao’s recent work explores the possibility of finding the sublimity from
the banal activities of the middle class. Through understanding the system in place in
both society, Hao hopes to bring up new questions about the construction of identity in
the increasingly globalized world.
ARTIST STATEMENT
Over the backdrop of the social, political and economic structures that rule the world today, I
wanted to focus on the everyday rituals that, in turn, define our identities. These rituals, while
seemingly mundane, become increasingly important as national and cultural boundaries are
eroding. As an immigrant, I had to become flexible and ultimately submissive toward these
underlying forces and rituals.
Over the years, I found myself noticing my experiences with the mundane and the subsequent
contradictions. My practice focuses on specific instances of these contradictions at play within
modernity. I draw from French philosopher, Paul Virillio's thoughts on invention, speed,
distance and violence. Virillio once said, "the invention of the ship was also the invention of the
shipwreck." As movement is accelerated and distances are shortened, contradictions become
more frequent.
My interest in music as a representation of movement signifies the, often incoherent,
translation of chaos within structure.
CV
EDUCATION
2014
2011
Rhode Island School of Design Sculpture MFA candidate, Providence, RI
Bachelor of Fine Arts, School of the Art Institute of Chicago (SAIC), Chicago, IL
Concentration in Sculpture
GRANTS, AWARDS, RESIDENCIES
2012
2011
2007
RISD Presidential Scholarship recipient
Edward Ryerson Fellowship, SAIC, Chicago
SAIC Merit Scholarship
EXHIBITIONS
SOLO EXHIBITIONS
2013
2011
"Proximity”, Yellow Peril Gallery
"You Have Your Fortress, I Have Mine", Pop Up Art Loop, Chicago
SELECT GROUP EXHIBITIONS
2013
2013
2013
2013
2013
2013
2012
2012
2012
2011
2011
2011
2011
2010
2010
2009
“Cloaked and Crashing” RISD Exposé (Curator), Providence, RI
“Under The Influence” Gelman Gallery at RISD Museum, Providence, RI
“Work Harder” Yellow Peril at LightSpace Studios, Brooklyn, NY
“Stalactite” The Granoff Center for the Creative Arts, Providence, RI
“Heavy” Sol Koffler Gallery, RISD, Providence, RI
“Transmediation” Stephan Stoyanov Gallery, New York NY
“Y.O.L.O” Las Manos Gallery, Chicago, IL
“With Other People, With Other Sons” Heaven Gallery, Chicago, IL
“B.A.D” Beverly Art Center, Chicago, IL
“Wood Worked” Chicago Urban Art Society, Chicago, IL
“Visual Narration: Contemporary Forms of Storytelling” Robert Bills Contemporary,
Chicago, IL
NEXT art fair, Robert Bills Contemporary, Chicago, IL
BFA show, SAIC, Chicago, IL
“Scape”, The Nicole Villeneuve Gallery, Chicago, IL
“Melting Point”, Work Studio Chicago, IL
“Sense and Form” Crossing” 33 Collective Gallery, Chicago
BIBLIOGRAPHY
2012
2011
Make Space. Review: With Other People, With Other Sons
Time Out Chicago. Visual Narration at Robert Bills Contemporary. Lauren Weinberg
HAO NI
Residue (2013)
enamel paint and aluminum on cast plastic, fluorescent light and light box
2ft x 4ft each
$5,000 each
HAO NI
Smoke Ring (2013)
from series: Smoke Sculptures
acrylic paint and glue on cigarette ash
edition of 5
dimensions variable
$275 each
HAO NI
The road will never be the same (2013)
plaster, clear acrylic, paper
33" x 12" x 12"
$3,750 without base / $5,000 with base
HAO NI
The road will never be the same again (2013)
plaster, clear acrylic, paper
33" x 12" x 12"
$3,750 without base / $5,000 with base
RAQUEL PAIEWONSKY
BIO
Puerto Plata, Dominican Republic, b. 1969
RAQUEL PAIEWONSKY moved to New York in 1991 to continue her art studies in
Parsons School of Design and stayed there for 10 years. In 2001 she returned to Santo
Domingo where she currently lives and works. Her work has traveled across the globe.
It explores human body, urban life, social constructs and social issues. For more
information, visit www.raquelpaiewonsky.com.
ARTIST STATEMENT
“im propia” speaks of humanity and freedom, through a corporeal symbolism that embodies
our experience in the social context but always with an important reference to our natural and
instinctive self. Raquel Paiewonsky uses the body as a platform that allows her from an
intimate place to approach broader topics ranging from social, philosophical or political. In this
exhibition she explores personal relationships, childhood, love, stereotypes, nature, diversity.
“I have always been interested in the body as a vessel capable of containing our life
experiences within itself, sometimes in mysterious and subtle ways, other times more
forcefully,” explains Paiewonsky. “In recent years, my work explores the relationship between
our essence and our surroundings, the impact of stereotypes and cultural constructions,
always taking as a reference our instinctual selves and the ways in which the primal
component of our nature is affected by the new and ever changing contexts of contemporary
life.”
Although seldom conveying violence explicitly, Paiewonsky’s work is very much concerned
with the veiled but insidious violence that permeates the personal, social and political systems
in which we live.
CV
EDUCATION
1993 Bachelor in Fine Arts, Parsons School of Design, New York
1991 Fine Arts and Illustration, Altos de Chavón La Escuela de Diseño, La Romana,
Dominican Republic
1990 Textile Design, Parsons School of Design, New York
1988 Painting, Boston Museum of Fine Arts
1986 - 1989
Architecture, Universidad Nacional Pedro Henríquez Ureña, Santo Domingo,
Dominican Republic
SOLO EXHIBITIONS
2013
Model Minority. SCOPE Miami Beach 2013, Yellow Peril Gallery, Miami Beach, FL
im propia. Governors Island Art Fair 2013, Presented by Yellow Peril Gallery, New York, NY
im propia. Yellow Peril Gallery, Providence, Rhode Island
2012
impropia. Centro cultural de España Santo Domingo, CCESD, Dominican Republic
2008
re-vuelta. Museo de Arte Moderno, Dominican Republic
Una. Galería Lisa Kirkman, Cabarete, Dominican Republic
Una. Lyle O’ Reitzel Gallery, Santo Domingo, Dominican Republic
2006
WholeBeing. Lyle O. Reitzel Gallery, Miami, Florida
2004
Vestial. Centre Martiniquais d’Action Culturelle, Martinique
2001
Vestial. Capilla de los remedios (IV Bienal del Caribe), Santo Domingo, D.R.
1999
Sub-cutánea. Lyle O. Reitzel, Arte Contemporáneo, Santo Domingo, D.R.
1997
La Resurrección de los Párpados. Lyle O. Reitzel, Arte Contemporáneo, Santo Domingo,
Dominican Republic
Kelly Glass Studio & Gallery, New York
1996
A Conversation. Hunter College, New York
1995
Obras recientes: Museo de Arte Moderno Santo Domingo, Dominican Republic
1992
Galería de Arte Nouveau, Santo Domingo, Dominican Republic
GROUP EXHIBITIONS
2013
SCOPE Miami Beach 2013, Breeder Program. Booth Yellow Peril Gallery, Miami Beach, Florida
55 Bienal de Venecia. Proyecto con el colectivo Quintapata, Instituto Italo-Latino Americano,
Curated by Alfons Hug, Venice, Italy
Bienal del sur de Panamá. Panama City, Panama
2012
XXI Bienal de La Habana. Proyecto con el colectivo Quintapata. Pabellón Cuba, Havana, Cuba
XXIV Concurso de Arte Eduardo León Jiménez. Santiago, Dominican Republic
Los poderes. Dentro del Festival foto 30 de Guatemala. Centro de la imagen, Santo Domingo,
Dominican Republic
2011
Caraibe en expansion. Centre Culturel de Recontre Fonds Saint – Jacques, Curated by Jose
Manuel Noceda
Bienal Nacional de Artes Visuales. Museo de Arte Moderno Santo Domingo, Dominican
Republic
Crissis…América Latina Arte y Confrontación 1910 – 2010. Museo del Palacio de Bellas
Artes. México DF. Curated by Gerardo Mosquera
Mover la Roca. Exposición con el Grupo de Artistas Contemporánea Quintapata, Curated by
Fernando Castro. CCEMX. México
Trajectories, Galerie T&T Art Contemporain, Guadeloupe
2010
Vibrations Caraïbes. Museo de Montparnasse, November 2010, Paris, France
Think Twice: New Latin American Jewelry, October 2010. Museum of Art and Design (MAD),
New York
Bienal XXIII Eduardo León Jiménez. Centro León Jiménez, Santiago, Dominican Republic
II Bienal de pintura Guayaquil. Museo Luis Noboa Naranjo, Guayaquil, Ecuador
Global Caraibes, Curated by Edouard Duval Carrié. Museé International des arts Modestes
(MIAM). Sete, Paris, France
Global Caribbean, Curated by Edouard Duval Carrié. Little Haiti Cultural Center, Miami, Florida
Des Cubierta, Parte del simposio y serie de exhibiciones Walking the gray area, Curated by
Valeria Vallarta. Ex Teresa Arte Actual. Ciudad de México, Mexico
Mover la Roca, Exposición con el Grupo de Artistas Contemporánea Quintapata, Curated by
Fernando Castro, Centro Cultural Recoleta, Buenos Aires, Argentina
2009
Casa Tomada. II Encuentro de Jóvenes Artistas y Escritores de América Latina y el Caribe,
Casa de las Américas, Havana, Cuba
X Bienal Cuenca, Curated by José Manuel Noceda. Cuenca, Ecuador
Courants Chauds, Créateurs Contemporains Dominicains et Haitiens, Curated by Michêle
Alfred, Le Musée du Panthéon National Haitien, Haití Mundus Novus, 53 Exposición Internacional de la Bienal de Venecia, Instituto Italo-Latino
Americano. Curated by Irma Arestizábal, Venice, Italy
Fernando Castro, Centro Cultural de España, Lima, Peru
2008
Fernando Castro, Centro Cultural de España, Dominican Republic
Atlantide Caraibe, Aica Caraibe du sud, La Fondation Clémente, Martinique
Bienal XXII Eduardo León Jiménez, Centro León Jiménez, Santiago, Dominican Republic
"Starting Over I". Lyle O. Reitzel Gallery, Miami, FL.
“Suite Sweet Love” con el colectivo k.b.zonas, Centro Cultural de España, Dominican
Republic
2007
Buenos Aires Photo 2007. Palais de Glace, Buenos Aires, Argentina. Galeria Lyle O’ Reitzel.
"Bringing the New Blood". Lyle O.Reitzel Gallery, Miami, Florida
Face to Face – The Daros Collections. Daros-Latinoamérica Collection, Zurich, Switzerland
Infinite Island. Curated by Tumelo Mosaka , Brooklyn Museum, Brooklyn, New York
Puntos de Vista – Daros-Latinoamérica Collection, Museum Bochum, Germany
“De Alla Pa’ Aca Y De Aquí Pa’ Alla”. Arawak Arte Contemporáneo, Santo Domingo, Dominican
Republic
El Juego de la Diferencia - penultima imagen de la fotografia y video en Santo Domingo, CIRCA
07, Organizado por el Museo de Arte Moderno de Santo Domingo, Curated by Amable Lopez
Melendez – San Juan, Puerto Rico
Away - femmes diaspora créativité et dialogue interculturel, Curated by Rafael Perez, UNESCO,
Paris, France
Arteamericas, Miami Beach Convención Center, Booth Galeria Lyle O. Reitzel, Miami, Florida
2006
Bienal XXI Eduardo León Jiménez, Centro León Jiménez, Santiago, Dominican Republic
Inside Miami Garden, Lyle O. Reitzel Gallery, Miami, Florida
El Juego de la Diferencia, penultima imagen de la fotografia y video en Santo Domingo,
Curated by Amable Lopez Melendez, Museo de Arte Moderno, Santo Domingo, Dominican
Republic
IX Bienal De La Habana, Taller Vestuario, Havana, Cuba
tr3 contemporaneidad dominicana, Centro cultural Dominicano Alemån, Santo Domingo,
Dominican Republic
tr3 contemporaneidad dominicana, Cambridge Multi Cultural Art Center, Cambridge,
Massachusetts
2005
XXIII Bienal Nacional de Artes Visuales, Museo de Arte Moderno, Santo Domingo, Dominican
Republic
Feria Americas – centro cultural de correos. Booth Galeria Lyle O. Reitzel, Rio de Janeiro,
Brazil
Bodies of Evidence. The RISD Museum, Providence, Rhode Island
Contra Corriente, Lyle O. Reitzel, Arte Contemporáneo. - Santo Domingo, Dominican Republic
Arteamericas, Coconut Grove Convención Center, Booth Galeria Lyle O. Reitzel, Miami, Florida
Recolection: Nuevas Tendencias. Lyle O. Reitzel, Arte Contemporáneo., Santo Domingo,
Dominican Republic
cuerpo (in)propio. Museo de Arte Moderno, Santo Domingo, Dominican Republic
2004
monstruos, monstricos…. y aspirantes: 9 años, Lyle O. Reitzel, Arte Contemporáneo, Santo
Domingo, Dominican Republic
ISLAND NATIONS: New Art from Cuba, the Dominican Republic, Puerto Rico, and the
Diaspora, The RISD Museum, Providence, Rhode Island
Bienal XX Eduardo León Jiménez. Centro León Jiménez, Santiago, República Dominicana.
NOW - arte contemporáneo Dominicano. Varelli - arte contemporáneo, Marina Casa de Campo
La Romana, Dominican Republic
Postcards from Cuba: A Selection from 8th Havana Biennial, Henie Onstad Kunstsenter,
Noruega, Panama
2003
Onda expansiva: ocho años, Galería Lyle O Reitzel, Santo Domingo, Dominican Republic
V Bienal del Caribe, Museo de Arte Moderno, Santo Domingo, Dominican Republic
VIII Bienal De La Habana, Havana, Cuba
XXII Bienal Nacional de Artes Visuales. Museo de Arte Moderno, Santo Domingo, Dominican
Republic
Muestra 2 Feria de arte contemporáneo, Booth Galeria Lyle O. Reitzel, Mexico City, Mexico
Orden del día. Museo de Arte Moderno, Santo Domingo, Dominican Republic
Currents, Art Miami 2003, Miami Beach Convention Center, Booth Galeria Lyle O. Reitzel,
Miami, Florida
2002
El cuerpo del delito. Museo de Arte Moderno, Santo Domingo, Dominican Republic
Esplanade, theatres on the bay visual art fair, Singapore
Gota a gota, exposición sexto aniversario, Lyle O. Reitzel, Arte Contemporáneo. Santo
Domingo, Dominican Republic
Feria Iberoamericana de Arte FIA, Salón CANTV Jóvenes con FIA 2002, Caracas, Venezuela
Nada que Ver, Centro Cultural Hispánico – Santo Domingo, Dominican Republic
ARCO 2002, Cutting edge, Booth Galeria Lyle O. Reitzel, Madrid, Spain
El Ojo del Amo, fotografía contemporánea dominicana, Centro Cultural del ICAIC, Havana,
Cuba
2001
Diversidad Caribe, Lyle O. Reitzel, Arte Contemporáneo. - Santo Domingo, Dominican Republic
Nuevas Miradas, Curated by Carlos Acero, Escuela de Artes, Pratt-Ventos (IV Bienal del
Caribe), Santo Domingo, Dominican Republic
Cariveo 2001, Lyle O. Reitzel, Arte Contemporáneo. Santo Domingo, Dominican Republic
Art Miami 2001, Miami Beach Convention Center, Booth Galeria Lyle O. Reitzel, Miami, Florida
2000
Artist Books & Objects, Roberto Martin, Contemporary Art, New York
Cariveo 2000, Lyle O. Reitzel, Arte Contemporáneo. Santo Domingo, Dominican Republic
Art Miami 2000, Miami Beach Convention Center, Booth Galeria Lyle O. Reitzel, Miami, Florida
1999
25 aniversario, Casa de teatro República Dominicana, Dominican Republic
Artistas en Residencia, La Galería, Altos de Chavón, Dominican Republic
XXI Bienal Nacional de Artes Visuales, Santo Domingo, Dominican Republic
Visiones Contemporáneas, Lyle O. Reitzel, Arte Contemporáneo. Santo Domingo, Dominican
Republic
1998
Bienal XVII Eduardo León Jiménez. Centro León Jiménez, Santiago, Dominican Republic
Arte Contemporáneo de la República Dominicana, Buenos Aires, Argentina
Detrás del Silencio, Centro de la Cultura, Santiago, Dominican Republic
The Circle Comes Around, resent art from the Dominican Republic, City College, New York
Adam Said, Eve Said, Ward-Nasse Gallery, Soho, New York
1997
Between the Acts, Art in General, New York
Crossing Borders, Contemporary Art by Latin American Women, Castle Gallery College of New
Rochelle, New Rochelle, New York
Visiones Contemporáneas, Lyle O. Reitzel, Arte Contemporáneo. Santo Domingo, Dominican
Republic
Exposición, Concurso de Arte E. León Jiménez, Santiago, Dominican Republic
Obsesiones Caribeñas, Lyle O. Reitzel, Arte Contemporáneo. Santo Domingo, Dominican
Republic
Art in Transit: A Dominican Experience, Intar Latin American Art Gallery, New York
Colectiva: Ante la 2da vuelta, Lyle O. Reitzel, Arte Contemporáneo. Santo Domingo,
Dominican Republic
XX Bienal Nacional de Artes Visuales, Santo Domingo, Dominican Republic
Sacred Space, 450 Broadway, soho, New York
1995
Protagonistas en el Puerto de Plata, Museo de Arte Dominicano, Puerto Plata, Dominican
Republic
Fragments of Illusions, Peter Madero Gallery, Nueva York.
Soul in C Minor, Bienal de soho, 450 Broadway, soho, New York
Dominican Women in Arts and Literature, Barnard College, New York
Currents Bienal de soho, The Eight Floor, New York
Mujer y Arte Dominicano Hoy, Casa de Bastidas, Santo Domingo, Dominican Republic
1994
The Ancient and Unexpected, Altos de Chavón, Dominican Republic
Salon de Arte y Arquitectura, Zona Colonial, Santo Domingo, Dominican Republic
COLLECTIONS
§
§
§
§
§
Centro Leon, Santiago, Dominican Republic
The RISD Museum, Providence, Rhode Island
Daros-latinamerica AG, Zürich, Switzerland
Museo de Arte Moderno, Santo Domingo, Dominican Republic
Museo de Arte Latino Americano, Long Beach, California
§ Centro Cultural de España, Santo Domingo (CCESD)
GRANTS + AWARDS
§
§
§
§
§
§
§
§
Gran Premio concurso, Eduardo León Jiménez, 2012
Mencion de honor concurso, Eduardo León Jiménez, 2010
Premio por instalación, XXII Bienal Nacional de Artes Visuales, 2003.
Premio por instalación, XX Bienal Nacional de Artes Visuales, 1996.
Parsons School of Design, 1990, 1991 - 1993.
Bluhdorn Award 1991 - 1993.
PUBLICATIONS
Beyond skin deep. Greg Cook, The Providence Phoenix, 2013.
impropia. Catálogo personal de Raquel Paiewonsky. Centro Cultural de España Santo
Domingo CCESD, República Dominicana. Editora Saladin, 2012.
Oncena Bienal de la Habana, Prácticas Artísticas e Imaginarios Sociales. Centro Wifredo Lam,
Maretti Editore. 2012.
III Bienal del Fin del Mundo. Antropoceno Fundación Patagonia Arte y Desafío, 2011.
Revista Bajo techo. Año 4. Edición bimensual, num. 17. Jun/jul. República Dominicana. 2011.
Art absolument..numero special Art caribeen: l’heure de la reconnaissance. Oct. 2011.
Revista casa. Casa de las Américas 258. Jan/Mar 2010.
Agua 17 Artistas Dominicanos Contemporáneos. Museo de Arte Moderno de la República
Dominicana / Museo Guayaquil, 2010.
Arte Dominicano Joven: Márgenes, género interacciones y nuevos territorios. Casa de teatro,
Editorial Cumbre Nazca, Saatchi & Saatchi, 2010.
Renaissance Notre, Institute of African – American affairs, New York University. Volume 9 Issue
2-3. Fall/Winter 2009.
Making worlds, La Biennale di Venezia. 2009.
Mundus novus. Arte contemporáneo de America Latina. IILA. Instituto Italo – Latino Americano.
La Biennale di Venezia 2009.
Mover La Roca. Centro Cultural de España, Santo Domingo. Primera edición. 2009.
Conservación de arte contemporáneo. 10ª jornada. Departamento de conservación –
restauración. Museo nacional Centro de Arte Reina Sofía. Edición 2009.
Revista Factoria 06. Contemporaneidad. 2009.
re vuelta. Catálogo personal Raquel Paiewonsky. Museo de Arte Moderno Santo Domingo,
República Dominicana. Editora Amigo del Hogar 2008.
Atlantide Caraibe. Aica Caraibe/Fondation Clement. Nov 2008.
Face to face, The Daros Collections, Daros Zúrich, 2008.
Revista lengua No.2. Chivo. Oct/Nov 2008, República Dominicana.
Artmotiv, Revista Internacional de Artes Visuales, Perú, April-July 2008.
Puntos de Vista. Daros-Latinoamérica Collection. Museum Bochum.
Infinite Island: Contemporary Caribbean Art. Brooklyn Museum, New York, 2007.
Revista Arte al limite. Edición No.24 March-April, Santiago, Chile – 2007.
Away, Femmes, diaspora creativite et dialogue interculturel. Delegation permanente de la
republique dominicaine aupres de L’UNESCO – 2007.
Revista Artes No. 22. January – March, 2007.
Una. Catálogo personal de Raquel Paiewonsky. Galería Lyle O’ Reitzel Santo Domingo,
República Dominicana.
Editora Amigo del hogar. 2012.
TR3 contemporaneidad dominicana. Arte contemporáneo, folklore y medio ambiente. Editado
por Irina Ferreras en colaboración con Harvard department of entomology y Puntacana
ecological foundation. 2006.
Revista Artes No. 21 October – December, 2006.
Revista Artes No. 15 April – June, 2005.
Arte Américas, Centro Cultural Correios, Rio de Janeiro – 2005.
La mujer en el arte dominicano 1844-2000. Janet Miller, publicado por Banco del Progreso
2005.
Island Nations. New art from Cuba, the Dominican Republic, Puerto Rico and the Diáspora.
Museum of Art, Rhode Island School of Design, Providence. Judith Tannenbaum / Rene
Morales – 2004.
Postkort fra Cuba, utvalg fra den 8.Havannabiennalen. Henie onstad Kunstsenter – 2004.
8 Bienal de la Habana. El arte con la vida. Centro de arte contemporáneo Wilfredo Lam.
Dirección de Antonio Zaya – 2003.
Catálogos concurso de arte E. León Jiménez. Ediciones XVIII, XIX, XX, XXI, XXII, XXIII, XXIV
(2000, 2002, 2004, 2006, 2008, 2010, 2012). Producción Centro Cultural Eduardo León
Jiménez. Santiago, Republica Dominicana
Revista Artnexus No. 44 / Vol. 2 / 2002.
Arco 2002, feria internacional de arte contemporáneo. Publicación de IFEMA. Feria de Madrid –
2002.
Arte Contemporáneo Dominicano, Casa de América. Editorial Turner 2002 proyecto de Rafael
Doctor.
Yakarta Port, Singapore, October 10, 2002.
Esplanade, Visual Arts opening festival. Published by The Esplanade Co Ltd. Singapore – 2002.
Arte Dominicano 1844 – 2000, Escultura, instalaciones, medios no tradicionales y arte vitral.
Jeannette Miller / María Ugarte. Publicado por Codetel – 2002.
Arte Dominicano 1844 – 2000, Pintura, dibujo, grafica y mural. Jeannette Miller / María Ugarte.
Publicado por Codetel – 2001.
MoLAA, Museum of Latin American Art. The permanent collection. Produced by the Robert
Gumbiner Foundation – 2000.
Mujer y Arte Dominicano Hoy. Danilo de los Santos y Myrna Guerrero – 1995
RAQUEL PAIEWONSKY
Hair Ball (2010)
from series: Gurardarropía
photographic print on acrylic
series of 9 / edition of 3
32” x 48”
$10,000
RAQUEL PAIEWONSKY
Container of Ideas (2010)
32” x 48”
$10,000
RAQUEL PAIEWONSKY
Sensory Insulation (2010)
32” x 48”
$10,000
ANNE MORGAN SPALTER
BIO
Anne Morgan Spalter is an artist and author whose career reflects her long-standing
goal of integrating art and technology. Drawing inspiration from painting, mathematics
and Islamic art, Spalter shoots original footage in cities around the world and uses
personalized software to develop patterned compositions that explore the concept of
the “modern landscape” and work to bring order to visual complexity.
She shows widely and her work is included in leading contemporary collections in the
US, Europe and the Middle East as well as in museums such as the Albright-Knox
(Buffalo, NY), the Rhode Island School of Design (RISD) Museum (Providence, RI), and
the Victoria & Albert Museum (London, UK).
Spalter created and taught the first fine art digital media courses at both RISD and
Brown University. Her book, The Computer in the Visual Arts, has become a standard
reference text. Roger Mandle, former Executive Director of the Qatar Museums
Authority, described Spalter’s book as, “a seductively articulate and illuminating
introduction to the rapidly expanding world of the computer and art, design, and
animation…”
Spalter was a long-time member of the Advisory Board of the Digital Art Museum
(Berlin), and has also served on the editorial board of the Journal of Mathematics and
Art, and the ACM SIGGRAPH Committee for the Distinguished Artist Award for Lifetime
Achievement in Digital Art. She has a BA from Brown in Mathematics, Visual Art, and
an independent major, as well as an MFA in Painting from RISD. Spalter is also a
martial artist with a black belt in kenpo karate.
CV
EDUCATION
•
•
Brown University, B.A. in Mathematics, Visual Art (honors), and Independent
Concentration (honors), Providence, RI, 1987.
Rhode Island School of Design, M.F.A. in Painting (honors), Providence, RI, 1992.
ART EXHIBITED
2013
•
SCOPE: Miami Beach, in conjunction with Art Basel: Miami Beach. Topio Video Coffee
Table and Video Gems, with Yellow Peril Gallery, December 3-8 2013.
•
•
•
•
•
•
•
•
•
•
•
•
•
•
Los Angeles Center for Digital Art (LACDA), Electron Salon, two prints, November
14-December 7, 2013.
Studio 1504, "PVD: TLA" Contemporary Art from Providence, RI, fine art digital wall
decals, Abu Dhabi, UAE, October 25, 2013.
Shattuck Gallery, Digital Art: (R)evolution, works by Anne Spalter, Leslie Thornton,
and selections from the Anne & Michael Spalter Collection, Westport, MA, October 2November 10, 2013.
DIRT Gallery, “SMORGASBORD,” curated by Lucas Lai and Scott Murphy,
Wainscott, NY, July 27-Aug31, 2013.
Museum of Art, Rhode Island School of Design (RISD), Locally Made. “Factory”
video in group show, video works curated by guest curator Dina Deitsch (Contemporary
Art Curator, deCordova Museum) July-November 2013.
EXPOSURE: 2013, See | Exhibition Space, Long Island City, NY. Still images from
videos. July 2013.
IN/SIGHT, Blanc Gallery, Cambridge, MA. Curated by Casey Curry and Matt Doyle.
July 6-27, 2013.
Unpredictable Patterns of Behavior, ArtCenter/South Florida, “i95” video in group
show curated by Ombretta Agro, June and July 2013.
Moving Image: Contemporary Video Art Fair (part of Armory Week), New York, NY
2013. “Sky of Dubai,” presented by toomer labdza. March 2013.
Mills Pond House Gallery, REFLECTION. “Factory” video in group show. Juror James
H. Rubin. St. James, NY. March 2013.
Manifest Gallery, CODE D. “I95” video in group show. Cincinnati, OH. March 2013.
RADIUS: An Exhibition of RISD Alumni juried by Bunny Harvey. Keeseh Studios, RI.
“Multimedia coffee table.” February 2013.
Postcards from the Edge by Visual Aids. Fundraiser show at Sikkema Jenkins.
January 2013.
Women in Photography International Show at Photo LA. Reference:
Transportation. Los Angeles, CA. January 2013
2012
•
•
•
•
•
•
•
•
Artist’s Talk at TriesteContemporanea. Videospritz 2012/ Anne Spalter-Modern
Landscapes, Trieste, Italy. December 7, 2012.
Solo show in The Forum Gallery, Zagreb, Croatia, December 2012-January 2013.
COLLISION18, Boston Cyberarts Gallery, November 9 - December 8, 2012. Digital
video work in group show.
DECADE: Contemporary Collecting 2002-2012, Albright-Knox Gallery, Buffalo, NY,
September 2012-Janurary 2013
ISEA2012: Machine Wilderness, Digital video work “Sunrise over Rockefeller Center,”
Albuquerque, NM, September 2012-January 2013.
Distributed Microtopias, Fingerlakes Environmental Film Festival (FLEFF), Ithaca
College, “Sky of Dubai,” curated by Dale Hudson, 2012.
Samek Art Gallery, Bucknell University, Large-scale projection of “Sunrise Over
Rockefeller Center,” December, 2012.
The Billboard Art Project. 60 images on an Atlanta, GA digital billboard. Atlanta, GA,
October 2012. Additional screenings as part of Color Shift, A selection of images
curated for the billboard by Katerina Lanfranco.
•
•
Solo Show, “From Las Vegas to Dubai,” digital videos and prints, Candita Clayton
Studios, RI. May 31- June 17 2012
Solo Show, “Traffic Circle,” Stephan Stoyanov/Luxe Gallery, New York, NY. Digital
video works. December 2011-January 2012
2011
•
•
•
•
•
•
•
•
ISEA2011: Istanbul. Digital videos shown on panel. September 2011. Istanbul, Turkey.
September 2011.
Big Screen Plaza, Digital video “Clouds” series shown on outdoor 30-foot-wide
screen, Chelsea, New York, July 2011.
The RISD Museum of Art, Open Call: Video Art, an outdoor screening event, July
2011.
Digital video works in group show “Places,” Stephan Stoyanov/Luxe Gallery, New
York, NY. July 2011.
Videos and drawings in group show, Candita Clayton Studios, Providence, RI, June
2011.
ROMA: The Road to Contemporary Art, still and video works in art fair, Rome Italy,
May 2011
Interview on DubaiOne TV on “Studio One” show.
Drawings in group show, Candita Clayton Gallery, Providence, RI, December 2010January 2011.
2010 and earlier
•
•
•
•
•
•
•
•
•
•
Pieces in group show, WestSide Arts, Providence, RI, November 2010.
Alpha Gallery, Boston, MA, 2008. Charcoal drawing in group show.
SIGGRAPH 2003 Art Show, two oil paintings in group show, San Diego, 2003.
Colville Place Gallery, 1 Colville Place, London, England, Digital work in group show,
1998.
The DeCordova Museum and Sculpture Park and the Computer Museums, Lincoln
and Boston MA. Three digital works in “The Computer in the Studio”, 1994.
By Virtue of Excellence: Rhode Island Women Artists, David Winton Bell Gallery,
Providence, RI. Three digital works included, 1994.
Still Images/Moving Pictures: David Winton Bell Gallery, Providence, RI. Two digital
works included, 1994.
Grayscale Highway, List Building, Brown University. One-person show, 1993.
A Modern Landscape. Billboard in downtown Providence, RI, 1993-1996.
SIGGRAPH 1992 Art Show, two pieces in juried show, Chicago, 1992.
ART PRESS
•
•
•
Art New England Magazine, “Considering Digital Art: (R)evolution, ” Anya Ventura,
November/December 2013.
The Engagement Aesthetic: Experiencing New Media Art Through Critique, Francisco J.
Ricardo, Bloomsbury. Volume 4: International Texts in Critical Media Aesthetics, May
2013. pp.67-71. amazon link
ART Berlin. “Armory Week: A Change is Gonna Come,” Myriam Vanneschi.
http://www.artberlin.de/kunstmessen/armory-week-review/
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
BLOUIN ARTINFO, “Moving Image Gathers No Moss, as Video Art Fair Pushes the
Medium’s Boundaries.” Benjamin Sutton, March 8,
2013. http://www.artinfo.com/news/story/875310/moving-image-gathers-no-moss-asvideo-art-fair-pushes-the
Hyperallergic, “Old Favorites and New Surprises at Moving Image”, Jillian Steinhauer,
March 8, 2013. http://hyperallergic.com/66645/old-favorites-and-new-surprises-atmoving-image/
Blog post review and interview, Amber Thibault, Fingerlakes Environmental Film Festival
(FLEFF): http://www.ithaca.edu/fleff/blogs/fleff_intern_voices/tags/anne_spalter/
DECADE: CONTEMPORARY COLLECTING 2002–2012. Albright-Knox Art Gallery,
Buffalo, NY, 2012. Pages 56, 58, 82, 83, 301, 309, 400.
Albright Knox blog. DECADE Theme Preview: The Wayward
Line. http://albrightknox.tumblr.com/post/31997411343/decade-theme-preview-thewayward-line-day-five
Digital Art Spring 2013, Anne Spalter: Artist Biography. EB Bucknam. January
2013.http://digartebb.blogspot.com/2013/01/anne-spalter-artist-biography.html
In Zagreb for Modern Landscapes show, a sampling:
o http://port.hr/anne_spalter:_modern_landscapes__moderni_krajolici/pls/w/event.
event_page?i_event_id=197586&i_event_area_id=24&i_topic_id=21
o http://www.tportal.hr/servisi/info/info_detalji?eventId=14141
o http://interpublic.hr/dogadjanja/itemlist/tag/galerija%20forum.html
o http://www.kic.hr/galerija_forum.php
o Also featured on Croatia HRT1 Culture News TV
Albright-Knox Art Gallery: Highlights of the Collection, Marianne W. Smith. “Fracture”
digital video work featured. Scala Publishers, April 2012. Pages 134-135.
In New York for Traffic Circle show, a sampling:
o Modern Painters, Review of “Traffic Circle” solo show, Karen Archey, March
2012, p. 78.
o SpykedHells.com: Fashion, Art, and Music Blog. Show
review.http://www.spykeheels.com/2012/01/14/anne-morgan-spalter-trafficcircle-stephan-stoyanov-gallery-nyc-east-village/. January 2012.
o InspirationalLunch, NYC Blog. Show
review.http://www.inspirationallunch.com/2012/01/orchard-st-traffic-circleurban-soul.html. January 2012
o ArtSlant Pick-of-the-week. http://www.artslant.com/ny/main. December 2011
o Sundance Channel Blog, “Kaleidoscopic
Manhattan.”http://www.sundancechannel.com/sunfiltered/2011/12/kaleidoscopi
c-manhattan/.December 2011.
Vision Magazine, Artist profile, July 2011
Providence Phoenix, review of pieces in “Creative Collective” group show at the
Candita Clayton gallery, Greg Cook. http://providence.thephoenix.com/arts/122247review-leitzel-and-billings-at-as220-and-creat/?page=2#TOPCONTENT. July 17, 2011
Leaders in Software Art (LISA) Profile and work descriptions for digital video drawings
from Internal Energies series screened on 30-foot LCD screen in New York
City.http://softwareandart.com/?p=619. July 2011.
Printeresting. “Drawing with Code” by John Pyper.
http://www.printeresting.org/2011/05/23/drawing-with-code/. May 2011.
Interview by Ilari Valbonesi ROMA: Radio Art fair.
•
•
•
•
•
•
http://www.romaradioartfair.it/2011/05/06/roma-the-road-to-contemporary-art-annemorgan-spalter-stephan-stoyanovluxe-gallery-in-new-york-city/. May 2011.
Digital Brushstrokes blog, Artist
Interview.http://digitalbrushstrokes.blogspot.com/2011/04/anne-morgan-spalterinterview.html.April 2011.
GoLocal Blog, “Trender, Digital Artist Anne
Spalter,”http://www.golocalprov.com/lifestyle/trender-digital-artist-anne-spalter/
Brown Alumni Magazine, “Computer Art Comes of Age,” March 2011.
http://www.brownalumnimagazine.com/content/view/2787/
RISD VIEWS, Artist Profile, Fall 2001.
BOOK
Spalter, Anne Morgan, The Computer in the Visual Arts, Addison-Wesley, 1999.
BOOK REVIEWS
•
•
•
•
•
•
•
•
•
•
•
WebMaster #9, Andres Sanchez, July 2001.
Brown Alumni Monthly, Richard P. Morin, “Pixels and Paint”, March/April 2000.
Digital Creativity, Stuart Mealing, January 2000.
HOW Now/Technology, September 1999.
MIT Technology Review, Wade Roush, September and October, 1999, Vol 102, No. 5
SIAM News, Philip J. Davis, “From Computer Graphics Toward Computer Art”, July
1999.
USA TODAY Online, "A techie’s offline summer pleasure … " July 1999.
Art2u.com, an interview (This was also published in hard copy in the Oct 1999 issue of
the California Printmaker.) July 1999.
CGI Magazine, March 1999.
Art Tech Review Guide, February, 1999.
New York Times, William Safire, “Office Pool” column, December 1999.
TALKS & PRESENTATIONS
•
•
•
•
•
•
•
•
Artist’s Talk, Rhode Island School of Design, in conjunction with work in the Locally
Made show, September 2013.
Artist’s Talk, Leaders in Software and Art (LISA) Conference at The Guggenheim
Museum, New York, NY, February, 2013.
“Moving Image Technology of Tomorrow,” panel presentation, part of Moving Image
Fair at the Armory Show, New York, NY. March 10, 2012.
Artist’s Talk, Leaders in Software and Art, New York City. November 2011.
Artist’s talk, “What is Digital Painting?” Graduate Digital Arts Seminar, The School of
Visual Arts, New York, NY, April 2012.
Collecting Now/New Media, RISD Museum, March 2011.
Symposium lecture, Creating, Critiquing, Collecting, Who’s Afraid of New Media?, The
Boston Museum of Fine Arts, Boston, MA, February 2010.
Symposium lecture, Creating, Critiquing, Collecting, Decoding the Digital
Symposium, The Victoria & Albert Museum, London, UK, February, 2010
•
•
•
•
•
•
•
•
•
•
•
•
Visiting Artist lecture and critiques, Pioneers of Early Computer Art, Digital Nature
wintersession course, The Rhode Island School of Design, January 2010.
Harvard University, Initiative in Innovative Computer lecture series, Digital Visual
Literacy, February 2006
Public lecture and master class at Richmond University, Visual Thinking/Visual
Computing, Richmond Virginia, November 2004
Lecture in RISD Interior Architecture Program, Digital Color, Providence, RI, April
2004.
Keynote talk, Visual Literacy Association, Modeling and Visualization Literacy: The
Role of Computer Graphics, Newport, RI, October 2003.
Keynote talk, MITC Digital Images Symposium, DePauw University, The Work of Art in
the Age of Digital Reproduction, Greencastle, IN, August 2003.
The University of Florida, Gainesville, FL, Anderson Consulting Digital Arts and
Science Lecture Series, The Computer in the Visual Arts, 2000.
Brown University, Providence, RI, Points on the Compass program, “Interdisciplinary
Investigations: Computer Art & Science,” January 2000.
Brown University, Providence, RI, The Artemis Project, Computers and Art, July 2000.
Carnegie Mellon HCI Seminar Series, New Interaction Techniques for Color Selection,
Carnegie Mellon, Pittsburgh, PA, February 2000.
Johnson and Wales University, Providence, RI, The Computer in the Visual Arts,
Evolution or Revolution? November 1999.
Richmond University, Richmond, VA, The Computer in the Visual Arts, Evolution or
Revolution? October 1999.
WORK
•
•
•
•
•
•
•
Artist, Anne Spalter Studios, Pawtucket, RI (2009-present)
Adjunct Lecturer, Brown University, Department of Computer Science (2004-2007).
Artist in Residence and Visual Computing Researcher, Brown University, Department
of Computer Science (2004-2007).
Outreach Coordinator and Artist-in-Residence, NSF Science and Technology Center
for Computer Graphics and Scientific Visualization, Brown University (1995-2004).
Adjunct Lecturer, Rhode Island School of Design, Graduate Studies (1991-94).
Adjunct Lecturer, Brown University, Department of Visual Art (1992-94).
Adjunct Lecturer, Rhode Island School of Design, Master of Arts in Teaching (199293).
ACADEMIC ARTICLES
•
•
•
•
Martin, F., Spalter, A., Friesen, O., & Gibson, J. (2008). An Approach to Developing
Digital Visual Literacy (DVL) College and University Media Review. 14, 117-143, (2008).
Spalter, Anne Morgan and Andries van Dam, Digital Visual Literacy, Theory Into
Practice, Volume 47, Issue 2 April 2008 , pages 93 – 101.
Spalter, Anne Morgan, and Tenneson, Dana K. The Graphics Teaching Tool, ACM
SIGGRAPH 2006 Proceedings, Education Program, (2006).
Meier, Barbara, Spalter, Anne Morgan, and Karelitz, David, Interactive Color Palette
Tools, IEEE Computer Graphics and Applications, Volume 24, No. 3, (2004).
•
•
•
•
•
•
•
•
•
•
•
•
•
Spalter, Anne Morgan, Will There Be Computer Art in the Year 2020? ACM SIGGRAPH
2003 Proceedings, Electronic Art and Animation Catalog, (2003).
Spalter, Anne Morgan, and van Dam, Andries. Problems with Using Components in
Educational Software, [an expanded version of the SIGGRAPH 2002 paper of the same
name]. Computers and Graphics, V. 27, pp. 329-337, (2003).
Henry Fuchs, Andries van Dam, Sascha Becker, Loring Holden, Adrian Ilie, Kok-Lim
Low, Anne Morgan Spalter, Ruigang Yang, and Greg Welch,Immersive Electronic
Books for Teaching Surgical Procedures, in Proceedings of CREST Symposium, ICAT
2002, Susumu Tachi, editor. Ohmsha, IOS Press, (2003).
Spalter, Anne Morgan. Problems with Using Components in Educational Software,
ACM SIGGRAPH 2002, Proceedings, Conference Abstracts and Applications, (2002).
Spalter, Anne Morgan, CyberWork, RISD VIEWS, (Fall 2001).
Laleuf, Jean R. and Spalter, Anne Morgan, A Component Repository for Learning
Objects: A Progress Report, Proceedings of the ACM/IEEE Joint Conference on Digital
Libraries, (June 2001).
van Dam, Andries, Forsberg, Andy S., Laidlaw, David L., LaViola Jr., Joseph J., and
Simpson, Rosemary M., Side bar section in Immersive VR for Scientific Visualization, A
Progress Report, . IEEE Computer Graphics and Application November/December
2000, pp.26-52 (side bar on p. 30).
Spalter, Anne Morgan and Simpson, Rosemary Michelle, Considering a Full Range of
Teaching Techniques for Use in Interactive Educational Software: A Practical Guide and
Brainstorming Session, Proceedings of IEEE Frontiers in Education (FIE) 2000.
Spalter, Anne Morgan, Stone, Philip A., Meier, Barb J., Miller, Timothy S., and Simpson,
Rosemary Michelle. Interaction in an IVR Museum of Color: Constructivism Meets
Virtual Reality, [an expanded version of the SIGGRAPH 2000 IVR Museum Paper],
Leonardo, Vol. 35, Issue 1, February 2002.
Spalter, Anne Morgan, Stone, Philip A., Meier, Barb J., Miller, Timothy S., and Simpson,
Rosemary Michelle. Interaction in an IVR Museum of Color. ACM SIGGRAPH 2000,
Proceedings, Conference Abstracts and Applications, and accepted for an upcoming
issue of Leonardo, MIT Press, (2000).
Spalter, Anne Morgan and Simpson, Rosemary Michelle. Integrating Interactive
Computer-Based Learning Experiences Into Established Curricula. Proceedings of ACM
Information Technology in Computer Science Education (ITiCSE) 2000, pp. 116-119. [
Spalter, Anne Morgan and Simpson, Rosemary Michelle. Reusable Hypertext
Structures for Distance and JIT Learning. Proceedings of ACM Hypertext 2000, pp. 2938, (2000).
Simpson, Rosemary Michelle, Spalter, Anne Morgan, and van Dam,
Andries. Exploratories: An Educational Strategy for the 21st Century. ACM SIGGRAPH
1999, Proceedings, Conference Abstracts and Applications, pp. 43-45, (1999).
PROFESSIONAL ACTIVITIES
•
•
•
•
•
Reviewer, Leonardo Journal, 2008, 2009, 2011, 2012.
Reviewer, Information & Culture: A Journal of History, 2012.
Member, Awards Committee for SIGGRAPH Distinguished Artist Award for Lifetime
Achievement in Digital Art, 2008-2010
Reviewer, SIGGRAPH 2006 Art Show
Member, Editorial Advisory Board, CG Educational Materials Source (CGEMS), (20042008).
•
•
•
•
•
•
•
•
•
•
Member, Editorial Board, Journal of Mathematics and Art, (2006-2009).
Panelist/presenter in SIGGRAPH 2004 Education Forum, “The Technological Imperative
in Art and Design Education,” (2004).
Member, Advisory Board, Digital Learning Interactive (now iLrn), Medford, MA, (20002002).
Member of committee to fund grants to attend the Grace Hopper Celebration of
Women in Computing conference, held September 14-16, (2000).
SIGGRAPH 99 Course #31, “Why Does it Do That? 10 Mysteries of Computer
Artmaking Revealed”, Notes published by ACM SIGGRAPH, (1999).
SIGGRAPH 99 Electronic Schoolhouse Playground exhibit, “The Color Playground,” a
series of exploratories teaching color theory.
Moderator for NSF Virtual Workshop, Research Foundations for Improving the
Representation of Women in the Information Technology Workforce(9/27/99 to10/5/99).
IEEE FIE (Frontiers in Education) 1996, "A Summer Workshop in 3D Computer Graphics
and The World Wide Web," (1996)
College Art Association (CAA) Intellectual Property Rights Committee (1995-1997).
Founder, CAA SIG for Computers in the Visual Arts (SIG-CIVA), (1995).
ACADEMIC GRANTS
•
•
•
•
•
Co-PI of NSF Broadening Participation in Computing (BPC) Grant, Computation by
Design.”
Co-PI of NSF Advanced Technology Education (ATE) grant, Digital Visual Literacy.”
Grant from Sun Microsystems for continuing work on Java-based education software,
2002, 2003, 2004, 2006.
Co-PI of NSF National Science Digital Library grant #1078520, A Component
Repository and Environment for Creating of Teaching Environments
(CREATE), September 2000 - September 2002.
PI of grants from Adobe Systems, Inc., Accessible Color I and II, 1999-2000 and 20002001, respectively.
MARTIAL ARTS
•
Greatest Lessons from the Martial Arts: A Compilation of Martial Wisdom, Tim
Johnson. CreateSpace Independent Publishing Platform, 2012 ISBN-10: 1480156434
ISBN-13: 978-1480156432. Essay in this compilation.
ANNE MORGAN SPALTER
Topío (2013)
glass, steel, digital screen,
video
54"L x 33"W x 20"H
videos in editions of 3
$10,000 - $15,000
ANNE MORGAN SPALTER
Gems (2013)
digital VPAK screen, HD 1080p,
3min loop, embedded in resin
screens range in size: 2.4", 3.5”, 5”
videos in editions of 3
$1,500 - $3,500
ANNE MORGAN SPALTER
Bora Bora: Palm Fronds (2013)
HD 1080p digital video, 3 minute
seamless loop
ANNE MORGAN SPALTER
Bora Bora: Glitter Palm Island
(2013)
seamless loop
ANNE MORGAN SPALTER
Bora Bora: Sunset (2013)
seamless loop
ANNE MORGAN SPALTER
Bora Bora: Day and Night in the
Blue Lagoon (2013)
seamless loop
ANNE MORGAN SPALTER
Sky Over Dubai (2012)
seamless loop
ANNE MORGAN SPALTER
5th Avenue Boogie Woogie
(2011)
seamless loop
ANNE MORGAN SPALTER
i95 (2011)
seamless loop
QUINTÍN RIVERA TORO
BIO
Quintín Rivera Toro was born in Caguas, Puerto Rico in 1978. He holds a B.F.A. in
Sculpture from Hunter College, New York - 2001 and a B.A. in Communications and
Film Studies, from the University of Puerto Rico in Río Piedras – 2007, and a M.F.A.
Degree in Sculpture from Rhode Island School of Design in Providence, Rhode Island
in 2013.
In his native Puerto Rico, Quintín was awarded The Lexus Grant for artists. His public
art project “Un espacio libre,” originally shown in his hometown of Caguas, was invited
to travel to El Museo del Barrio for the S-Files biennial and the art fair PINTA, both in
NYC; it was also shown in the Museo de Arte de Puerto Rico and with F.I.S.T. ART in
Dorado. His photographic work received an Honorable Mention from Puerto Rico’s
Museum of Contemporary Art and a First Prize award from the University of Sagrado
Corazón’s Contemporary Photography Contest, in San Juan. He co-founded and
worked as the Director of ÁREA, lugar de proyectos in Caguas.
Quintín has been awarded with the DAAD German Academic Exchange Travel Grant,
with which he travelled to Cologne and Berlin in Germany. He has received full
fellowships for residencies at the Vermont Studio Center, in Johnson Vermont and the
National Academy of Design in New York City; he has also been an artist in residence
at the Ox Bow School of Art, S.A.I.C. in Saugatuck, Michigan. Quintín also worked as
an intern at the Chinati Museum in Marfa, Texas, and he studied with the Escuela
Internacional de Teatro de América Latina y el Caribe (E.I.T.A.L.C.) in Cuernavaca,
Mexico. His work was selected by Zona MACO art fair as a focused work and
displayed his “Weak Paintings” in a solo booth sponsored by VH1. He was awarded an
Achievement Scholarship from Transart Institute and completed their summer
residency program in Berlin, Germany.
Quintín is a R.I.S.C.A. (N.E.A.) Individual Artist Grant Recipient, and has received a
Sylvia Leslie Young Herman Scholarship Award as well as Academic Honors from the
Rhode Island School of Design.
CV
EDUCATION
2013
2007
M.F.A. Sculpture. Rhode Island School of Design, Providence, R.I.
B.A. Communications, Film studies. University of Puerto Rico, R.P., P.R.
2001
B.F.A. Sculpture. Hunter College, NYC
SOLO EXHIBITIONS
2013
2012
2011
2010
2008
2006
2005
2001
2000
Percussions/Repercussions - Villa Victoria Center for the Arts, Boston, MA
Summer Grid - I.P.R.A.C., Chicago, IL
Business As Usual - Yellow Peril Gallery, Providence, RI
Summer Grid - Yellow Peril Gallery, Providence, RI
The Bridge - Public art project - Dexter Field, Providence, RI
Allafuera - Espacio La Metro, San Juan, PR
Sobre el miedo y otros problemas del inconsciente colectivo Museo de las Américas, Cuartel de Ballajá, San Juan, PR
Performing a vivir: el soundtrack aleatorio - Galería de Arte,
Universidad Sagrado Corazón, San Juan, PR
Quintín Rivera Toro: Atmospherics - 280 Cubic Feet Gallery, M.S.U., MN
Un espacio libre - Public art project - MuAC/Caguas, PR
Área - Museo de Arte de Caguas, PR
Buscando la figura - Museo de Arte de Caguas, PR
GROUP EXHIBITIONS
2013
Model Minority – SCOPE Miami Beach / Yellow Peril Gallery, Miami, FL
Work Harder – Yellow Peril Gallery at LightSpace, Brooklyn, NY
Hybrida Art Festival - Espacio Las Naves, Valencia, Spain
Witness Tree - F.D.R. Museum and Library of Congress, Hyde Park, NY
R.I.S.D. Thesis Graduation - Rhode Island Convention Center, Providence, RI
USAo - R.E.M. Galería, San Juan, PR
Region 0 - Centro Rey Juan Carlos, New York University, NYC
Vial - Museo de Arte de Puerto Rico, San Juan, PR
Colectiva 1 - Espacio Dobleó, San Juan, PR
Heavy - Sol Koffler Gallery, RISD, Providence, RI
Transmediation - ARTspace media lounge, CAA Conference, NYC
2012
Operating System - Sylvia Wald and Po Kim Gallery, NYC
Show Me Your Glands - N.A.R.S. Foundation, Brooklyn, NY
Smart Action - Hostos Community College, NYC
Concrete Illusions - Villa Victoria Arts Center, Boston, MA
IV Semana de Vídeo Iberoamericano - Filmoteca de Andalucía, Spain
Do You Think I Care? - Gelman Gallery, RISD Museum, RI
Personal Culture - Gelman Gallery, RISD Museum, RI
Come Here, I Need You - Gelman Gallery, RISD Museum, RI
Archivos de lo efímero - U. Sagrado Corazón, Santurce, PR
Artistas Boricuas Contemporáneos - Trailer Park Projects, San Juan, PR
Trienal Poligráfica - Instituto de Cultura, San Juan, PR
2011
Muestra Nacional 11ʼ - Arte en el medio - Instituto de Cultura, PR
Signos Vitales - Museo de Arte Contemporáneo, PR
Historia Urbanas - Centro Cultural Casa Tejas Verdes, La Habana, Cuba
Preámbulo - M.C.E.H., Universidad del Turabo, Gurabo, PR
Diversity Exhibit - Warwick Art Museum, Warwick, RI
Egofilia: Narcicismos y Bizarrerías - cART WATCH, San Juan, PR
Dallas Art Fair - Dean Project Gallery, Dallas, TX
2010
Recent Acquisitions of the Latin American Collection - The Museum of Art, Fort Lauderdale
, Nova Southeastern University, FL
Everyone Has a Different View - Nottingham Play House, London, UK
Mobile Spaces - University of Madison, Wisconsin
Hair Tactics - Jersey City Museum, NJ
ZONA MACO - Dean Project Gallery, Centro Banamex, D.F., MX
CIRCA 10 - Walter Otero Gallery, San Juan Convention Center, PR
Serie Regional Liga Pampers - I.C.P., San Juan, PR
Geografía Humana - M.A.P.R., San Juan, PR
2009
Puerto Rico: Human Geography - Smithsonian Museum, Washigton D.C.
Nostalgia Futuro/Homenaje Renau - Centre del Carme, Valencia, Spain
Facing Locality - C.M.C.A. , St. Croix, U.S. Virgin Islands
Muestra Nacional 09ʼ - Instituto de Cultura Puertorriqueña, San Juan, PR
Publica 3 - Trienal Poligráfica, Arsenal de la Puntilla, San Juan, PR P
PINTA 09 - Dean Project Gallery, Met Pavilion, Altman Building, NY, NY
CIRCA 09 - Walter Otero Gallery, San Juan Convention Center , PR
2008
Garden of Delights - Yeosu International Arts Festival Biennial- Yeosu South Korea
III Ciclo de video arte Latinoamericano, I.V.A.M. - Valencia, Spain
Cataño DC: Distrito Cultural - Cataño, P.R.
Art of Democracy - ÁREA, lugar de proyectos, Caguas, PR
Colectivo Angora - Municipio Autónomo de Caguas, PR
Terruño y paraíso perdido - Museo de arte de Caguas, PR
PINTA 08 - Metropolitan Pavilion, Altman Building, NY, NY
CIRCA 08 - Walter Otero Gallery, San Juan Convention Center , PR
2007
The Building Show - Exit Art, NYC
II Ciclo de video arte Latinoamericano - I.V.A.M., Valencia, Spain
America's Paradise and Isla Del Encanto - SMFA, Boston, MA
Sonotube(r) - Santa Barbara Contemporary Arts Forum, CA
Enfrentamientos - M.A.A.C., Guayaquil, Ecuador
VI Salon de dibujo - Museo de Arte Moderno de Santo Domingo, RD
Introspectiva/Awilda Sterling, Teatro Arriví, Santurce, PR
Terruño y paraíso perdido - Cuartel de Ballajá, San Juan, PR
Sucio Difícil: Los 70 - performance, Teatro Yerbabruja, Río Piedras, PR
En tiempos de video - Galería 356, San Juan, PR
Optika 2 - Symposium, R.U.M., Mayagüez, PR
2006
The (S) Files Biennial - El Museo del Barrio, NYC
The Fourth Floor - Western Exhibitions Gallery, Chicago, IL
No Man Is An Island - Open Gallery, Art School, NJ
Pantalla Breve - video experimental, San Juan Cinemafest, PR
Nuevas voces en el arte video - M.A.C., San Juan, PR
The Happiest Peeps - public installation, 303 Tetuán, San Juan, PR
Windows on Main Street - Beacon, NY
2005
More or less 3,480 Seconds - Gallery 3175, San Francisco, CA
05982:01 Montevideo Digital - F. A.C., Montevideo, Uruguay
Flow: Navigating the Super Paradigm - Bulldog Studios, Beacon, NY
Now Playing -The Iron Fish Trading Company, Beacon, NY
Muestra Nacional 06ʼ - Instituto de Cultura Puertorriqueña, San Juan, PR
Becas Lexus para artistas - M.A.C., San Juan, PR
Polverío - El polvorín, Parque Luis Muñoz Rivera, San Juan, PR
REWIND REWIND - Museo Arsenal de la Puntilla, San Juan, PR
La gran feria de marzo - =DESTO, Santurce, PR
AWARDS
2012
•
•
•
2011
•
•
•
•
•
Honors - Rhode Island School of Design, Providence, RI
W.B.N.A. Community Development Award, Providence, RI
Selection - Buy Art Providence Button, Providence, RI
Sylvia Leslie Young Herman Scholarship Award
Rhode Island School of Design
Individual Artist Project Grant - R.I.S.C.A. (N.E.A.) - Providence, RI
First Prize - Certamen de Fotografía Contemporánea - UBS/Galería de Arte, U.S.C. San
Juan, PR
Honorable Mention - Foto MAC competition, San Juan, PR
2010
•
Achievement Scholarship - Transart Institute, Berlin, Germany
2009
•
•
Ox Bow School of Art Residency - Saugatauck, Michigan
Special Mention - Oriental Bank Art Contest of Puerto Rico
2007
•
Art Person of the Year, El Nuevo Día, Puerto Rico
2006
•
AICA Prize, AICA Chapters in Puerto Rico
2005
•
•
•
E.I.T.A.L.C. residency, Cuernavaca, MX
Lexus Grant for Artists, Fundación Comunitaria de PR, San Juan, PR
Nomination: Louis Comfort Tiffany Foundation Grant
2004
•
Public Art Comission, Villas Miantojo / Municipio de Caguas, PR
2003
•
Chinati Foundation Internship, Marfa, TX
2002
•
•
•
•
DAAD Travel Grant, German Academic Exchange Service, Germany
Artist Full Fellowship Award, Vermont Studio Center, Johnson, VT
Scholarship Welfare Fund Alumni Award, Hunter College, NYC
Richard M. Kaye Scholarship Award, Hunter College, NYC
2001
•
Edwin Austin Abbey Grant, National Academy of Design, NYC
Quintín Rivera Toro has been a visiting artist and speaker at:
•
•
•
•
•
•
University of Wisconsin, Madison, WI
The SMFA in Boston, MA
Museo de Arte Contemporáneo, San Juan , PR
Universidad de Puerto Rico en Río Piedras, PR
Universidad de Puerto Rico en Mayagüez, PR
CIRCA 05ʼ art fair, San Juan Convention Center, PR
Ma Grillz (2010)
polished and patinaed
bronze on mahogany and
black walnut pedestal
60" H 5.25” W x 11.25” L
$9,500
Shush (El Tapaboca) (2013)
bronze, wood (various
species), brass, paint,
springs, mdf
4’ L x 8’ W x 10’ H L
Price Upon Request
Summer Grid at The Plant in Olneyville (2012)
Pigment Fiber Print
50” x 40”
$5,500 unframed
DIEGO RODRIGUEZ-WARNER
BIO
Diego Rodriguez-Warner was born in Managua, Nicaragua in 1986. In 2008, he studied
under the Cuban Minister for Fine Arts, Lesbia Vent Dumois, in Havana and completed
his BA in COIN Theory and Fine Art from Hampshire College in 2009. In 2013, he
received his Masters in Fine Arts from the Printmaking Department of the Rhode Island
School of Design. The artist lives and works in Berlin.
CV
EDUCATION
2013
2009
Master of Fine Arts, Rhode Island School of Design, Providence RI
Bachelor of Arts, COIN Theory and Fine Arts, Hampshire College, Amherst MA
AWARDS
2013
RISD Toby Devan Lewis Fellowship Recipient
EXHIBITIONS
SOLO EXHIBITIONS
2013
My Name is Too Long to be Marketable: New Paintings By Diego Rodriguez-Warner,
Von Tornow Gallery, Denver CO
Perilism, LEON Gallery, Denver CO
2012
The New Face, Sims Projects, Denver CO
2011
Savage, Guerilla Garden Gallery, Denver, CO
2010
Zebra: Multiple Personalities in Order, Guerilla Garden Gallery, Denver, CO
2009
Admit One: Thesis Exhibition, Hampshire College Gallery, Amherst, MA
GROUP EXHIBITIONS
2013
Spring Chickens, Free Range, David Krut Projects, New York NY
Out of Print: RISD MFA Print Biennial, Sol Koffler Gallery, Providence RI
2012
From This Point Forward, Gelman Gallery, RISD Museum, Providence RI
2010
Inaugural Exhibition, Metro State Center for Visual Arts, Denver, CO
Figures, Sizzle and Bang Galleries, Denver, CO
2009
Works in Color, Guerilla Garden Gallery, Denver, CO
Denver's New Artists, Sizzle and Bang Galleries, Denver, CO
Guerilla Garden Debut Exhibition, Guerilla Garden Gallery, Denver, CO
2008
Works from Abroad, Hampshire College Gallery, Amherst, MA
Recent Works with Wilson Ward Kemp, Nueva Galeria, Havana, Cuba
boom (2012)
acrylic, gouache, spray paint, sumi-e ink + wood stain on hand carved wooden panel
48” x 72”
$15,000
To the Beat of Drums and Bells (2012)
acrylic, gouache, spray paint, sumi-e ink + wood stain on hand carved wooden panel
36” x 48”
$12,000
The Hummingbird (2012)
latex, acrylic, spraypaint, and woodstain on hand carved panel
36” x 48”
$12,000
Steel String of Man With Harmonica (2012)
acrylic, goauche, woodstain on hand carved wooden panel
36” x 48”
$12,000
Flippin Channels (2012)
hand carved and un-printed wooden panel
48” x 72”
$15,000

including bio, artwork descriptions and prices

Transcripción

Documentos relacionados

including bio, artwork descriptions and prices

PDF - State Media