Descargar cuadernillo de acompañamiento - Programas
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Descargar cuadernillo de acompañamiento - Programas
PROGRAMA DE EDUCACIÓN PLURILINGÜE CUADERNILLO DE ACOMPAÑAMIENTO Para el aula de Inglés de 6º EP DIRECCIÓN GENERAL DE CULTURA Y EDUCACIÓN UNIDAD DE COORDINACIÓN DE PROGRAMAS Provincia de Buenos Aires Gobernador Dn. Daniel Scioli Vicegobernador Lic. Gabriel Mariotto Directora General De Cultura y Educación Dra. Nora De Lucia Vicepresidente 1ro del Consejo General de Cultura y Educación Dr. Claudio Crissio Jefe de gabinete Cdor Fernando Spinoso Subsecretario de Educación Dr. Néstor Ribet Coordinadora Ejecutiva de Unidad Coordinación de Programas Lic María Elena Patzer Referente del Programa Plurilingue Prof. Ana Cendoya programasba.abc.gov.ar © 2015, Dirección General de Cultura y Educación Unidad de Coordinación de Programas Programa de Educación Prurilingüe PRESENTACIÓN Este cuadernillo tiene la intención de acompañar a los docentes de inglés en la implementación en la práctica áulica del CUADERNO DE TRABAJO PARA EL AULA DE INGLÉS DE 6° EP. En el mismo encontrarán variadas formas de abordaje de los tres capítulos del mencionado cuaderno basadas en el Diseño Curricular de la Provincia de Bs As para Segundo Ciclo EP. El planteo de cada una de las unidades es multidimensional dando lugar a la creatividad y experticia de cada profesional quien seguramente tomará las sugerencias realizadas adaptándolas y recreándolas de acuerdo a las características propias de su contexto. Desde esta perspectiva, se encontrarán listas de tareas, sugerencias de materiales, orientaciones didácticas como así también preguntas orientadoras recomendadas para el respectivo análisis del cuadernillo como la posible evaluación de algún otro material a utilizar dentro de este enfoque. Cabe destacar que el orden de las unidades presentadas en el cuaderno de trabajo no es prescriptivo y que cada docente puede seleccionar la ruta a seguir ya que todos los tópicos se interrelacionan y articulan dentro del tema general: CAMBIOS. Estas formas de abordaje parten de algunos conceptos claves del diseño curricular vigente; en este sentido y tal como se afirma en el Marco General de la Política Curricular: los diseños curriculares son prescriptivos porque pautan la enseñanza . El término hace referencia a la dimensión normativa del currículum, en tanto los diseños establecen con carácter de ley qué y cómo enseñar en los establecimientos educativos de la provincia. Respetar los enfoques en la escuela primaria que se explicitan en los Diseños Curriculares supone poner en discusión los modos de enseñar y aprender en las escuelas; recuperar el significado de esas prácticas, promover la participación de los alumnos/as como miembros activos de una comunidad de aprendizaje, donde vale la pena quedarse para seguir aprendiendo. Los Diseños Curriculares ponen en juego los siguientes conceptos: inclusión, interculturalidad, justicia, sujeto pedagógico, enseñanza, ciudadanía, trabajo, ambiente y saberes productivos que al articularse estructuran la propuesta y el trabajo escolar. Asimismo, vinculan de manera independiente y dinámica las prácticas de enseñanza y los procesos de aprendizaje de los alumnos. El Diseño Curricular (DC) para el área de inglés comparte este enfoque y conceptos; y plantea otros que le son específicos tales como: la construcción del discurso, contextos, tópicos y proyectos, modos de conocer o tasks, exponentes lingüísticos, prácticas del lenguaje; los cuales se presentan a continuación y otros tales como espacio de reflexión y evaluación que se retomarán en el cierre. DIRECCIÓN GENERAL DE CULTURA Y EDUCACIÓN UNIDAD DE COORDINACIÓN DE PROGRAMAS Pág. 4 Cuadernillo de acompañamiento “Cuaderno de trabajo para el aula de Inglés de 6º EP” Para tener en cuenta: Según el DC, “Históricamente los exponentes lingüísticos eran considerados los únicos contenidos de enseñanza de la lengua extranjera. Actualmente se incluye dentro de la denominación de contenidos todo lo que se produce en el aula en interjuego permanente entre contextos, exponentes lingüísticos, tareas y prácticas del lenguaje. El cuadro que figura a continuación da cuenta de este nuevo enfoque:” DIRECCIÓN GENERAL DE CULTURA Y EDUCACIÓN UNIDAD DE COORDINACIÓN DE PROGRAMAS Pág. 5 Programa de Educación Prurilingüe Contextos: (Cuadro de la Pagina anterior) Contenidos escolares – Literatura- Vida Cotidiana y escolar Se proponen tres contextos, entre otros posibles, con sus tópicos (temas generales), para la enseñanza de los componentes lingüísticos. Tareas (Modos de conocer o Tasks): Durante el 2º ciclo, los niños realizarán secuencias de distintas actividades llevadas a cabo a lo largo de una o varias clases. Estas tareas (orales y escritas, de comprensión y producción) involucran el uso de la lengua en variadas formas y requieren la utilización de diversas estrategias. Prácticas del lenguaje: La lengua en uso en contextos reales y con propósitos y destinatarios genuinos. Exponentes lingüísticos: Son contenidos susceptibles de adaptación, son ejemplos posibles pero no únicos, que se pueden desarrollar en distintos contextos de uso y para diversas prácticas del lenguaje. Es esperable que la mayoría de contextos y usos planteados en el D.C. sean presentados por el docente durante el 2º ciclo de la Primaria. La selección y secuenciación de contenidos lingüísticos deberá ser realizada a partir de contextos y contenidos previstos en el D.C., lo cual supone: retomar lo enseñado año a año, incorporar nuevos contenidos y complejizarlos. Los docentes deberán tomar estos contenidos y prever el recorrido de su grupo a lo largo de los tres años. El D.C. incluye un cuadro con contenidos lingüísticos la mayoría de los cuales deberían ser trabajados en segundo ciclo. [1]Nuevo Régimen Académico del Nivel Primario, 2014. PROPÓSITOS: Escuchar, hablar y conversar - Escuchar y comprender mensajes escritos y orales de progresiva complejidad, como instrucciones o explicaciones y/o procedentes de soportes audiovisuales e informáticos para poder realizar tareas en el aula relacionados con los cambios en el contexto mundial, local y personal. DIRECCIÓN GENERAL DE CULTURA Y EDUCACIÓN UNIDAD DE COORDINACIÓN DE PROGRAMAS Pág. 6 Cuadernillo de acompañamiento “Cuaderno de trabajo para el aula de Inglés de 6º EP” - Interactuar oralmente en situaciones reales o simuladas dando respuestas verbales y que exijan elección entre un repertorio limitado de posibilidades, en contextos progresivamente menos dirigidos. - Escuchar y comprender textos descriptivos y narrativos pudiendo identificar la idea global del mismo, información específica y palabras claves relacionados con el tópico del proyecto. Leer y escribir - Leer y comprender textos descriptivos y explicativos relacionados con el contextos de la vida cotidiana, escolar y literario pudiendo identificar la idea global del mismo, información específica y palabras claves - Escribir textos descriptivos y explicativos a partir de modelos focalizando gradualmente en la coherencia de los mismos (organización de la información, enunciados claros, uso de conectores), cohesión (utilización adecuada de elementos lingüísticos) y corrección (normas gramaticales, morfo sintácticas y ortográficas), trabajando desde un enfoque de género. - Poner en uso estrategias básicas de la producción de textos (elección del destinatario, propósito, planificación, redacción del borrador, revisión del texto y versión final) a partir de modelos tanto orales como escritos. Resignificación y reformulación : Los alumnos realizarán presentaciones orales, posters digitales, folletos, videos, entrevistas en los que tengan que describir, explicar, argumentar, contrastar y comparar. EXPONENTES LINGÜÍSTICOS: - Simple Present - Simple Past - Simple future for plans and predictions - Present continuous - Frases preposicionales - Comparativos y superlativos - Conectores - Imperatives: don’t do this/do that.../Instructions - Prepositions of location - Giving advice: should/shouldn’t - Verbs to describe changes: - Verbs to talk about possibilities - Vocabulary related to: describing people and places, school, changes, DIRECCIÓN GENERAL DE CULTURA Y EDUCACIÓN UNIDAD DE COORDINACIÓN DE PROGRAMAS Pág. 7 Programa de Educación Prurilingüe Contents Introducción .................................................................................. 9 Chapter 1: School .......................................................................... 10 Chapter 2: I change...Everything changes ...................................... 23 Chapter 3: You change, places change, the world changes ........... 38 © 2015, Dirección General de Cultura y Educación Unidad de Coordinación de Programas Equipo del Programa de Educación Plurilingüe: Lic Verónica Wolgeschaffen. Lic Ana M Otero. Equipo de producción: Programa Artes y Medios. Coordinación: Adriana Vidal. Diseño y Diagramación: Prof Florencia Peretti. Ilustraciónes: Prof Florencia Peretti. DIRECCIÓN GENERAL DE CULTURA Y EDUCACIÓN UNIDAD DE COORDINACIÓN DE PROGRAMAS Pág. 8 Cuadernillo de acompañamiento “Cuaderno de trabajo para el aula de Inglés de 6º EP” Introducción INTRODUCCIÓN “Enseñar es una tarea demasiado importante en sus dimensiones social, cultural y humana como para optar por la simple aventura o confiar excesivamente en la pericia de un timonel. Como acción intencional, comprometida con propósitos de transmisión cultural, dirigida a sujetos concretos en formación, el logro de resultados de aprendizaje, la enseñanza no puede ser improvisada. Por más creativo y experimentado que sea el docente, es necesario que programe previamente el desarrollo de las acciones” La planificación desde un currículum prescriptivo” DGCyE, 2009 DIRECCIÓN GENERAL DE CULTURA Y EDUCACIÓN UNIDAD DE COORDINACIÓN DE PROGRAMAS Pág. 9 Programa de Educación Prurilingüe CHAPTER 1: SCHOOL From Primary to Secondary School TASK 1: Moving on… BEFORE READING The Teacher (T) may encourage students to brainstorm ideas on the word CHANGE using the following questions: What does this word mean to you? Can you relate the word “CHANGE” to yourself? How? After a short debate with the whole class teacher invites students to look at the photograph and describe it. Students work in pairs. The following questions might be used as a guide: What is happening? Where are the characters/ kids? How do you know? What are they wearing? Why? What are they talking about? What is their relationship? Each pair of students shares their answers with the whole class. To help students hypothesize on the content of the dialogue presented in the CUADERNO DE TRABAJO teacher can play the aural text once for them to DIRECCIÓN GENERAL DE CULTURA Y EDUCACIÓN UNIDAD DE COORDINACIÓN DE PROGRAMAS Pág. 10 Cuadernillo de acompañamiento “Cuaderno de trabajo para el aula de Inglés de 6º EP” CHAPTER 1: identify and recognize key words and phrases. It is advisable to guide students´ attention to tone, pitch, stress and intonation, that is, the suprasegmental elements that help construct meaning. Teacher might then ask students to listen to the dialogue again and write the words and phrases they recognize. Then, students share their selection with their companions. They compare and contrast the words. Do they relate to the picture? At this point students complete the first column of the chart below with their hypotheses and predictions. Then, teacher asks students to listen to and read the dialogue at the same time and complete the second column: THE DIALOGUE. MY PREDICTIONS THE DIALOGUE WHILE READING Students should use the chart and the picture to identify and discuss the main topic of the conversation: the change from primary to secondary school. While reading and listening to the dialogue for a second or third time students decide which of the speakers is happy and who is unhappy with next year’s events. Students might have to make use of inferencing skills to get the gist of the theme: changes that generally occur when children pass from EP to ES.That is, students need to make use of information from outside the text, from the reader’s existing background knowledge. IMPORTANT NOTE: Some tips to work with Inference Teacher modelling of inferencing: teachers “thinking aloud” their thoughts as they read aloud to pupils teachers asking themselves questions that show how they monitor their own compre hension teachers making explicit the thinking processes that result in drawing an inference. Word level work: developing fluent basic reading skills (e.g. practice in decoding print) DIRECCIÓN GENERAL DE CULTURA Y EDUCACIÓN UNIDAD DE COORDINACIÓN DE PROGRAMAS Pág. 11 Programa de Educación Prurilingüe Vocabulary building: aurally and in reading lexical training, e.g. in local cohesive devices (such as pronouns and connectives). Questioning by the teacher: asking ‘How do you know?’ whenever an inference is generated in discussion of a text. asking questions about relationships between characters, goals and motivations asking questions that foster comprehension monitoring, such as Is there information that doesn’t agree with what I already know? ensuring that pupils are not interrupted in their reading by asking questions during reading time, or launching into questioning too soon afterwards. Questioning by pupils: training pupils to ask themselves Why-questions while reading teaching the meaning of the question words ‘who’, ‘when’, ‘ why’ etc. asking pupils to generate their own questions from a text using these question words. Activation of prior knowledge: asking pupils to generate associations around a topic, and discuss and clarify their collective knowledge. (adapted from Effective Teaching of Inference Skills for Reading by Anne Kispal - National Foundation for Educational Research - 2008) DURING READING To start working with the text on page 8 (Wimpy Kid) it’s necessary to activate sts´ previous knowledge. The objective of this task is to help students recognize that the text is a page from a “personal diary”. Students are not expected to understand every single word, but to pick up the general gist of the topic or issue expressed in the text: the changes and expectations for secondary school or potential problems students might encounter in secondary school. Teacher tells students some facts about the functions and characteristics of personal diaries: - that people write and keep personal diaries to be able to express thoughts and feelings for themselves and for future reference. - traditionally personal diaries were paper-based and were written on booknotes. Now, more and more people are using blogs or other digital apps. DIRECCIÓN GENERAL DE CULTURA Y EDUCACIÓN UNIDAD DE COORDINACIÓN DE PROGRAMAS Pág. 12 Cuadernillo de acompañamiento “Cuaderno de trabajo para el aula de Inglés de 6º EP” CHAPTER 1: Start working with the drawing. Teacher asks students to describe it and hypothesize on the situation. Teacher asks students to focus on the bubble and infer the meaning of “runt”. Teacher may write some definitions on the blackboard for students to discuss and choose from while paying attention to the drawing of GREG presented in the CUADERNO on page 7: 1. an animal that is small or stunted as compared with others of its kind. 2. the smallest or weakest of a litter, especially of pigs or puppies. 3. a person who is small and contemptible:That runt causes most of the trouble at the meetings. 4. British Dialect. a. an old or decayed tree stump. b. an old cow or ox. c. an ugly old woman; hag. Students discuss: What would be the equivalent for “runt” in Spanish? Describe the following picture: What do you think it means? DIRECCIÓN GENERAL DE CULTURA Y EDUCACIÓN UNIDAD DE COORDINACIÓN DE PROGRAMAS Pág. 13 Programa de Educación Prurilingüe Teacher can also use some of these general questions and guidelines to direct students´ discussion: Analyze layout: font, drawing included, bubble. Who do you think is writing the text? Teacher asks students if they keep a personal diary. If they do so, ask them the reason/s for it. If they don´t, ask them if they think it is a good idea to do it in the future. Another scaffolding technique to help students identify the characteristics of the text might be the use of the chart below: Teacher can provide the chart as shown below with possibilities for students to read, debate and tick: Why to write a diary How to write a diary just because you want to, legible for you what to write in my diary to look back at in a private place life and check changes in yourself, keep it to yourself have recorded memories of past events, etc diaries may have (according to me) things diaries may include date place salutation authentication concert tickets, letters, drawings, poems, thoughts, feelings, write truthfully Now, teacher asks students to skim and scan the text and pick up key words and phrases. Students write them on the blackboard and relate them to the previous photograph and dialogue in the presentation. By now, students should have built a specific hypothesis on the topic of the text. DURING READING As students read the text teacher may guide them to focus on the following phrase: - “I think middle school is the dumbest idea ever invented”. How does the writer feel? Why? - “these gorillas who need to shave twice a day” Who are “These gorillas”? Who does the phrase refer to? - “grade levels should be based on height, not age” DIRECCIÓN GENERAL DE CULTURA Y EDUCACIÓN UNIDAD DE COORDINACIÓN DE PROGRAMAS Pág. 14 Cuadernillo de acompañamiento “Cuaderno de trabajo para el aula de Inglés de 6º EP” CHAPTER 1: What´s the writer´s proposal? - “...kids like Chirag Gupta would still be in the first grade” Which of the drawings represent the quotation above ? Now try to answer these questions: How does the writer feel about entering middle school? Why is bullying a problem in secondary school? AFTER READING 1. Work on the REFLECTION section from the Students´ CUADERNO DE TRABAJO. 2. To empower students to carry out point 1, teacher might want to add some other useful expressions: to my mind, to be honest, I believe, etc. 3. To complete point 2, students can work in small groups and then share their productions with the whole class. If necessary teacher guides students to complete the graphic organizer by writing ideas on the blackboard. 4. INTEGRATION OF ICT : the teacher can suggest the use PENZU to encourage students to start writing parts or entries for a personal diary: https://penzu.com/ TASK 2: The aim of this task is twofold: to help students analyze school timetables /schedules as genres and to prepare and anticipate the discussion in point 2. 1. To prepare students for this task teacher asks them to write their school schedule / timetable. Teacher provides the English equivalent for the subjects and specific vocabulary needed. An interesting strategy to work with vocabulary is to use visual graphic organizers which require students to specify a main word and related words to it, a strategy that supports students in learning and understanding new vocabulary. Here´s an example: the root word may be “subjects” so students can complete with the subjects they attend at school. DIRECCIÓN GENERAL DE CULTURA Y EDUCACIÓN UNIDAD DE COORDINACIÓN DE PROGRAMAS Pág. 15 Programa de Educación Prurilingüe (from The Teacher´s Big Book of Graphic Organizers by K. S. McKnight - 2010) A useful app for this task: A free app that saves all of the necessary information into a database and then uses it to create elaborate timetables. https://goo.gl/SVejMd 2. Students compare and contrast their timetable with the one in the Cuaderno de Trabajo. Teacher might want to add other schedules to compare and contrast vocabulary as well as school habits and routines (break, lunch, storytime, etc). Here are some examples: DIRECCIÓN GENERAL DE CULTURA Y EDUCACIÓN UNIDAD DE COORDINACIÓN DE PROGRAMAS Pág. 16 Cuadernillo de acompañamiento “Cuaderno de trabajo para el aula de Inglés de 6º EP” CHAPTER 1: Example 1: DIRECCIÓN GENERAL DE CULTURA Y EDUCACIÓN UNIDAD DE COORDINACIÓN DE PROGRAMAS Pág. 17 Programa de Educación Prurilingüe Example 2: If possible interview some secondary school students (friends, relatives, students at the same institution students go to) and ask them about their timetable. How is it similar or different to the ones above? Point 2: Teacher can complete the list of ideas with the following: The need for greater organisational skills and meeting deadlines. don´t have enough free time change physically have more subjects have a girlfriend/boyfriend have new subjects meet new friends be able to cope with homework meet new teachers DIRECCIÓN GENERAL DE CULTURA Y EDUCACIÓN UNIDAD DE COORDINACIÓN DE PROGRAMAS Pág. 18 Cuadernillo de acompañamiento “Cuaderno de trabajo para el aula de Inglés de 6º EP” CHAPTER 1: Point 4: IMPORTANT ADVICE Teacher can also encourage students to develop their own productive strategies for handling worries. Expressing feelings in writing, art, or music; talking to friends; and approaching worries as problem-solving challenges can be effective ways to cope. As a teacher, try to keep the lines of communication open by being a supportive listener and a source of accurate information. Also, encourage your students to develop constructive ways to express, transcend, and at times even learn from their worries! By being able to talk about their worries in class we lower their anxiety for the future. (adapted from https://www.highlights.com/everyday_dilemmas/how_can_i_talk_to_my_ kids_about_their_worries Alternative task: Once the group of students has a complete list of worries teacher can help them to: 1. Sort out the worries together into: Things we can’t change– for example, being worried about having too many subjects Things we can change– for example, being worried about getting into trouble at school about homework not being done. 2. Take action on the worries: Things we can’t change - With these you need to acknowledge the worry. Students may need more information from you about why this is something that can’t be changed. Things we can change - you can send a letter to school explaining about the homework. Sometimes the sibling needs to take action, for example if he/she is worried that they shouted at their brother or sister, they can say sorry or give them a hug. Dividing worries into these two categories allows students to let go of those things no-one can change and to think how to take action on the things that can be changed. This could be something the teacher can talk about with the group as the year develops. FINAL TASK: OPTION A: DESIGNING A LEAFLET The aim of this task is to raise students´ awareness on the conventions of a particular genre, in this case, leaflets. Remember: making sense of texts within genres is an active process of constructing meaning, a process involved in doing things with language. DIRECCIÓN GENERAL DE CULTURA Y EDUCACIÓN UNIDAD DE COORDINACIÓN DE PROGRAMAS Pág. 19 Programa de Educación Prurilingüe To help students design their leaflets, teacher can ask them to work in groups to compare and contrast the leaflets presented in the cuaderno de trabajo and complete a chart similar to the one below. The chart (or any other graphic organizer) will help students have a clear objective as they identify and analyze the generic features of leaflets. Leaflet 1 Leaflet 2 Leaflet 3 ideas audience purpose images key words & phrases By comparing and contrasting the leaflets presented in the cuaderno de trabajo, students will read for meaning, that is: work with inference and deduction of meaning; they will discover how meaning is constructed within sentences and across texts and how the purpose of the leaflet influences content. In addition, the discussions within groups, and later with the whole class, will also help students realize how leaflets are designed and structured, how language choice influence the readers, how writers present and outline ideas, how form, layout and presentation contribute to the desired effect, etc. Teacher can also highlight the benefits of using images and graphic resources in the leaflets: - they make information more appealing - they show valuable ideas - they are attention-grabbing - they awaken reader’s interest - they make information more accessible and memorable, etc. Teacher helps students improve the HIGH SCHOOL leaflet so then, students can design and present their own version of the leaflet. For support on designing leaflets you can visit: http://www.wikihow.com/Make-a-Leaflet DIRECCIÓN GENERAL DE CULTURA Y EDUCACIÓN UNIDAD DE COORDINACIÓN DE PROGRAMAS Pág. 20 Cuadernillo de acompañamiento “Cuaderno de trabajo para el aula de Inglés de 6º EP” CHAPTER 1: OPTION B: WRITING MEMORIES To get more ideas and support on how to guide your students with this task you can visit the following sites: (they provide suggestions and they can trigger more ideas) http://english-tonight.com/esl-writing-activity-describe-your-happiest-memories-of-childhood/ http://www.listenaminute.com/m/memories https://en.islcollective.com/resources/printables/worksheets_doc_docx/early_memories/used-to-actions/7588 http://www.bbc.co.uk/education/clips/zthr87h OPTION C: LETTER WRITING Even if the topic is the same - students writing about their own memories - the genre changes for this option. Here are some tips for teacher to work with genres: NOTE: STEPS TO TAKE IN TEACHING ANY GENRE OR FORM OF WRITING: 1. Read aloud (and have students read on their own) professionally-written examples of the genre/form. 2. Using writing terms (voice, word choice, sentence fluency, sensory details, strong verbs, etc.), point out what makes the writing effective. 3. Discuss the characteristics of the genre/form. How is it different from other genres/forms? With students, make a list of what they’ll want to think about and include when they write their own biography, research paper, persuasive essay, picture book, monologue, business letter, etc. They should also jot down notes about possible topics in a Writer’s notebook or other place for storing ideas. 4. If the writing will involve research, teach systems for note-taking, interviewing skills (if needed), and whatever other skills students will need. 5. Students pre-write, then write a rough draft. (NOTE: This step assumes you’ve already modeled in previous mini-lessons different methods of pre-writing and tips on getting rough drafts down quickly.) Put aside the rough drafts to return to later. DIRECCIÓN GENERAL DE CULTURA Y EDUCACIÓN UNIDAD DE COORDINACIÓN DE PROGRAMAS Pág. 21 Programa de Educación Prurilingüe 6. Share strong and weak anonymous student samples of the genre or form. Use writing terms and the class-generated list of characteristics to assess and talk about what makes the writings effective or not-so-effective. 7. Students work in pairs to revise a weak anonymous student sample and/or a sample YOU have written, in one or more traits. 8. Students use a rubric (such as Six-Trait rubrics) and characteristics list to assess their rough drafts, then write a second draft. 9. Students conference with each other (and with you) to get feedback on their second drafts. 10. Students use feedback to write a third draft. 11. Students edit to the best of their ability. (Use editing checklists.) 12. Students self-evaluate and assess their writing. 13. YOU evaluate and assess their writing. 14. Sharing of finished pieces and or publication Extracted from: http://www.suzanne-williams.com/formsof.htm July 2015 DIRECCIÓN GENERAL DE CULTURA Y EDUCACIÓN UNIDAD DE COORDINACIÓN DE PROGRAMAS Pág. 22 Cuadernillo de acompañamiento “Cuaderno de trabajo para el aula de Inglés de 6º EP” CHAPTER 2 CHAPTER 2: I CHANGE...EVERYTHING CHANGES. Purposes of the chapter Language use: present continuous, present simple & past simple. Skills covered: listening, reading, writing and speaking Vocabulary related to: school, changes, body, feelings Like the previous chapter, this chapter focuses on underpinnings established by Programa Nacional de Educación Sexual Integral del Ministerio de Educación de la Nación. Here’s some useful information you should read before planning your classes. La enseñanza de Inglés, en la Escuela Primaria, tiene como objetivo fundamental brindar a niñas y niños las herramientas que les posibiliten continuar profundizando este campo del conocimiento y la exploración acerca de “cómo se comprende y produce en idioma inglés en forma oral y escrita”. Desde una perspectiva educativa más amplia, el contacto con una lengua extranjera confronta a alumnos/as con la diversidad cultural que les posibilita enriquecer su mirada sobre el mundo y la vida de las personas en otros contextos sociales, fortaleciendo la propia identidad cultural. El enfoque integral de la subjetividad, de alumnos/as y sus aprendizajes escolares, no sólo permitirá a los/as docentes articular esta área curricular con las otras, sino que hará visible y practicable la perspectiva de ESI en relación con una enseñanza en: - Igualdad de condiciones para niñas y niños. - El valor de la circulación de la palabra. - El respeto y valoración de las diferencias personales, grupales, de experiencias de vida y culturales. Extraído de: http://servicios2.abc.gov.ar/lainstitucion/sistemaeducativo/educprimaria/educacion_sexual_integral/disenio_curricular_y_transversalidad_de_ contenidos_esi.pdf Educación sexual integral En 2008 se creó el Programa Nacional de Educación Sexual Integral, del Ministerio de Educación de la Nación, con el objetivo de coordinar, implementar y evaluar diferentes acciones sobre la temática en todo el país El Programa nació después de la sanción de la Ley Nacional N° 26.150, que establece la responsabilidad del Estado en hacer cumplir el derecho de los niños, DIRECCIÓN GENERAL DE CULTURA Y EDUCACIÓN UNIDAD DE COORDINACIÓN DE PROGRAMAS Pág. 23 Programa de Educación Prurilingüe niñas y adolescentes a recibir Educación Sexual Integral (ESI) en todos los establecimientos educativos públicos de gestión estatal y privada, desde los niveles de educación inicial hasta la formación docente. Desde 2006 la cartera educativa nacional comenzó a trabajar en el cumplimiento de la nueva ley: asesorada por una comisión de especialistas, y en base a las experiencias registradas, elaboró el documento “Lineamientos curriculares para la Educación Sexual Integral”, aprobado por todos los ministros y ministras de Educación en Consejo Federal, en 2008. Para la implementación de estos objetivos se parte de un enfoque integral, en el que la sexualidad abarca aspectos biológicos, psicológicos, sociales, culturales, afectivos, éticos y jurídicos. Esto permite considerar la enseñanza de los contenidos escolares vinculados, y las vivencias de niños, niñas y adolescentes. Considerar la educación sexual integral implica que la escuela instituye un espacio sistemático de enseñanzas y aprendizajes que comprende contenidos de distintas áreas curriculares, adecuados a las edades de niños y niñas. Incluye el desarrollo de saberes y habilidades para el cuidado del propio cuerpo; la valoración de las emociones y de los sentimientos en las relaciones interpersonales; el fomento de valores y actitudes relacionados con el amor, la solidaridad, el respeto por la vida y la integridad de las personas, y el ejercicio de los derechos relacionados con la sexualidad. También promueve el trabajo articulado con las familias, los centros de salud y las organizaciones sociales. Asumir la educación sexual desde una perspectiva integral demanda un trabajo dirigido a promover aprendizajes desde el punto de vista cognitivo, pero también en el plano de lo afectivo, y en las prácticas concretas vinculadas con el vivir en sociedad. Bibliografía utilizada: Marco jurídico: - Ley Provincial Nº 13.298/05 de Promoción y Protección Integral de los Derechos de los Niños. - Ley Nº 13.688/07 de Educación Provincial. - Ley Nacional Nº 26.150 /06 de Educación Sexual Integral. - Lineamientos Curriculares para la Educación Sexual Integral. Ley Nacional Nº 26.150/06 - Dirección General de Cultura y Educación. Diseño Curricular para la Educación Primaria. Primer Ciclo. 2007. - Dirección General de Cultura y Educación. Diseño Curricular para la Educación Primaria. Segundo Ciclo. 2007. - Portal abc. Dirección de Educación Primaria. Documentos de Trabajo Nº 1: “Promoción de la Salud en la Escuela Primaria, 2008. - Portal abc. Dirección de Educación Primaria. Documentos de Trabajo Nº 2: “Prácticas Democráticas en la Escuela Primaria, 2008. - Portal abc. Dirección de Educación Primaria. Documentos de Trabajo Nº 3: “Ejercicio del Derecho a una Educación Sexual Integral en la Escuela Primaria” DIRECCIÓN GENERAL DE CULTURA Y EDUCACIÓN UNIDAD DE COORDINACIÓN DE PROGRAMAS Pág. 24 Cuadernillo de acompañamiento “Cuaderno de trabajo para el aula de Inglés de 6º EP” CHAPTER 2 Objetivos Se articulan los referidos a ESI con los focalizados en el aprendizaje de la lengua extranjera (referirse al Diseño Curricular). Referidos a ESI Generar espacios que favorezcan: • la expresión de sentimientos y emociones; • la comunicación; • formas de resolución de conflictos; • respuestas frente a las presiones de pares; • aceptación y respeto por las diferencia TASK 1: To scaffold TASK 1 teacher may follow these steps: - Students read the first sentence of the text. - Teacher writes the word BODIES on the blackboard (BB) and elicits parts of the body students remember. The words are listed on the BB - Students scan the excerpt and chart and add the parts of the body mentioned in the text to the list on the BB. - Students complete task 1 - Teacher may want to focus on the concept of WORD CATEGORY (noun + verb) and provide extra sentences to complete. TASK 2: Graphic Organizer To complete the graphic organizer (GO) for this task it would be a good idea for students to work in small groups. As the topics discussed in this chapter should be approached sensibly and with respect here is a site from where you can pick up some pieces of advice on implementing group work in the classroom: https://uwaterloo.ca/centre-for-teaching-excellence/teaching-resources/teaching-tips/ alternatives-lecturing/group-work/implementing-group-work-classroom Once the students completed the GO they share their ideas with the whole class. Then, they should go on with task 3 and compare the ideas written in the GO to the information presented in the text “My Body. Things are changing” DIRECCIÓN GENERAL DE CULTURA Y EDUCACIÓN UNIDAD DE COORDINACIÓN DE PROGRAMAS Pág. 25 Programa de Educación Prurilingüe TASK 3: Information for Preteens: My Body Things are Changing! The following are suggestions to help students cope with the text. Teacher asks students to work in small groups (it can be the same groups they work before) to anticipate the text. Taken from: http://goo.gl/LQOomy DIRECCIÓN GENERAL DE CULTURA Y EDUCACIÓN UNIDAD DE COORDINACIÓN DE PROGRAMAS Pág. 26 Cuadernillo de acompañamiento “Cuaderno de trabajo para el aula de Inglés de 6º EP” CHAPTER 2 BEFORE READING a. Point out that this text is presented as a kind of introduction. b. Ask students to skim and scan the text looking for transparent words (cognates)first. c. Ask them to scan the text once more and underline words related to “body” d. Ask students to provide a reading hypothesis: What is the text about? e. Allow a moment for students to read the text Individually to confirm / reject/ modify their hypothesis. DURING READING f. Students discuss their ideas/ hypothesis within their groups and then they share them with the whole class. g. Ask students to match the nouns below with the corresponding verbs (as a kind of review from previous task) body hair voice arms genitals breasts grow develop change h. Ask students to identify if there is a piece of advice given in the text. If so, what words tell them so? AFTER READING i. What other appearance issues can students add to the ones mentioned in the text? j. Refer back to the text and the spidergram. Help students express the changes they are themselves experimenting using the linguistic exponents discussed in the tasks. k. Do they feel identified with the information from text ? PUBERTY Warm up 1. Teacher helps students think what they were like when they were babies and what they are like now. Teacher provides some useful vocabulary to start off: big - small - my baby clothes - my clothes now - my baby food - my food now my baby toys - my toys now DIRECCIÓN GENERAL DE CULTURA Y EDUCACIÓN UNIDAD DE COORDINACIÓN DE PROGRAMAS Pág. 27 Programa de Educación Prurilingüe 2. Teacher tells students to bring two photos: one recent and one of them as babies. 3. Stick all the recent photos on a big poster leaving space next to them to stick the photos as babies and write down students´ comments. 4. Teacher shuffles the baby photos, asks each student to pick one and match it to the “now” photo of the classmate they think it portrays. “is it …?” Yes / No …. 5. Teacher helps students with the vocabulary to describe how their classmate has changed since he / she was a baby. 6. Students write down their observations and opinions on the poster. (from Curricular Content - Resources for Primary by Calabrese & Rampone - Oxford University Press - pp 60) WHAT HAPPENED TO MY BODY!!!?? ANTICIPATION: Teacher asks students to look at the pictures and name as many parts of the body they remember or already know. Write the words on the BB, if possible on an image / picture of the bodies. Supply the words students don´t know. Ask students to concentrate and re read the predictions they have written on the GO at the beginning of the unit. VERIFICATION: A. JIGSAW READING: this task will allow students to organize the information they have read in a visual way (list), thereby helping them process the material more deeply. 1. Divide students into groups of 3 / 5 (depending on class size). Each group should have the same number of students if possible. 2. Appoint one student from each group as a leader. DIRECCIÓN GENERAL DE CULTURA Y EDUCACIÓN UNIDAD DE COORDINACIÓN DE PROGRAMAS Pág. 28 Cuadernillo de acompañamiento “Cuaderno de trabajo para el aula de Inglés de 6º EP” CHAPTER 2 3. Assign each group one of the texts (Girls´ changes / Boys´ changes) from the CUADERNO DE TRABAJO to read. 4. Give students time to read over their text and become familiar with it. You might want to emphasize that they should pay attention to transparencies and words and phrases they understand or already know and try to work out from context the ones they are having difficulties with. 5. Give them the following chart to complete with information from the text they have read: students should discuss their assigned text to come up with a list of changes in a girls´ or boys´ body, depending on the text they read. Each group member should write these on the corresponding column. girls´ changes boys´ changes 6. Once students complete these steps, they will change groups entirely and form a new group with members from the other groups. 7. Students should take turns reporting the information until they complete both columns. 8. Then students share their lists as a whole class. B. LABEL THE BOY’S IMAGE: As a whole class students read and complete point b: Read the text and label the body parts in the boy’s image. LANGUAGE FOCUS: adjectives - comparatives The texts provided in the CUADERNO are full of adjectives in their comparative form. 1. Look at these words (taken from the introduction to this unit). What do they have in common? taller, stronger, heavier, hairier, smellier, moodier 2. Ask students to get in pairs and work out how comparatives are formed. 3. Set 5 / 8 minutes to re read the previous texts and identify more comparatives. 4. Students should provide a list DIRECCIÓN GENERAL DE CULTURA Y EDUCACIÓN UNIDAD DE COORDINACIÓN DE PROGRAMAS Pág. 29 Programa de Educación Prurilingüe adjective comparative 5. Teacher helps students follow instructions to make the foldable suggested in the CUADERNO DE TRABAJO. An alternative task to the FOLDABLE: Teacher asks students to make individual fact- files about changes in themselves and their habits over time using pictures and drawings. Students should be encouraged to include their food, toys, clothes, size (big /small) and hair. Textos ANSWERING YOUR QUESTIONS (GIRLS & BOYS) These texts provide a good opportunity for practising skimming and scanning reading strategies. WORKING WITH ICT: THE BIG SCAN GAME DIRECCIÓN GENERAL DE CULTURA Y EDUCACIÓN UNIDAD DE COORDINACIÓN DE PROGRAMAS Pág. 30 Cuadernillo de acompañamiento “Cuaderno de trabajo para el aula de Inglés de 6º EP” CHAPTER 2 Taken from: https://goo.gl/sU5JxU & Taken from: http://goo.gl/EnU4uj 1. Teacher asks students to read the questions first and think of possible answers to them. What would their parents / doctor / teacher say? Write their hypothesis on the BB. 2. Then teacher ask students to read paragraph boundaries, i.e: the first and /or last line of every paragraph y circle key words and phrases. 3. Students match the questions and the answers. 4. Teacher gives students more time to read the texts in detail now in order to complete the Venn Diagram. 5. Ask students if they have questions on their own. What else would they like to know? Get them into pairs and ask them to write those questions. Help them with the language they need and concentrate on the use of auxiliaries and word order. 6. As another language focus task students might focus on recognizing comparative adjectives and on writing them on the previous chart. LISTENING TASK Introduction Not all the changes of puberty are physical. Some of the changes are in your mind! Puberty hormones can make you feel overly emotional...mood swings are completely normal in puberty! You will listen to a recording about emotional changes in puberty. But first, here are some strategies to help you better understand the text. DIRECCIÓN GENERAL DE CULTURA Y EDUCACIÓN UNIDAD DE COORDINACIÓN DE PROGRAMAS Pág. 31 Programa de Educación Prurilingüe Teacher goes through the strategies and read them with the students. Explain the importance of learning to be a strategic listener: there´s no need to understand every single word, but the gist of the text. BEFORE LISTENING - Predicting: These strategies help you organize what you will wait for in the recording. First, you will make predictions about what will happen. What do you think this text will be about? My Predictions: - Asking questions: Asking questions before you listen to the text will help you listen carefully to find details. You can ask yourself questions about the following elements: type of text, vocabulary, information given My Questions: WHILE LISTENING - Visualizing: Make pictures in your head about what is happening • Think about the questions you wrote in the previous step. Do a Quick Draw or Quick Write on the back of this sheet while you are listening. - Knowing how words work: Jot down any words you don’t know as you listen. Words I’m not sure about… AFTER LISTENING What helped you understand the story? What connections did you make to personal events How did you decode or understand unfamiliar words? How did you organize your Quick Writes and Quick Draws to help you remember key parts? You will listen to the recording two or three times: The first time is to identify the main idea; listening for gist. Listening for gist: you listen in order to understand the main idea of the text. The second time, you may start focusing on words. Listening for specific information: you want to find out specific details, for example key words. The third time, you may listen for detailed understanding: you want to understand the information the text provides. Now you are ready to listen! DIRECCIÓN GENERAL DE CULTURA Y EDUCACIÓN UNIDAD DE COORDINACIÓN DE PROGRAMAS Pág. 32 Cuadernillo de acompañamiento “Cuaderno de trabajo para el aula de Inglés de 6º EP” CHAPTER 2 Transcript Puberty hormones also have an emotional and mental effect on young girls and boys. Mood swings are normal in this stage! One minute you feel happy and next you feel angry...What should you do about it? Listen to some useful tips: - Take a deep breath and count down from ten to one to relax. Count slowly in your mind before you open your mouth. Count another 10 if you are still feeling out of control. Stop and think about what to do or say. - Go for a fast walk or run somewhere safe until you feel calmer. - Use your words to tell your feelings. Never hurt someone physically or verbally - Say what you feel in a firm voice, do not shout eg “I feel angry/sad/upset because...” Sometimes you need to do something to get those angry feelings out.Here are some other ways of getting out the anger. - Squeeze a pillow or a ball really hard. - Listen to some music and dance really hard. - Clean up your bedroom. - Talk to someone you trust about how you feel. What works for you? Talk with your teacher and partners about other emotions you are experiencing. For more information about listening skills you can read this short and sweet article about “Listening for young learners”: https://www.teachingenglish.org.uk/article/listening-young-learners GROWING UP TASK: working with poetry. 1. Teacher asks students to look at the photographs and compare and contrast them. 2. Teacher provides the necessary vocabulary to carry out the task. (see chart below). 3. Students discuss in small groups and provide a “title” for the pictures. Here´s some phrases teacher may write on the BB DIRECCIÓN GENERAL DE CULTURA Y EDUCACIÓN UNIDAD DE COORDINACIÓN DE PROGRAMAS Pág. 33 Programa de Educación Prurilingüe 4. Teacher encourages students to read the poem and carry out task 5 (matching pictures and verses). This task will allow students to focus on recognizing key words and phrases, so have students underline or circle them on the poem. FINAL TASKS: Writing poetry “Poetry means a heightened use of language in describing ideas and feelings. The easiest and most rewarding writing of poetry is based on the simple repetition of sentence patterns. You give them the patterns and they compose their poems and then walk around and tell them to at least 20 other students: speaking and listening: intense, meaningful and memorable!” (from “Creativity in the English Language Classroom” Edited by Alan Maley and Nik Peachey - pp 17 - British Council 2015) 1. A good idea may be to encourage students to write an ACROSTIC poem: in acrostic poems, the first letters of each line are aligned vertically to form a word. The word often is the subject of the poem, so in this case students may use the word CHANGES or their own names. 2. Another possibility is to help students write a poem about themselves using a form similar to the one below or another poetry form that the teacher considers appropriate: Line 1: __ Your name Line 2: _, _, _ 3 personal characteristics or physical traits DIRECCIÓN GENERAL DE CULTURA Y EDUCACIÓN UNIDAD DE COORDINACIÓN DE PROGRAMAS Pág. 34 Cuadernillo de acompañamiento “Cuaderno de trabajo para el aula de Inglés de 6º EP” CHAPTER 2 Line 3: Brother or sister of__ or son/daughter of Line 4: Who loves__, __, and __ 3 people, things, ideas Line 5: Who feels__ about__1 emotion about 1 thing Line 6: Who needs__, __, and __ 3 things you need Line 7: Who gives __, __, and __3 objects you share Line 8: Who fears__, __, and __3 items Line 9: Who’d like to see, __1 place, or person Line 10: Who dreams of __ 1 item or idea Line 11: A student of__ your school or teacher’s name Line 12: __ Nickname or repeat your first name 3. A third alternative is to work with DIAMANTE poems. The Diamante poem forms the shape of a diamond. For example: Line 1: Noun or subject - one word Line 2: Two Adjectives that describe line 1 Line 3: Three ‘ing words that describe line 1 Line 4: Four nouns - the first two are connected with line 1; the last two are connected with line 7 Line 5: Three “ing” words that describe line 7 Line 6: Two adjectives that describe line 7 Line 7: Noun Synonym for the subject More on diamante poems: http://www.readwritethink.org/materials/diamante/ http://www.poetry4kids.com/blog/lessons/how-to-write-a-diamante-poem/ http://pages.uoregon.edu/leslieob/diamantes.html MORE IDEAS! A. As a kind of project teacher may propose students to make a life-size paper model of their body displaying the information they have just learned. One possibility is to follow instructions from this video and adapt them to their teaching context: https://youtu.be/ S4C2jZR8fKo B. 1. In groups ask students to read the list below and match the sentences with the pictures. (the idea is to help students pick up key words and phrases). Teacher may write the list on the BB and show the pictures with a beamer. 2. There is one picture missing. Students should try to figure out which it is and draw the DIRECCIÓN GENERAL DE CULTURA Y EDUCACIÓN UNIDAD DE COORDINACIÓN DE PROGRAMAS Pág. 35 Programa de Educación Prurilingüe image that might correspond to the fact. 3. They should explain why they have chosen to draw their picture. 12 Amazing Facts about Human Body 1. You can make a three inches long nail, using all the iron in your body. 2. You can light up a bulb, using the electricity your brain generates when you are awake. 3. It only takes seven seconds for food to reach your stomach. 4. When you are born, you have 300 bones, but as an adult you only have 206. Some bones fuse to become a single bone as you grow. 5. Your body produces enough heat in half an hour to boil nearly 2 litres (or half a gallon) of water. 6. Your bones are stronger than steel. 7. Your eyes can identify 10 million colours and your nose can remember 50,000 scents. 8. If your eye was a digicam, it would have 576 megapixels. 9. When you blush, the lining of your stomach turns red too. 10. Your eye’s cornea is the only part of your body with no blood supply. It gets its oxygen directly from the air. 11. If your saliva can’t mix with food, you can’t taste it. 12. How many atoms does your body contain? Seven octillion atoms. your drawing Adapted from: http://mocomi.com/human-body-facts/ DIRECCIÓN GENERAL DE CULTURA Y EDUCACIÓN UNIDAD DE COORDINACIÓN DE PROGRAMAS Pág. 36 Cuadernillo de acompañamiento “Cuaderno de trabajo para el aula de Inglés de 6º EP” CHAPTER 2 4. Ask students to choose two facts they find the most interesting. They should support their choice. Here´s some vocabulary they can use: I think fact N° X ….. is very interesting because …. In my opinion fact N° X is curious because …… I find fact N° X thought- provoking since it ……. B. COMPLEMENTARY TASK: Ask students to visit http://www.guinnessworldrecords.com/explore-records/ human-body and search for interesting /amazing/ weird records using superlatives forms related to human body. NOTE: If you are interested in helping your adolescent students and want to learn more about how you can help them you might want to read the following chapter from the book “What every Middle School Teacher should know” by Trudy Knowles and Dave F. Brown.(2000) Heinemann https://www.heinemann.com/shared/onlineresources/e00266/chapter2.pdf DIRECCIÓN GENERAL DE CULTURA Y EDUCACIÓN UNIDAD DE COORDINACIÓN DE PROGRAMAS Pág. 37 Programa de Educación Prurilingüe CHAPTER 3: YOU CHANGE, PLACES CHANGE, THE WORLD CHANGES…. The main objective of this unit is to raise students´awareness on the concept of community. The idea is to help them talk about the changes that occurred in their communities through time and see how those changes affected people’s lives. A. To start working with the CUADERNO DE TRABAJO teacher encourages sts to brainstorm ideas to answer the BIG QUESTION. Teacher asks students to brainstorm twenty/ twenty-five words related to the pictures presented in the CUADERNO de trabajo. Then, working in small groups, they should put those words into categories (previously determined by the teacher) and add new ones that fit those categories. The words and phrases should help students answer the Big Question: What may change in a neighbourhood, a town, a city, a province, a country? B. Before describing the changes presented in the photographs ask students to try to identify the places and monuments depicted in the pictures. Notre Dame Tour Eiffel Ask students to search information about these places and complete the following chart: Name of the monument Location Date of construction Why was it built / why is it famous: other details: Use a world map to indicate where they are located. Encourage students to use the prompts and the picture description tips to describe the pictures in the CUADERNO DE TRABAJO. C. Cross curricular tasks (to include Social Studies) DIRECCIÓN GENERAL DE CULTURA Y EDUCACIÓN UNIDAD DE COORDINACIÓN DE PROGRAMAS Pág. 38 Cuadernillo de acompañamiento “Cuaderno de trabajo para el aula de Inglés de 6º EP” CHAPTER 3 Ask students to think about the period in history the old section of the photographs depicts. What do both photographs have in common? Elicit the idea of WAR. Teacher might discuss / check what students know about the 2nd WW (if they have previous knowledge) and complete a KWL chart. The idea is to guide students identify the old sections of the photos as taken during V-Day. Teacher might work with the following passage: Victory parties On 8 May 1945 people celebrated VE Day (Victory in Europe Day). Crowds packed the streets, cheering, singing and dancing. Children joined in the fun, waving flags, dressing up and making party hats. There were fireworks and bonfires, speeches and Church services, parades and street parties. In August 1945 Japan stopped fighting. On 2 September, the Allies officially celebrated VJ Day (Victory in Japan Day). World War 2 was over. adapted from BBC What was it like for children in the Second World War? How did the War affect people’s everyday lives? During the war life changed for everybody, including children. For most children, the war years were a time of anxiety. For many, it was a period of family separation. For some, it was a time of profound personal loss. Many children had to grow up quickly during wartime. Many children had to look after themselves and younger siblings while their mothers worked. Evacuation Nearly two million children were evacuated from their homes at the start of World War Two. They were evacuated to the countryside to escape the bombing. Children had labels attached to them, as though they were parcels. They stood at railway station not knowing where they were going nor if they would be split from brothers and sisters who had gathered with them. They felt scared about being away from their families and had to adjust to new schools and make new friends. DIRECCIÓN GENERAL DE CULTURA Y EDUCACIÓN UNIDAD DE COORDINACIÓN DE PROGRAMAS Pág. 39 Programa de Educación Prurilingüe Air Raids Children lived in fear from the constant threat of air raids. They spent some nights living in air raid shelters just in case German planes dropped bombs on their houses. Their fears came true during the blitz. One in ten of the deaths during the Blitz of London from 1940 to 1941 were children. Gas Masks The government thought that children under five would be scared of the gas masks so they produced a specially designed Mickey Mouse gas mask. It was brightly coloured in red and blue. School Life Children had to take regular gas drills at school. They found these drills hard to take seriously, especially when they discovered blowing through the rubber made ‘rude’ noises. Games children played The war had an affect on the kind of rhymes children told and the games they played How many of the games above do you recognise? adapted from: http://www.primaryhomeworkhelp.co.uk/war/children.htm DIRECCIÓN GENERAL DE CULTURA Y EDUCACIÓN UNIDAD DE COORDINACIÓN DE PROGRAMAS Pág. 40 Cuadernillo de acompañamiento “Cuaderno de trabajo para el aula de Inglés de 6º EP” CHAPTER 3 READING COMPREHENSION: Teacher asks students to pay attention to both titles and try to predict an answer the questions : What was it like for children in the Second World War? How did the War affect people’s everyday lives? Students use the following phrases to guide / help themselves games children played - air raids - school life - gas masks - evacuation Teacher writes the ideas on the BB After skimming and scanning the texts sts should be able to put the subtitles in order. Teacher prepares some questions or true false statements to check comprehension. Teacher uses a graphic organizer to work with and record vocabulary related to war times. D. Brainstorm local monuments and draw a graphic organizer on the BB to complete with the whole class. Write the name of the monument within the main nodes and then add words which depict the buildings: E. Design a kind of webquest to look for pictures of the local monuments: eg 1.Basílica de Luján 2.Catedral de La Plata 3.Flag memorial DIRECCIÓN GENERAL DE CULTURA Y EDUCACIÓN UNIDAD DE COORDINACIÓN DE PROGRAMAS Pág. 41 Programa de Educación Prurilingüe 4.Cabildo de Bs As 5.Congreso de la Nación 6.Other: (provincial-district monument) Basílica de Luján. Cdad de Luján - Pcia de Bs As More ideas: Useful language to help students write about their city: - My city is located in … - It is near… - It is famous for/special because…. - …people live in my city / It has a population of…. - The governor nowadays is…. - The main shops/industries/places of interest in my city are…. - The weather in summer/winter/autumn/spring is…. - The most popular place in my city nowadays is…. - People in my city….(entertainment/ everyday life) - At weekends people usually…. - The best thing about living in my city is… - The worst thing about living in my city is…. - I think that when I finish secondary school my city will (look like)…. - Draw a map of the city and write directions to locate your time capsule ( for exam- ple: your house nowadays) - Teacher can download some templates from the sites below to include in the project: https://drive.google.com/file/d/0B9wrRDdvdko-ZjYwZjIwMzctODYwNi00YmVjLWFlMzMtYzhkYWZmOGE3OGFh/view DIRECCIÓN GENERAL DE CULTURA Y EDUCACIÓN UNIDAD DE COORDINACIÓN DE PROGRAMAS Pág. 42 Cuadernillo de acompañamiento “Cuaderno de trabajo para el aula de Inglés de 6º EP” CHAPTER 3 http://printables.scholastic.com/shop/prcontent/Read-All-About-Me-Fill-in-Poster/9780439152914-001 http://printables.atozteacherstuff.com/420/all-about-me-printable-book/ - To work with the idea of My life in pictures teacher can design a mini project with the ICT teacher to create a short video using Photoscape, Audacity and Moviemaker and / or Photostory 3. - To work with images from Argentina you can visit http://goo.gl/iakgNJ TheJigsawPuzzle. com. Students, in groups, can do the puzzles related to Argentina at home if there is no connectivity at school and then describe the final picture to the rest of the class using the language learnt in the unit which presents how to work with picture description. GAMES Here are some ideas for fun tasks to reinforce the acquisition of linguistic exponents in context: TASK 1: Comparatives clap clap clap INSTRUCTIONS - Sit in a circle - The first student to start the game says a word related to the topic. For example: “legs”. - The student on the right says: “ My arms are stronger than my legs” - The next student must then say something like: “A snake is longer than my arms” and so on. - If anyone misses their cue or uses a noun or adjective that has been used before, the game starts again with a new series. TASK 2: Comparative forms race The teacher or a student shouts out one adjective and students race to shout out the correct comparative form, getting one point for a correct answer but minus five for a wrong guess. You could also use your dictionary a to be first to find the correct answer) TASK 3 Split the class into two teams and give each team a colour marker / piece of chalk. If you have a very large class, it may be better to split the students into teams of 3 or 4. Draw a line down the middle of the board and write at the top one of the topics dealt with in cuaderno. DIRECCIÓN GENERAL DE CULTURA Y EDUCACIÓN UNIDAD DE COORDINACIÓN DE PROGRAMAS Pág. 43 Programa de Educación Prurilingüe The students must then write as many words as you require related to the topic in the form of a relay race. Each team wins one point for each correct word. Any words that are unreadable or misspelt are not counted. TASK 4: Two Truths and a Lie Write 3 statements about yourself on the board, two of which should be lies and one which should be true. If possible try to limit the ideas to the topics discussed in CUADERNO. Allow your students to ask you questions about each statement and then guess which one is the truth. You might want to practice your poker face before starting this game! If they guess correctly then they win. Give students time to write their own two truths and one lie. Pair them up and have them play again, this time with their list, with their new partner. If you want to really extend the game and give students even more time to practise their speaking/listening skill, rotate partners every five minutes. Bring the whole class back together and have students announce one new aspect they learned about another student as a recap. Adapted from: http://www.gooverseas.com/blog/10-best-games-esl-teachers TASK 5: LABELING PICTURES ON LINE If INTERNET is available students can choose one of the photographs and label the pictures online using: Thinglink (http://www.thinglink.com/) Szoter (http://www.szoter.com/#intro ) (there are tutorials on these pages) Another good task to integrate ICT tools is to ask students to create “thought bubbles” for characters in photos using PHOTOSCAPE (available on the nets) For a final project students can research and look for old pictures of their school and / or neighborhood and / or house. They should then take pictures of those same places and using PHOTOSCAPE they can overlap the new photos to the old ones, creating their own versions of the pictures similar to the ones in the CUADERNO. For an audio visual description (as suggested in the CUADERNO) T should visit: http://content.etilize.com/user-manual/1023124619.pdf TASK 6: TIME CAPSULE DIRECCIÓN GENERAL DE CULTURA Y EDUCACIÓN UNIDAD DE COORDINACIÓN DE PROGRAMAS Pág. 44 Cuadernillo de acompañamiento “Cuaderno de trabajo para el aula de Inglés de 6º EP” CHAPTER 3 - Teacher can also visit this site to get an idea what other teachers from other countries are doing with time capsules: http://mathswithmeaning.blogspot.com.ar/2013/07/starting-your-school-year-with-time.html Teacher should help students gather and collect information about themselves and the class as a whole group if possible. Photographs of the city and the schools may be taken to illustrate the students´ present time. Then they will include this information in a time capsule that they will reopen at the end of their Secondary School. If students are not likely to continue in the same institution, the time capsule may be reopen at the end of 6th year to see how students have changed. Teacher tells students that they are going to make a time capsule to see how they grow and change during secondary school or their last school year (6th year). Teacher should brainstorm with the whole class which things to include in the time capsule. Students may want to include pictures of themselves, stories or tasks performed at school, facts about themselves and their friends, and a daily class schedule (which they have already done in previous tasks). Another possibility is to create a checklist of different types of school work for students to include in the time capsule to compare with school work done at the end of 6th year. The list could include a story or a handwriting sample, descriptions of other subjects, their own course schedule / timetable - from previous tasks - , books students are reading in Prácticas de Lenguaje, etc. Teacher should allow a few days for students to collect or create other elements they want to include in the time capsule. Then, together with the students, seal it and decide a date near the end of the school year to open it. At the end of the year (or the scheduled period), the time capsule should be reopened and information and elements compared and contrasted. If students included photos of themselves, it would be a good idea to take new photos for comparison and to evaluate and analyze what changes may have occurred. DIRECCIÓN GENERAL DE CULTURA Y EDUCACIÓN UNIDAD DE COORDINACIÓN DE PROGRAMAS Pág. 45 Programa de Educación Prurilingüe Resumen de contenidos: - Concientizar sobre los cambios en general y especialmente Objetivos los biológicos y psicológicos que ocurren en la pre adolescen cia. - Fomentar el respeto hacia el otro. - Promover el bienestar, la justicia y la equidad. Objetivos - Aprender vocabulario específico sobre el tema a tratar: cambios. - Repasar el uso exponentes lingüísticos pertinente al tema y a los tópicos de cada unidad. - Identificar, reconocer y producir distintos tipos de géneros discursivos. - Desarrollar la alfabetización multimodal. Contenidos - Leer teniendo en cuenta diferentes propósitos. Tareas - Escuchar y disfrutar la lectura textos expositivos. - Participar en actividades lúdicas. - Comparar textos e imágenes. - Mirar un video y reflexionar. - Usar la lengua para expresar opiniones, comparar, jugar, describir, etc. - Modificar y producir géneros discursivos: folleto / carta / grilla horario escolar / diario personal. - Realizar una muestra multimedial para compartir lo traba jado con la comunidad educativa. - Expresar deseos y emociones. - Describir. - Comentar. - Explicar. - Dar consejos. Practicas del Lenguaje DIRECCIÓN GENERAL DE CULTURA Y EDUCACIÓN UNIDAD DE COORDINACIÓN DE PROGRAMAS Pág. 46 Cuadernillo de acompañamiento “Cuaderno de trabajo para el aula de Inglés de 6º EP” CHAPTER 3 - De la vida cotidiana. Contextos - Escolares. Exponentes ingüísticos Contenidos Tareas cross-curriculares Materials (textos) - Presente simple. - Pasado simple. - There is/ there are. - Can/ can´t. - Should / shouldn´t. - Vocabulario específico. - Adjetivos comparativos y superlativos. - Leer y recabar información sobre cambios biológicos y psicológicos en la pre adolescencia. - Investigar sobre la Segunda Guerra Mundial. - Buscar información en enciclopedias, paginas web, libros, etc sobre los cambios en los contestos de la vid cotidiana próximo a los alumnos. - Textos escritos, aurales, gráficos, etc. DIRECCIÓN GENERAL DE CULTURA Y EDUCACIÓN UNIDAD DE COORDINACIÓN DE PROGRAMAS Pág. 47
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Equipo del Programa de Educación Plurilingüe: Lic Verónica Wolgeschaffen. Lic Ana M Otero. Revisión de la publicación: Prof Griselda Beacon. Equipo de producción: Programa Artes y Medios. Coordinac...
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