26 JUIN — 12 JUIL. 2013 - Ecole nationale supérieure d`architecture

26 JUIN — 12 JUIL. 2013 - Ecole nationale supérieure d`architecture

LA MARÉCHALERIE
CENTRE D’ART CONTEMPORAIN
ÉCOLE NATIONALE SUPÉRIEURE
D’ARCHITECTURE DE VERSAILLES
PRESS
STUDIO ORTA
LES MOULINS
REGINA JOSÉ GALINDO
CLAUDIA LOSI
JUNE
26th—
—12
JULY
12th2013
, 2013
26 JUIN
JUIL.
W
F
MEN
LIFE
R
WOMEN FOR LIFE
—
REGINA JOSÉ GALINDO
CLAUDIA LOSI
DATES
— Exhibition from June 26th to July 12th, 2013
OPENING
— Opening on Thuesday June 25th, from 6pm.
Curators: Lucy + Jorge Orta
La Maréchalerie, Contemporary Art Center of énsa-v and Les Moulins, the
research and artistic production centre founded by Lucy + Jorge ORTA,
combine their respective exhibition and residency programs, and present the
Women for Life project.
Transdisciplinary, Women for Life aims to be a collective experience that
questions our identities, their connections, and their place into the world.
The artists Regina José GALINDO and Claudia LOSI, invited by Lucy + Jorge
ORTA to the 2013 Les Moulins residency program, exhibit at La Maréchalerie
a radical artistic practice that reflects their environmental, political and social
commitments. The exhibition Women for Life designed as a work in progress
laboratory, gathers ideas created during the residency, to reveal two distinct
approaches of coming to terms with the complexity of the world around us.
The artist Regina José GALINDO (born in 1974 in Guatemala, lives and works
in Guatemala) is associated with the body art movement. Her work takes place
in the field of performance. Using video in which the artist herself performs by
mutilating herself in front of a confused audience. By experiencing these injuries,
Regina José GALINDO fundamentally links Art and Life, turning her body into
an object of art. Thus, she’s not only a witness but takes part inherently at the
same time at the history of her country. The art of Regina José GALINDO is
certainly violent, but alive. Her work is struggling desperately against the denial
of the human being, its domination and sadism from which it suffers every day,
especially for women. The work of Regina is an act of resistance through poetry.
The Art of Claudia LOSI reaches fields as different as science, nature and
literature. Italian artist (born in 1971, lives and works in Italy), she uses mediums
such as crafts, sewing and embroidery, as well as more traditional ones such as
photography, video and performance. Travelling the world and its landscapes,
Claudia LOSI produces cartographic artworks. She investigates the smallest
detail of a natural environment like lichens, or the largest living mammal, the
whale. Creating and reinventing new mythologies, Claudia LOSI mixes real and
imaginary, ecology and poetry into works that tell the history of the world, its
complexity and beauty. Her work, being participative, tries to connect Art to the
World and its inhabitants while taking the form of a protest.
Some of the works may contain images that may offend the sensibilities of
visitors, especially children.
CLAUDIA
LOSI
Biotopes - prototype I Lichen-Antlers, 2013 – Felt, textile, filler, sand. 60 x 60 x 50 cm.
Biotopes - prototype II Salamanders-Algae, 2013 – Felt, textile, filler, sand. 70 x 40 x 60 cm.
Photo credit : Claudia Losi.
Biotopes - prototype III Deer Head-Mushrooms-Frog , 2013 – Felt, textile, filler, sand. 70 x 50 x 160 cm.
Photo credit : Claudia Losi.
Landscapes, 2010 – Glass, wood, metal and photographs. Shelf : 28,5 x 126 x 38,5 cm. 3 elements each : 25 x 28 x 4,5 cm.
Courtesy of the artist and Monica De Cardenas Gallery, Milan, Italia.
Photo credit : Dario Lasagni
Les Funerailles de la Baleine (The Wale›s funeral) - 2010 – Wool fabric, padding fiber, inflatable air chamber. 24 x 4 m around.
Photo credit : Dario Lasagni
Courtesy the artist.
Marmagne, 1999 - 2000 – 10 photos heat-pressed on canvas, embroidery, felt. 130 x 190 cm each.
Courtesy the artist and Monica De Cardenas Gallery, Milan, Italia.
REGINA JOSÉ
GALINDO
Paisaje (Landscape), 2012 – Vidéo. 25’24’’, Antigua, Guatemala.
Courtesy Prometeo Gallery di Ida Pisani.
Alud (Avalanche), 2011 – Performance.
Festival Performance of Thessaloniki, Parallel program of the Third Biennial - Contemporary Art Thessaloniki, Greece. Curator : Eirini Papakonstantinou.
Photo credits : Eleftheria Kalpenidou.
© State Museum of Contemporary Art and the artist
Caparazón (Shell), 2010 – Performance.
Exhibition Corpus - Arte in Azione. MADRE,
Contemporary Art Museum Donna Regina. Napoli, Italy.
Photo credits: Rafael Burillo, Teresa Margolles, Amedeo
Benestante.
Quién puede borrar las huellas?, 2003. – Performance.
Courtesy of the artist & the gallery PrometeoGallery di Ida Pisani.
BIOGRAPHY
CLAUDIA LOSI
—
Born in 1971 in Piacenza (ITALIA).
Live and work in London (ENGLAND).
www.claudialosi.com
EXHIBITIONS
2013
Claudia Losi, Monica de Cardenas Gallery, Zuoz, Switzerland
2012
Idol Rock, with Salvatore Arancio, curated by G. Scardi Studio NTCM, Milan
Monte Adamello, Carta «geologica» di un sentiero possibile, Aperto12,
Visiting Professor, ValleCamonica, project by G. Azzoni, Altro da cose. Musei
Civici, Modena
Una volta, all’improvviso...workshop/performance, curated by Dipartimento
Educazione, Maxxi, Rome
Corps Exquis, Claudia Losi _Antonio Marras, Palazzo Nicolosio Lomellino,
Genova
2011
BlockParty, a Craft Council Touring Exhibition, curated by L.Orta, London
Eva Marisaldi / Claudia Losi / Margherita Moscardini, Casabianca, Bologna
Les Funerailles de la Baleine, video projection, Cinema Massimo, curated by
Associazione Museo Nazionale del Cinema, Torino.
Les Funerailles de la Baleine, installation and performance with Vinicio
Capossela, Via Farini-DOCVA, Milan.
BalenaProject. Resoconto di viaggio di un cetaceo di terra, CESAC _Il Filatoio
di Caraglio, curated by a.titolo, Caraglio, Cuneo
2010
Claudia Losi, Monica de Cardenas Gallery, Milan.
The Skin Tellers, a London College of Fashion’s Performance, curated by Lucy
Orta, at Saint Mary’sChurch, London.
Les Funerailles de la Baleine, Balena Project Performance, Cossila S.
Giovanni, Biella.
Spazio. Dalle Collezioni d’Arte e di Architettura del MAXXI, MAXXI, Rome.
Animal Simulacrum for Times of Rapid Consumption, curated by F. Pagliuca,
in collaboration with Tridentino Science Museum, at UniCredit Bank, Palazzio
Firmian and Galleria Civica, Trento.
Aware: Art Fashion Identity, curated by L. Orta and G. Scardi, Gsk
Contemporary 2010,Royal Academy of Arts, London
No Soul for Sale. A Festival of indipendents, curated by Via Farini, Tate
Modern, London
Si Sindrome italiana, curated by Yves Aupetitallot, at MAGASIN, Centre
National d’Art Contemporain
de Grenoble, Grenoble
La scultura Italiana del XXI secolo, curated by M. Meneguzzo, at Fondazione
Arnaldo Pomodoro, Milan
The secret Lives of Trees, Monica De Cardenas Gallery, Zuoz
Al di là delle apparenze opache, curated by G. Foschi, Festival della
Fotografia Europea, Reggio Emilia
Pagine da un bestiario fantastio, curated by S. Ferrari and S. Goldoni,
Galleria Civica di Modena, Palazzo Santa Margherita, Modena (cat.)
Fotografia Europea, Museo dei Cappuccini, Reggio Emilia
2009
4 ways to, Claudia Losi, Andrea Nacciarriti, Francesco Pedrini, Stefano
Romano, a project by S. Romano, Zenit Gallery, Tirana, Albania. Evento
satellite di Tirana International Contemporary Art Biennial 4
Talent Prize 2009, curated by N. Zanella, Museo Centrale Montemartini, Roma
Dritto Rovescio, Fili intrecciati tra arte, design e creatività di massa, curated
by do-knit-yourself, Palazzo della Triennale, Milan (cat.)
Strip Maps.Gaze and experience, curated by F. Pagliuca, site-specific show
and performance at UniCredit Bank, Piazza Cordusio, Milano.
Qui e non altrove. Qui. a local communities project for ArtePOLLINO,
Basilicata, Italy
BalenaProject_Knotted Lines/ Dissolved Clays, Assab One, Milano
2008
BalenaProject_Birmingham’08, curated by H. Legg, Ikon Gallery, Birmingham,
United Kingdom
Patterns of Identity, curated by S. Wendt, Stenersen Museum, Oslo, Norway
Claudia Losi. La coda della balena 1995-2008, curated by a.titolo and A.
Salvadori, Museo Marino Marini, Firenze
stationary bird – migratory bird, curated by by George Hollanders, Akureyri
and Eyjafjardarsveit, Iceland
15° Quadriennale di Roma, Palazzo delle Esposizioni, Rome
Soft Cell: dinamiche nello spazio in Italia, curated by A. Bruciati, GC:AC,
Monfalcone (GO) (cat.)
2007
Fatto in Svezia/En utställning med modern italiensk konst, Röda Sten,
Göteborg, Sweden
STILL LIFE, Art, Ecology & the Politics of Change, Sharjah Biennial 8, United
Arab Emirates (cat.)
La Scimmia Nuda, Museo Tridentino di Scienze Naturali, Trento
Open Air, curated by M. Paderni and I. Saccani, Orto Botanico Università di
Parma, Parma (cat.)
La Giovine Italia, curated by R. Barilli, Pinacoteca Nazionale, Bologna (cat.)
Hamish Fulton | Claudia Losi, curated by G. Di Pietrantonio, La Marrana Arte
Ambientale, Monte Marcello, Ameglia, La Spezia
Aria Mobile, Project Room, curated by J. Watkins, Ikon Gallery, Birmingham,
United Kingdom
Arduenna, curated by A. Grulli, Fortezza della Brunella, Aulla (MS)
2006
Claudia Losi, Monica De Cardenas Gallery, Milano
La Giovine Italia, a curated by R. Barilli, Ex cementificio Sicli - La Fabbrica,
Gambettola (FC) (cat.)
Uscita Pistoia 2006, SpazioA Contemporanearte, Pistoia
2005
Generations of art. 10 anni alla FAR, curated by G. Verzotti, Fondazione
Antonio Ratti, Como (cat.)
Filoluce, Museo della Permanente, Milano
TVB, from Italy with Love, RaidProjects, Los Angeles, USA
BalenaProject, Lanificio Pria, Biella
BalenaProject, Ecuador’05, MACC de Guayaquil and Centro Cultural
Universidad Catolica de Quito, Ecuador
2004
Places, curated by G. Scardi, Spazio Aperto, Galleria d’Arte Moderna,
Bologna
BalenaProject_ e altre storie, curated by G. Scardi , Piazza Garibaldi Castello, Lerici
BalenaProject _balena di fiume, curated by a.titolo, The Beach, Murazzi del
Po, Torino
Claudia Losi-Antonio Marras, Uno più uno meno, curated by G. Altea, Ex
Caserma dei Carabinieri, Alghero
BalenaProject_animazione, curated by A. Pioselli and G. Scardi, Viafarini,
Milan
Ad’a - area d’azione (with Daniele Signaroldi), curated by R. Daolio, Rocca
Sforzesca Imola (BO)
SPA Salus per l’arte, curated by R. Daolio, GAM, Spazio Aperto, Bologna
2003
Giovani artisti italiani, Premio Maretti, curated by R. Daolio, S. Grandi and C.
Pozzati, GAM, Bologna
Innatura, curated by A. Torino, X Biennale Internazionale per la Fotografia,
Detheridge, Palazzo Bricherasio, Torino (cat.)
Ratio, curated by A. Bruciati, Galleria Comunale d’Arte Contemporanea,
Monfalcone (GO) (cat.)
RADAR, curated by A. Vettese, Centro Civico della Giudecca, Venezia (cat.)
Il racconto del filo. Cucito e ricamo nell’arte contemporanea, curated by F.
Pasini and G. Verzotti, MART, Rovereto (TN) (cat.)
Cover Theory, curated by M. Senaldi, Officina della Luce, ex Centrale Emilia,
Piacenza (cat.)
Dopo le carpe/..., Théâtre Studio des Champs-Élysée, Paris
Mari, Galleria Monica De Cardenas, Milano
2002
Dopo il Danubio / …, Project Room, Galleria Lindig in Paludetto, Nürnberg,
Germany
Etna Project, curated by G. Bertolino, ARCO, Project Room, Luigi Franco Arte
Contemporanea, Madrid, Spain
Tre Regni, curated by R. Daolio, Spazio Mobile, Rocca Sforzesca, Imola (BO)
Utopie Quotidiane, curated by V. Fagone, A. Madesani, PAC, Milano
Paradiso Perduto/Paradise Lost, curated by A. Stazzone, Palazzo dell’Arengo,
Rimini (cat.)
Last minute, curated by L. Baldini, L. Facco, Vecchio Ospedale Soave,
Codogno (Lodi) (cat.)
AssabOne, curated by L. Garbarino, R. Pinto, Ex tipografia G.E.A., Milano
2001
Figure del Novecento 2. Oltre l’Accademia, curated by A. Baccilieri, R.
Daolio, Accademia di Belle Arti, Bologna (cat.)
Adriatico. Le due sponde, Premio Michetti, curated by A. Vettese, Museo
Michetti, Francavilla al Mare (CH) (cat.)
Italian Studio Program 2000/2002-P.S.1 italian bureau selection, curated by G.
Di Pietrantonio, S8Zero, Palazzo delle Esposizioni, Rome (cat.)
Rade de Brest, C. Losi, M. Dinahet, J. Durand, Galerie Artem, Quimper,
France
Dopo il Danubio/le carpe del mercato/guardano gambe, Project Room,
Monica De Cardenas Gallery, Milano
Puro Ossigeno, Galleria PrimoPiano, Roma
Walkscape, Istituto Italiano di Cultura, Washington
Rade de Brest, Maison de la Fontaine, Brest, France
2000
Marmagne, curated by G. Scardi, Luigi Franco Arte Contemporanea, Torino
Danubio, Galleria Zone C/O Il Graffio, Bologna
7 Artisti della Scena Italiana, curated by L. Perlo and F. Comisso, Casa di
Rigoletto, Mantova (cat.)
Periscopio, curated by P. Campiglio, A. Madesani, F. Tedeschi, Palazzo delle
Stelline, Sala del Collezionista, Milan (cat.)
1999
The Equinox, curated by S. Macrae, K. Whiteford, Cairn Gallery, The Old
Stamp Office, Gloucestershire Nailsworth, United Kingdom
Onufri 1999, National Fine Arts Gallery, Tirane, Albania
Cut, Galleria Placentia Arte, Piacenza
Over the reef, Galerie Pascale Cottard-Olsson, Stockolm, Sweden
Alighiero Boetti «territori occupati», Claudia Losi «passaggi», Galleria Artra,
Milano
1998
Claudia Losi, curated by G. Bertolino, Luigi Franco Arte Contemporanea,
Torino
Tredici giorni + 1, Galleria Franco Marconi, Cupra Marittima (AP)
Orcadi, Galleria Il Graffio, Bologna.
Aggiungerei soltanto qualche osservazione critica, curated by Cesare
Pietroiusti, Galleria Primo Piano, Roma
Con la pazienza si acquista scienza, curated by Alessandra Galasso, Viafarini,
Milan
Chiesa di San Francesco, curated by A. Vettese and G. Di Pietrantonio,
Fondazione Ratti, Como
Eccentrica, curated by Gino Gianuizzi and Mauro Manara, Sala Cassero,
Castel San Pietro Terme (BO).
Vizi privati, pubbliche virtù, curated by V. Barbieri, Ex Chiesa di San Fermo,
Piacenza.
1997
LAB.12.2 - T.I.N.A. (there is no alternative), curated by R. Daolio, Viafarini,
Milan
Exit, Galleria Il Graffio, Bologna
Conversazione in giardino, curated by G. Pellizzola, Orto Botanico, Ferrara
Cà Rossa, Galleria Il Graffio, Bologna Licheni, Placentia Arte, Piacenza
Licheni, Placentia Arte, Piacenza
1995
Aura aurea, a cura di / curated by Silvia Moretti, Palazzo Ruini - Chiostri di
San Pietro, Reggio Emilia
1994
Pensieri, curated by L. Caccioni, A. Garutti and C. Pozzati, Studio La Città,
Verona
We are moving, curated by R. Daolio and A. Garutti Viafarini, Milan
1993
Dietro la città (un percorso d’arte), curated by I. Zuff, Imola (BO)
1992
Attention, Art! Ipotesi a confronto 2, curated by D. Auregli and C. Marabini,
Musei Comunali, Riminii
STUDIES AND WORKSHOPS
1994
Academy of Fine Arts, Bologna
1998
University of Bologna with a degree in Foreign Languages and Literature.
Advanced Course in Visual Arts of the Antonio Ratti Foundation, in Como,
Italy
2000
International Studio Program P.S.1-New York.
2003 - European Project RADAR, Creative Human Lab in European Cities,
2004 Culture 2000 Framework Program, in Venezi, Italy
2012
Artist in residence Studio Orta-Les Moulins, Jorge&Lucy Orta, Paris
2013
Artist in residence at JCVA, The Jerusalem Center for the Visual Arts, Israel
Artist in residence at Art Omi International, Ghent, NewYork, US
BIOGRAPHY
REGINA JOSÉ GALINDO
—
Born in 1974 in Guatemala City (GUATEMALA).
Live and work in GUATEMALA.
www.reginajosegalindo.com
EXHIBITIONS
2013
Glocal Tales, Motel b, Brescia, Italia.
Women for Life, résidency at Les Moulins, exhibition at La Maréchalerie,
centre d’art contemporain de l’énsa-v, Versailles, France.
2012
Hilo de Tiempo, Centro Hemisferico de Performance & Politica, Chiapas,
Mexique.
ARTE CONTEMPORANEA – Centro Culturale Santa Cruz, Santa Cruz de la
Sierra, Bolivia.
Piel de gallina. ARTIUM – Centro Museo Vasco de Arte Contemporaneo,
Vitoria-Gasteiz, Spain.
Vulnerable, commisaire Idurre Alonso, MOLAA – Museum of Latin American
Art – Los Angeles, USA.
2011
Biennale di Venezia, 54th International Art Exhibition. La Biennale di Venezia,
Venice
Basado en hechos reales / Sala Sur, ARTIUM Centro-Museo Vasco de Arte
Contemporáneo, Vitoria-Gasteiz
Unresolved circumstances. Video Art from Latinoamérica. Molaa, Los
Angeles. EUA.
Biennale di Venezia. IILA Pabellón. 54th. International Art Exhibition. La
Biennale di Venezia, Venice.
Sharjah Biennial, United Arab Emirates.
Juannio, Museo de Arte Moderno, Ciudad de Guatemala.
Proyecto Ideal. Centro Cultural Sao Paulo, Brasil.
XX / Democracia Ser y Durar, ADN Galería Barcelona.
Marabunta, Santo Domingo República Dominicana.
2010
Urgent Issues, National Museum of Contemporary Art, MNAC, Bucharest.
A Filosofia do Dinheiro. Museu da Cidade. Lisboa.
Une Idee, Une forme, Un être. Migros Museum. Zurich.
Proyecto Ideal. Museo Arte Contemporáneo, Universidad de Chile.
Il museo privato. Galleria de Arte Moderna e Contemporanea de Bergamo.
Corpus, MADRE. Napoli, Italia.
Bienal de Pontevedra 2010. Bienal de Pontevdedra.
En Privado. La Opción desamable. En Ballurd. Palma de Mallorca.
17 Bienal de Sydney. The Beauty of Distance.
Estrella Levante SOS4.8 - Festival SOS, Murcia.
XVII Bienal Arte Paiz. Guatemala.
Looting. On Rage, Haus der Kulturen der Welt, Berlin, Alemania.
Miradas Singulares, miradas plurales, Cadiz.
Revolviendo la basura, Fundación Beulas, Huesca.
No more bad girls? Kunsthalle Exnergasse. Viena.
América Latina: arte y confrontación. Museo del Palacio de Bellas Artes.
México.
Móvil. Museo Universitario Arte Contemporáneo. México, D.F.
12 years. Rollo Gallery. London.
2009
CRISIS (Cloth) Exit Art N.Y.
Juegos de Poder. PrometeoGallery di Ida Pisan. Milano.
CRISIS. Blood. Hair. Karlin Studios, Prague, Cz.
The Body of others. Modern Art Oxford. UK.
Estrías. City of Women. Liubliana, Elovenia.
Indomitable Women at BAC 10.0 - CCCB - Centre de Cultura Contemporània
de Barcelona, Barcelona
Art Foundation Mallorca - Centro Cultural Andratx - CCA, Andratx
Revolviendo en la basura. Residuos y reciclajes en el arte actual - Koldo
Mitxelena Kulturunea, San Sebastián.
Equilibrium: Body as Site and Battleground. Rubin Center for the Visual Arts
Univefrsity of Texas El Paso.
Visión:f(icción) - Centro Cultural São Paulo, São Paulo
Trebecice VII. - Karlin Studios, Praga
ARTE ≠ VIDA - Museo de Arte Carrillo Gil, Ciudad de México
El trabajo ennoblece pero la nobleza no trabaja - Centro Cultural de España
Guatemala (CCE/G), Ciudad de Guatemala
NeoHooDoo: Art for a Forgotten Faith - MAM - Miami Art Museum, Miami,
Corpos Estranhos. MAC USP. Sao Paulo, Brasil
The Fear Society. 53 Bienal de Venecia. Italy.
Art Accion Feministe. Video-performance de Latinoamérica. Centre Georges
Pompidou.
10 Bienal de la Habana. Cuba.
Dont stare at the sun. Works from the Daros Latinoamérica AG.Centre of
Contemporary Art Znak Czasu Torun Poland.
El trabajo ennoblece pero la nobleza no trabaja. CCE Guatemala.
For You Para Usted. The Daros Latinoamérica Tapes and Video. Zurich
VideoArde. Video crítico de Latinoamérica. CCE Latinoamérica.
Fact and fiction: recent Works from the UBS art collections. China.
Mirando al sur. CCE Antigua Guatemala y CCE SurAmérica.
2008
Trayectory. Stiftelsen 3,14. Bergen, Noruega
Breaking the Ice. ActII. Oslo Kunstforeining, Noruega.
Extensión. Fundación Teorética, Costa Rica.
Reconocimiento de un cuerpo. CCE Córdoba, Argentina.
Naked Reality. Museum voor Moderne Kunst Arnhem, Holanda.
America´s Family Prisión. Art Pace San Antonio TX, EUA.
Let’s Rodeo. Art Pace San Antonio TX, EUA.
The Prisoner´s Dilema. Cisneros Fontanals Art Foundation. Miami, USA.
No es neutral, Daros Latinoamérica Collection, Tabacalera, San Sebastián,
Spain.
NeoHooDoo: Art for Forgotten Faith. The Menil Collection, Houston, TX.
and PS1 N.Y.
Visionarios. Audiovisual Works in Latin America. ITAU, Sao Paulo, Brasil.
Narrowcast: Reframing Global Video 1986/2008, curated by Ciara Ennis and
Ming Yuen-S.Ma, Pitzer College Galleries in Claremont, California, LACE in
Hollywood, California (travelling exhibition)
Video Crítico en América Latina y Caribe, curated by Laura Baigorri, CCE
España, Mexico (travelling exhibition)
Loss - The Wanas foundation, Knislinge
TINA B. – The Prague Contemporary Art Festival 08 - TINA B. – The Prague
Contemporary Art Festival, Praga
Shapes of Time - Biennale di Alessandria, Alessandria
Contemporáneo 21. Autopsia de lo invisible - MACBA Colección Costantini Museo de Arte Latinoamericano de Buenos Aires, Buenos Aires
Lo que las imágenes quieren. Vídeo desde Hispanoamérica - Espacio Arte
Actual FLACSO, Quito
Natural Relations. Galerija Skuc. Ljubijana.
Archivo Sur. Praga.
Cabecita Negra. Demolición Construcción. Córdoba, Argentina.
LatinoLatino, Palazzo della Vicaria, Trapani.
Viva la Muerte. Centro Atlántico Moderno (CAAM) Las Palmas de Gran
Canaria.
Autopsia de lo Invisible. MACBA. Buenos Aires, Argentina.
Bienal de Arte Paiz, Guatemala.
Infiltrado: Horror Vacui, CCE Antigua Guatemala, Guatemala.
Arte ≠ Vida: Actions by artist of the Americas 1960-2000. Museo del Barrio,
2007
Cuestión Xeneracional. CGAC, Santiago de Compostela.
Going Staying. Kunstmuseum de Bonn. Alemania.
La Presencia, Latin American in the United States, Museum of Latin American
Art, Long “Beach”, California
Into me/ Out of me, Macro, Rome
Body City. Dublín, Ireland
Viva la muerte! Kunsthalle Wien
Kiss Kiss Bang Bang. Museo Bellas Artes. Bilbao, España.
II Bienal de Moscú. Rusia.
Turbulence, III Triennial Auckland. New Zeland.
Beyond the Dust. The Archeologycal Museum Nápoles, Italia.
Coercive Atmospherics. d.u.m.b.o. arts center. N.Y. USA
Global Feminism. Brooklyn Museum EUA.
Lo que las imágenes quieren. Fundación ICO. Madrid España
Hay algo revolucionario en esto. Sala Parpalló. Valencia, España
Otras Contemporareidades. Bienal de Valencia. España
Timer, Trienal, Bovisa, Milano. Italia
Adiós Identidad. Centro Cultural de España. Guatemala
Art’s Shake. Bologna, Italia
Confesión, Caja Blanca, Palma de Mallorca, España.
Three Actions, Prometeogallery di Ida Pisani, Milan
Proyecto XX Prometeogallery di Ida Pisani. Milano, Italia.
150,000 Voltios, Prometeogallery. Lucca, Italia.
Cepo. Spazio Volume. Roma, Italia.
Mientras, ellos siguen libres. Guatemala.
2006
Corona. Plaza Central, Guatemala.
Peso. Santo Domingo, República Dominicana
Tanatosterapia, Antiguo Palacio de Correos, Guatemala City.
Isla. Santo Domingo, República Dominicana.
Videos. Galerie Du Jour Agnes B. Paris, Francia.
MASH. Miami EUA.
Un espejo para la pequeña muerte. Estrecho Dudoso. Teorética, Costa Rica.
Artissima. Trento, Italia.
Venice-Istanbul. Istanbul Modern, Turkia
I Bienal Arquitectura, Arte Paisaje. Islas Canarias.
Mankind: The Story of a Wound, SMAK & CRKC, Leuven
The Power of the Women, Galleria Civica di Trento, Trento, Italy
I Biennial of Architecture, Art and Landscape, Canary Islands (Spain)
Estrecho Dudoso, Teorética, Costa Rica
Mash, Miami, USA
Un espejo para la pequena muerte, performance, Estrecho Dudosa,
Teoretica, Costa Rica
Action Zone, prometeogallery di Ida Pisani, Balelatina, Basel
Bienal de Canarias - Bienal de Canarias, Las Palmas de Gran Canaria
The Power of Women - Galleria Civica di Arte Contemporanea, Trento
Camisa de Fuerza. Mens (Mankind) S.M.A.K.. Belgium
Performance: Plomo (Clases para aprender a disparar armas) CIFO Miami.
Into Me, Out of Me. P.S.1 Contemporary Art Center, Long Island, N.Y., USA.
Kunst-Werke Berlin e.V. - KW Institute for Contemporary Art, Berlin
Carnada Al Límite, Sto. Domingo, R.D.
Yesoterapia. Barceló Nuevas Propuestas. República Dominicana
Courants Alternatifs. PARVIS Paris, Bordeaux, Francia
Eretica. Palermo, Italia
Bienal Adriática. San Benedetto del Tronto, Italia.
Es Mou, Et Mou. Galería Canem España
Jukebox, LOOP Video Festival CCCB Barcelona, España.
Semiotics and Performance of Gender. World Psychiatric Congress. Istanbul,
The Pain of Others. Miami, EUA.
Tanatosterapia. Migraciones. Centro Cultural de España. Guatemala.
Limpieza Social. Il Potere delle Donne. Galleria Civica di Arte
Contemporánea. Trento, Italia.
2005
Toque de Queda. Le Plateau, Paris, France.
Perra. Prometeo Galery, Milano Italy.
Vértigo. III Bienal de Tirana, Albany. “Always a Little Further”, 51st Venice Biennial, Italy
Recorte por la Línea. Primer Festival de Arte Corporal. Caracas, Venezuela.
(279) Golpes. Siempre un poco más lejos. 51 Bienal de Venecia, Italia
Picacebollas. Fuera de Lugar. República Dominicana.
Bienal de Praga, Checoslovaquia.
51st International Art Exhibition Venice Biennale / Biennale di Venezia Always a little further - La Biennale di Venezia, Venecia
2004
Milenium, Pintura Contemporánea Guatemalteca. Museo de Arte Moderno.
Guatemala.
Produciendo Realidad. Lucca, Italia.
Himenoplastia Colectiva Cinismo. Contexto. Guatemala.
Todo Incluido. Centro Cultural Conde Duque. Madrid, España
Boda Galindo-Herrera. Comunicarte e Invitados. Casa Santo Domingo.
Guatemala
El Peso de la Sangre. Plaza Central, Ciudad de Guatemala.
2003
Quién puede borrar las huellas? Guatemala.
A Puño Limpio. Días Mejores. Centro Cultural de España. Guatemala
Proxémica Días Mejores. Centro Cultural de España. San José, Costa Rica.
Ella, permanece. Maternidades Plus. Centro de Cultura Hispánica,
Guatemala.
2002
Sin Título. (Hasta Ver). Tercera Bienal de Arte Contemporáneo de Lima, Perú.
Autocanibalismo mostrado en Contaminados. MADCO. C.R. / Bienal
Audiovisual L.A. /
Freewaves. MOCA. L.A., E.U.A. / Latin American Literature and Arts, N.Y.,
E.U.A. Transferences of Sensation. Gallery Gachet. Canada. / Colloquia,
Guatemala.
Selección Nacional. Colloquia. Guatemala.
Lucha. Colectiva Blanco & Negro.Edificio de Correos. Guatemala.
2001
Tendencia del Lodo. Galería Sol del Río. Guatemala.
10 piedras de Crack. Escultura Contemporánea Guatemalteca.Teatro
Nacional. Guatemala.
Piel. La Platea de la Humanidad. 49 Bienal de Venecia. Italia.
Bandera Nuestra. Colectiva Suyo-Ajeno. Ex-Teresa Arte Actual. México, D.F.
49th International Art Exhibition Venice Biennale / Biennale di Venezia - La
Biennale di Venezia, Venecia
Angelina. Guatemala.
2000
Sobremesa. Proyecto Jóvenes Creadores Bancafé. Guatemala.
Encierros. Colectiva Paréntesis, (PAI) Zoológico Nacional La Aurora.
Guatemala.
Todos estamos muriendo. Simposio CA, Temas Centrales,TEOR/ética. Costa
Rica.
Valium 10ml. Colectiva Vivir Aquí. Museo Ixchel. Guatemala.
No perdemos nada con nacer. 9no. Festival Performance. Ex-Teresa.
Zócalo de la Ciudad de México y FestivalOctubre Azul. Basurero Municipal.
Guatemala.
Esperando al príncipe azul. Festival Octubre Azul. Edificio Correros.
Guatemala.
1999
El cielo llora tanto que debería ser mujer. Galería Belia de Vico. Guatemala.
Lo voy a gritar al viento. II Festival del Centro Histórico. Arco de Correos.
Guatemala.
El dolor en un pañuelo. Colectiva Sin Pelos en la Lengua, (PAI) Plaza G&T.
Guatemala.
GRANTS, AWARDS AND RESIDENCES
2008
International Artist in Residence. Art Pace. San Antonio, Texas, United States.
2007
Winner of contest Image Restless (V Edition). MADC. San José, Costa Rica.
2006
10 Experiments Determinants: subsidized artistes.CIFOs. Miami, Florida,
United States.
2005
Golden Lion, Young Artist. 51 Venice Biennale. Venice Italy.
Residence granted by Le Plateau.Paris, France.
1999
Young Artists Project Winner Bancafé. Guatemala.
1998
Single Award for Poetry. Myrna Mack Foundation. Guatemala.
PRACTICAL INFORMATIONS
—
La Maréchalerie – centre d’art contemporain
école nationale supérieure d’architecture de Versailles
5, avenue de Sceaux – 78000 Versailles
T. 00 33 (0)1 39 07 40 27 – F. 01 39 07 40 94
[email protected]
http:// lamarechalerie.versailles.archi.fr
Find La Maréchalerie on Facebook and Twitter
OPENING HOURS
— Open everyday except Sundays and public holidays, from 2pm to 6pm and in the
morning by appointment. Free entrance.
 
ACCESS
— Avenue du Général de Gaulle, entrance by Place des Manèges, facing the train
station Versailles Rive-Gauche
— Avenue de Sceaux, entrance by the école nationale supérieure d’architecture
(énsa-v)
— BY CAR
Highways A13 or A86, exit Versailles Château. Parking at Place d’Armes or
Avenue de Sceaux
— BY TRAIN
From Paris with the RER C: get off at Gare Versailles Rive-Gauche
From Paris train station Saint-Lazare: get off at Gare Versailles Rive-Droite
From Paris train station Montparnasse: get off at Gare Versailles Chantiers
— BY BUS
RATP: Bus 171 from metro Pont-de-Sèvres
PHÉBUS: Buses A, BAK, D, E, F, H, K, L, P, X, Z, get off at Gare de Versailles
Rive-Gauche
Place
d’Armes
Av
énsa-V
ue
Accès par l’avenue
de Sceaux
de
lou
d
La Maréchalerie
Accès par la place
des Manèges
Avenue de Paris
en
ue
de
Sce
au
x
Avenue du Général de Gaulle
Château de Versailles
en
t-C
Avenue de l’Europe
Av
in
Sa
Gare de Versailles
Rive-Gauche
CONTACT
—
Bérangère MARIZIEN
Communication manager
T. 00 33 (0)1 39 07 41 12
[email protected]
—
Sonia KESSITI
Educational program coordinator
T. 00 33 (0)1 39 07 40 58
[email protected]