Press Kit - Rei Cine
Transcripción
Press Kit - Rei Cine
L E O N E S A FILM BY JAZMIN LOPEZ PRESS KIT SYNOPSIS !""#$%&$'("$)*+",'$-$.+*/#$*)$01"$)+%"&2,$3-&2"+$ -+*/&2$4%5"$-$4%*&$#-6578 9*,'$%&$'("%+$3*+2$.-:",;$'("<$#4-<$-&2$,"2/6"$ "-6($ *'("+$ 3(%4"$ .*%&.$ =-65$ -&2$ )*+'($ %&'*$ -2/4'(**2$ '"++%'*+<;$ %&$ -$ 2",#"+-'"$ ,"-+6($ '*$ -1*%2$'("%+$-4+"-2<$3+%''"&$,'*+<78 ABOUT THE FILM BY JAZMIN LOPEZ “death is a lived life. life is a death that comes”. Jorge Luis Borges A white page, a shape, maybe a point without pre-design, allows me to move eternally into time. LEONES is an essay about death, from the point of view of a mortal being, death seen as a beautiful landscape. Youth and its obsessions; death, its beauty and incomprehension. How weak can the human body be in comparison to an intellectual construction? These kids are always in the moment. References to temporality are downplayed, or even denied. They are not only in the moment but immersed in it, anxious and bored, almost beyond temporality. >("$ 2"6-<$ *)$ '(","$ ?*3"+,$ -&2$ '("$ 2%+'$ *)$ '("%+$ 64*'(",$ "@"+'$ pressure on memory. Their extreme presence is more than eternal. End of time: they are not aware of their past. 9ABCAD$"@#4*+",$'("$)-&'-,'%6$=*/&2-+%",$*)$04:$-,$-$4-&./-."7$ >("$ 5%2,$ -+"$ :*+"$ +"-4$ '(-&$ '("$ 06'%*&$ *)$ '("$ 04:7$ >("%+$ #/+#*,"$ is an empty pursuit of arriving – nowhere – Animals. The feeling 044,$'("$3(*4"$,#-6"7$E"$(-1"$'*$'+-&,4-'"$%'$3%'(%&$*/+,"41",7$F&2$ only if we stay sensitive towards the world, will we be able to go through it… A correspondence is established. Different times are tied, entangled in a positive ending. A perfect circle is created: inside there is an open tunnel that allows us to carry on emotionally in this world. DIRECTOR JAZMIN LOPEZ Jazmín López was born in Buenos Aires, in 1984. She is a graduate in Film Direction from Universidad del Cine (FUC). She has directed '("$ ,(*+'$ 04:,$ GFHAIA$ 9F$ GJAHCF$ !A$ KCF$ LKMAIFN$ OKAPB$ QJQB$-&2$>A$FLB$R$LBHJ>A;$3(%6($3"+"$,"4"6'"2$-'$)",'%1-4,$4%5"S$ TFUJIJ;$>*/4*/,";$I4"+:*&'VU"++-&2;$H*''"+2-:$-&2$'3*$'%:",$-'$ '("$W/",6-$U%4:$U",';$="%&.$-3-+2"2$3%'($'("$U%+,'$G+%X"7$ Furthermore, Jazmín López is a visual artist and has studied with -+'%,',$-,$P/%44"+:*$Y/%'6-$-&2$O*+."$L-66(%7$D("$(-,$#-+'%6%#-'"2$ %&$'("$J,'-:=/4$T%"&&-4"$Z[\]]^$-&2$:-2"$"@(%=%'%*&,$%&$F+."&'%&-$ ZH/'($ T"&X-6-+^;$ L"@%6*$ ZLFIB^$ -&2$ K&%'"2$ D'-'",$ ZF+'$ T-,"4$ L%-:%$_$9FIA^7 W"+$0+,'$)"-'/+"$04:$9ABCAD$#+":%"+",$-'$B+%XX*&'%$I*:#"'%'%*&$%&$ '("$`ab$Q"&"X%-$T%"&&-4"7$>("$04:$3-,$,/##*+'"2$=<$F+'"cI*0&*1-;$ >*+%&*$U%4:$9-=;$W/="+'$T-4,$U/&2;$C"'("+4-&2,$U%4:$U/&2;$T%&."+$ U%4:4-=;$I%&"L-+';$TF9;$G-+%,$G+*d"6'$-&2$><GF7 INTERVIEW HOW WOULD YOU DEFINE LEONES? !"#$ %&'$ ()*+,$ -,$ -$ .&)/+$ )0$ 123#4$ 52'#$ -46$ 5"#$ /-'#*-$ 2,$ 5"#$ 5))&$ 5"-5$ *#3#-&,$ 257$ 89*#$ 3)&9'#:$ ;2+#$ -$ ,)&26$ .)6<$ 5"-5$ /)45-24,$ 25$ -&&:$ !"#*#=,$ 4)$ '-*124$ $ 0)*$ -4<5"241$ #&,#7$ 5"#*#=,$ 4)5"241$ .#<)46$25,$&2'25: HOW WAS THE WORK WITH DOP MATIAS MESA (GERRY, ELEPHANT) FOR THE FILM? It was a very good process; we discovered alongside the shape of the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hey are probably friends from school. Nonetheless, it’s not too clear who they are; I wanted to play with who the real actors are and hand them over some directions. The resultant hybrid is part of a process that I interpret as a constant investigation. The fact that they have the same age as the characters was !"#$%#&'(%)*+%"*),-"+%./#%#")-&0$%)*+%1'0&/*%0/%,-"*+%2""3-"22-$4% The shooting stage was very particular, the relationship ,"05""*% 0("32"-!"2% /*% )% 6"#2/*)-% -"!"-% 5)2% !"#$% 2&7*&1')*0% and constantly changed during the process. 8/3"%/.%0("%09#*&*7%6/&*02%&*:9"*'"+%;9&0"%)%-/0%0("%5)$%0("% worked. After losing Isabel, the kids lose their humanity as well; there’s no longer any codes between the brothers; Niki is capable of hiting Arturo, and her sister can easily order Niki to kill him. They were always animals, lions. But as long as Isabel &2%0("#"%5&0(%0("3<%0("$%6#"0"*+%*/0%0/%,"4%=.0"#%-/2&*7%0("%1.0(% member, the animals occupy the space THE SOUND DESIGN HAS A KEY ROLE IN YOUR FILM. HOW WAS THIS DESIGNED FOR LEONES? The sound from the set was just a reference sound, it was all recreated and done in the !"#$%!&"'()$*"+,!&")-##.,/+,0,1023,*$,10#,#*4*50&,$",$6-,1"&7,'"+-,8"&,0+,0+*40$*"+,954:, $";-$6-&, 1*$6, <(5*0, =(>-&40+3, 1-, *+?-+$-', $6-, #"(+', 8"&, @ABCAD, #$-!, >2, #$-!:, *$, 10#, really about re-discovering what was already shot, adding volume to each concept within the story. @02-&, "?-&, 502-&3, "?-&, 0, '*88-&-+$, #-$, "8, 502-&#:, $60$E#, $6-, 102, $6*#, 1"&5', 10#, >(*5$., F"&, instance, Isabel posseses a different sound treatment as the rest of the characters. We 1-&-, 0>5-, $", ;-+-&0$-, '*88-&-+$, #-+#0$*"+#, $60$, 1057, 05"+;#*'-, $6-, #$"&25*+-, "8, $6-, 954., /$, 10#, 0, #(>$5-3, 2-$, 0)($-, 1"&7, 16-&-, 1-, "?-&50!!-', #"(+', '-#*;+, 1*$6, $6-, +0&&0$*?-:, we seeked to highlight moments without ever reaching the obvious, but exploring the concepts behind each of the sensations driven by our proposals instead. It was similar to $6-,1"&7,$60$,#)(5!$(&-,'-40+'#3,9&#$,955,-?-&2$6*+;,$",&-4"?-3,-'*$,0+',&-0&&0+;-,50$-&,"+. INFORMATION Year - 2012 Country - Argentina / France / The Netherlands Duration - 82 min Screening Format - DCP / 35mm, Color, 1:2.35, Dolby SR Shooting Format - 35mm, Color Production Companies REI CINE - PETIT FILM - LEMMING FILM - VIKING FILM CEPA AUDIOVISUAL in association with ARTE/COFINOVA 6 CREDITS Written & Directed by - Jazmín López Producer - Benjamin Domenech, Santiago Gallelli Co-producer - Jean des Forêts, Marleen Slot, Leontine Petit, Andrés Longares, Felicitas Raffo. Cast - Julia Volpato, Pablo Sigal, Macarena del Corro, Diego Vegezzi, Tomás Mackinlay. Cinematography - Matías Mesa Costume Design - Barbi Arcuschin Editing - Benjamin Domenech, Jazmín López Sound Design - Julia Huberman with the support of INCAA TORINO FILM LAB ARTE / COFINOVA 6 HUBERT BALS FUND NETHERLANDS FILM FUND CINEMART BINGER FILMLAB BUENOS AIRES LAB PARIS PROJECT TYPA WORLD SALES PREMIUM FILMS 130 rue de Turenne 75003 - Paris +33 1 42 77 06 39 +33 6 64 14 63 57 d6:e#+":%/:V04:,76*: 3337#+":%/:V04:,76*: PRODUCTION Rei Cine Av. Dorrego 1940, 2M C1414CLO - Capital Federal - Buenos Aires Argentina [email protected] +54 11 47 03 13 32 www.reicine.com.ar Petit Film 56, rue du Faubourg-SaintHonoré 75008 - Paris France 2",)*+"',e#"'%'V04:76*: + 33 1 74 30 37 90 Lemming Film Valschermkade 36-F ]\fa$I!8V$F:,'"+2-: The Netherlands %&)*e4"::%&.04:76*: +31 (0) 20 661 04 24 33374"::%&.04:76*: Viking Film Lindengratch 17 1015 KB - Amsterdam The Netherlands %&)*e1%5%&.04:7&4 +31 (0) 20 625 47 88 33371%5%&.04:7&4 Cepa Audiovisual SRL Honduras 4692 C1414BMJ - Capital Federal - Buenos Aires Argentina [email protected] +54 11 48 31 32 29 www.cepacine.com