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EAGLES II
EAGLES II
ARTISTAS CONTEMPORÁNEOS AMERICANOS
15 ENERO – 14 FEBRERO, 2015
Catharine Ahearn
Michel Auder
Katherine Bernhardt
Sebastian Black & India Donaldson
Greg Bogin
Mike Bouchet & Paul McCarthy
Tony Cox
Alex Da Corte
Sayre Gomez
Mark Hagen
Daniel Heidkamp
Ryan Johnson
Becky Kolsrud
Margaret Lee
Lauren Luloff
Brendan Lynch
Tony Matelli
Keith Mayerson
Stephen Neidich
Grear Patterson
Scott Reeder
John Riepenhoff
Sterling Ruby
Borna Sammak
Gibb Slife
Torey Thornton
ORGANIZADO POR
ORFILA, 5, 28010 MADRID
MARLBOROUGHCHELSEA.COM
GALERIAMARLBOROUGH.COM | 91 319 14 14
EAGLES II
It was a simple fix. The headlight was out. Finding
the source of the problem, though, took a little doing.
So “keep it simple”. I pull the lamp off the ’74. I
haven’t started that bike in a year, but I’m pretty sure
the headlight worked the last time I did. I had such
plans for her, but she came from Tucson and I had
already hauled her west from Olivier’s place before I
noticed that the numbers on her papers didn’t match
the numbers on her frame. No way CHP was going
to let that slide so there she sits, keeping watch in
a room otherwise dedicated to painting rubber on
blankets that my grandmother knits.
But back to the task at hand. I swap out the lamps
and move the switch to the low beam position.
Then, close the choke and open the throttle a bit.
I hold the kill button down with my right thumb
and pump the kicker three times with my right foot.
Release the kill button. Close the throttle. Open the
choke now wet with gasoline. Push the kicker down
slowly once and hear the exhaust cycle give. Push
it down slowly again and feel the pressure build in
the cylinder. Have to be careful now. Push down
one more time but just a hair more than half way.
Now she’s ready to go. I put my left knee on the seat.
I grab the throttle with my right hand and keep it
closed. I lock the heel of my right boot firmly against
the kicker pedal, put my left hand on the seat, lift
myself up and drop down hard with intention. She
starts. I open the throttle a bit so she idles smooth
and look at the headlight. Dark. I move the switch to
the high beam position and take a look. Dark.
Two dead lamps? Unlikely.
Fue un arreglo sencillo. El faro se había apagado.
Encontrar la fuente del problema, sin embargo costó
un poco. Así que, “a simplificar”. Quito la lámpara
del’ 74. No he arrancado esa moto en un año, pero
estoy bastante seguro de que el faro funcionaba
la última vez que lo hice. Tenía tantos planes para
ella, pero vino de Tucson y yo ya la había traído del
oeste de la casa de Olivier antes de darme cuenta
que los números en sus papeles no coincidían con los
números en su bastidor. De ninguna manera iba a
permitir CHP que eso se le pasara, de modo que ahí
está, vigilante en una habitación que de otro modo
se usa para pintar caucho en las mantas que teje mi
abuela.
Pero volvamos a la tarea en cuestión. Cambio las
lámparas y muevo el interruptor a la posición de la
luz de cruce. A continuación, cierro el estárter y abro
el regulador un poco. Sostengo el botón de stop con
mi pulgar derecho y bombeo el pedal de arranque
tres veces con mi pie derecho. Suelto el botón de stop.
Cierro el regulador. Abro el estárter ahora mojado
con gasolina. Piso el pedal de arranque lentamente
una vez, y oigo cómo funciona el ciclo del tubo de
escape. Piso lentamente otra vez y siento cómo la
presión se acumula en el cilindro de nuevo. Ahora
hay que tener cuidado. Piso una vez más pero sólo un
poquito más de la mitad. Ahora está lista. Pongo la
rodilla izquierda en el asiento. Cojo la válvula reguladora con mi mano derecha y la mantengo cerrada.
Presiono el tacón de mi bota derecha firmemente
contra el pedal de arranque, pongo la mano izquierda en el asiento, me levanto y me dejo caer con
fuerza. Se arranca. Abro el regulador un poco para
I kill the engine and go for my tools. Vince and
5
Stoner Mike are sanding. They’re always sanding.
Sandingfoam.Sanding fiberglass. Sanding Gel-coat.
Sanding Bondo, Primer, Paint, Clear. They’re always
sanding. But that isn’t Waylon Jennings coming out
of the speakers? It’s The Strokes. Strange.
que suavemente se ralentice y miro el faro. Oscuro.
Muevo el interruptor a la posición de la luz larga y
echo un vistazo. Oscuro.
“You let Mike pick the music on the weekends?”
Apago el motor y voy a por mis herramientas. Vince
y Stoner están lijando. Están siempre lijando. Lijando
espuma. Lijando fibra de vidrio. Lijando una capa
de gel. Lijando masilla, imprimación, pintura, resina
transparente. Están siempre lijando. ¿Pero eso que
suena por los altavoces no es Waylon Jennings, no?
Son los Strokes. Qué extraño.
“How’d you guess?”
I walk into the studio and over to the box. Get what
I need and then head back outside with assorted
tools in a tote bag with a screen print of a Pettibon
drawing of a train on one side and the Hammer
Museum logo on the other. The text in the drawing
reads: Can you hear the sea?
Nope
I remove the lamp from the headlight assembly
and then remove the headlight assembly from the
visor. The visor is powder-coated black to match the
frame, gas tank, oil bag, wheels, and fender. It looks
good. Now I can get to the wires, which I disconnect.
Maybe it’s the switch? I disconnect the hot wire
from the switch lead wire. I take some wire from
my tote and cut off about six inches. Strip the ends;
crimp a screw connector to one end and an auto-wire
connector to the other. I attach the wire to the low
beam screw on the headlight assembly and then
connect it to the hot wire. I re-install the original
lamp (It doesn’t look blurry, blown or corroded). I
bolt the assembly back to the visor and give the bike
a kick. Nice, she starts right up. I open her up a bit
to a smoother idle and look at the headlight. Dark.
I kill the engine and take everything apart. It’s not
the switch.
Maybe both the high and low beam wires need
juice for the circuit to run? That doesn’t make
sense because the switch would break the circuit to
the high beam when the low beam is on, but who
knows? Electricity is magic. So back to the tote for
some more wire. I split the hot wire and connect it to
the high and low beam screws. I hook up the lamp
6
¿Dos lámparas fundidas? Improbable.
“¿Dejas que Mike elija la música los fines de semana?”
“¿Cómo lo adivinaste?”
Entro en el estudio y me voy hacia la caja. Cojo lo que
necesito y después me dirijo afuera con una variedad
de herramientas en una bolsa con una serigrafía de un
dibujo de Pettibon de un tren en un lado y el logotipo
del Museo Hammer en el otro. El texto en el dibujo
dice: ¿Puedes oír el mar?
No
Quito la lámpara del conjunto del faro y luego quito
el conjunto del faro del visor. El visor está pintado
con pintura en polvo negro para emparejarse con el
bastidor, el depósito de gasolina, el depositó del aceite,
las ruedas, y el guardabarros. Tiene buena pinta.
Ahora puedo llegar a los cables, los cuales desconecto.
¿Quizá es el interruptor? Desconecto el cable del
encendido del cable del interruptor principal. Cojo un
poco de cable de mi bolsa y corto aproximadamente
seis pulgadas. Abro los extremos; engarzo un conector
de tornillo a un extremo y un conector del auto-cable
al otro. Conecto el cable al tornillo de la luz de cruce
en el conjunto del faro y después lo conecto al cable
del encendido. Vuelvo a instalar la lámpara original
(no parece borrosa, fundida, ni corroída). Atornillo
el conjunto de nuevo al visor y doy una patada de
arranque a la moto. Qué bien, arranca inmediatamente. La pongo en un ralentí más suave y miro el
faro. Oscuro. Apago el motor y desarmo todo. No es
el interruptor.
from the ’74 this time, re-install the assembly, and
kick her started. Super nice, two in a row. Happy
with myself I have a look at the headlight. Dark. I
kill the engine.
¿Quizás tanto los alambres de luz de carretera como
los de cruce necesitan carburante para que el circuito funcione?. Eso no tiene sentido porque el
interruptor rompería el circuito hacia la luz larga
cuando la luz de cruce está encendida pero, ¿quién
Two dead lamps? Unlikely. Vince walks outside to sabe? La electricidad es magia. Así que de nuevo a la
have a look.
bolsa a por más cable. Divido el cable del encendido
y lo conecto a los tornillos de luz de carretera y de
“I think I have a voltage meter.”
cruce. Esta vez conecto la lámpara del’ 74, vuelvo
a instalar el conjunto del faro y le doy una patada
“ That would help.”
de arranque. Súper bien, dos seguidos. Contento
conmigo mismo le hecho un vistazo al faro. Oscuro.
Vince returns with the voltage meter. I give the bike
Apago el motor.
a kick but this time she stutters so I go through the
routine. Choke, throttle, kill, pump, pump, pump, ¿Dos lámparas fundidas? Improbable. Vince sale
un-kill, un-throttle, un-choke, soft, soft, slow, hard. fuera a echar un vistazo.
She starts. Vince holds the positive line to the
hot wire and I hold the ground line to the frame. “Creo que tengo un medidor del voltaje”.
Nothing. That’s impossible. The wire is in good
shape and runs off the same regulator screw as the “Eso ayudaría”.
taillight, shining bright. I touch the ground to the Vince vuelve con el medidor del voltaje. Le doy
frame again. Nothing. Then a moment of what we’ll a la moto una patada de arranque pero esta vez
call clarity. I touch the ground to the fork. Electricity. renquea así que repaso la rutina. Estárter, regulador,
The frame is powder-coated the fork is not.
stop, bomba, bomba, bomba, quito el stop, quito el
When assembled properly, the lamp is grounded
to the headlight assembly. The headlight assembly
is bolted to the visor. The visor is bolted to the
fork. The fork is bolted to the wheel. The wheel is
encircled with the tire. The electricity created by the
generator powered by the engine moves through the
hot wire to the switch and then through either the
low or high beam wires to the lamp where the bulb is
illuminated, then it moves through the ground wire
and the bike’s front end until it reaches the ground.
The headlight visor is powder-coated. It looks good.
But that paint is just thick enough to insulate the
metal beneath, breaking the circuit.
I re-attach the hot wire to the switch lead wire and
then connect the high and low beam wires to their
respective screws on the headlight assembly. Using
needle-nose pliers, I yank the ground wire free of
its grommet and then push the now compromised
grommet through its own hole. Vince finds a screw
regulador, quito el estárter, suave, suave, lento, fuerte.
Arranca. Vince une la línea positiva al cable de
encendido y yo uno la línea de tierra al bastidor.
Nada. Es imposible. El cable está en buen estado
y opera del mismo tornillo regulador que el piloto
posterior, alumbrando brillantemente. Toco la línea
de tierra con el bastidor de nuevo. Nada. Entonces
un momento de lo que llamaremos claridad. Toco la
línea de tierra a la horquilla. Electricidad. El bastidor
esta revestido de pintura en polvo y la horquilla no.
Cuando se ensambla correctamente, la lámpara
está conectada al conjunto del faro. El conjunto del
faro está atornillado al visor. El visor está atornillado a la horquilla. La horquilla está atornillada a la
rueda. La rueda está rodeada por el neumático. La
electricidad creada por el generador alimentado por
el motor se mueve a través del cable del encendido
al interruptor y luego tanto a los cables de las largas
o cortas a la lámpara donde la bombilla se ilumina,
y luego pasa al cable de toma de tierra y la parte
delantera de la moto hasta que alcanza la tierra.
7
that fits an empty hole in the fork. The screw is a
bit long so he sets to grinding it down. It’s easy to
distract Vince with a mechanical problem. He likes
solving mechanical problems. Stoner Mike keeps up
with the sanding. Meanwhile, I rig up a new ground
wire. Carrie-Lee has arrived and her dog Teddy sits
with me while I bolt the headlight assembly to the
powder-coated visor that caused so much trouble.
Teddy is a jet black Pomeranian. He looks good. I
feed the new ground wire through the grommet hole
and Vince arrives just in time with the customized
screw. I crimp on a screw connector and then secure
the new ground wire to the fork.
Choke, throttle, kill, pump, pump, pump, un-kill,
un-throttle, un-choke, soft, soft, slow, hard, she
starts.
I look.
Light.
Two dead lamps? Unlikely.
No ground, no enlightenment.
- Drew Heitzler, Mandrake, November 2014
PS. If you kick and kick and kick and your motorcycle won’t
start then dollars to doughnuts you forgot to open the fuel line.
El visor del faro está pintado con pintura en polvo.
Tiene buena pinta. Pero esa pintura es sólo suficientemente gruesa para aislar el metal de debajo,
rompiendo el circuito.
Re conecto el cable del encendido al cable del
interruptor principal y después conecto las luces
largas y las de cruce a sus respectivos tornillos en el
conjunto del faro. Utilizando alicates de punta fina,
tiro del cable de tierra para liberarlo de su arandela
y entonces empujo la cedida arandela por su propio
agujero. Vince encuentra un tornillo que cabe en un
hueco vacío en la horquilla. El tornillo es un poco
largo así que se dispone a limarlo. Es fácil de distraer
a Vince con un problema mecánico. Le gusta resolver
problemas mecánicos. Stoner Mike mantiene el
ritmo del lijado. Mientras tanto, improviso un nuevo
cable de toma de tierra. Carrie-Lee ha llegado y su
perro Teddy se sienta conmigo mientras atornillo
el conjunto del faro al visor revestido de la pintura
en polvo que causó tantos problemas. Teddy es un
Pomerania negro azabache. Parece bueno. Alimento
el nuevo cable de toma de tierra por el agujero de la
arandela y Vince llega justo a tiempo con el tornillo
personalizado. Engarzo un conector de tornillo y
después aseguro el nuevo cable de toma de tierra a
la horquilla .
Estárter, regulador, stop, bomba, bomba, bomba,
quitar el stop, quitar el regulador, quitar el estárter,
suave, suave, lento, fuerte.
Miro.
Luz.
¿Dos lámparas fundidas? Improbable.
Sin tierra, sin iluminación.
- Drew Heitzler, Mandrake, noviembre 2014
P.D. Si das patadas y más patadas al pedal y tu motocicleta no
arranca entonces ten por seguro que se te olvidó abrir la línea
de combustible.
CATHARINE AHEARN
10
11
MICHEL AUDER
12
13
KATHERINE BERNHARDT
14
15
SEBASTIAN BLACK & INDIA DONALDSON
16
17
GREG BOGIN
18
19
MIKE BOUCHET & PAUL McCARTHY
20
21
TONY COX
22
23
ALEX DA CORTE
24
25
SAYRE GOMEZ
26
27
MARK HAGEN
28
29
DANIEL HEIDKAMP
30
31
RYAN JOHNSON
32
33
BECKY KOLSRUD
34
35
MARGARET LEE
36
37
LAUREN LULOFF
38
39
BRENDAN LYNCH
40
41
TONY MATELLI
42
43
KEITH MAYERSON
44
45
STEPHEN NEIDICH
46
47
GREAR PATTERSON
48
49
SCOTT REEDER
50
51
JOHN RIEPENHOFF
52
53
STERLING RUBY
54
55
BORNA SAMMAK
56
57
GIBB SLIFE
58
59
TOREY THORNTON
60
61
OBRAS
ENGLISH / ESPAÑOL
CATHERINE AHEARN
Weird Tales, July, 2014
gouache / gouache
40.5 x 37 x 2 in. / 102.87 x 93.98 x 5.08 cm
Pretzel Bike, 2013
wire, aquaresin, acrylic, salt / alambre,
aquaresin, acrílico, sal
72 x 34 x 44 in. / 182.9 x 86.4 x 111.8 cm
COURTESY OF THE ARTIST
AND OFFICE BAROQUE, BRUSSELS
MICHEL AUDER
Blind Sex, 1983, edited 2009
1/2” betamax video SP to digital, video
SD, color and sound. TRT 5:16 minutes /
1/2 “ de vídeo Betamax SP a digital , vídeo
SD , color y sonido . TRT 05:16 minutos
4 x 15 x 3 in. / 10.2 x 38.1 x 7.6 cm
CLEOPATRA 1970 FILM STRIPS 053, 2014
inkjet print archival ink on archival paper,
ed. 2 of 5 / de inyección de tinta de archivos
de impresión de tinta sobre papel de archivo,
ed . 2 de 5
44 x 35 in. / 111.76 x 88.9 cm
COURTESY OF THE ARTIST; COPYRIGHT
MARLBOROUGH CHELSEA, NEW YORK
KATHERINE BERNHARDT
Untitled (Art as a form of reality), 2013
gouache and inkjet on paper /gouache y
de inyección de tinta sobre papel acrílico
sobre arpillera sobre
96 x 48 in. / 243.8 x 121.9 cm
COURTESY OF THE ARTISTS
GREG BOGIN
Super happy fun time, 2014
acrylic and urethane on canvas over wood /
acrílico y uretano sobre tela sobre madera
49 x 120 in. / 124.46 x 304.8 cm
Every second of every minute of everyday, 2014
synthetic paint and urethane on canvas /
pintura sintética y de uretano sobre lienzo
72 x 66 in. / 182.88 x 167.64 cm
COURTESY OF THE ARTIST; COLLECTION
OF LIZ AND JONATHAN GOLDMAN
MIKE BOUCHET & PAUL MCCARTHY
Michael Douglas Carpet Painting 4, 2014
carpet, energy syrup, gelatin, brown acrylic
paint, wood / alfombra , jarabe de energía,
gelatina, pintura acrílica marrón, madera
78.75 x 118 in. / 200 x 300 cm
Bilboa Abbronzatissimi E Protettissimi, 2013
oil on canvas / óleo sobre lienzo
59 x 39.38 in. / 150 x 100 cm
COURTESY THE ARTISTS; COPYRIGHT
Hamburgers and french fries and shoes and socks, 2014
acrylic on canvas / acrílico sobre lienzo
78 x 72 in. / 198.12 x 182.88 cm
Doritos, socks and basketballs, 2014
acrylic and spray paint on canvas / acrílico
y pintura en aerosol sobre lienzo
96 x 120 in. / 243.8 x 304.8 cm
AND CANADA GALLERY
SEBASTIAN BLACK & INDIA
DONALDSON
Swan, 2014
gouache on hydrocal / gouache sobre hidrocal
9 x 4.5 x 3 in. / 22.86 x 11.43 x 7.62 cm
62
TONY COX
Disco Gliding, 2014
needle, thread, and acrylic paint / aguja,
hilo, y pintura acrílica
22 x 28 in. / 55.88 x 71.12 cm
Outer Loop, 2014
needle, thread, and acrylic paint / aguja,
hilo , y pintura acrílica
20 x 16 in. / 50.8 x 40.64 cm
COURTESY OF THE ARTIST; COPYRIGHT
powder coated saw horses, plexiglass,
IKEA Stromby frames, paper, basket, rope,
sequin pins, rubber banana, paint, plastic
Pinocchio nose, Christmas ornaments, tape,
pearl necklace, cameo pin, thread, rubber
tea holder, pumpkin, plastic / caballetes con
recubrimiento en polvo, de plexiglás, marcos
IKEA Stromby, papel, cesta, cuerda, alfileres
lentejuelas, plátano caucho, pintura, plástico
Pinocho nariz, adornos de Navidad, cinta,
collar de perlas, pin cameo, hilo, titular té
caucho, de calabaza, de plástico
58 x 47.75 x 44.75 in. / 147.32 x 120 x 113.7 cm
Fun World Black Market, 2014
anodized metal frames, foam, plexiglass,
spray paint, hand dyed US one-dollar bills,
sequin pins, digitally printed Ghostface
costume, tape / marcos de metal anodizado,
espuma, plexiglás, pintura en aerosol, la
mano teñida de EE.UU. billetes de un dólar,
alfileres lentejuelas, impreso digitalmente
traje Ghostface, cinta
56 x 64 in. / 142.24 x 162.56 cm
SAYRE GOMEZ
Untitled Painting in Red and Green over Grey, 2012
acrylic and inkjet on canvas over panel /
acrílico y de inyección de tinta sobre lienzo
sobre el panel
84 x 60 in. / 213.36 x 152.4 cm
Untitled Painting in Cerulean w/Trompe L’oeil
Candle, 2014
oil and acrylic on canvas over panel / óleo
y acrílico sobre lienzo sobre el panel espuma
de poliestireno, yeso y pintura de spray
84 x 60 in. / 213.36 x 152.4 cm
COURTESY OF THE ARTIST AND FRANÇOIS
GHEBALY, LOS ANGELES
MARK HAGEN
To Be Titled (Gradient Painting #40), 2014
acrylic on burlap over panel, banned bag,
titanium frame anondized with Diet Coke/
Coke Zero / el panel , la bolsa prohibido,
marco de titanio anondized con Diet
Coke / Coca-Cola Zero
97 x 65 in. / 246.38 x 165.1 cm
ALEX DA CORTE
The Marriage of Figaro, 2014
Lost in my mansion, 2014
acrylic and silkscreen ink on burlap over
panel / acrílico y serigrafía de tinta sobre
arpillera sobre el panel
96 x 64 in. / 243.84 x 162.56 cm
37 x 57.5 in. / 93.98 x 146.1 cm
68 x 45 in. / 172.72 x 114.3 cm
COURTESY OF THE ARTIST AND JACK
HANLEY GALLERY
COURTESY THE ARTIST, COPYRIGHT
LAUREN LULOFF
STEPHEN NEIDICH
DANIEL HEIDKAMP
Pink Shape, 2013
oil, bleached bedsheets, and fabric on
muslin / aceite, sábanas blanqueados, y la
tela de muselina
81 x 76 in. / 205.74 x 193.04 cm
Valrhona With A Splash of Chambord, 2014
shellacked Cronut / barnizada Cronut
3 x 3 in. / 7.62 x 7.62 cm
Plugging Pool Jets, 2014
oil on linen / óleo sobre lienzo
80 x 53 in. / 203.2 x 14.62 cm
Untitled (Shia), 2014
36 x 31 in. / 91.44 x 78.74 cm
RYAN JOHNSON
Facing Chairs, 2012
cedar, maple, plywood, and acrylic paint / cedro,
arce, madera contrachapada, y pintura acrílica
58 x 12.88 x 9.5 in. / 147.3 x 32.8 x 237.5 cm
Rocking Horse, 2012
cedar, plywood, acrylic paint / cedro,
madera contrachapada, pintura acrílica
63.5 x 6 x 122.5 in. / 161.29 x 15.2 x 311.2 cm
COURTESY OF THE ARTIST AND SUZANNE
GEISS COMPANY. PHOTO CREDIT MATTHU
PLACEK
Yellow Burst, 2013
oil, bleached bedsheets, and fabric on
muslin / aceite, sábanas blanqueados, y la
tela de muselina
73 x 59 in. / 185.42 x 149.86 cm
fuego lienzo cuestión militar
70 x 30 x 6 in. / 177.8 x 76.2 x 15.24 cm
DVF x HVN #15, 2014
oil on wood panel / óleo sobre tabla de madera
84 x 72 in. / 213.36 x 182.88 cm
uv print / impresión uv
It took some time, 2013
cigarette ash applied to wall / ceniza de
cigarrillo aplicado a la pared
110 x 236 in. / 279.4 x 599.44 cm
COURTESY OF THE STILL HOUSE GROUP
Child, 2013
COURTESY OF THE ARTIST AND JTT
MARGARET LEE
Solitary Rose (2), 2014
black and white photograph with acrylic paint
/ fotografía en blanco y negro con la
pintura acrílica
37 x 57.5 in. / 93.98 x 146.1 cm
Hanging Bananas (2), 2014
black and white photograph with acrylic paint
/ fotografía en blanco y negro con la
pintura acrílica
When grandpa went to war, 2014
BRENDAN LYNCH
Versatile Classic, 2014
Woman with Sewing Machine, 2014
42 x 30 in. / 106.68 x 76.2 cm
GREAR PATTERSON
fire proof military issue canvas / prueba de
TONY MATELLI
gouache sobre lienzo
30 x 24 in. / 76.2 x 60.96 cm
BECKY KOLSRUD
oil and gouache on canvas / petróleo y
Make Some Pot Brownies, 2013
video still / fotograma de vídeo
urethane on mirror / uretano en el espejo
60 x 96 in. / 152.4 x 243.84 cm
The Wanderer, 2002
fiberglass, silicone, artificial hair, fabric,
foam, wire, wood, paint / fibra de vidrio,
silicona, pelo artificial, tela, espuma,
alambre, madera, pintura
112.25 x 82.63 x 82.63in. / 285.12 x
209.87 x 209.87 cm
COURTESY THE ARTIST, COPYRIGHT
KEITH MAYERSON
Good Rockin’ Tonight, 2005
64 x 46 in. / 162.56 x 116.84 cm
Flying through the foliage, 2014
48 x 72 in. / 121.92 x 182.88 cm
SCOTT REEDER
Untitled, 2014
acrylic on canvas / acrílico sobre lienzo
84 x 60 in. / 213.36 x 152.5 cm
People Call me Scott, 2013
Installation View, Lisa Cooley, New York /
Instalación View, Lisa Cooley, Nueva York
COURTESY OF THE ARTIST AND LISA
COOLEY, NEW YORK
STERLING RUBY
BC (5072), 2014
fabric, glue, paint, dyed canvas on panel / tela,
pegamento, pintura, tela teñida en el panel
126 x 96 x 2 in. / 320 x 243.8 x 5.1 cm
BC (4896), 2014
fabric, glue, bleached canvas on panel / tela,
pegamento, tela blanqueada en el panel
126 x 96 x 2 in. / 320 x 243.8 x 5.1 cm
COURTESY OF STERLING RUBY STUDIO.
PHOTO CREDIT ROBERT WEDEMEYER
Love Triumphant (James Dean in a Tree), 2006
63
SAMMAK BORNA
cool poster, 2014
heat applied t-shirt graphics on canvas /
calor aplicado gráficos camiseta sobre lienzo
48 x 36 in. / 121.92 x 91.44 cm
untitled, 2014
heat applied t-shirt graphics on canvas /
calor aplicado gráficos camiseta sobre lienzo
37 x 46 in. / 93.98 x 116.84 cm
COURTESY OF THE ARTIST AND JTT
GIBB SLIFE
Bay of Pigs T Shirt, 2014
print on cotton, MDF, fiberglass mannequin,
synthetic wige, store bought sunglasses and
shoes / imprimir en algodón, MDF, maniquí
de fibra de vidrio, WIGE sintético, comprados
en la tienda gafas de sol y zapatos
63.5 x 36 x 50 in. / 161.29 x 91.44 x 127 cm
Untitled (Russian pattern, pre-revolution 2), 2014
90 x 70 in. / 228.6 x 177.8 cm
TOREY THORTON
Sure Shore, 2014
acrylic, white out, nail polish, graphite,
crayon, glitter glue and oil pastel on paper
/ acrílico, fuera blanco, esmalte de uñas,
grafito, lápices de colores , pegamento del
brillo y pastel al óleo sobre papel
39.94 x 27.88 in. / 101.44 x 70.80 cm
You Pissed on my Suburban (Divide), 2014
acrylic, spray paint, oil pastel, charcoal, nail
polish, graphite and collage on paper /
acrílico, pintura en aerosol, pastel al óleo,
carboncillo, esmalte de uñas, grafito y
collage sobre papel
64.87 x 82.25 in. / 164.78 x 208.91 cm
COURTESY OF OHWOW GALLERY, LOS
ANGELES
64
BIOGRAFÍAS
DE LOS ARTISTAS
Dubai, United Arab Emirates; y Hot Pop Time
Machine (2010) en V1 Gallery, Copenhagen,
Denmark. Esta artista vive y trabaja en Nueva York.
ESPAÑOL
AHEARN, CATHARINE
Catharine Ahearn (n. 1985 en Johannesburg, South
Africa) recibió su licenciatura de arte de New York
University. Sus exposiciones mas reciente incluyen:
Pizza Time (2013) en Marlborough Broome Street,
Nueva York; Darkside Massage and Heat Therapy,
(2013) en el Benrimon Contemporary, Nueva York;
Curatorial Exchange Group Show (2012) en Irvine
Fine Arts Center, Irvine, CA; Short-Term Deviation
(2010) en Elizabeth Foundation for the Arts, Nueva
York; y A Dry Run, (2009) en Charlie Horse Gallery,
Brooklyn. La artista vive y trabaja en Los Angeles.
AUDER, MICHEL
Michel Auder (n.1945 en Soissons France). Sus exposiciones independiente mas reciente incluyen: The Whitney
Biennial (2014) en el Whitney Museo de Arte Americano, Nueva York; Screen Life #13 & Polaroid (2014) en
Office Baroque, Brussels, Belgium; FILM: A selection of
films by Michel Auder (2013) en DOCUMENTA (13),
Kassel, Germany; Peace Among Topographers (2008)
en Newman Popiashvili Gallery, Nueva York; y los festivales cinematicos de Berlin, London and Denmark Film
Festivals en el 2008. Sus exposiciones en groupo mas
notables incluyen: Chelsea Hotel: Ghosts of Bohemia:
Harry Smith, Andy Warhol, Robert Mapplethorpe,
Michel Auder, Jonas Mekas, (2009) en DOX Center
for Contemporary Art, Prague, Czech Republic; y 2nd
Athens Biennial (2009) en Athens, Greece. El artista vive
y trabaja en Brooklyn, Nueva York.
BERNHARDT, KATHERINE
Katherine Bernhardt (n. 1975 en St. Louis, MO)
recibió su maestría de arte de la Escuela de Artes
Visuales, Nueva York. Sus exposiciones independiente
mas reciente incluyen: Stupid, Crazy, Ridiculous,
Funny Patterns (2014) en CANADA, Nueva York;
Watermelon, Smiley Faces, Ice Cream, Popsicles, Avocado and Sun (2013) en Roberto Paradise, San Juan,
Puerto Rico; Nomad (2012) en Loyal Gallery, Malmo,
Sweden; Rites of Spring Passage (2011) en Carbon 12,
INDIA DONALDSON /
BLACK, SEBASTIAN
India Donaldson (nacido, 1985) se licenció en Vassar
College en 2007. Sebastian Black (nacido, 1985 en
Nueva York) realizó un Máster en Bellas Artes en la
Universidad de Columbia. Su trabajo colaborativo será
mostrado en la futura exposición, Metro Pictures,
Nueva York, (2015), y Pre Fall, And Now, Dallas,
TX, (2015). Exposiciones anteriores incluyen una
exposición colectiva, Samsonite, Glasgow, (2014) y dos
exposiciones de dos artistas, Unique Newark, C L E A
R I N G, Brooklyn, (2013), Authentix, Queer Thoughts,
Chicago, IL, (2013).
BOGIN, GREG
Greg Bogin (n. 1965 en New York, NY) recibió su
licenciatura de arte en El Copper Union. Sus
exposiciones independiente mas reciente incluyen:
Companion Series (2013) en Paolo Curti/Annamaria
Gambuzzi & Co, Milan, Italia; all smiles… (2011)
en Leo Koenig Inc., Nueva York; I Want to Be Your
Friend (2009) en Leo Koenig Inc., Nueva York; My
Fellow Primate (2008) en Paolo Curti/Annamaria
Gambuzzi & co, Milan, Italia; y Greetings Earthlings
(2006) en Leo Koenig Inc., Nueva York. El artista
vive y trabaja en Brooklyn.
BOUCHET, MIKE
Mike Bouchet (n. 1970 en Castro Valley, CA) recibió
su licenciatura de arte en la Universidad de California Los Angeles. Sus exposiciones independiente mas
reciente incluyen: Mike Bouchet and Paul McCarthy:
DOUBLE DECK Monty Carlo (2014) en Marlborough
Monaco, Monaco; 356 Sculptures (2013) en 356 Mission,
Los Angeles; Simulated Personal Rescue Enclosures
(2012) en Hotel Gallery en Londres, Inglaterra; Made
in Germany 2 (2012) en Hannover Kunstverein; and
Impulse Strategies (2011) en Galerie Georges-Phillipe &
Natalie Vallois en Paris, Francia. Sus projectos pueden
ser vistos en varias collectiones publicas, incluyendo:
Centres George Pompidou; LVMH collection; Pinnault
collection; Belvedere Museum, Vienna, Austria; Astrup
Fearnley Museum of Modern Art, Oslo, Norway;
Margulies Collection, Miami, Florida. El artista vive y
65
trabaja en Frankfurt, Alemania.
Germany. El artista vive y trabaja en Los Angeles.
MCCARTHY, PAUL
HAGEN, MARK
Paul McCarthy (n. 1945 en Salt Lake City, UT)
recibió su maestría de arte de la Universidad de Southern
California. Sus exposiciones independiente mas reciente incluyen: Chocolate Factory (2014) en Monnaie de
Paris, Paris, Francia; Paul McCarthy – Ketchup and
Blod (2014) en Galleri F15, Moss, Norway; Andy Hope
1930, Paul McCarthy. Down Show Show Down (2013)
en 8. Salon, Hamburg, Germany; Life Cast (2013) en
Hauser & Wirth, Nueva York; y Rebel Dabble Babble
(2012) en The Box, Los Angeles. El artista vive y trabaja en Los Angeles.
COX, TONY
Tony Cox (n. 1975 en Louisville, KT). Sus exposiciones
independiente mas reciente incluyen: B-Side (2013) en
Home Alone 2, Nueva York; Tony Cox (2013) en Marlborough Broome Street, Nueva York; Incense. (2011) en
Fuse Gallery, Nueva York; White Trash Mystic. (2010)
en 211 Elizabeth St, Nueva York; y Too Blonde To Be
Catalan (2007) en FD Gallery, Barcelona, Spain. El
artista vive y trabaja en Woodstock, Nueva York.
DA CORTE, ALEX
Alex Da Corte (n. 1980 en Camden, NJ) recibió su
maestría de arte en la Universidad de Yale – Escuela
de Arte. Sus exposiciones independiente mas reciente
incluyen: Easternsports (2014) con Jayson Musson en el
Instituto de Arte Contemporáneo, Philadelphia; White
Rain (2014) en el Cubo Blanco, Londres, Inglaterra;
1OOOISLAND (2013) en la galería Joe Sheftel, Nueva
York; A SEASON IN HE’LL (2012) en la galería
“mother’s tankstation” en Dublín, Irlanda; y The Island Beautiful/Mortal Mirror (2011) en Bodega/Extra
Extra Galleries, Philadelphia. La artista vive trabaja en
Philadelphia.
GOMEZ, SAYRE
Sayre Gomez (n. 1982 en Chicago, IL) recibió su maestría
de arte from California Institute of the Arts. Sus exposiciones independiente mas reciente incluyen: I’m Different
(2014) en François Ghebaly, Los Angeles; Slippery (2012)
en The HOLE, Nueva York; This Is To Sink (2012) en
Michael Jon Galery, Miami; Windows and Mirrors (2011)
en Kavi Gupta Gallery, Chicago; y Self Expression or Fog
and Other Works (2010) en Kavi Gupta Gallery, Berlin,
66
Mark Hagen (n. 1972 en Black Swamp, VA) recibió su
maestría de arte de el Instituto de Arte en California.
Sus exposiciones independiente mas reciente incluyen:
Guest Star (2014) Marlborough Chelsea, Nueva York;
Paleo Diet (2013) en International Art Objects Galleries, Los Angeles; Black Swap (2013) en Almine Rech
Gallery, Brussels, Belgium; TBA de nouveau, (2012)
en Almine Rech, Paris, France; y TBAA (2011) en la
Galeria Marta Cervera, Madrid, Spain. El artista vive
y trabaja en Los Angeles.
HEIDKAMP, DANIEL
Daniel Heidkamp (n. 1980 en Wakefield, MA) recibió
su licenciatura de arte en la Escuela de el Museo de
Arte en Boston. Sus exposiciones independiente mas
reciente incluyen: Sneeze Buds (2013) en Half Gallery,
Nueva York;Glow Drops At The Chill Spot (2012) en
el Champion Contemporary, Austin; Trapped Under
Nice (2011) en Lamontagne Gallery, Boston; The
Arrangement (2009 en Lamontagne Gallery, Boston;
y Open Relationship (2008) en Buia Gallery, Nueva
York. El artista vive y trabaja en Brooklyn. JOHNSON, RYAN
Ryan Johnson (n. 1978 en Karachi, Pakistán) recibió
su licenciatura de arte de Pratt Institute en 2000 y su
maestría de arte de Columbia University en 2003. Sus
exposiciones independientes mas reciente incluyen:
Self Storage (2012) en Suzanne Geiss Company, Nueva
York, NY; Description of a Struggle (2010) en Sikkema
Jenkins and Co., Nueva York, NY; y Ambien Eyes
(2007) en Franco Soffiantino Arte Contemporanea,
Turin, Italia. Sus exposiciones de grupo mas reciente
incluyen: Imaginary Portraits (2014) organizado por
Dodie Kazanjian, en The Arnold and Marie Schwartz
Gallery Met, The Metropolitan Opera House, Nueva
York, NY; Pewter Wings, Golden Horns, Stone Veils
(2012) en GRIMM Gallery, Amsterdam, Los Países
Bajos; y Abstract America: New Painting and Sculpture (2009) en Saatchi Gallery, Londres, Inglaterra. El
artista vive y trabaja en Brooklyn, Nueva York.
KOLSRUD, BECKY
Becky Kolsrud (n. 1984 en Los Ángeles, California)
recibió su licenciatura de arte de New York University
en 2006 y su maestría de arte de University of California en 2012. Sus exposiciones independientes mas
reciente incluyen: We Alter and Repair (2014) en JTT,
Nueva York, NY; Tif’s desk (2012) en Thomas Solomon
Gallery, Los Ángeles, CA; Yackety Yack Girls (2011)
Karma, Nueva York, NY. Sus exposiciones de grupo
mas reciente incluyen: The Last Brucennial (2014) en
837 Washington Street, Nueva York, NY, presentado
por Vito Schnabel y The Bruce High Quality Foundation; She (2013) en Kathleen Cullen Fine Arts, Nueva
York, NY; About Face (2012) en ACME, Los Ángeles,
CA; y también tiene una colección publica en el Hammer Museum en Los Ángeles, CA. La artista vive y
trabaja en Los Ángeles California.
LEE, MARGARET
Margaret Lee (n.1980 en Bronx, NY). Sus exposiciones
en par incluyen: Für die Kinder Düsseldorfs (2013) con
Emily Sundblad en Off Vendome, Düsseldorf, DE;
MHMMML (2013) con Matthew Higgs y Marlon
Mullen en International Art Objects, Los Angeles;
MHML (2012) con Matthew Higgs en el Green Gallery, Milwaukee; Waiting for #### (2011) en Jack
Hanley Gallery, Nueva York; y Hello, I’m on Vacation
(2010) en Callicoon Fine Arts, Callicoon. La artista
vive y trabaja en Nueva York.
LULOFF, LAUREN
Lauren Luloff (n. 1980 en Dover, NH) recibió su maestría de arte en Bard College: Milton Avery Graduate
School of the Arts. Sus exposiciones independiente mas
reciente incluyen: Heliotrope (2014) en Halsey McKay
Gallery, East Hampton; Pineapples and Teapots (2014)
en The Hole, Nueva York; Daily Companions (2013) en
Cooper Cole Gallery, Toronto, Canada; Recent Small
Works (2012) en Horton Gallery, Nueva York; y Wind,
Beach and Still Life (2011) en End of the Century,
Nueva York.
LYNCH, BRENDAN
Brendan Lynch (n. 1985 en Los Ángeles, CA) recibió
su maestría de arte en la Escuela de Artes Visuales
(SVA). Sus exposiciones independiente mas reciente
incluyen: Blowing a Dream (2012) en The Still House
Group, Brooklyn y Brendan Lynch (2011) en la galería
Thomas Brambilla, Bergamo, Italia. El artista vive en
Los Ángeles.
MATELLI, TONY
Tony Matelli (n. 1971 en Chicago, IL) recibió su maestría de arte en Cranbrook Academy of Art. Sus exposiciones independiente mas reciente incluyen: Tony
Matelli, Olaf Bruening, John Miller (2014) en Gary
Tatintsian Gallery Inc., Moscow, Russia; Tony Matelli:
New Gravity (2014) en Davis Museum at Wellesley
College, Wellesley; Tony Matelli – A HUMAN ECHO
(2013) en Bergen Kunstmuseum, Bergen, Norway;
Windows, Walls and Mirrors (2013) en Green Gallery,
Milwaukee; y Windows, Walls and Mirrors (2012) en
Leo Koenig Inc, Nueva York. El artista vive y trabaja
en New York.
MAYERSON, KEITH
Keith Mayerson (n. 1966 en Cincinnati, Ohio) recibió
su maestría de arte from University of California
Irvine. Sus exposiciones mas reciente incluyen: My
American Dream, The Whitney Biennial (2014) en el
Whitney Museo de Arte Americano, Nueva York; My
American Dream (2013) en Derek Eller Gallery, Nueva
York; Art, Life and Fashion (2011) en Shaheen Modern
& Contemporary Art, Cleveland; My Modern Life
(2010) en Derek Eller Gallery, Nueva York; y Souvenirs (2009) en The Bakery – Annet Gelink Gallery,
Amsterdam, los Paises Bajos. El artista vive y trabaja
en Nueva York.
NEIDICH, STEPHEN
Stephen Neidich (n. 1984 en Nueva York, Nueva York)
recibió su licenciatura de arte en escultura de Brown
University con honores en 2006 y su maestría de arte
de CalArts en 2012. Sus exposiciones de grupo mas
reciente incluyen: It’s a Bored Nation (2014) en Kunsthalle Projects, Nueva York, NY; The Invitational (2014)
en Kunsthalle Galapagos, Nueva York, NY; CalArts
Graduate Exhibition (2013) en Mandarin Plaza, Los
Ángeles; You Are Free (2012) en Kunsthalle Exnergasse, Viena, Austria; y Let Me in, (2011) en raum fur
aktuelle Kunst, Berlin, Alemania. El artista vive y
trabaja en Los Ángeles California.
PATTERSON, GREAR
Grear Patterson (n. 1988 en Redding, Connecticut)
fue a Duke University y la Escuela de artes Visuales en
Nueva York. Sus exposiciones independiente mas reci67
ente incluyen: Duck Test (2014) en Ellis King, Dublin,
Irlandia; Six Impossible Things Before Breakfast (2013)
en Rod Barton, Londres, Inglaterra; 9th Shanghai Biennale (2012) en Shanghai Biennale, Shanghai, China;
Harder. Betterer. Fasterer. Strongerer - Brucennial
(2012) en Nueva York; y Ain’t (2011) en Frank Pictures
Gallery, Santa Monica. El artista vive y trabaja en
Nueva York.
REEDER, SCOTT
Scott Reeder (n. 1970 en Ann Arbor, MI) recibió su
maestría de arte en la Universidad de Illinois. Sus exposiciones independiente mas reciente incluyen: Scott
Reeder (2014) en 356 Mission, Los Angeles; Paintings of Things (2013) en Kavi Gupta Gallery, Berlin,
Alemania; People Call Me Scott (2013) en Lisa Cooley,
Nueva York; y Scott Reeder (2012) en Kavi Gupta Gallery, Chicago. Sus exposiciones de grupo mas reciente
incluyen: The Art of the Joke (2012) en V1 Gallery,
Copenhagen, Denmark y Abstract America (2011) en
Saatchi Gallery, Londres. El artista vive y trabaja en
Chicago, IL y Detroit, MI.
RIEPENHOFF, JOHN
John Riepenhoff (n. 1982 en Milwaukee, WI) recibió
su licenciatura de arte de el Peck School of the Arts
en la Universidad de Wisconsin. Sus exposiciones
independiente mas reciente incluyen: Outside (2014) en
Marlborough Broome Street, Nueva York; Extra Paintings (2013) en Plein Trunk Gallery, Milwaukee; Plein
Air Paintings (2013) en Queens Park Railway Club,
Glasgow, Scotland; Plein Air Paintings (2011) en Western Exhibitions, Chicago; y Jake Palmert and Other
People Drawing the Artist (2011) en Portrait Society,
Milwaukee. El artista vive y trabaja en Milwaukee.
RUBY, STERLING
Sterling Ruby (n.1972 en Bitburg, Germany) recibió su
maestría de arte from. Sus exposiciones independiente
mas reciente incluyen:VIVIDS (2014) en Gagosian
Gallery, Central, Hong Kong; SUNRISE SUNSET
(2014) en Hauser & Wirth, Nueva York; STERLING RUBY (2014) en el Baltimore Museo de Arte,
Baltimore; DROPPA BLOCKA (2013) en Museum
Dhondt-Dhaenens, Ghent, Belgium; y SOFT WORK
(2013) en el Museo d’Arte Contemporaneo, Rome,
Italy. Esta artista vive y trabaja en Los Angeles.
68
SAMMAK, BORNA
Borna Sammak (n. 1986 en Philadelphia, PA) recibió
su licenciatura de arte en New York University. Sus
exposiciones independiente mas reciente incluyen: All
Dogs Are Pets (2014) en JTT, Nueva York; Jeff Cold
Beer (2012) en JTT, Nueva York; y Borna Sammak:
Best Buy (2009) en Best Buy, Nueva York. La artista
vive y trabaja en Brooklyn.
SLIFE, GIBB
Gibb Slife (n. 1975 en Cleveland, OH) recibió su
licenciatura de arte de Rhode Island School of Design.
Sus exposiciones independiente mas reciente incluyen:
Mockingbird (2014) en Marlborough Chelsea, New
York; Thick As A Brick, (2012) en Fitzroy Gallery, New
York; Dead Language (2011) en Fitzroy Gallery, New
York; In Abberant Deliberation…Exhaust From (2008)
en Mitterrand+Sanz, Zurich, Switzerland; y Mercury
(2008) en Galerie Pixi - Marie Victoire Poliakoff, Paris,
France. El artista vive y trabaja en Nueva York.
THORNTON, TOREY
Torey Thornton (n. 1990 en Macon, GA) recibió su
licenciatura de arte en El Cooper Union. Sus exposiciones independiente mas reciente incluyen: Some
Narrow Sleeping (2014) en OHWOW, Los Angeles; Oh
Strange, That’s Your Name (2014) en Galerie TORRI,
Paris, France; y Agro Fiddling (2013) en Karma, Nueva
York. Sus exposiciones de grupo mas reciente incluyen:
Live And Let Die (2014) en Modern Art, Londres,
Inglaterra y New Image Painting (2014) en Shane
Campbell Gallery, Chicago. La artista vive y trabaja
en Brooklyn.
ARTIST
BIOGRAPHIES
INDIA DONALDSON /
BLACK, SEBASTIAN
ENGLISH
AHEARN, CATHARINE
Catharine Ahearn (b. 1985 in Johannesburg, South
Africa) received a Bachelors of Fine Arts from New
York University) Recent exhibition include Pizza Time
(2013) at Marlborough Broome Street, New York;
Darkside Massage and Heat Therapy, (2013) Benrimon Contemporary, New York; Curatorial Exchange
Group Show (2012) at Irvine Fine Arts Center, Irvine,
CA; Short-Term Deviation (2010) at Elizabeth Foundation for the Arts New York; and A Dry Run, (2009) at
Charlie Horse Gallery, Brooklyn. The artist lives and
works in Los Angeles.
AUDER, MICHEL
Michel Auder (b.1945 in Soissons France). Recent solo
exhibitions include The Whitney Biennial (2014) at The
Whitney Museum of American Art, New York; Screen
Life #13 & Polaroid (2014) at Office Baroque, Brussels,
Belgium; FILM: A selection of films by Michel Auder
(2013) at dOCUMENTA (13), Kassel, Germany; Peace
Among Topographers (2008) at Newman Popiashvili
Gallery, New York; and the Berlin, London and Denmark Film Festivals of 2008. Recent notable group
exhibitions include Chelsea Hotel: Ghosts of Bohemia:
Harry Smith, Andy Warhol, Robert Mapplethorpe,
Michel Auder, Jonas Mekas, (2009) at DOX Center for
Contemporary Art, Prague, Czech Republic; and 2nd
Athens Biennial (2009) in Athens, Greece. The artist
currently lives and works in Brooklyn, New York.
BERNHARDT, KATHERINE
Katherine Bernhardt (b. 1975 in St. Louis, MO) received
a Master of Fine Arts from School of Visual Arts, New
York. Recent solo exhibitions include Stupid, Crazy,
Ridiculous, Funny Patterns (2014) at CANADA, New
York; Watermelon, Smiley Faces, Ice Cream, Popsicles,
Avocado and Sun (2013) at Roberto Paradise, San Juan,
Puerto Rico; Nomad (2012) at Loyal Gallery, Malmo,
Sweden; Rites of Spring Passage (2011) at Carbon 12,
Dubai, United Arab Emirates; and Hot Pop Time
Machine (2010) at V1 Gallery, Copenhagen, Denmark.
This artist lives and works in New York.
India Donaldson (b. 1985) received a Bachelor Degree
from Vassar College in 2007. Sebastian Black (b. 1985
in New York, NY) received a Master of Fine Art from
Columbia University. Their collaborative work will be
show in the forthcoming Sample Sale, Metro Pictures,
New York, NY, (2015), and Pre Fall, And Now, Dallas,
TX, (2015). Past shows include a group show, Samsonite,
Glasgow, (2014), and two two-person exhibitions,
Unique Newark, C L E A R I N G, Brooklyn, (2013),
Authentix, Queer Thoughts, Chicago, IL, (2013).
BOGIN, GREG
Greg Bogin (b. 1965 in New York, NY) received a
Bachelors of Fine Arts from The Copper Union. Recent solo exhibitions Companion Series (2013) at Paolo
Curti/Annamaria Gambuzzi & Co, Milan, Italy; all
smiles… (2011) at Leo Koenig Inc., New York; I Want
to Be Your Friend (2009) at Leo Koenig Inc., New
York; My Fellow Primate (2008) at Paolo Curti/Annamaria Gambuzzi & co, Milan, Italy; and Greetings
Earthlings (2006) at Leo Koenig Inc., New York. The
artist lives in New York City and works in Brooklyn.
BOUCHET, MIKE
Mike Bouchet (b. 1970 in Castro Valley, CA) received a
Bachelor of Fine Arts from University of California Los
Angeles. Recent exhibitions include Mike Bouchet and
Paul McCarthy: DOUBLE DECK Monty Carlo (2014)
at Marlborough Monaco, Monaco; 356 Sculptures
(2013) at 356 Mission, Los Angeles; Simulated Personal
Rescue Enclosures (2012) at Hotel Gallery in London,
England; Made in Germany 2 (2012) in Hannover
Kunstverein; and Impulse Strategies (2011) at Galerie
Georges-Phillipe & Natalie Vallois in Paris, France.
His works can be found in many public collections,
including Centres George Pompidou; LVMH collection; Pinnault collection; Belvedere Museum, Vienna,
Austria; Astrup Fearnley Museum of Modern Art,
Oslo, Norway; Margulies Collection, Miami, Florida.
The artist lives and works in Frankfurt, Germany.
MCCARTHY, PAUL
Paul McCarthy (b. 1945 in Salt Lake City, UT)
received a Master of Fine Arts from University of
Southern California. Recent solo exhibitions Chocolate
Factory (2014) at Monnaie de Paris, Paris, France; Paul
69
McCarthy – Ketchup and Blod (2014) at Galleri F15,
Moss, Norway; Andy Hope 1930, Paul McCarthy.
Down Show Show Down (2013) at 8. Salon, Hamburg,
Germany; Life Cast (2013) at Hauser & Wirth, New
York; and Rebel Dabble Babble (2012) at The Box, Los
Angeles. The artist lives and works in Los Angeles.
Black Swap (2013) at Almine rech Gallery, Brussels,
Belgium; TBA de nouveau, (2012) at Almine Rech,
Paris, France; and TBAA (2011) at Galeria Marta
Cervera, Madrid, Spain. The artist lives and works in
Los Angeles.
Cullen Fine Arts, New York, NY; About Face (2012)
ACME, Los Angeles, CA; She also has a Public Collection at the Hammer Museum in Los Angeles, CA. The
Artist lives and works in Los Angeles California.
COX, TONY
HEIDKAMP, DANIEL
Daniel Heidkamp (b. 1980 in Wakefield, MA) received
his Bachelors of Fine Arts at the School of the Museum
of Fine Arts in Boston. Recent solo exhibitions include
Sneeze Buds (2013) at Half Gallery, New York; Glow
Drops At The Chill Spot (2012) at Champion Contemporary, Austin; Trapped Under Nice (2011) at Lamontagne Gallery, Boston; The Arrangement (2009) at
Lamontagne Gallery, Boston; and Open Relationship
(2008) at Buia Gallery, New York. The artist lives and
works in Brooklyn.
Margaret Lee (b.1980 in Bronx, NY). Recent two
person exhibitions include Für die Kinder Düsseldorfs
(2013) with Emily Sundblad at Off Vendome, Düsseldorf, DE; MHMMML (2013) with Matthew Higgs
and Marlon Mullen at International Art Objects, Los
Angeles; MHML (2012) with Matthew Higgs/Margaret Lee at The Green Gallery, Milwaukee; Waiting for
#### (2011) at Jack Hanley Gallery, New York; and
Hello, I’m on Vacation (2010) at Callicoon Fine Arts,
Callicoon. The artist lives and works in New York.
Tony Cox (b. 1975 in Louisville, KT). Recent solo exhibitions include B-Side (2013) at Home Alone 2, New
York; Tony Cox (2013) at Marlborough Broome Street,
New York; Incense. (2011) at Fuse Gallery, New York;
White Trash Mystic. (2010) at 211 Elizabeth St, New
York; and Too Blonde To Be Catalan (2007) at FD
Gallery, Barcelona, Spain. The artist lives and works in
Woodstock, NY.
DA CORTE, ALEX
Alex Da Corte (b. 1980 in Camden, NJ) received a
Master of Fine Arts from Yale University School of Art.
Recent solo exhibitions include Easternsports (2014)
with Jayson Musson at The Institute of Contemporary
Art, Philadelphia; White Rain (2014) at White Cube,
London, England; 1OOOISLAND (2013) at Joe Sheftel Gallery, New York; A SEASON IN HE’LL (2012) at
mother’s tankstation, Dublin, Ireland; and The Island
Beautiful/Mortal Mirror (2011) at Bodega/Extra Extra
Galleries, Philadelphia. The artist lives and works in
Philadelphia.
GOMEZ, SAYRE
Sayre Gomez (b. 1982 in Chicago, IL) received a Masters of Fine Arts from California Institute of the Arts.
Recent solo exhibitions include I’m Different (2014)
François Ghebaly, Los Angeles; Slippery (2012) at The
HOLE, New York; This Is To Sink (2012) at Michael
Jon Galery, Miami; Windows and Mirrors (2011) at
Kavi Gupta Gallery, Chicago; and Self Expression or
Fog and Other Works (2010) at Kavi Gupta Gallery,
Berlin, Germany. The artist lives and works in Los
Angeles.
HAGEN, MARK
Mark Hagen (b. 1972 in Black Swamp, VA) received
Master of Fine Arts from California Institute of the
Arts. Recent solo exhibitions include Guest Star (2014)
Marlborough Chelsea, New York; Paleo Diet (2013)
at International Art Objects Galleries, Los Angeles;
70
JOHNSON, RYAN
Ryan Johnson (b. 1978 in Karachi, Pakistan) received a
Bachelors of Fine Arts from the Pratt Institute in 2000
and a Masters of Fine Arts from Columbia University
in 2003. Recent Solo Exhibitions include Self Storage (2012) Suzanne Geiss Company, New York, NY;
Description of a Struggle (2010) Sikkema Jenkins and
Co., New York, NY; and Ambien Eyes (2007) Franco
Soffiantino Arte Contemporanea, Turin, Italy. Recent
Group Exhibitions include Imaginary Portraits (2014)
Organized by Dodie Kazanjian, The Arnold and Marie Schwartz Gallery Met, The Metropolitan Opera
House, New York, NY; Pewter Wings, Golden Horns,
Stone Veils (2012) GRIMM Gallery, Amsterdam, The
Netherlands; and Abstract America: New Painting and
Sculpture (2009) Saatchi Gallery, London, England.
The artist lives and works in Brooklyn, New York.
KOLSRUD, BECKY
Becky Kolsrud (b. 1984 in Los Angeles, CA) received
a Bachelors of Science from New York University in
2006 and a Masters of Fine Arts from the University
of California in 2012. Recent Solo Exhibitions include
We Alter and Repair (2014) JTT, New York, NY; Tif’s
desk (2012) Thomas Solomon Gallery, Los Angeles,
CA; Yackety Yack Girls (2011) Karma, New York, NY.
Some of her more recent Group Exhibitions include
The Last Brucennial (2014) 837 Washington Street,
New York, NY. Presented by Vito Schnabel and The
Bruce High Quality Foundation; She (2013) Kathleen
LEE, MARGARET
LULOFF, LAUREN
Lauren Luloff (b. 1980 in Dover, NH) received a
Master in Fine Arts from Bard College: Milton Avery
Graduate School of the Arts. Recent solo exhibitions
include Heliotrope (2014) at Halsey McKay Gallery,
East Hampton; Pineapples and Teapots (2014) at The
Hole, New York; Daily Companions (2013) at Cooper
Cole Gallery, Toronto, Canada; Recent Small Works
(2012) at Horton Gallery, New York; and Wind, Beach
and Still Life (2011) at End of the Century, New York.
LYNCH, BRENDAN
Brendan Lynch (b. 1985 in Los Angeles, CA) received
a Master of Fine Arts at School of Visual Arts. Recent
solo exhibitions include Blowing a Dream (2012) at
The Still House Group, Brooklyn and Brendan Lynch
(2011) at Thomas Brambilla Gallery, Bergamo, Italy.
The artist lives in Los Angeles.
MATELLI, TONY
Tony Matelli (b. 1971 in Chicago, IL) received a
Master of Fine Arts from Cranbrook Academy of
Art. Recent solo exhibitions include Tony Matelli,
Olaf Bruening, John Miller (2014) at Gary Tatintsian
Gallery Inc., Moscow, Russia; Tony Matelli: New
Gravity (2014) at Davis Museum at Wellesley College,
Wellesley; Tony Matelli – A HUMAN ECHO (2013)
at Bergen Kunstmuseum, Bergen, Norway; Windows,
Walls and Mirrors (2013) at Green Gallery, Milwaukee;
and Windows, Walls and Mirrors (2012) at Leo Koenig
Inc, New York. The artist lives and works in New York.
MAYERSON, KEITH
Keith Mayerson (b. 1966 in Cincinnati, Ohio) received
a Master of Fine Arts from University of California Irvine. Recent exhibitions include My American Dream,
The Whitney Biennial (2014) at Whitney Museum
of American Art, New York; My American Dream
(2013) at Derek Eller Gallery, New York; Art, Life and
Fashion (2011) at Shaheen Modern & Contemporary
Art, Cleveland; My Modern Life (2010) at Derek Eller
Gallery, New York; and Souvenirs (2009) at The Bakery – Annet Gelink Gallery, Amsterdam, Netherlands.
The artist lives and works in New York.
NEIDICH, STEPHEN
Stephen Neidich (b. 1984 in New York, New York)
received a Bachelors of Fine Arts in Sculpture from
Brown University with Honors in 2008, followed by a
Masters of Art from CalArts in 2013. Recent Group
Exhibitions include It’s a Bored Nation (2014) at
Kunsthalle Projects, New York; The Invitational (2014)
at Kunsthalle Galapagos, New York, NY; CalArts
Graduate Exhibition (2013) Mandarin Plaza, Los
Angeles; You Are Free (2012) Kunsthalle Exnergasse,
Vienna, Austria; and Let Me in, (2011) performance at
loop - raum fur aktuelle Kunst, Berlin, Germany. The
artist lives and works in Los Angeles, California.
PATTERSON, GREAR
Grear Patterson (b. 1988 in Redding, Connecticut) attended Duke University and the School of Visual Arts
in New York. Recent solo exhibitions include Duck Test
(2014) at Ellis King, Dublin, Ireland; Six Impossible
Things Before Breakfast (2013) at Rod Barton, London,
England; 9th Shanghai Biennale (2012) at Shanghai
Biennale, Shanghai, China; Harder. Betterer. Fasterer.
Strongerer - Brucennial (2012) in New York; and Ain’t
(2011) at Frank Pictures Gallery, Santa Monica. The
artist lives and works in New York.
REEDER, SCOTT
Scott Reeder (b. 1970 in Ann Arbor, MI) received a
Masters of Fine Arts from University of Illinois. Recent
solo exhibitions include Scott Reeder (2014) at 356 Mission, Los Angeles; Paintings of Things (2013) at Kavi
Gupta Gallery, Berlin, Germany; People Call Me Scott
(2013) at Lisa Cooley, New York; and Scott Reeder
(2012) at Kavi Gupta Gallery, Chicago. Recent group
exhibitions include The Art of the Joke (2012) at V1
71
Gallery, Copenhagen, Denmark and Abstract America
(2011) at Saatchi Gallery, London. The artist currently
lives and works in Chicago, IL and Detroit, MI.
RIEPENHOFF, JOHN
John Riepenhoff (b. 1982 in Milwaukee, WI) received a
Bachelor of Fine Arts from the Peck School of the Arts
at the University of Wisconsin. Recent solo exhibitions
include Outside (2014) at Marlborough Broome Street,
New York; Extra Paintings (2013) at Plein Trunk Gallery, Milwaukee; Plein Air Paintings (2013) at Queens
Park Railway Club, Glasgow, Scotland; Plein Air
Paintings (2011) at Western Exhibitions, Chicago; and
Jake Palmert and Other People Drawing the Artist
(2011) at Portrait Society, Milwaukee. The artist lives
and works in Milwaukee.
RUBY, STERLING
Sterling Ruby (b.1972 in Bitburg, Germany) received
a Master of Fine Arts from. Recent solo exhibitions
include VIVIDS (2014) at Gagosian Gallery, Central,
Hong Kong; SUNRISE SUNSET (2014) at Hauser &
Wirth, New York; STERLING RUBY (2014) at Baltimore Museum of Art, Baltimore; DROPPA BLOCKA
(2013) at Museum Dhondt-Dhaenens, Ghent, Belgium;
and SOFT WORK (2013) at Museo d’Arte Contemporanea, Rome, Italy. This artist lives and works in Los
Angeles.
SAMMAK, BORNA
Borna Sammak (b.1986 in Philadelphia, PA) received
a Bachelor of Fine Arts from New York University. Recent solo exhibitions include All Dogs Are Pets (2014)
at JTT, New York; Jeff Cold Beer (2012) at JTT, New
York; and Borna Sammak: Best Buy (2009) at Best Buy,
New York. The artist lives and works in Brooklyn.
SLIFE, GIBB
Gibb Slife (b. 1975 in Cleveland, OH) received a Bachelor of Fine Arts from Rhode Island School of Design.
Recent solo exhibitions include Mockingbird (2014)
Marlborough Chelsea, New York; Thick As A Brick,
(2012) Fitzroy Gallery, New York; Dead Language
(2011) Fitzroy Gallery, New York; In Abberant Deliberation… Exhaust From (2008) at Mitterrand+Sanz,
Zurich, Switzerland; and Mercury (2008) at Galerie
Pixi - Marie Victoire Poliakoff, Paris, France. The artist lives and works in New York.
72
THORNTON, TOREY
Torey Thornton (b. 1990 in Macon, GA) received a
Bachelor of Fine Arts from The Cooper Union. Recent
solo exhibitions include Some Narrow Sleeping (2014)
at OHWOW, Los Angeles; Oh Strange, That’s Your
Name (2014) at Galerie TORRI, Paris, France; and
Agro Fiddling (2013) at Karma, New York. Recent
group exhibitions include Live And Let Die (2014)
at Modern Art, London, England and New Image
Painting (2014) Shane Campbell Gallery, Chicago. The
artist lives and works in Brooklyn.
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MADRID /
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© 2015 Marlborough Gallery, Inc.
Impresión: Artes Gráficas Palermo
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