Catálogo Blood Window 2015

Transcripción

Autoridades INCAA
INSTITUTO NACIONAL DE CINE Y ARTES AUDIOVISUALES
Sra. Lucrecia CARDOSO
Presidenta
Lic. Juan Esteban BUENO REPETTO
Vicepresidente
Sr. Rómulo PULLÓL
Gerente General
Tec. Verónica SÁNCHEZ GELÓS
Gerencia de Fiscalización
Dr. Raúl A. SEGUÍ
Gerencia de Administración
Sr. Bernardo BERGERET
Gerencia de Asuntos Internacionales
Dr. Orlando PULVIRENTI
Gerencia de Asuntos Jurídicos
Lic. Alberto URTHIAGUE
Gerencia de Fomento
Ing. Germán CALVI
Gerencia de Fomento a la Producción de Contenidos
para televisión, Internet y Videojuegos
Sr. Félix FIORE
Gerencia de Acción Federal
Dr. Rolando OREIRO
Auditor Interno
Sra. Vanessa RAGONE
Directora INCAA TV
Sr. Pablo ROVITO
Rector ENERC
STAFF BLOOD WINDOW 2015
Sr. Javier FERNANDEZ
Coordinador Blood Window
Sta. Fanny SCHAEFERS
Asistente Blood Window
Sr. José Luis REBORDINOS
Curador BWIP
Sr. Pablo GUISA KOESTINGER
Curador Beyond the window
Sr. Joao FLECK
Curador Beyond the window
4
Í n di ce s / In dex
BWIP BLOODY WORK IN PROGRESS
BEYOND THE WINDOW
A Percepção do Medo
Uptake Fear
14
Regalo de cumpleaños
Birthday present
44/45
Camaleón
Chameleon
15
Tatewari
Tatewari
46/47
Downhill
Downhill
16
El vertedero
The dump
48/49
La Valija de Benavidez
Benavidez´s case
17
Uqbar
Uqbar
50/51
Terror 5
Terror 5
18
Verónica
Verónica
19
BEYOND THE WINDOW
6
FOCO CATALAN FILMS
Rem
Rem
54/55
Hijos de saturno
Children of saturn
56/57
Savant
Savant
58/59
Corrida dos bichos
The animal race
22/23
El Grano
The Zit
24/25
El niño que llora
The crying boy
26/27
3 Línea: Sanskara
3 Line: Sanskara
62
Furia negra
Black fury
28/29
Ataúd Blanco
White Coffin
62
Intra
Intra
30/31
Dengue alien - Noite de “Terror”
Mosquitoid - Nights of “Terror”
63
Kiken
Kiken
32/33
Estrategia de una Venganza
Strategy of revenge
63
Lamiae
Lamiae
34/35
Pacífico
Pacific
64
Mujer Jaguar
Jaguar Woman
36/37
Vida
Life
64
Pinilla y sus terroríficas alucinaciones en 3D
Pinilla and his terrifying 3D hallucinations
38/39
Pulsión
Pulsion
40/41
Sob a vontade do demônio
By Demon’s Will
42/43
FFIP FANTASTIC FILMS IN PROGRESS
INDUSTRY PROFILES
Industry Profiles
67/85
7
Bienvenidos / Welcome
Estamos felices de darles la bienvenida a la tercera edición de Blood Window. Desde
nuestra primera edición en el año 2013, fuimos creciendo y formando este espacio,
como una vitrina de talentos de cine de género fantástico latinoamericanos.
En esta edición, queremos subrayar la magnitud y diversidad de la convocatoria.
Hemos recibido proyectos de toda Latinoamérica, con la participación de regiones
como Centro América y el Caribe.
Durante cuatro días, productores, directores, agentes de venta, distribuidores y festivales
internacionales, participan de actividades que incluyen encuentros de co-producción,
paneles, charlas debate, encuentros de pitching (Beyond the window) y proyecciones
de películas en work in progress, estas últimas seleccionadas por el curador Jose Luis
Rebordinos, Director Gral. Festival Internacional de Cine de San Sebastián.
Este año, como novedad, contamos con un espacio para reuniones programadas,
charlas de asesoría de proyectos y un foco especial presentados por Catalan Films.
Blood Window no sería posible sin el apoyo del INCAA y de nuestros colaboradores.
Queremos agradecer especialmente a los festivales de cine que nos acompañaron
durante el año: Sitges (Festival internacional de cine de Catalunya, España), Morbido Fest
(Mexico), Bifan (Bucheon International Fantastic Film Festival, Corea), Fantastic Fest
(Austin ,USA), Fright Fest(UK), Frontières (International Co-Production Market,Bruselas),
Fantaspoa (Festival Internacional de Cinema Fantástico de Porto Alegre, Brasil), Zinema
Zombie Fest (Colombia), Bifff(Brussels International Fantastic Film Festival, Bruselas)
y Nocturna (Festival Internacional de Cine Fantástico de Madrid).
¡Los esperamos!
We are happy to welcome you to the third edition of Blood Window. Since our first
edition in 2013, we have been growing to establish this event as a showcase of talents
in the fantastic genre of Latin America.
In this edition, we would like to highlight the reach and diversity of projects from all
over Latin America, with the participation of regions including Central America
and the Caribbean. For four days, producers, directors, sales agents, distributors
and international festivals will take part in a range of activities, including coproduction
meetings, panels, roundtables, pitches (Beyond the Window) and work-in-progress
screenings, selected by curator Jose Luis Rebordinos, General Director
of the San Sebastian International Film Festival.
In addition, we are introducing a venue for scheduled meetings, project advice sessions,
and a special focus theme presented by Catalan Films.
Blood Window would not be possible without the support of INCAA and our partners.
We would like to thank especially the organizers of film festivals that have supported
us during the year: Sitges (International Film Festival of Catalunya, Spain), Morbido
Fest (Mexico), Bifan (Bucheon International Fantastic Film Festival, Korea), Fantastic
Fest (Austin, USA), Fright Fest (UK), Frontières (International Co-Production Market,
Brussels), Fantaspoa (International Fantastic Film Festival of Porto Alegre, Brazil),
Zinema Zombie Fest (Colombia), Bifff (Brussels International Fantastic Film Festival,
Brussels) and Nocturna (International Fantastic Film Festival of Madrid).
We look forward to meeting you at Blood Window.
Javier Fernández Cuarto
Blood Window Coordinator
BWIP (Bloody Work in Progress). Variedad y calidad
BWIP (Bloody Work in Progress). Variety and quality
La selección de Blood Window de este año se caracteriza por su variedad
temática y de países y por la alta calidad de las propuestas.
De Brasil ha sido seleccionada A Percepçao do Medo, dirigida por Kapel
Furman y Armando Fonseca. Fonseca es el director de Desalmados,
uno de los ganadores en 2014 de Blood Window's Beyond the Window.
Este nuevo proyecto conjunto se adentra en la mente de un psicópata y nos
obliga a acompañarles en un surrealista viaje lleno de sangre y violencia.
Blood Window's this year selection is characterized by its themes and countries
variety and by the high quality of its offers.
From Brazil it has been selected the film A Percepçao do Medo, directed
by Kapel Furman and Armando Fonseca. Fonseca is the director of Desalmados,
one of the winners of Blood Window's Beyond the Window in 2014.
This new joint project goes into a psychopath's mind and force us to follow him
in a surrealistic journey full of blood and violence.
De México participa Verónica, de Carlos Algara y Alejandro Martínez Beltrán.
El enfrentamiento entre una psicóloga que ha dejado de practicar medicina
y Verónica, una inquietante joven a la que ésta va a aceptar psicoanalizar
en su perdida casa en el bosque, sirve a los directores para mostrarnos
un auténtico tour de force entre las dos actrices protagonistas, en una historia
llena de fuerza, con un desenlace sorprendente e inesperado.
De Argentina han sido seleccionadas dos películas: La valija de Benavidez,
de Laura Casabe, y Terror 5, de Sebastian y Federico Rotstein. La primera
es un cuento cruel y oscuro, sobre un profesor de arte frustrado que va
a ingresar en una residencia para artistas regentada por un grupo de psiquiatras,
tras discutir acaloradamente con su mujer. La segunda es cine de género
en estado puro, varias historias cruzadas que tienen lugar la noche en la que
se conmemoran los diez años de la tragedia del Parque Chas.
From Mexico comes Verónica, by Carlos Algara and Alejandro Martínez Beltrán.
The confrontation between a psychologist woman that has stopped practicing
medicine and Verónica, a disturbing young woman the first one will accept
to analyze in her lost forest house, is used by the directors to show us an actual
tour de force between the two leading actresses in a story full of strength, with
a surprising, unexpected outcome.
There are two selected films from Argentina: La valija de Benavidez, by Laura
Casabe, and Terror 5, by Sebastián and Federico Rotstein. The first one is a cruel,
dark tale about a frustrated art teacher who will go to a residence for artists
managed by a group of psychiatrists after a heated discussion with his wife.
The second one is a genre film in its purest form, several crossed stories which
take place during the night of the 10th anniversary of the Parque Chas tragedy.
De Chile llegan otras dos películas: Downhill, de Patricio Valladares, director
de Hidden in the Woods, y Camaleón, de Jorge Riquelme Serrano. En Downhill,
una estrella del ciclismo y su novia aceptan competir en un torneo de exhibición
en Chile. Cuando encuentran un hombre gravemente herido en el bosque,
se van a tener que enfrentar a la pesadilla que está oculta en ese hermoso paraje.
En Camaleón, la pareja de mujeres protagonistas reciben en su casa la visita
de un joven que les acompañó la noche anterior en la fiesta que ellas mismas
habían organizado. Tensión narrativa, dos buenas actrices y un buen actor y
una inquietante trama contada con buen pulso, son las claves de esta dura
y claustrofóbica película.
José Luis Rebordinos
Director Gral. Festival Internacional de cine de San Sebastian
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Chile presents two films: Downhill, by Patricio Valladares, director of Hidden in
the Woods, and Camaleón, by Jorge Riquelme Serrano. In Downhill, a cycling
star and his girlfriend accept to compete at an exhibition tournament in Chile.
When they find a seriously injured man in the woods, they will face a nightmare
hidden in this beautiful spot. In Camaleón, the couple of protagonist women
receive in their home the visit of the young man that joined them in the party
they had organized. Narrative tension, due good actresses and a good actor
as well as a disturbing plot presented with good rhythm are the keys of this
hard and claustrophobic film.
José Luis Rebordinos
Director. San Sebastian International Film Festival
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B W I P
B L O O D Y
W O R K
I N
P R O G R E S S
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13
THRILLER - FANTASY - HORROR
Brasil - 85´
PSYCHOLOGICAL THRILLER
Chile - 76´
La Percepción del Miedo invita el espectador a romper los límites
del comportamiento social desde el real para el surrealismo
en un camino lleno de violencia, sangre y la metástasis
de la realidad.
Únete a lo surgimiento de un psicópata mientras el pierde
el control de su realidad y sus temores.
En su casa de veraneo; Paula y Paulina pasan su último día juntas;
antes de que una de ellas emprenda un largo viaje al extranjero.
La tranquilidad de la jornada se verá alterada por la inesperada
llegada de Gastón, un invitado de la despedida de la noche
anterior. A medida que avanza la tarde, vamos descubriendo
qué tipo de relación tienen ellas, y quién es este intruso.
El espectador presenciará una impactante transformación
que nos revela lo más oscuro y recóndito de la mente humana.
S
CONTACTO / CONTACT
Laberinto Films
Jorge Riquelme Serrano
(+56) 9 6 668 22 28
laberintofi[email protected]
www.laberintofilms.cl
S
CONTACTO / CONTACT
Infravermelho Filmes
André Kapel Furman
+55 11 9 85859310
[email protected]
www.infravermelhofilmes.com.br
E
D i r e c t o r
Jorge Riquelme Serrano
Jorge Riquelme Serrano realizó sus estudios en la Escuela de Cine de Chile.
Desde el año 2008 ha dirigido y escrito distintos proyectos cinematográficos
con una fuerte preocupación por la actuación y mirada social. De forma paralela
ha realizado fotografía y televisión. Camaleón es su opera prima.
Jorge Riquelme Serrano studied at the Cinema School of Chile. Since 2008
he has directed and written several film projects with a strong concern
for the actors performance and social issues. In parallel he has work in national
television and photography projects. Chameleon is his feature film debut.
R
D i r e c t o r
Kapel Furman / Armando Fonseca
Armando Fonseca es el director de Desalmados, uno de los ganadores en el 2014
Blood Window’s Beyond the window.
Kapel Furman es el director de la película Pólvora Negra, que fue descrita en Austin
Fantastic Fest como una producción con petardos suficientes para hacer
Sam Peckinpah orgulloso.
Armando Fonseca is the director of the feature-film Desalmados, one of the winners
in the 2014 Blood Window’s Beyond the window.
Kapel Furman directed the western film Pólvora Negra, it was described by Austin’s
Fantastic Fest as a production that loaded up enough squibs to make
Sam Peckinpah proud.
.
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PROJECT STATUS
The film has its first cut. It requires the image
and sound post-production.
METAS
"La Percepcion del Miedo" todavía es un largometraje
que necesita de servicios de post-producción,
pero puede mostrar su potencial como un thriller
de fantasía surrealista independiente.
GOALS
“Uptake fear” still is a work in progress feature
film, but can show its potential as an independent
surreal fantasia thriller.
METAS
Lograr la finalización del largometraje (post-producción
de imagen, de sonido y copia DCP). Además lograr
distribución y comercialización internacional.
GOALS
We want to finish the film (image and sound
post-production, DCP copy). And also we would like
to achieve international distribution and marketing.
W
O
L
B
B
L
O
O
ESTADO
La película tiene se encuentra en proceso de cierre
del montaje. Requiere post-producción de imagen
y sonido..
Y
Y
D
PROJECT STATUS
Post-production stage. At the moment, the film
still needs an international sales agent, blow-up
to 2K, 5.1 sound mixing and a transfer to DCP.
O
ESTADO
Post-production. En este momento, la película
necesita un agente de ventas internacionales,
blow-up para 2K, mezcla de sonido 5.1
y transferencia a DCP.
O
In an affluent beach house, Paula and Paulina spend their last
day together befone one of them undertakes a long trip abroad.
Their peaceful day will be disturbed by the unexpected arrival
of Gaston, a guest from last night’s farewell party. As the
afternoon progresses, we discover what kind of relationship
they have, and who this intruder is. The viewer will witness
a shoking transformation that reveals to us the dark recesses
of the human mind.
W
O
R
"Uptake Fear" invites the viewer to break the limits of social
behavior as the journey goes from real to surreal in a path
of violence, blood and the metastases of reality.
Join the rising of a psychopath as he loses control of his
reality and his fears.
D
K
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Camaleón / Chameleon
O
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A Percepção do Medo / Uptake Fear
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HORROR
Chile - 85´
FANTASY
Argentina - 80´
Después de la muerte de su mejor amigo, la estrella del ciclismo,
Joe, está de acuerdo en volver a competir en un torneo
de exhibición en Chile. En una práctica de descenso con su novia
Stephanie, se topan en medio del bosque con un hombre
gravemente herido que está apunto de morir por un virus
misterioso. Ese es el comienzo de un muy mal día para ellos,
ya que se convierten en el blanco de estraños asesinos
preparados para hacer cualquier cosa para mantener su secreto
a salvo en medio de las montañas.
Benavidez es un profesor de arte frustrado, él discute con su
esposa y busca refugio en su casa de psiquiatras. Se convierte
en una víctima del sistema de casas, en el final de la carretera
que va a cambiar su vida y su destino para siempre.
S
CONTACTO / CONTACT
Magali Nieva Umansky - Ninja Films
Magali Nieva
+54 9 1 1 5782 3959
[email protected]
S
CONTACTO / CONTACT
WTFilms - Sales Agents
Sonia Droulhiole
+33 66 268 3099
sonia@wtfilms.fr
www.wtfilms.fr
E
D i r e c t o r
Laura Casabe
Laura Casabe, realizadora, guionista y camarografa, dirigio su primer largometraje
El Hada Buena (2010) y varios cortometrajes con premios internacionales.
Terminó el rodaje de La Valija de Benavidez con las actuaciones de Norma
Aleandro, Jorge Marrale y Guillermo Pfening.
Laura Casabe, filmmaker, videographer, screenwriter and directed his first feature
film The good fairy (2010) and several short films with international awards.
She finished the filming of La Valija de Benavidez starring Norma Aleandro,
Jorge Marrale and Guillermo Pfening.
O
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N
I
K
Benavidez its a frustrated art teacher, he argues with his wife
and seeks refuge at his psychiatrist's house. Becomes a victim
of the house's system, at the end of the road that will change
his life and destiny forever.
R
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D i r e c t o r
Patricio Valladares
Su gran éxito fue Hidden in the Woods, una mezcla de drama y suspenso, que fue
seleccionado y causo sensacion en festivales como Fantasia y Frightfest. Ahora
está trabajando en la post-producción de Downhill y The Ghots of Garip y en
pre-producción del proyecto de horror titulado Nightworld.
His breakthrough was Hidden in the Woods a raw mix of drama and suspense that
was selected and made a splasn in such festivals as Fantasia, Film4 Frightfest.
Now is working in the post-production of Downhill and The Ghosts of Garip
and developing the upcoming horror movie called Nightworld.
R
S
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E
R
La Valija de Benavidez / Benavidez´s case
G
Downhill / Downhill
O
W
ESTADO
En montaje, y buscando fondos para post-producción.
PROJECT STATUS
Editing. And searching founds for post-production.
METAS
En búsqueda de ser considerados en festivales
de cine de género, compradores interesados,
y post-producción de color y marketing.
GOALS
Seeking for film festivals consideration, buyers,
post-production color and MKT.
METAS
Poder conseguir coproductores para la
post-produccion y lanzamiento de la película.
GOALS
Aproach co-producers for post-production
and release of the film.
Y
PROJECT STATUS
Working in final rough cut, and working in the score,
vfx, cgi and re shoot.
O
L
B
B
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O
O
D
ESTADO
Trabajando en el corte final, trabajando en la música
original, vfx y cgi, y algunos insert faltantes.
O
D
Y
W
O
After his best friend dies in a racing accident, biking star Joe
agrees to go back on the wheels for an exhibition in Chile. On
a test run with his girlfriend Stephanie, they stumble upon a badly
injured man dying from a mysterious virus. That’s the start of
a very bad day for them as they become the target of relentless
killers ready to do anything to keep their secret to go out
of the mountains.
16
17
HORROR
Argentina - 83´
THRILLER
México - 86´
La noche en la cual sucede TERROR 5 se conmemoran los 10 años
de la tragedia de Parque Chas. Esa noche Hernán y Gabriela
deciden ir al Hotel Imperial para pasar una noche de descontrol.
Luciano y Paulo intentan convencer a Mariana y a Marina de hacer
un intercambio de parejas. Gene consigue un extraño dvd hogareño
Juan se encuentra con Sonia en lo que para él iba a ser una cita
común y corriente. Y los familiares de las víctimas escuchan
el veredicto sobre la tragedia en el cementerio.
Una psicóloga que ha dejado de practicar medicina, decide tomar
el caso de Verónica, una joven cuya terapia fue misteriosamente
interrumpida tras la desaparición de su anterior psicoanalista.
S
CONTACTO / CONTACT
Producciones a Ciegas
Juan Carlos Segura
+55 4351 7142
[email protected]
www.produccionesaciegas.com
S
CONTACTO / CONTACT
Camargo Cine, Sebastián Perillo y Werner Cine SRL.
Daniel Werner
+54 9 11 50235314
[email protected]
www.wernercine.com
E
D i r e c t o r
Carlos Algara / Alejandro Martínez Beltrán
Nacidos ambos en México, Carlos Algara y Alejandro Martínez estudiaron Guión
para Cine y TV; y Dirección para Cine, respectivame. En el 2010 fundaron
su compañía productora The Visualistas, dedicandose mayormente al contenido
publicitario y la producción de cortometrajes y videoclips.
Born in Mexico, Carlos Algara and Alejandro Martínez studied Writing for Film
and TV, and Directing for the Screen, respectively. In 2010 they co-founded
the production company The Visualistas, which has focused on producing
advertising content, short films and music videos, mostly.
O
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A female Psychologist who has now retired, decides to take
the case of Veronica, a young woman whose therapy was
misteriously interrupted due to the dissappearance of her
former psychologist.
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D i r e c t o r
Sebastián Rotstein / Federico Rotstein
Federico trabajó como AD y montajista en cine y publicidad. Sebastián es guionista
de cine y televisión. Juntos dirigieron el corto Liebre 105 de Historias Breves 8.
Además de Terror 5 tienen dos proyectos en desarrollo: Lo que los ojos no ven
y Vida Feliz.
Federico worked as an assistant director and editor both in film and advertisement.
Sebastián is a writer for films and television. Together they directed the short film
Rabbit 105. Besides Terror 5, they have two projects in development: What eyes
can’t see and Happy Life.
R
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Verónica / Verónica
G
Terror 5 / Terror 5
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O
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METAS
Solicitamos todos los procesos de post-producción
a excepción de la edición de video, la cual está
ya cubierta dentro del dinero que se consiguió para
el rodaje.
GOALS
We're looking for all the funding for
the post-production of the film, except for
the video editing which has been covered with
the money that was raised for the shooting
of the film.
Y
GOALS
We understand the importance and strength
of BWIP like the place to launch our project
“Terror 5” to the international market.
It is our intention to be able to pitch and talk
about the project with possible co-producers
and sales agents from all over the world.
D
METAS
Entendemos la importancia de BWIP como el lugar
para lanzarnos hacia el mercado internacional.
Es nuestra intención conseguir posibles
coproductores y agentes de ventas de todo el mundo.
O
PROJECT STATUS
The project is currently in post-production. We're
finishing a ninth version of the visual editing, and
are looking for all the funding to finish the rest
of the post (sound design, mixing and mastering
in 5.1, color correciton, music scoring, etc.).
O
ESTADO
El proyecto se encuentra actualmente en estado
de post-producción. Estamos terminando una novena
versión de la edición visual, y necesitamos conseguir
los fondos para continuar con el resto (diseño sonoro,
mezcla y masterización 5.1, corrección de color,
musicalización, etc.).
L
PROJECT STATUS
The project is in its final editing stage. We have
began to work with VFX and to replace reference
music for the original score we are composing
for the film.
B
ESTADO
La película se encuentra en la etapa final del montaje.
Ya hemos empezado con el trabajo de VFX
y a componer la música original para Terror 5.
O
D
Y
W
O
The night that TERROR 5 takes place is the conmemoration
of the 10th anniversary of the tragedy of Camargo Street. That
night Gabriela and Hernán decide to go to a motel for a "crazy"
night. Paulo and Luciano try to convince Mariana and Marina
to do a swinging. "Gene" gets a strange dvd. Juan meets Sonia
in what seems to be an ordinary date. And it's the same night in
which the families of the victims in the cemetery along with
their deceased heard the verdict of the tragedy.
19
POSTPRODUCCIÓN
SERVICIOS PARA
DISTRIBUCIÓN
B E Y O N D
T H E
W I N D O W
DOBLAJE
Encuentros con la industria.
Pitching de proyectos en desarrollo.
Meetings with the Industry.
Project pitching sessions.
/Labodigital
@Labodigitaloff
PREMIO
WORK IN PROGRESS 2014
Patrocinado por:
SOFIA FILMS y LABODIGITAL
Ernesto trabajó como director de arte de películas y de animación
de la TV Globo, la mayor cadena de TV de Brasil. En 2004 dirigió
el cortometraje La Espera, con actores reales insertados en un entorno
virtual. La película participó de festivales como Rotterdam Film Festival
y FIPA en Biarritz.
E
N
Ernesto worked as art director of films and animation at Globo,
Brazil’s largest TV network. In 2004, he directed the short film
The waiting, with actors digitally inserted in a virtual setting. It was
screened at several festivals around the world, such as Rotterdam
and FIPA in Biarritz.
I
A través del juego y la esclavitud,
la película revela la sociedad, a medida
que extienden las relaciones humanas
abordando cuestiones sociales de una
manera original, la película presenta
un lenguaje pop en un Rio de Janeiro
futurista, creando un espectáculo visual
atrayente con efectos especiales.
Director’s statement
The game and slavery are the two
elements through which the film
exposes society, as they stretch the
limits of human relationships. Tackling
social issues in an original way,
it features pop language in a futuristic
Rio de Janeiro, creating a powerful
visual spectacle through graphic
computing.
P r o d u c t o r / P r o d u c e r
Vania Catani
W
W
I
Rio de Janeiro, 2032. Slum dweller Mano will climb
the social ladder through a twisted game in which
rich gamblers bet on slaves in a violent race
through the city streets. This domination game
leads to a family tragedy that will stay alive for
years, becoming a tale of revenge that will
transform the city forever.
Visión del director
W
Rio de Janeiro, 2032. Mano, morador de una favela,
va a lograr ascender socialmente a través de un
juego perverso donde jugadores ricos apuestan
los esclavos en una carrera violenta por las calles
de la ciudad. El juego de la dominación lleva a una
tragedia familiar y una historia de venganza que se
mantendrá viva durante años y va a transformar la
ciudad para siempre.
O
D i r e c t o r
Ernesto Solís
D
Brasil // 140 min. // Fantasy - Action
Vania fundó BANANEIRA en 2000, productora independiente
con proyectos audaces de calidad artística. El Payaso, uno
de sus largometrajes, fue asistido por 1,5 millones de personas, elegido
para representar el país en los Oscar 2013. La productora tiene
148 galardones y participación en 275 festivales.
E
N
D
O
W
Corrida dos bichos / The animal race
H
T
D
N
COMPAÑÍA PRODUCTORA / PRODUCTION COMPANY
Bananeira Filmes
Y
O
bananeira@bananeirafilmes.com.br
luana.projetos@bananeirafilmes.com.br
+55 21 2225 6552
www.bananeirafilmes.com.br
E
PRODUCTION NOTES
Budget
USD 2.700.000
Budget acquired
43%
Financing
In place (USD)
ANCINE (award - PAR): USD 23.840,55
FSA (national fund): USD 251.889,17
RioFilme (regional fund): USD 130.322,09
MGM (co-production): USD 755.667,51
Total in place: USD 1.161.719,31
Goals in Beyond The Window
First we intend to show how we plan to put
Brazilian filmmaking at the forefront of this
new cinematic style, without losing the
elements that make it culturally unique and
find people to join us.
B
NOTAS DE PRODUCCIÓN
Presupuesto
USD 2.700.000
Presupuesto adquirido
43%
Financiación
Contratado (USD)
ANCINE (premio - PAR): USD 23.840,55
FSA (fondo nacional): USD 251.889,17
RioFilme (fondo regional): USD 130.322,09
MGM (co-producción): USD 755.667,51
Total contratado: USD 1.161.719,31
Objetivos en Beyond The Window
En primer lugar tenemos la intención de mostrar
cómo planeamos poner la cinematografía
brasileña en la vanguardia de este nuevo estilo
cinematográfico, sin perder los elementos que
hacen que sea culturalmente única y encontrar
socios que se sumen.
B
E
Y
O
N
D
T
H
Vania founded BANANEIRA in 2000, an independent company
that produces high quality artistic projects. The clown, one
of its features, was viewed by 1.5 million people and chosen to represent
Brazil at the Oscars. Its films have received 148 awards and been
shown at 275 festivals so far.
22
23
Nace en Malmö, Suecia en 1982.
Films: 2003 - Achuras (Director & guionista), 2013 - Re Locos
y Re Pasados (Director & guionista), 2013 - Achuras 2 (Director
& guionista), 2015 - We're not going to Fiesta Nibiru (Post Producción
- Director & guionista), 2016 - El Grano (Director & guionista).
E
N
Born in Malmö, Sweden, 1982.
Films: 2003 - Achuras (Director & Writer), 2013 - Re Locos y Re
Pasados (Director & Writer), 2013 - Achuras 2 (Director & Writer),
2015 - We're not going to Fiesta Nibiru (Post Production - Director
& Writer), 2016 - El Grano (Director & Writer).
I
El Grano es una comedia romántica
que muta, junto con la malformación
en la cara de su protagonista, en una
película de terror psicológico, ya que
el grano proviene de la psiquis misma
del personaje, dónde nace y se
desarrolla. Las imágenes viscerales
están implícitas y se manifiestan
físicamente.
El Grano (The Zit) is a romantic comedy
that changes along with the malformation
in the face of the main character, inside
a psychological horror film as the zit
born and grow from the psiquis of the
character. Visceral images are implicit
and manifest physically.
Ignacio García Cucucovich
W
W
René (he) y René (she) share something else that
a common name. They start a love relationship.
At the same time, she grows a zit in her face that
start to become into her dead ex boyfriend which
feeds from her own fear making him grow some
more, even developing some human features,
turning more and more dangerous, becoming
a real threat to the new boyfriend of René.
W
René (el) y René (ella) comparten algo más que un
nombre ambiguo. Ellos empiezan a salir y a
desarrollar una nueva relación amorosa. Al mismo
tiempoo a ella le nace un grano en la cara que
comienza a crecer y a transformarse en su ex
novio muerto en un accidente quien se alimentará
de su miedo y crecerá aún más, cobrando nuevas
facciones humanoides y volviéndose cada vez
más real y peligroso, hasta poner en jaque la vida
misma de la nueva pareja.
O
D i r e c t o r
Manuel Facal
D
Uruguay - Argentina - España // 90 min. // Dark comedy - Horror
Co Fundador de Mother Superior Films.
Films: Dios Local - Dir Gustavo Hernandez (Fantastic Fest - Sitges Puchon), Frondoso Edén del Corazón - Dir. Juma Fodde Roma
(Ganador del WIP del Fantastic Market 2014) Post Producción,
We're not going to Fiesta Nibiru - Dir Manuel Facal - Post Producción.
E
I
N
D
O
W
El Grano / The Zit
H
T
D
N
Mother Superior Films
O
cucucovich@mothersuperiorfilms.com
+59 8 92 422 444
www.mothersuperiorfilms.com
Y
PRODUCTION NOTES
Budget
USD 450.000
Budget acquired
40%
Financing
Private funds of production companies:
Mother Superior (Uru) and Aeroplano
Films (Arg).
- Getting the rest of the funding.
- Strengthening ties with the rest of the
directors and producers of this gender
across Latin America.
B
B
E
Presupuesto
USD 450.000
40%
Financiación
Fondos privados de las productoras Mother
Superior (Uru) y Aeroplano Films (Arg).
- Conseguir el resto de la financiación.
- Afianzar lazos con el resto de los realizadores
y productores de genero en Latinoamerica.
E
Y
O
N
D
T
H
Co Founder of Mother Superior Films.
Works as Producer: Local God - Dir Gustavo Hernandez (Fantastic
Fest - Sitges - Puchon), Splendorous Garden of the Heart - Dir. Juma
Fodde Roma ( WIP winner of FFMarket 2014) Post Production,
We're not going to Fiesta Nibiru - Dir Manuel Facal - Post Production.
24
25
Cristóbal nació en Valparaíso en 1976. Su primer largometraje
de ficción se llama Malta con Huevo Ha trabajado como guionista
y como asistente de dirección en muchos proyectos incluyendo
La Danza de la Realidad de Alejandro Jodorowsky.
E
Cristobal was born in Valparaiso in 1976. He has directed several short
films and a TV series , The Song of Your Life His first feature film
called Malta with Egg” has worked as a screenwriter and assistant
director on many projects including The Dance of Reality
by Alejandro Jodorowsky.
N
Mi intención es hacer del relato
particular y nacional en un pequeño
pueblo al sur de Chile una historia
universal. Lo principal para que funcione
el vínculo emocional del espectador
en un film de este género es la
identificación con sus personajes.
Our intention is to make the individual
and national narrative in a small town
south of Chile a universal story. The main
thing to work the emotional bond
the viewer in a film of this genre is the
identification with the characters.
I
Sebastian Freund
W
W
A young mother and her 10 year old son arrive at
an isolated village in southern Chile. The child is
introverted and sensitive and its new rural school
begins to develop an unusual obsession with an
old table in the place: A reproduction of the
painting "The crying boy" Giovani Bragolin. The
arrival of the rural school child and his obsession
with the cursed painting will begin the horror and
the inexplicable.
W
Una joven madre y su hijo de 10 años llegan a un
aislado pueblo del sur de Chile. El niño es introvertido
y sensible y en su nuevo colegio rural comienza a
desarrollar una inusual obsesión con un viejo
cuadro que encuentra en el lugar: Una reproducción
del cuadro “El Niño que Llora” de Giovani Bragolin.
La llegada del niño al colegio rural y su obsesión
con la pintura maldita darán inicio al horror y a lo
inexplicable.
O
D i r e c t o r
Cristobal Valderrama
D
Chile // 90 min. // Horror
Productor Ejecutivo en largometrajes: El Bosque de Karadima (2015),
ganador fondos CORFO, FFA, CNTV e IBERMEDIA, “El Derechazo
(2013), Drama” (2008), Papelucho y el marciano (2007) productor,
co-director y co-guionista de Stefan vs Kramer (2012).
E
I
N
D
O
W
El niño que llora / The crying boy
H
T
D
N
Demente Contenidos S.A
[email protected]
+56 9 4268 6611
www.demente.tv
O
PRODUCTION NOTES
Budget
USD 1.000.000
Budget acquired
25%
Financing
USD 300.000 private founds.
Find co- production, international and new
investment opportunities distribution.
E
B
B
E
Y
Presupuesto
USD 1.000.000
25%
Financiación
USD 300.000 fondos privados.
Co-producción, distribución internacional
y nuevas oportunidades de inversión.
Y
O
N
D
T
H
Executive producer on films: The Karadima Forest (2015), winner
of CORFO funds, FFA, CNTV and IBERMEDIA, The Forehand (2013),
Drama (2008), Papelucho and the Martian (2007 ) and producer,
co-director co-writer of Stefan vs. Kramer (2012) received
148 awards and been shown at 275 festivals so far.
26
27
Nacen en Argentina y desde el 2002 hasta 2006 realizan cortos
bizarros. En el 2007 ganan un reality de TNT para Latinoamérica.
En 2012 realizan su primer largometraje Making off sangriento
y en 2014, apoyados por FANTASPOA su segunda película
Jorge y Alberto. Ambas premiadas y con recorrido mundial.
N
They were born in Argentina, from 2002-2006 they used to shoot
bizarre shotfilms.
In 2007,they won a TNT reality for Latin America. In 2012 made
their first feature Making off sangriento and in 2014, supported
by FANTASPOA, the second film Jorge y Alberto.
Both internationally recognized features films.
I
En el entorno de una película de género,
divertida, intensa, con mucha acción,
comedia negra y ritmo vertiginoso,
nos interesa también tocar un
problema de latinoamérica como
es la trata de personas, haciendo pie
en las interpretaciones para poder
sumergirnos en los personajes, y así
darles volumen.
W
Valentin Javier Diment
Valentín Javier Diment nace en Buenos Aires en el año 1967.
Produjo y dirigió: Parapolicial Negro, La memoria del muerto,
El eslabón podrido, entre otras.
Valentin Javier Diment born in Buenos Aires in 1967.
Produced and directed: Parapolice Black, The memory of the dead,
The rotten link, among others.
T
D
N
Valentín Javier Diment Películas V SRL
[email protected]
+54 11 5935 7572
salado.tv
O
PRODUCTION NOTES
Budget
USD 400.000
Budget acquired
20%
Financing
Equipment and economic contribution
from Películas V SRL.
INCAA (contribution to be requested).
We are looking for the project to circulate.
Contact Latin American co-producers
who may be interested.
E
B
B
E
Y
Presupuesto
USD 400.000
20%
Financiación
Aportes en equipo y capital de Películas V SRL.
INCAA (a presentarla).
Que empiece a circular el proyecto. Contactar
con coproductores latinoamericanos que puedan
estar interesados.
Y
O
N
D
T
H
In the setting of a genre film, funny,
intense, with lots of action, lots of black
comedy and a dizzying pace, we want
to also touch base on the Latin American
human trafficking, focusing
in the actors’ performances in order
to get deep into the characters, and
thus give them volume and humanity.
H
E
W
Tormented by her husband’s unexpected dementia,
Beba is looking for a place to live. They both take
refuge in a bar where they meet Isabel a foreign
girl who is looking for her missing sister, Dolores.
The couple accepts, out of economic need, the job
of cleaning crimes. Isabel is kidnapped by the
same family as her sister. Beba finds Dolores and
they have no choice but to look for Isabel, getting
into the heart of this evil family of hijackers.
W
Atormentada por la inesperada demencia de
su marido, Beba busca donde vivir. Se refugian
en un bar donde conocen a Isabel, una chica
extranjera que busca a su hermana desaparecida,
Dolores. La pareja acepta, por necesidad
económica, el trabajo de limpiar crímenes.
Isabel es secuestrada por la misma familia que
lo hizo con su hermana. Beba, encuentra a
Dolores y no tienen más remedio que buscar a
Isabel, metiéndose en el corazón de esta familia
perversa de secuestradores.
O
D i r e c t o r
Hermanos Quintana
D
Argentina // 90 min. // Thriller - Gore - Action
E
I
N
D
O
W
Furia negra / Black fury
28
29
Nacido en 1983, Argentina. Lic. en Realización de Cine, video y TV
(UNLP) Pertenece a la productora MásRuido Animación en 36 Pasos
(2006) de Adrián G. Bogliano Guión/Dirección del film Tejen
(Festival de Cine Internacional de Mar del Plata-Premio Blood Window
en las Venas Abiertas 2014).
N
Born in 1983 Argentina. Bachelor degree in Cinema and Media Arts
(UNLP) Member of the company MásRuido. Animation in 36 Steps
(2006) by Adrian G Bogliano Writer/Director of the film Tejen
(Mar del Plata Internacional Film Fest – Blood Window Prize 2014 MórbidoFest 2014)
I
Intra es un psychothriller que narra
un caso clínico desde el terror psicológico,
horror biológico y elementos del
subgénero de películas de culto religioso.
Visceral y visualmente intensa, con
percepciones alteradas, dilemas éticos,
visiones alucinatorias, mutaciones
del cuerpo, intriga forense y contexto
social distópico.
W
Juliana Schwindt
Nacida en 1985, Argentina. Lic. en Artes Audiovisuales (UNLP)
Pertenece a MásRuido Cine Digital Directora de los cortos
Elena en el agua, Todas hieren, una mata y Siesta. Productora del film
Arriba quemando el sol. Productora del filmTejen.
E
Intra is a psycho thriller narrating a clinical
case from the psychological terror, body
horror and religious cult themes.
Visceral and visually intense, with altered
perceptions, ethical dilemmas,
hallucinatory visions, body mutations,
forensic intrigues and dystopian social
context.
Biografía del productor (Born in 1985. Argentina. Bachelor degree
in Audiovisual Arts (UNLP) Member of MásRuido Cine Digital,
Screenwriter/director of Diving into Elena, They hurt, She kills,
and Siesta. Producer of the film Above, burning the sun and Tejen.
T
D
N
MasRuidoCineDigital
O
[email protected]
+54 92 2 1543 8203
www.facebook.com/masruidocinedigital
Y
PRODUCTION NOTES
Budget
USD 445.000
Budget acquired
22%
Financing
The director, producer, and all area
manager will give a considerable
percentage of their salary for conducting
Intra.
Make connections with professionals
involved in the film genres that we are
exploring (Thriller, Suspense, Body Horror)
Our intention in this meeting point is to
share our project and get funding.
B
B
E
Presupuesto
USD 445.000
22%
Financiación
El director, el productor, y todos los jefe de área
darán un porcentaje considerable de su salario
para la realización de Intra.
Establecer conexiones con profesionales vinculados
a los géneros que estamos explorando, Suspenso,
Thriller- Body Horror. Nuestra intención en este espacio
de intercambio es compartir nuestra propuesta.
E
Y
O
N
D
T
H
E
W
I
A massive flood strikes the city. A neurosurgeon
hides a secret of the past involving a scarred boy
preacher, a religious cult of drilled heads and
missing people. His best friend investigates him,
and a new patient who is connected to the cult
arrives.
W
Una inundación masiva golpea la ciudad. Un
neurocirujano esconde un secreto del pasado que
involucra a un joven predicador lleno de cicatrices,
una secta religiosa de cabezas perforadas y una
serie de personas desaparecidas. Su mejor amigo
lo investiga, mientras que una nueva paciente que
está conectada con el culto aparece.
O
D i r e c t o r
Pablo Rabe
D
Argentina // 100 min. // Horror - Thriller
H
N
D
O
W
Intra / Intra
30
31
Comenzó su carrera como director a los doce años filmando cortos.
Tiempo después formó parte de un grupo de cineastas que dio origen
al primer movimiento cinematográfico del Uruguay.
A los 21 años fundó su primera productora. Hoy en día, es uno
de los directores más reconocidos de la región.
W
Mariana Secco
Fundadora del Departamento de Cine de SALADO, Mariana
es productora, line producer y distribuidora. Reconocida por la revista
Variety en 2010 como uno de los 10 Talents to watch, ha colaborado
y producido películas para directores como Carlos Ameglio,
Álvaro Brechner, Gonzalo Arijón y César Charlone.
E
Kiken combines a simple and visceral
premise with an open and panoramic
mise en scène. The idea is not to find out
who or what haunts us, but to escape
from that as quickly as possible. These
creatures move forward relentlessly
and everything we reason we must
do within a strict time limit.
T
D
PRODUCTION NOTES
Budget
USD 700.000
Budget acquired
20%
Financing
Kiken is on development stage and has
not been submitted to funding institutions
yet. At the moment we have Uruguayan
private contributions on board.
Finding a co-production partner.
Salado
[email protected]
[email protected]
+59 8 2413 3664
salado.tv
E
B
B
E
Y
Presupuesto
USD 700.000
20%
Financiación
Kiken es un proyecto en desarrollo y aún no ha sido
presentado a ningún fondo de financiación. Al momento
contamos con aportes privados uruguayos.
Encontrar un socio coproductor.
H
Founder of the Film Department at Salado, Mariana is a producer,
line producer and distributor. Recognized by Variety Magazine in 2010
as one of the 10 Talents to Watch, she has collaborated and produced
films for directors like Carlos Ameglio, Alvaro Brechner, Gonzalo Arijón
and César Charlone.
N
D
N
N
Y
O
He began his career at twelve years old filming shorts. A few years later
he became part of a group of moviemakers that gave rise to the first
cinematic movement in Uruguay. Nowadays, he is one of the most
renowned directors in the region.
I
Kiken combina una premisa simple
y visceral con una puesta en escena
abierta y panorámica. La idea no es
averiguar qué nos persigue sino huir de
eso lo más rápido posible. Las criaturas
avanzarán implacablemente y todo
lo que razonaremos deberá ser dentro
de un límite estricto de tiempo.
T
H
E
W
Nina and Daniel travel to a small fishing village, in
a desperate attempt to rekindle their troubled
relationship. A mysterious japanese ship runs
aground and releases a substance which mutates
the small village inhabitants.
Now the couple must face another challenge: to
survive in a mutant-infested town. Daniel manages
to get to the car, and runs away in panic, leaving
Nina to herself. She spends the night escaping
from different creatures, each more hideous and
mutated than the one before.
W
Nina y Daniel viajan a un pueblo
pesquero en un intento por reavivar su noviazgo
en crisis. Un misterioso buque japonés encalla en
la costa, provocando mutaciones en los habitantes.
El desafío de la pareja será ahora el de sobrevivir
en el pueblo tomado por mutantes. Daniel consigue
llegar a su auto y, preso del pánico, abandona a
Nina. Ella, completamente sola, pasará la madrugada
huyendo de criaturas cuyo nivel de mutación irá
en aumento.
O
D i r e c t o r
Carlos Ameglio
D
Uruguay // 80 min. // Horror - SCI-FI
O
I
N
D
O
W
Kiken / Kiken
32
33
Lucio A. Rojas. Nació en Santiago de Chile, su film debut
Muerte Ciega (2012), fue distribuído mundialmente por Eagle One
Media. El 2014 estrenó Perfidia, que participó en 15 festivales
internacionales y sus derechos adquiridos para USA por Artsploitation.
Ahora estrena Sendero en Sitges.
E
N
Lucio A. Rojas was born in Santiago, Chile. His debut film
Zombie Dawn (2012) is worldwide distributed by Eagle One Media.
In 2014 released Perfide, which classified in 15 international festivals
before the rights were acquired by Artsploitation for USA market.
He is now releasing Path.
I
Crear una historia que toma elementos
de la mitología europea, que se
entrelaza con los imaginarios populares
latinos. La unión de la bruja y el soldado
español, simboliza este concepto,
dentro de un film en donde el horror
y lo fantástico se hacen presentes
en un contexto contemporáneo.
To create a story taking elements from
European mythology mixed with the
Latin popular imaginary. The union
between the witch and the soldier
symbolize this concept inside a film
in which horror and fantasy takes
presence in a contemporary context.
Francisco Schneider
W
W
An assault in a restaurant, on a solitary road, ends
in a bloody slaughter caused by the four criminals.
They run away kidnaping three young women.
During the scape they get lost in a strange forest
where a diabolic ancestral entity feeds on flesh of
those who enters its domain. Woods and caves
filled with a perverse nature are the scene for the
final confrontation between human wickedness
against diabolic forces.
W
Un asalto en un restaurante en un solitario camino,
termina en una sangrienta carnicería provocada
por los cuatro delincuentes. Al huir, secuestran y
toman de rehén a tres jóvenes mujeres. Durante
el escape, terminan perdidos en un extraño bosque,
donde habita una ancestral entidad diabólica que
se alimenta de carne humana, de aquellas personas
que ingresan a su territorio. Bosques y cuevas en
donde lo perverso se respira a cada paso y un
confronte final entre la maldad humana.
O
D i r e c t o r
Lucio Alejandro Rojas
D
Chile // 90 min. // Horror - Fantasy
Francisco Schneider. Nacido en Santiago. Su debut como productor
ejecutivo fue el 2012 con Ulises Morales. El año 2013, junto
a Lucio A. rojas, funda Border Motion Cinema con la que produce
Sendero que ahora tiene su estreno internacional en Sitges (sección
Midnight X-Teme).
E
I
N
D
O
W
Lamiae / Lamiae
H
T
D
N
Border Motion Cinema
Y
O
[email protected]
+56 9 6674 1532
www.bordercinema.cl
E
PRODUCTION NOTES
Budget
USD 250.000
Budget acquired
40%
Financing
Border Motion Cinema. Partial financing.
Jack Studios. Service post production
of sound.
Kitral Studios. Service post production
of video
To obtain the remaining financing needs
with international co-producers as the
imaginary of “Lamiae” can be relocated
to any other cultural context which makes
the film an exportable project.
B
Presupuesto
USD 250.000
40%
Financiación
Border Motion Cinema. Financiamiento parcial
costos de rodaje.
Jack Studios. Servicios post producción sonido.
Kitral Studios. Servicios post producción video
Obtener la financiación faltante con coproductores
internacionales, pues el imaginario fílmico
de “Lamiae”, puede trasladarse a cualquier realidad
cultural y ser un film de exportación internacional.
B
E
Y
O
N
D
T
H
Francisco Schneider was born in Santiago. His debut film as executive
producer is with Ulises Morales (2013). The year 2013 founded
Border Motion Cinema with Lucio A. Rojas and producer Path,
which will be an international premiere in SITGES (section Midnigh
X-treme).
34
35
Estudió cine en Universidad de Lima. Corto Tiempo Espiral ganó
1er puesto en I Festival APFACOM 2003; corto Aura ganó el III
Concurso PUCP 2006; recibió beca de CINESCOPE2013; 2015
Yumi, Agua es Vida y corto Leyendas Urbanas - Extraño Hombre
participaron en festivales internacionales.
W
Nathalie Hendrickx
Estudió Cine en Universidad de Lima, becada por Escuela Séptima Ars.
Es productora ejecutiva desde el 2001, participó en festivales
internacionales de cine. El bien esquivo y Una sombra al frente
de Augusto Tamayo compitió para mejor película extranjera en Oscar,
Goya y Ariel.
E
Jaguar Woman is inspired by Amazonian
mythology transferred to an urban setting.
Its visual aesthetics are influenced by
Film Noir. Our project distinguishes itself
by encouraging and valuing the cultural
identity of Peruvian’s indigenous peoples
and it’s based on my experiences
in the rainforest.
T
D
N
Innova Films
[email protected]
+51 9 9731 2521
www.innovacomunica.com
O
PRODUCTION NOTES
Budget
USD 580.000
Budget acquired
35%
Financing
INNOVAFILMS together with sponsorship
from University of Lima $65,000;
Visualizarte $30,000; Argos $46,000;
Medusafilms $60,000; Homosapiensfilms
$100,000 (distribut)
To sign:
- Contracts with European and Argentinean
co-producers.
- Letters of intent with sales and distribution
agents.
- Agreements with TransMedia Agencies
for promotion and audience.
B
Presupuesto
USD 580.000
35%
Financiación
INNOVAFILMS con auspicio de Universidad
de Lima $65,000; Visualizarte $30,000;
Argos $46,000; Medusafilms $60,000;
Homosapiensfilms $100,000 (distribuc).
Firmar:
- Contratos de coproducción con Europa
y Argentina.
- Cartas de intención con agentes de venta
y distribución.
- Convenios con agencias TransMedia para
crear audiencia – promoción.
H
She studied cinematography at University of Lima, scholarship for
Escuela Séptima Ars, Madrid; executive producer since 2001,
participated in International Film Festivals. El bien esquivo and
Una sombra al frente by Augusto Tamayo competed for best foreign
movie for Oscar, Goya and Ariel.
Y
D
N
O
Y
N
B
E
He studied cinematography at University of Lima. 2003 winner
of 1.st Festival APFACOM with Spiral Time, 2006 winner of 3.rd
Competition PUCP with Aura; 2013 CINESCOPE scholarship; 2015
Yumi, Water is Life and short movie Urban Legends - Strange Man
participated in international film festival.
I
Mujer Jaguar es inspirada en la
mitología amazónica y llevada
a un escenario urbano tenebroso,
influenciada por la estética del cine
Noir. Se distingue por revalorizar
la identidad cultural de los Pueblos
Indígenas de Perú y está basada
en mis experiencias en la Amazonía.
T
H
E
W
Jaguar Woman, granddaughter of an Awajun
shaman with the power of transformation, is
captured and brought to the zoo. She has to find
and rescue her cub from animal traffickers, and
kills her opponents. The detective Matos in charge
of the homicide case has to decide whether to
enforce law or to make up for his mistakes in the
past. Meanwhile, zoologist Marcos Klein tries to
save Jaguar Woman’s life. The three persons are
connected to each other by an incident that
occurred 20 years ago.
W
La Mujer Jaguar, nieta de un chamán Awajún con
poderes de transformación animal, es capturada
y llevada al zoológico. Ella debe rescatar a su cría
del contrabando de animales, causando la muerte
de sus captores. El encargado del caso, el detective
Matos, tiene que decidir entre cumplir la ley
o deshacer un grave error que cometió en el
pasado. Mientras, el zoólogo Klein intenta salvar
la vida de la Mujer Jaguar. A los tres los une un
acontecimiento que ocurrió hace 20 años en la
Amazonía.
O
D i r e c t o r
Marco Melgar
D
Perú - Colombia - México // 90 min. // Fantasy Thriller
E
I
N
D
O
W
Mujer Jaguar / Jaguar Woman
36
37
Ha sido director y montajista, con una amplia experiencia laboral
en documental. Ha trabajado con televisiones como BBC, ARTE,
CNN, TVE, TVC, Caracol y Señal Colombia.
Dirigió Pizarro (2015) producido por Tribeca Film Institute,
Señal Colombia y el FDC Colombia.
E
N
He has been director and editor, with extensive work experience
in documentary. He has worked with broadcasters such as BBC,
ARTE, CNN, TVE, TVC, Caracol and Colombia Signal.
He directed Pizarro (2015) produced by Tribeca Film Institute,
Colombia Signal and Film Development Fund of Colombia
I
“Complicidad” es un concepto
que podría definir la relación entre
la cámara y el personaje en esta película.
Ficción y realidad se mezclan
en el mundo creativo de este personaje,
para llevarnos, con el lenguaje del cine
de terror, a conocer el proceso creativo
de esta mente peculiar.
"Complicity" is a concept that could
define the relationship between
the camera and the character in this film.
Fiction and reality blend in the creative
world of this character, to lead us,
in the language of horror film, to know
the creative process of this peculiar
mind.
Ivette Liang
W
W
I
Jairo Pinilla is the director of Horror Film Class B
most controversial and rejected by the history of
cinema in Colombia. Now after more than a
decade into oblivion, at his 73, returns to try to lift
his career with his latest film, “The Shadow of
Death in 3d”. In this documentary, we'll see how
reality and fiction are mixed turning his life his own
hell.
W
Jairo Pinilla es el director de cine de terror serie B
más polémico y rechazado de la historia del cine
en Colombia. Ahora despues de más de una
década en el olvido, a sus 73 años vuelve a tratar
de levantar su carrera con su última pelicula, “La
Sombra de la Muerte en 3d”. Veremos como la
realidad y la ficción se mezclan volviendo su vida
su propio infierno.
O
D i r e c t o r
Simon Hernández
D
Colombia // 90 min. // Horror
Ha sido productora por mas de ocho años. Ha producido en Perú,
Cuba y Colombia. Sus películas han ganado premios en importantes
festivales. Es socia fundadora de Galaxia 311 SAS compañía productora
radicada en Colombia hace tres años.
E
N
D
O
W
Pinilla y sus terroríficas alucinaciones en 3D / Pinilla and his terrifying 3D hallucinations
H
T
D
N
Galaxia 311
Y
O
[email protected]
+57 318 333 3415
www.galaxia311.com
E
PRODUCTION NOTES
Budget
USD 169.814
Budget acquired
27,5%
Financing
EFD Award (House Rent equipment):
USD 20.000 in Equipments.
Timbo Studio with a value of: USD 16.700
in Post Production Services, Special Effects
and stereoscopical.
Parábola Films: USD 10.000.
Find a third co-producer. Receive feeback
from specialists in the genre. Achieving
strategic alliances for financing
and international distribution of the film.
B
Presupuesto
USD 169.814
27,5%
Financiación
Premio EFD (Casa de Renta) Por un valor
en equipamiento de: 20.000 USD
Timbo Estudio: USD 16.700 en Servicios
de Post Producción, Efectos Especiales
y Esteroscopía. Parabola Films: USD 10.000.
Encontrar un tercer país co-productor.
Recibir feeback de los especialistas en el género.
Lograr alianzas estratégias para la financiación
y distribución internacional de la película.
B
E
Y
O
N
D
T
H
She has been producing for more than eight years. It has been
produced in Peru, Cuba and Colombia. Her films have won awards
at major festivals. Is founding partner of Galaxia 311 SAS a production
company based in Colombia since three years ago.
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39
Pulsión / Pulsion
E
The idea is to create a dynamic and
attractive from the premise
of addressing gender from different
angles and records (eg oriental feature:
“3 extremes”) . That's why the idea
is to narrate this film with 3 different
directors but with his own style and
with a cinematic personality.
O
D
N
Daniel de la Vega: Necrophobia (2014 ), Blood Brothers
(2013, The dead knows your name (2007).
Adrián García Bogliano: The ABCs of Death (2012), Ahí va
el diablo (2012), No moriré sola (2008). Ezio Massa:
Caceria (2002), Villa (2009) Dia de los muertos (2014)
I
La idea es crear una dinamico y atractivo
desde la premisa de abordar el genero
desde distintos angulos y registros
(ej: largometraje oriental: “3 extremes”).
Es por eso que la idea es narrar esta
cinta con 3 directores diferentes pero
con sello propio y con una personalidad
cinematografica.
Daniel de la Vega: Necrofobia (2014), Hermanos de Sangre
(2013), The dead knows your name (2007). Adrián García
Bogliano es escritor y director, conocido por El ABC de
la muerte (2012), Ahí va el diablo (2012), No morire sola
(2008). Ezio Massa: Caceria (2002), Villa (2009)
Día de los muertos (2014).
Magali Nieva
W
W
Three stories of three great directors of terror unite
in Pulsion . Each story touched the deepest fears of
the human being , being infected by a strange
disease until death, discover an inner being growing
inside our body and stalking of a strange animal that
lives deep in the forest. The pulse quickens andthe
fear is multiplied.
Magali Nieva se especializa en el desarrollo de proyectos
audiovisuales de genero Terror y fantástico con su productora
Ninjafilms. Recientemente terminó el rodaje de La Valija de Benavidez.
Pre produciendo Punto Muerto. Produjo Malditos Sean (2013)
y El Abismo (2012).
E
W
I
N
D
O
Tres historias de tres grandes directores de
terror se unen en Pulsión. Cada historia tocara
los miedos mas profundos del ser humano, ser
infectado por una extraña enfermedad hasta
llegar a la muerte, descubrir que un ser interior
crece adentro de nuestro cuerpo y el acecho
de un extraño animal que habita en lo profundo
del monte. El pulso se acelera yel miedo se
multiplica.
W
D i r e c t o r
Adrian Garcia Bogliano - Ezio Massa Daniel de la Vega
Argentina - México // 90 min. // Horror
H
T
D
N
Ninja Films argentina
[email protected]
+54 9 11 5782 3959
www.ninjafilms.com.ar
O
PRODUCTION NOTES
Budget
USD 400.000
Budget acquired
20%
Financing
Post-production , color correction,
opening titles from Mexico coproduction.
Screenplay rights by the three authors.
Get more co-producers and international
sales. Making visible the Project.
E
B
B
E
Y
Presupuesto
USD 400.000
20%
Financiación
Post-producción, correccion de color y títulos
iniciales por parte de coproductor mexicano.
Aportes de derechos de guión por parte
de los tres autores.
Conseguir mas coproductores y ventas
internacionales. Hacer visible el proyecto.
Y
O
N
D
T
H
Magali Nieva specializes in the development of audiovisual projects
horror and fantasy genre with his production Ninjafilms.
I recently finished filming The bag of Benavidez. Pre producing
Deadlock. Damn produced (2013 ) and The Abyss (2012 ).
40
41
Directora de los cortos ¿Qué queso querés?, mejor corto/
Rio Int'l Film Fest + 50 premios; El Tiempo Que Lleva,
Rio Int'l Film Fest, 54º FICCI; El Secreto de la Familia Oso
mejor corto/Fantaspoa + selección oficial en Morbido.
Ahora filmando un sci-fi doc pre-vendido al History Latam.
W
Ana Paula Mendes
Socia de Novelo Filmes. En 2014 produjo el documental
Feito Torto Pra Ficar Direito y el largometraje documental
Al Ritmo del Chamamé. Productora del doc sci-fi Círculos
(prevendido al History Channel). Posee formación en Cine
y especialización en Derecho del Entretenimiento.
Co Founder of Mother Superior Films.
E
The found footage horror subgenre
in a pure way, preserving to the max
its aesthetical and narrating
characteristics. A raw audio-visual
register that will resemble a clinical
journal. The fear will be in the camera
movement; the horror, in the
suppression of the movement;
the scare, in the cut.
T
D
N
PRODUCTION NOTES
Budget
USD 50.000
Budget acquired
25%
Financing
Winning project in the call
“Prêmio Catarinense de Cinema 2013/2014”
(state of Santa Catarina, Brasil),
with R$ 60.000. (BRL).
Secure a creative coproducer/associated
with part of production or/and
post-production funding responsibility
(fx, sound and color correction process).
Get specialized int'l agents & distributors.
Novelo Filmes
contato@novelofilmes.com.br
+55 48 3039 1902
novelofilmes.com.br
B
B
E
Presupuesto
USD 50.000
25%
Financiación
Proyecto ganador en la convocatoria
“Prêmio Catarinense de Cinema 2013/2014”
(província de Santa Catarina, Brasil),
con R$ 60.000. (BRL).
Coproductor interesado en colaborar
creativamente en el proyecto, además
de asegurar recursos y/o servicios para
la prod y/o post. Dar a conocer el proyecto
a players int'l especializados.
H
Partner at NOVELO FILMES. In 2014 produced the documentary
Feito Torto Pra Ficar Direito and the feature documentary
Al Ritmo del Chamamé. Producer of the sci-fi doc Circles
(History Channel). Has graduated in Cinema and has specialization
in Entertainment Law.
O
D
N
O
N
E
Y
Director of the shorts Which Cheese do you Want?,
Best Short/Rio Int'l Film Fest + 50 awards; The time it takes,
Rio Int'l Film Festival, 54º FICCI; The Bear Family Secret
best short/Fantaspoa + official selection at Morbido.
Currently shooting a sci-fi doc pre-sold to History Latam.
I
El subgénero de terror found footage
de una manera pura, preservando
al máximo sus características estéticas
y narrativas. Un registro audiovisual
bruto que se asemeja a un diario clínico.
El temor estará en el movimiento
de la cámara; el horror, en la represión
del movimiento; el susto, en el corte.
T
H
E
W
Lena's master's dissertation is about people who
believe to be possessed by demons, and she
frequents a psychiatric clinic where she interviews
patients with that profile. She ends up meeting
Rose, who confessed to have put fire on her
family's house with her parents and brother still
inside, under the guidance of demons. While
investigating Rose's past, Lena finds a VHS tape
that contains images recorded over her brother's
birthday party, clues about what actually might
have happened.
W
Lena está a terminar su tesis de maestrías
sobre personas que creen estar poseídas por
demonios.” Asiste a una clínica psiquiátrica
donde se internan pacientes con esas
características. Allí conoce a Rose, quien le
confiesa que incendió su casa con sus padres
y hermano dentro, bajo el control de los demonios.
Al investigar el pasado de Rose, Lena encuentra
una cinta VHS con imágenes grabadas de un
cumpleaños de su hermanito, con pistas sobre
lo que pudo haber sucedido en realidad.
O
D i r e c t o r
Cíntia Domit Bittar
D
Brasil // 90 min. // Horror
Y
I
N
D
O
W
Sob a vontade do demônio / By Demon's Will
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43
Christian Cueva es director del documental Jirón sobre la película
perdida de Carlos Enrique Taboada, ícono del terror mexicano.
Ricardo Farías es co-autor de los créditos de Scherzo diabólico,
el póster de Los parecidos y director de la agencia WAR. Ambos
son socios fundadores de Giant Films.
E
“Birthday present” will be the movie
that combines “Y tu mamá también”
with “Paranormal activity”. It can
as well be described as a sexy and
violent versión of “The picture
of Dorian Gray”. Like “Kids”, it will be
a movie for youngsters to make your
parents uncomfortable.
N
Christian Cueva is the director of Jirón, a documentary about the
lost film of Carlos Enrique Taboada, Mexico's horror icon.
Ricardo Farías is co author of Scherzo diabólico´s opening
credits and Los parecidos poster. He is also director of WAR
agency. They are both founders of Giant Films.
I
“Regalo de cumpleaños” es la película
que resultaría de combinar “Y tu mamá
también” con “Actividad paranormal”.
Es, también, una versión violenta y sexy
de “El retrato de Dorian Grey”. Como
“Kids”, es una cinta para jóvenes que
pondrá incómodos a sus padres.
Adrián García Bogliano y Andrea Quiroz Hernández
W
W
Alejandra, Jaime and Carlos, three best friends from
university, receive a mysterious video in a VHS tape
as birthday present. The video, which nobody
knows who recorded it, shows images of their party,
hosted a couple of days ago, but that is not all.
When each one watches it while they are alone, the
tape shows their own figure in a different version of
reality. This is the beginning of perverse and violent
test for their friendship.
W
Alejandra, Jaime y Carlos, tres mejores amigos
de la universidad, reciben una misteriosa
grabación en un casete de VHS como regalo
de cumpleaños. El video, que nadie sabe quién
grabó, contiene imágenes de su fiesta, celebrada
un par de días atrás, pero eso no es todo.
Cuando lo ven por separado, el casete le muestra
a cada quién una versión distinta de la realidad,
lo cual somete su amistad a perversas y violentas
pruebas.
O
D i r e c t o r
Christian Cueva y Ricardo Farías
D
México // 90 min. // Horror
Adrián García Bogliano ha realizado una docena de largometrajes
en Argentina, Costa Rica, Estados Unidos y México. Es productor
del documental Jirón, de Christian Cueva.
Andrea Quiroz Hernández produjo El incidente, la unidad mexicana
de Camino (Josh C. Waller) y un segmento para The ABC’S of death.
E
I
N
D
O
W
Regalo de cumpleaños / Birthday present
H
T
D
N
Giant Films
O
[email protected]
[email protected]
+55 3471 0484
giant.warcontenidos.com
Y
PRODUCTION NOTES
Budget
USD 298.332,30
Budget acquired
20%
Financing
Giant Films: 35 thousand dollars spent
in directors´, producers´ and screenwriters´
salaries.
Private investors: 30 thousand dollars.
Meet and find creative and commercial
allies for our film (co production), identify
new possibilities to create a genre film
and seek for feedback from the industry's
professionals.
B
B
E
Presupuesto
USD 298.332,30
20%
Financiación
Giant Fims: 35 mil dólares en sueldos
de directores, productores y guionistas.
Inversor privado: 30 mil dólares
Conocer y encontrar aliados creativos
y comerciales para nuestro filme
(coproducción), identificar nuevas formas
de hacer posible un film de género y buscar
feedback de profesionales de la industria.
E
Y
O
N
D
T
H
Adrián García Bogliano is responsible for more than a dozen films
made in Argentina, Costa Rica, United States and Mexico. He is the
producer of Christian Cueva´s Jirón.
Andrea Quiroz Hernández is the producer of El incidente,
the mexican unit of Camino and a segment of The ABC’S of death.
44
45
46
47
Fernando Montes de Oca ha trabajado por 15 años en Adquisiciones
y Distribución de Cine. Es Productor Asociado en El incidente
de Isaac Ezban, tiene 2 guiones aún no producidos.
Xavier Sánchez Mercado estudió en el Instituto Nacional de Bellas
Artes México y ha producido-codirigido 4 cortometrajes.
N
I
W
E
H
Isaac Ezban’s debut as producer-writer-director, The incident,
premiered at Fantastic Fest in 2014. He is working on his 2nd feature
film.
Miriam Mercado is co-founder of the drive-in theater Autocinem
Coyote.
Amapola Rosillo has high education in Marketing, Advertising
and Financial Studies..
T
H
T
D
N
O
Red Elephant Films, Benuca Films
[email protected]
+52 15 5 3144 2723
www.redelephant.mx
B
B
E
Y
PRODUCTION NOTES
Budget
USD 720.000
Budget acquired
20%
Financing
We are processing financial support from
EFICINE, a government entity from
Mexico's IMCINE for production support,
along with private investment.
To find funding support to plan and
develop production and filming
of The dump. Also, to find co-production
opportunities with other countries.
Isaac Ezban fue director-escritor-productor de su ópera prima
El incidente, estrenada en el Fantastic Fest 2014. Está trabajando
en su segunda película.
Miriam Mercado es co-fundadora del Autocinema Coyote en México.
Amapola Rosillo tiene estudios superiores en Marketing, Publicidad
y Finanzas.
E
Presupuesto
USD 720.000
20%
Financiación
Estamos procesando el apoyo financiero de EFICINE,
una instancia gubernamental de IMCINE para apoyo
a la producción, además de contar con inversión privada.
Encontrar apoyos de financiamiento para levantar
y desarrollar la producción de El vertedero,
así como encontrar oportunidades de co-producción
con otro(s) país(es).
Isaac Ezban, Miriam Mercado, Amapola Rosillo
D
The idea of creating a horrifying world
around the beliefs of the bad guy in the
story was thrilling. The uncertainty of
not knowing whether this entity is real
or just a figment of his delusional
imagination, is the main inspiration
of the character arc we want to explore
in The dump.
N
Fernando Montes de Oca has worked for 15 years handling Film
Acquisitions and Distribution. He is Associate Producer of Isaac Ezban's
The incident and has 2 un-produced screenplays.
Xavier Sánchez Mercado studied at the National Institute of Fine Arts.
He has produced and co-directed 4 short films.
O
La idea de crear una historia espeluznante
alrededor de las creencias del villano
era muy emocionante. La incertidumbre
de no saber si este ser diabólico es real
o sólo vive en su locura es la inspiración
principal de el arco de personaje que
queremos explorar con El vertedero.
E
W
I
A lonely old man, the garbage keeper, lives his
insignificant existence surrounded by the
pestilence and dirt of a garbage landfill, where
he’s forced to commit animal sacrifices by a
“demonic being" that seems to exist only in his
nightmares. But, what if this ravenous entity is real
and needs more that just animal blood to sate its
hunger?
W
Un hombre solitario –el viejo de la basura- pasa su
insignificante existencia, rodeado por la podredumbre
y pestilencia de un enorme tiradero de basura,
donde es forzado a realizar sacrificios animales
por un ser demoniaco que parece existir sólo en
sus pesadillas. Pero… ¿qué sucedería si este ser
misterioso fuera real y si quisiera alimentarse de
algo más que sólo sangre de animal?
O
D i r e c t o r
Fernando Montes de Oca, Xavier Sánchez Mercado
D
México // Horror
Y
N
D
O
W
El vertedero / The dump
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49
(1971) Escritor, poeta y guionista.Irrumpe en el mundo literario
con el libro de cuentos Historias tremendas (Isla Negra 1999),
galardonado Mejor Libro del Año por Pen Club International.
Se embarca en su debut como realizador con su largometraje SCI FI:
Uqbar.
(1971) Writer, poet and filmmaker, breaks into the literary world with
the short-story collection Historias tremendas (Isla Negra 1999),
which was declared Best Book of the Year by PEN Club International.
Currently embarks in his first feature film Uqbar.
N
En Uqbar buscamos crear una atmósfera
íntima, planos secuenciales en una
paleta saturada al estilo Vintage Polaroid,
que acentúe lo agreste del paisaje,
el perpetuo atardecer en el que
transcurre la acción y la nostalgia
del amor encontrado y perdido.
Maria Victoria Hernandez
W
With Uqbar we are trying to create
an intimist atmosphere, sequence shots
in a saturated palette of a Vintage
Polaroid style, that accentuates
the inhospitality of the scenery,
the perpetual sunset in which all action
takes place and the nostalgia of a found
and lost love.
I
(1990) Realizadora y Productora Dominicana. Encargada de desarrollo
de proyectos como Falling Apart (Emma Saurez, Birol Unel, 2014),
Chowfan (primera coproducción Dominico-China en Desarrollo)
y Uqbar. 2015 - PA Gerente de Producción
2014- De Rolling 2 Coordinación de Producción
2014 - Todas para uno Coordinación de Producción
2013 - De Rolling por Colombia Coordinación de Produc
H
H
E
W
I
In the confines of the cosmos, two astronauts
from advanced, but disparate civilizations, join
forces to survive in an inhospitable moon settled
by a violent and primitive tribe,possessed of a
terrible secret that will transform all of them
forever.
W
En los confines del cosmos, dos astronautas
provenientes de avanzadas, pero dispares
civilizaciones, unen esfuerzos para sobrevivir en
una luna inhóspita, habitada por una violenta y
primitiva tribu, poseedora de un terrible secreto
que los transformará a todos para siempre.
O
D i r e c t o r
Pedro Cabiya
D
República Dominicana - Puerto Rico // 90 min. // SCI-FI
E
N
D
O
W
UQBAR / UQBAR
T
D
N
Heart of Gold Productions
Y
O
[email protected]
+1 809 341 1962
www.pedrocabiya.com
E
PRODUCTION NOTES
Budget
USD 1.500.000
Budget acquired
75%
Financing
All funding in place add to USD 300.000
from CoProduction agreements with
Bogo Producciones sound studio,
Lone Coconut Studios, plus Producer's
Investment.
We have been developing the project
for a year with the objective of applying
to BTW, hoping to get the opportunity
to give the project visibility, get feedback
from genre specialised industry and access
to possible co-producers for funds like
Ibermedia.
B
Presupuesto
USD 1.500.000
75%
Financiación
Todo el financiamiento suma USD 300.000
a partir de acuerdos de CoProducción
con los estudio de sonido Bogo Producciones
y Lone Coconut Studios además de la inversión
del productor.
Llevamos un año desarrollando el proyecto
con el objetivo de acceder a BTW,
por la oportunidad que representa en términos
de visibilidad para el proyecto, feedback
de industria especializada en el género, acceso
a posibles co-productores para fondos como
Ibermedia.
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T
(1990) Dominican documentary filmmaker and producer with
experience in project development like Falling Apart (Emma Suarez,
Birol Unel 2014), Chowfan (first Sino-Dominican CoProduction)
and Uqbar.
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F O C O
C A T A L A N
F I L M S
1971. Licenciado en Dirección de Cine y Fotógrafo Profesional. Dirige
y producir diversos mediometrajes documentales para Televisió
de Catalunya, emitidos en Canal7 e IncaaTV. Filma un mediometraje
de ficción titulado Happy Hours, y dirige su primer largometraje
documental Cine al Fin.
N
Meritxell Soler Gonzalez
Nacida en 1979, La Garriga (Barcelona). Licenciada en Bellas Artes
(Imagen) en la Universitat de Barcelona. Estudió cine en la Escuela
Profesional de Cine Eliseo Subiela. Es artista visual, vive y trabaja
entre Buenos Aires y Barcelona. Travelling Films es su productora
junto a Julián Vazquez.
PRODUCTION NOTES
Budget
USD 215.000
Looking for spanish producer (or other
country) and argentinian co-producer.
T
D
Presupuesto
USD 215.000
Encontrar productor español y co-productor
argentino que pueda presentar a 3a.vía INCAA
y/o Concurso Operas primas.
H
Born in 1979, La Garriga (Barcelona). Licenced in Fine Art
at University of Barcelona, studied cinema at Escuela Profesional
de Cine Eliseo Subiela in Argentina. She is a Visual Artist, works
and lives in Buenos Aires. Travelling Films is their producer company
with Julian Vazquez.
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I
“Rem” is a film that talks about the lost of
dreams in western societies nowadays.
And about the apathy in where we are
condemned to live in. The main character
at the end, he fades aout with the city
and accepts his own destiny.
W
1971. He studied Cinema Direction and works as a Profesional
photographer. Directs and produces several short documentary films
for Catalan TV, broadcasted also at Canal7 and IncaaTV. Directed
a medium lenght film Happy Hours, and directed his first long
documentary film Cinema at The End.
E
“Rem” es una película que habla sobre
la pérdida de los sueños en las
sociedades occidentales actuales. Y de
la apatía en la que estamos condenados
a vivir. Para finalmente el protagonista
fundirse en la ciudad y aceptar su destino.
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W
Carlos is a man of a middle age that suffers from
cronical insomnia. That's why he has lose his
dreams and his will to live. But Renata appears, a
woman that wanders the night like him, and gives
him back the desire of living. But Renata has other
plans that Carlos do not know. And is this mistery
of her that Carlos hangs onto it now. However,
Renata, beyond cares about herself, lets Carlos
the chance to save his life.
W
Carlos es un hombre de mediana edad que sufre
de insomnio crónico. Por tal motivo ha perdido
sus sueños y su voluntad de vivir. Pero la
aparición de Renata, una mujer que deambula las
noches al igual que él, le hace recuperar el deseo
por la vida. Pero Renata tiene otros planes que
Carlos desconoce. Y es el misterio que carga
Renata al que se aferra Carlos ahora . Sin embargo,
Renata, más allá de solo demostrar interés por si
misma, deja a Carlos la oportunidad de salvar su
vida.
O
D i r e c t o r
Julián Vázquez
D
España - Argentina // 100 min. // Fantasy
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Rem / Rem
Travelling Films
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me@travellingfilms.com
+54 11 4954 6061
www.travellingfilms.com
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Graduado en Cine y Medios Audiovisuales en la ESCAC (especialidad
en dirección cinematográfica). Realizador de varios cortos de género
fantástico, así como codirector y coguionista del slasher
Los Inocentes (estrenado en el Festival de Sitges el 2013).
N
Graduated in Cinema and Audiovisual Media at ESCAC school
(specializing in film directing). Director of several fantastic shorts,
and co-director and co-writer of slasher Bloody April Fools
(Los Inocentes) (premiered at the Sitges Film Festival in 2013).
I
En “Hijos de Saturno” pueden rastrearse
influencias como las de “El señor de las
moscas” de William Golding, de películas
pos apocalípticas como “La carretera”,
de cine de zombis como el remake de
“Dawn of the dead” o “28 días después”,
o de clásicos del cine juvenil como
“Stand by me”.
E
W
In “Children of saturn” one can trace
the influences of “Lord of the flies” by
William Golding, post-apocalyptic films
like “The road”, movie zombies as the
remake of “Dawn of the dead” or
“28 days later”, or classical youth
cinema as “Stand by me”.
T
PRODUCTION NOTES
Budget
USD 4.000.000
The objectives are to publicize
the project and seek the maximum
possible co-productions and/or
alliances.
D
Presupuesto
USD 4.000.000
Los objetivos son dar a conocer
el proyecto el máximo posible
y buscar posibles coproducciones
y/o alianzas.
N
N
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T
H
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W
Two brothers aged 9 and 11 years, reckless Leo
and fearful Marcos, are trying to survive in a
post-apocalyptic world where adults have become
bloodthirsty cannibals living on the blood of their
children. While they are wandering in search of
food, fighting against adults who want to eat
them alive, the brothers stumble upon a group of
children led by despotic Rober. To survive, Leo
and Marcos have to challenge Rober and win the
friendship and respect of his “tribe”.
W
Dos hermanos de 9 y 11 años, el temerario Leo y el
asustadizo Marcos, intentan sobrevivir en un
mundo pos apocalíptico en el que los adultos se
han convertido en caníbales sedientos de sangre…
la sangre de sus hijos.
Mientras vagan en busca de comida, luchando
contra los adultos que quieren devorarlos, los
hermanos se topan con un grupo de niños liderado
por el despótico y sádico Rober. Para sobrevivir,
Leo y Marcos tendrán que desafiar a Rober y
ganarse la amistad y el respeto de su “tribu”.
O
D i r e c t o r
Eugeni Guillem Darné
D
España // 110 min. // Horror - Fantasy
H
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Hijos de saturno / Children of saturn
Eugeni Guillem Darné
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B
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Y
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[email protected]
+34 9 3721 6533
http://cargocollective.com/eugeniguillem
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Escritor, ilustrador y cineasta, Javi ha sido profesor en distintos talleres
sobre escritura creativa, guion y narrativa audiovisual, además de
dirigido, escrito y producido numerosos cortometrajes, videoclips,
publicidad y largometrajes para distintas productoras.
Writer, illustrator and filmmaker. Javi was teacher in different workshops
on creative writing, script and narrative audiovisual, also has directed,
written and produced numerous short films, music videos, commercials
and feature films for other producers. He is a tireless Renaissance man.
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Se ha escrito mucho sobre viajes
en el tiempo, pero ¿Y si fuera más
simple de lo que creemos? ¿Y si no
necesitáramos una compleja máquina
para alterarlo? "Savant" es una película
de corte intimista, que sin embargo
no carece de acción.
Jesús Sans
W
Much has written about time travel, but
what if it was simpler than we think?
What if we did not need a complex
machine to alter it? "Savant" is an
intimate sci-fi film with a little of action.
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I
Alice has always had memory gaps and Ulysses
suffers the Savant Syndrome, which dramatically
brings the subject to never forget.
They accidentally will discover memory and time
are in strange way connected and can travel
through it to solve their problems.
W
Alice siempre ha tenido lagunas de memoria,
mientras que Ulysses sufre el Síndrome de Savant
y por lo tanto es incapaz de olvidar nada.
Accidentalmente, descubren que la memoria
y el tiempo están íntimamente relacionados y que
pueden viajar a través de él para solucionar sus
respectivos problemas.
O
D i r e c t o r
Javi Araguz
D
España // 95 min. // Sci-Fi - Thriller
Formado profesionalmente en Alemania, polifacético y políglota,
su capacidad para establecer vínculos al más alto nivel sectorial
es su especialidad. Lleva años insistiendo en la necesidad de introducir
fórmulas que permitan al inversor ver el cine como un producto
financiero de alta rentabilidad.
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Savant / Savant
H
T
PRODUCTION NOTES
Presupuesto
USD 1.600.000
Encontrar coproductores internacionales.
Budget
USD 1.600.000
Find international coproducers.
D
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H
Professionally trained in Germany, multifaceted and polyglot, its ability
to establish links at the highest sectoral level is their specialty. His goal
is to introduce formulas that allow the investor to see the film as
a highly profitable financial product.
N
N
Freemind Arts Entertainment
O
Y
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B
B
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Y
O
[email protected]
+34 644 344 065
www.freemindarts.com
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F F I P
F A N T A S T I C F I L M S
I N P R O G R E S S
Selección de películas en work in progress
disponibles en Video Librería.
A work in progress selection available
in video library.
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E
La película cuenta la historia de un mosquito gigante del Planeta
Moscafim, que encuentra una grieta en un agujero negro del espacio
y llega al Planeta Tierra. Cuando llega en Ribeirão Preto, una ciudad
que está experimentando una epidemia deste mismo mosquito,
promueve el caos. Su picadura es mortal, no es como el mosquito
normal. Su aguijón es gigante y su veneno hace un efecto aterrador.
Con la picadura ellos se transforman en zombis-mosquitos y atacan
a la población.
The film tells the story of a giant mosquito from Planet Endfly,
who finds a crack in a black hole in space and comes to Planet
Earth. When he comes to Ribeirão Preto, a city that is experiencing
an epidemic of the same mosquito because of the excess of still
water, he promotes chaos. His bite is deadly, it's not like the
normal mosquito. His giant stinger kills the person's immediately; Trash - Horror - Gore - Sci-fi
Brasil & United States / 89´
however, its venom takes effect. The dead turn into zombie
mosquitos and attack the city's population.
CONTACTO / CONTACT
Cine Forum Productions
André de Castro
+55 16 3635 9760
[email protected]
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Carlos varela (CarlitosChance)
Un padre que ha perdido trágicamente a su familia, decide hacer
pagar a los verdugos por sus pecados y una terrorista traicionada
que escapa a la ejecución planeada por sus antiguos empleadores;
unen destinos, fuerzas y heridas para saldar cuentas.
A parent who has tragically lost his family, decides to pay for
their sins executioners and betrayed terrorist escapes execution
planned by his former employers; destinations join forces
and injuries to settle accounts.
Virginia hará lo imposible para rescatar a su pequeña hija que
ha sido secuestrada. Después de un grave accidente, tendrá
la oportunidad de vivir un día más para intentar salvarla. En su
camino enfrentará actos que la harán descubrir que
HAY COSAS PEORES QUE LA MUERTE…
Virginia will do the impossible in order to rescue her little
daughter who has been abducted. After a terrible accident, she
has the chance to live one more day to save her daughter’s life.
On her path, she will find out that THERE ARE WORSE THING
THAN DEATH.
I
Estrategia de una Venganza
Strategy of revenge
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Daniel De la Vega
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D i r e c t o r
D i r e c t o r
Ataúd Blanco
White Coffin
C
M
S
S
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CONTACTO / CONTACT
Diamond Films Limited
Mikkell Khan
+1 868 375-3927
[email protected]
www.diamondfilmsltd.com
Marcos de Castro
N
Psychological - Thriller
Trinidad & Tobago / 85´
Dengue alien - Noite de "Terror"
Mosquitoid - Nights of "Terror"
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R
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E
En Puerto España , la familia del crimen Negro Rose controla
la mayoría de las actividades nefastas y desviados en la ciudad.
Una noche, un niño de la calle es rescatado de las garras de
un miembro Negro Rose por un hombre blandiendo un gran
machete. Este hombre, junto con su otro significativo , adopta
al niño en su hogar. Sin embargo, el niño aprende rápidamente
que sus padres adoptivos están en una juerga de matanza
venganza alanceado contra la Rosa Negro.
In Port-of-Spain, the Black Rose crime family controls the majority
of nefarious and deviant activities in the city. One night, a street
urchin is rescued from the throes of a Black Rose member by
a man wielding a large machete. This man, along with his
significant other, adopts the boy into their household. However,
the boy quickly learns that his adoptive parents are
on a revenge-speared killing spree against the Black Rose.
Christopher Din Chong
S
D i r e c t o r
D i r e c t o r
3 Línea: Sanskara
3 Line: Sanskara
S
A
A
S
Thriller
Colombia - Panama / 88´
Horror - Action - RoadMovie
Argentina / Teaser: 2´minutes
A
N
T
CONTACTO / CONTACT
CarlitosChance Films
Carlos Varela
3015612445
carlitoschance@carlitoschancefilms.com
F
F
A
N
T
CONTACTO / CONTACT
Del Toro Films / Furia Films
Néstor Sánchez Sotelo
+54 11 4862 5265
[email protected]
www.deltorofilms.com.ar
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S
S
Gonzalo Gutiérrez
S
S
D i r e c t o r
Pacífico
Pacific
E
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G
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R
O
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E
Un grupo de jóvenes viajeros quedan atrapados en una isla
perdida en el Pacífico y tendrán que luchar para escapar
de la bestia extraterrestre cuya sed es saciada hace años por
los lugareños del pueblo más cercano con sacrificios humanos.
A group of young travelers find themselves trapped in an island
lost in the Pacific, to escape they will have to fight against
an alien beast whose thirst for blood has been quenched with
human sacrifices for years by the locals from the nearest tow.
P
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Sci-fi
Colombia - Argentina /
Teaser: 2 minutes
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S
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CONTACTO / CONTACT
Sinema S.A
Mauricio Brunetti
+54 11 4776 1926
[email protected]
www.gg-gutierrez.com
D i r e c t o r
L
Carlos Santiago Amézquita
Villamizar
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Vida
Life
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F
Año 2242. Augusto, un joven científico y su hermana Andrómaca,
viajan a través del espacio en búsqueda de un planeta donde
puedan habitar como su nuevo hogar. Al descubrir un mundo
desértico que alberga una pequeña criatura y evidencias de que
alguna vez fue habitable, deciden viajar en el tiempo al pasado
para encontrar allí su paraíso. Para lograrlo, deben emprender
una última travesía hacia el interior de sus almas y de sus creencias,
deben enfrentarse a la naturaleza de la creación.
Year 2242. August, a young scientist and his sister Andromache,
travel across the universe searching for a planet to inhabit
as their new home. Upon finding a desert world which shelters
little creatures and evidence of once being inhabitable, they
decide to travel back in time there when it was a paradise.
Sci-fi
To achieve it, they must undertake one last journey into their
souls and their beliefs, they must confront the nature of creation. Colombia / 64´
T
N
F
F
A
A
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CONTACTO / CONTACT
Bastet Media Group S.A.S
Isabel Cristina Torres
+57 3 1837 83972
[email protected]
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I N D U S T R Y
P R O F I L E S
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Integrantes del jurado / Jury Members
Santiago Fernández Calvete
Santiago Fernández Calvete was born in Buenos Aires,
Argentina. He grew up mostly in this town where he started
studying filmmaking in 1994. His first job in the industry was
in 1997 as third assistant director in Sobre la Tierra, by
Nicolas Sarquís. Since then, he has worked in production
and direction teams until 2010, where he started to focus
on his own screen writing and directing career. In 2014,
his first feature film The Second Death, was commercially
released in Argentina after playing in several film festivals
around the world like Sitges, Montreal, BIFFF, Pifan, among
others. His second feature film, a thriller called Intimate
Witness, won a post-production award at Ventana Sur's
Film Market as part of the 2015 Blood Window competition.
Annick Mahnert
Born and raised in Switzerland, Annick Mahnert moved
to Paris early 2012 to join the renowned sales agency
Celluloid Dreams, handling sales and acquisitions. Since
2013, she is working as a freelance acquisitions consultant
and festival programmer and was hired in November 2013
as Foreign Representative for the Market & Festivals
department at Swiss Films, the promotion agency for Swiss
filmmaking.
Mahnert is currently working on the production of Alexandre
O. Philippe’s 78/52, a documentary about the iconic shower
scene in Alfred Hitchcock’s Psycho and on Dearest Sister,
Mattie Do’s sophomore effort, shot in Laos in Spring 2015
and currently in post-production.
Asesoría de proyectos / Project consultant
Hebe Tabachnik
For over 15 years Hebe Tabachnik has been a film curator
and festival consultant, and has participated as juror, project
evaluator and panelist at film festivals in the US, Argentina,
Brazil, China, Chile, Colombia, Cuba, Israel, Mexico, Puerto
Rico, Spain, and Trinidad & Tobago. She is World Cinema
Programmer for the Palms Springs (PSFF) and Seattle
(SIFF) International Film Festivals and is a member of the
Board of Directors and programmer of Dance Camera West
(DCW). Since 2013 she has been the Director and Producer
of the Guadalajara International Film Festival in Los Angeles
(FICG in LA) and since 2011 she is a Guest Programmer for
the Maguey (LGBT) Award at FICG. She is a Guest Professor
at the San Antonio de los Baños Film School (EICTV).
She has worked for the Sundance and Los Angeles Film
Festivals, the World 3-D Film Expos, the American
Cinematheque of Los Angeles and has been in the selection
committee of the International Documentary Association
(IDA) Awards.
Hebe graduated with degrees in Directing and Screenwriting
at the Universidad del Cine in Buenos Aires where she
became a Professor for the Directing Department.
She is also the Co-Founder and Vice President of Lokro
Productions, Inc.
Hebe received a special recognition from the California
State Assembly in 2012 and last June the Moving Film
Forward Award presented by the National Asociation
of Latino Independent Producers (NALIP).
Manuel Trancon
He has worked on cable television since 2004, in Space and
I.Sat. Currently he is Programming Director of Space, a
channel that reaches almost 60 millions of houses in all Latin
America, and he specializes in movies, and action and horror
series, as well as sports events. He wrote film criticism for 10
years in El Amante/Cine. Between 2005 and 2007 he was a
team member at sitewww.bonk.com.ar/tp. Between 2008
and 2011 he was a Professor and Co-Coordinator (with
Sebastián Yablón) of the degree of Journalism and Critic of
CIEVYC.
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Industry Profiles
Film Festival, Publicity & Marketing, Training
The Brussels International Fantastic Film Festival (34th edition from 29 March till 10 April 2016) is one of Europe’s
biggest and most reputed genre film events, presenting about 100 long feature film premieres each year,
testifying of the richness, diversity and creativity of genre cinema, and welcoming more than a hundred
international guests. The BIFFF owes its boisterous and convivial atmosphere not only to its enthusiastic and
interactive audience, but also to the many events and animations that create a true festival spirit: the vampire
ball, the zombie walk, the cosplay contest, the body painting contest, street theatre animation, workshops,
masterclasses, conferences, art exhibitions and much more. The BIFFF also attracts hundreds of international
film professionals with Frontières, the transatlantic coproduction market (3rd edition from 31 March till 2 April
2016), where some 25 projects from Europe and North-America seek financing, production and distribution.
FANTASIA INTERNATIONAL FILM FESTIVAL / FRONTIÈRES
INTERNATIONAL CO-PRODUCTION MARKET
FILM FESTIVAL
Fantasia Film Festival. Since its inception in 1996, the Fantasia International Film Festival is now recognized
as the largest and most influential genre film festival in North America, a leader on the genre film scene and one
of the country’s most popular film festivals. With an emphasis on the imaginative cinema of Asia, Europe and the
Americas, Fantasia’s varied offerings range from unique and powerful personal visions to international commercial
crowd-pleasers rarely seen in North-America.
Frontières is a biannual international co-production market with a focus on facilitating genre film co-production
between Europe and North America. It is co-organised by the Fantasia International Film Festival (Fantasia),
Vision-in-Motion, and the Brussels International Fantastic Film Festival (BIFFF). The market takes place twice
a year, in Brussels during BIFFF and in Montreal during Fantasia.
Lindsay Peters
Market & Industry Director, Management [email protected]
3450, St-Denis suite 307, H2X 3L3, Montreal (Quebec), Canada 1 514 876 1760
[email protected] www.fantasiafestival.com
Chris Orgelt
Programming [email protected]
8, rue de la Comtesse de Flandre, 1020, Brussels, Belgium 32 2 201 17 13
[email protected] www.bifff.net
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BRAZIL
FANTASPOA - INTERNATIONAL FANTASTIC FILM FESTIVAL
OF PORTO ALEGRE
I N D U S T R Y
P R O F I L E S
Film Festival
Fantaspoa is the largest film festival dedicated exclusively to fantastic genre films (fantasy, science-fiction, horror
and thriller) in Latin America. Taking place annually in Porto Alegre since 2005, between 15 and May 31 will
celebrate its eleventh edition. Will display more than 70 long and 45 short films, most unprecedented in Brazil,
and the event will host more than 30 Brazilian and 40 foreign guests, who will participate in 39 commented
sessions with the public and other activities. In addition to viewing sessions, parallel activities will take place such
as training courses, to music session, concert, parties, among others. The display sessions will be held at Cine
Santander Cultural in Santander Cultural and CineBancários, the Union of Bank Employees
Joao Fleck
Director, Producer, Programming, Management [email protected]
Dom Joao VI Street, 246, 90660-020, Porto Alegre, Brazil 55 51 8436 2968
[email protected] www.fantaspoa.com
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CANADA
RAVEN BANNER ENTERTAINMENT
Sales Agent, Distribution, Production Company
Raven Banner Entertainment represents innovative and compelling independent feature films and filmmakers
for North American distribution and the international marketplace. Through its expertise in strategic project
management, Raven Banner Entertainment can assist in any and all stages of project production.
From acquisitions, representation, negotiations, strategic marketing plans, consultation, and sales, Raven
Banner Entertainment is there in whatever capacity needed. We not only focus on the success of the films,
but the success of the filmmakers as well.
P R O F I L E S
BRUSSELS INTERNATIONAL FANTASTIC FILM FESTIVAL
CANADA
I N D U S T R Y
BELGIUM
Andrew Thomas Hunt
Managing Partner [email protected]
33, Villiers Street, Suite #201, M5A 1A9, Toronto (Ontario), Canada 1 416 778 9090
[email protected] www.ravenbanner.ca
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Industry Profiles
COLOMBIA
ESTONIA
Film Festival, Sales Agent, Theatrical Exhibition
Zinema Zombie started its activities in 2004 focusing on the cinema and public training . Its main project is
Zinema Zombie Fest - International Film Festival Fantasy and Horror . Festival to be held in Bogotá, Colombia.
Event pioneer in Colombia, in relation to the Film Genre , and that in 2013 reached its fifth edition without
interruption. Zinema Zombie has a strip exhibition for children, called Zombie Zinema Kidz, strip that
develops in outdoor spaces and is aimed at children from vulnerable populations.
The new project is called Zinema Zombie TV. And a band is dedicated to Horror and Fantasy Film developed
with the largest operator Cable Colombia, Claro Communications, through the company Royal Films in
Cinema+ channel .
Likewise, it has ventured into film distribution with other channels and Cable operators in Colombia. Also it has
a catalog for distribution of films from around the world , with special emphasis on Latin American content.
Film Festival
Tallinn Black Nights Film Festival (PÖFF) aims to present a comprehensive selection of the world cinema in all
its diversity with the emphasis on European films. During its 15th edition PÖFF screened more than 500 films
(including 260 full length), bringing over 666 screenings for over 70,000 people as well as over 400 industry
guests and journalists. Recognised by FIAPF, PÖFF embraces a cluster of events, accommodating three
sub-festivals as well as international industry gatherings.
BLACK NIGHTS FILM FESTIVAL
Sten-Kristian Saluveer
Industry Director / Programmer of Asian Cinema, Programming, Management
[email protected]
Telliskivi 60A, 10412, Tallinn, Estonia 372 6314 641
[email protected] www.poff.ee/en
Rodrigo Duarte
Directort General, Production, Sales, Management [email protected]
Calle 61 no. 9 - 95 / Apto. 302, 110231, Bogota, Colombia 57 1695 5672
[email protected] www.zinemazombie.com
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ECUADOR
FINLAND
Services, Technical, Production Company
Bunker Sonido has worked in sound recording, soundtrack designs, sound post-production and sound mixing
of more than 40 feature fiction and documentary films. It has also worked in the sound of more than 200
commercials and institutional videos. Its partners have more than 15 years of experience in the audiovisual and
film market working in other Latin American countries in addition to Ecuador. It is the most important sound
studio dedicated to film in Ecuador.
Distribution
A Finnish distribution outfit with an edge, Night Visions Distribution focuses on quality genre entertainment
from all across the globe for all platforms.
I N D U S T R Y
Juan José Luzuriaga
Producer [email protected]
Gerona N24-249 y Vizcaya, 170109, Quito, Ecuador 59326040924
[email protected] www.bunkersonido.com
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NORDIC GENRE INVASION / NIGHT VISIONS
P R O F I L E S
P R O F I L E S
BUNKER SONIDO
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I N D U S T R Y
ZINEMA ZOMBIE
Mikko Aromaa
Tyopajankatu 2b E 2nd floor, 580, Helsinki, Finland 35840510 5889
[email protected] www.nordicgenreinvasion.com
www.nightvisions.info
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Industry Profiles
FRANCE
FRANCE
Services, Production Company, Sales Agent
Created in 2009, Screen Division provides consulting in film acquisitions, negotiations and festival programming.
The company also develops and produces film projects. Previous experiences include film distribution, film
production, marketing and international sales.
Screen Division collaborates with sales agents, producers, distributors and festivals in Europe, the United States,
Canada, South America and Asia.
Distribution, Sales Agent
"For 26 years, BAC FILMS has been amongst France top independent distributors and has distributed over
500 films (8 of which have won the “Palme d'Or” in Cannes).
BAC FILMS is active in:
- Theatrical distribution, video publishing, VOD and TV sales.
- International co-production.
- International sales.
BAC FILMS
Annick Mahnert
19 rue des Martyrs, 75009, Paris, France 33637128136
[email protected]
Gilles Sousa
Producer g.sousa@bacfilms.fr
9 rue Pierre Dupont, 75010, Paris, France 33180490000
g.sousa@bacfilms.fr www.bacfilms.com
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FRANCE
FRANCE
Sales Agent, Production Company
WTFilms is a sales, production and financing company with a strong focus on genre, edgy independent movies
and hip documentaries.
Celluloid Dreams has been at the forefront of international sales, production, and financing of quality independent
films for more than 20 years. Its 'Directors Label' stands for the discovery and subsequent promotion of a large
number of the most important, awarded and respected film directors of our times, the 'future classics'.
Celluloid Nightmares was launched in 2010 as its genre division to curate commercial, elevated genre films and
discover talented young directors.
Sonia Droulhiole
Producer sonia@wtfilms.fr
20 rue Bachaumont, 75002, Paris, France 33662683099
sonia@wtfilms.fr
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CELLULOID DREAMS
I N D U S T R Y
I N D U S T R Y
P R O F I L E S
WTFILMS
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P R O F I L E S
SCREEN DIVISION
Hengameh Panahi
2 rue Turgot, 75009, Paris, France 33149700370
[email protected] www.celluloid-dreams.com
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Industry Profiles
FRANCE
ITALY
Sales Agent
Funny Balloons is a world sales company handling selected titles in all media from young or established
filmmakers with personal, singular visions.
Film commission
The Rome and Lazio Film Commission - created thanks to the common resolve of the Lazio Region, its Provinces
and the Municipality of Rome - aims to develop the movie and audiovisual sector across the Lazio territory.
The Rome and Lazio Film Commission assists national and international productions in finding qualified
audiovisual professionals. It arranges the provision of supplies and services, offering productions the best hotels,
services, transportation, catering, rentals etc. while also helping in the procurement of filming permits throughout
the territory. It offers productions comprehensive location scouting, dedicated to finding the most suitable
and innovative locations. The Rome and Lazio Film Commission supports cinema and audiovisual productions
by providing a platform for the development of international co-productions through the organisation
of co-production meetings during the main film festivals (Cannes, Berlin, Rome, Hong Kong...). It offers support
and guidance regarding potential financial resources for the film and audiovisual industry.
ROMA LAZIO FILM COMMISSION
Luciano Sovena President info@romalaziofilmcommission.it
Cristina Priarone General manager [email protected]
C/o Istituto Luce Cinecittà - Via Tuscolana 1055,
00174, Roma, Italy 38 0672 286 320
info@romalaziofilmcommission.it
www.romalaziofilmcommission.it
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Peter Danner
4 bis rue Saint Sauveur, 75002, Paris, France 33140130584
[email protected] www.funny-balloons.com
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FRANCE
MEXICO
Sales Agent, Production Company, Distribution
Founded by Loïc Magneron, WIDE is a leading independent sales company currently representing more
than 20 new features films every year and a library of more than 400 fiction titles and 300 documentaries.
Our catalogue contains an impressive variety of movies from internationally acclaimed directors and several
restored classics (e.g. Max Ophuls LOLA MONTES, J-L Godard VIVRE SA VIE). WIDE has created a branch
for feature length documentaries and TV format, managed by Anaïs Clanet, WIDE HOUSE, and a label dedicated
to first films, EYE ON FILMS with 70 partners including 40 festivals and 70 distributors, supported by the Media
Mundus Program from the European Union.
Service
Created in 2006, LaboDigital is a young company with solid fondations. After only eight years on the market,
we have become industry leaders in digital intermediate picture and audio postproduction services and digital
cinema services.
I N D U S T R Y
Frederic Gentet
9 rue Bleue, 75009, Paris, France +33 1 53 95 04 64
[email protected] www.widemanagement.com
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LABODIGITAL
P R O F I L E S
P R O F I L E S
WIDE
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I N D U S T R Y
FUNNY BALLOONS
Geraldine Orta
Sales [email protected]
Av. Division Del Norte 3203, 04330, Mexico, Mexico 011 55 5549 0099
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Industry Profiles
Film Festival
MACABRE International Horror Film Festival of Mexico City is the first and most experienced genre film festival
in the country. Created in 2002 by its director Edna Campos and Arturo Castelán as Macabre: Festival of Horror
in Film and Video, is now a must for movie lovers and audiences eager to come into contact with the audiovisual
culture of horror, its creators and its many manifestations, national and international. Macabre born as a space
for the exhibition, rescue and dissemination of independent horror film.
SOFIA FILMS
Production Company, Interactive & New Media
SOFIA FILMS is a Mexican production company that is dedicated to producing quality film and television.
It is ASSIMILATE partner in Mexico for marketing SCRATCH software. SOFIA FILMS takes Assimilate relations
with major film festivals in the world, participating in markets, workshops and film laboratories.
Daniel de la Vega
CEO, Production, Sales sofiafi[email protected]
Tabasco 68 101, 06700, D.F., Mexico 52 155 3129 5973
sofiafi[email protected]
Edna Campos Tenorio
Programming [email protected]
Manuel Sotero Prieto 3 int., 53100, Mexico, Mexico 372 6314 641
[email protected] www.macabro.mx
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MEXICO
MEXICO
Film Festival, Production Company
Mórbido, International Horror and Fantasy Film Festival, was first held in 2008. Today, Mórbido is a project that
seamlessly combines an international film festival and a communications platform that reaches an audience of
over 10 million people a month. This platform includes: an FM radio show, a podcast, a small publishing house,
a distribution label for horror films, workshops and soon to be on-air a TV channel.
Publisher
I N D U S T R Y
P R O F I L E S
MÓRBIDO FEST
Pablo Guisa Koestinger
Tabasco 93-A, 6700, DF, Mexico 15552087225
[email protected] www.morbidofest.com
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WILDFOX
P R O F I L E S
MACABRO: FESTIVAL INTERNACIONAL DE CINE DE HORROR
DE LA CIUDAD DE MEXICO
MEXICO
I N D U S T R Y
MEXICO
Franz Alvarez
45050, D.F., MEXICO 34 938 949 990
[email protected] www.deltorofilms.com.ar
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Industry Profiles
ITALY
MOSTRA INTERNAZIONALE DEL FILM DI FANTASCIENZA
E DEL FANTASTICO
Film Festival
1981- FANTAFESTIVAL, International Science Fiction, Fantasy and Horror Festival: he is still the director of the
festival, which has arrived to its 36th edition.
He collaborates with Italian Foreign Ministry in the implementation of promotional events of Italian cinema,
especially in Eastern Europe (Czech Rep., Rep. of Slovakia, Poland, Hungary, Croatia, Romania, Moldova, etc.),
and also in South Africa (with the event "Window on italian cinema" in Johannesburg, Cape Town and Durban).
UNITED KINGDOM
AMADEUS ENTERTAINMENT
Sales Agent, Production Company, Music Publisher
Amadeus Entertainment is a London-based sales company. Amadeus established itself as a “boutique-operation”
for independent feature films with strong commercial potential. We acquire from 8 to 12 films per year, making
sure we explore the potential of every movie at the maximum. Our catalogue boosts over US$80m worth of new
film productions. We specialise in such genres as historical action, 3D animation, action, biography fiction, fantasy,
fairy-tales, dramas, romcoms and high-profile classics.
Ksenia Volochkovskaya
One Putney Bridge Approach, SW6 3JD, London, United Kingdom +44 7958 3671 159
[email protected] www.amadeus-ent.com
Alberto Ravaglioli
Festival Director [email protected]
www.fanta-festival.it
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SWITZERLAND
UNITED KINGDOM
Film Festival, Theatrical Exhibition, Organization
Created in 2000, the Neuchâtel International Fantastic Film Festival (NIFFF) has become a major film event
in Switzerland in just 13th editions.
The first characteristic of the festival is a rich and diversified programming constructed around one central axis,
Fantastic cinema, and two complementary axes: Asian cinema and Digital Images. Among other prizes, the
festivals awards each year The H.R. Giger “Narcisse” Award for the Best Feature Film (10'000 CHF/ 8000 Euros).
Film Festival, Theatrical Exhibition, Distribution
Is the UK's biggest genre festival and organises three events a year, the main one in London every August Bank
Holiday, Halloween celebrations in London and various key cities across the UK, and FrightFest Scotland, part of
the Glasgow Film Festival in February. Offshoots of the brand include FrightFest Presents, a VOD/DVD platform
run in conjunction with Icon Film Distribution - latest releases include SOME KIND OF HATE, THE SAND, NIGHT
OF THE LIVING DEB and AFTERDEATH - and FrightFest Enterprises, the merchandise arm retailing T-shirts,
souvenirs, posters and related items.
Anais Emery
Artistic Director, Programming [email protected]
Passage Max. de Meuron 6, 2000, Neuchatel, Switzerland 41 32 730 5032
[email protected] www.nifff.ch
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P R O F I L E S
FRIGHTFEST
I N D U S T R Y
I N D U S T R Y
P R O F I L E S
NEUCHATEL INTERNATIONAL FANTASTIC FILM FESTIVAL
Alan Jones
Director, Programming [email protected]
10 Wiltshire Gardens, TW2 6ND, Twickenham, United Kingdom 44 208 296 0555
[email protected] www.frightfest.co.uk
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Industry Profiles
UNITED KINGDOM
UNITED KINGDOM
Sales Agent, Production Company, Theatrical Exhibition
Jinga is a sales agent specializing in genre cinema. We represent the best horror, science fiction and fantasy films
from around the World, including HELLIONS (IFC), THE CANAL (The Orchard) and WORRY DOLLS. Our new
slate of Latin American genre films includes SCHERZO DIABOLICO, THE HOUSE AT THE END OF TIME and
THE ENTITY. Our action/war/crime titles include ANTI-SOCIAL, DRONES and AB NEGATIVE.
Press
Screen International is the leading film industry resource covering the international film markets. We provide
a whole-industry perspective from some of the most knowledgeable writers and data analysts in the business.
Across print and online mediums, Screen International delivers analysis, opinion and commentary on the issues,
people and products shaping the worldwide film industry.
JINGA FILMS
Rosana Coutinho MD - Head of Sales & Acquisitions,
Buyer, Management rosana@jingafilms.com
Julian Richards MD - Head Of Production & Acquisitions
jr@jingafilms.com
22 Carnaby St, W1F 7DB, London, United Kingdom
44 207 287 0050 info@jingafilms.com www.jingafilms.com
SCREEN INTERNATIONAL
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P R O F I L E S
I N D U S T R Y
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UNITED KINGDOM
UNITED KINGDOM
One Eyed Films is an international film sales company focusing on World and Genre Cinema.
Distribution, Production Company
Yume Pictures is an all rights company, specialised in world cinema and arthouse films.
ONE EYED FILMS
Betina Goldman
Producer info@oneeyedfilms.com
11 Ellerslie Road, W12 7BN, London, United Kingdom 44 2087401491
info@oneeyedfilms.com www.oneeyedfilms.com
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YUME PICTURES
P R O F I L E S
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Jeremy Kay
US Editor, Publicity/PR [email protected]
Zetland House 5-25 Scrutton Street, EC2A 4HJ, London, United Kingdom
44 203 033 4295 [email protected] www.screendaily.com
I N D U S T R Y
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Chris Oosterom
39 Basement Studios 11 Whitchurch Road, W11 4AT, London, United Kingdom
4420996020 [email protected] www.yumepictures.co.uk
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Industry Profiles
USA
USA
Film Festival
Fantastic Fest is the largest genre film festival in the US, specializing in horror, fantasy, sci-fi, action and just plain
fantastic movies from all around the world. In years past, the festival has been home to world premieres of THERE
WILL BE BLOOD, APOCALYPTO, ZOMBIELAND and RED. Fantastic Fest also features world, national and
regional premieres of new, up-and-coming genre films. Fantastic Fest is held each year at the Alamo Drafthouse
Cinema, primarily at our location on South Lamar Blvd in Austin, Texas.
During his Keynote Address at the International film Festival Summit in Las Vegas, Variety president and
publisher Charlie Koones listed Fantastic Fest in a list of “10 Film Festivals We Love,” a list which included industry
heavy-hitters such as Cannes, Toronto and Telluride. We’ve also been named as one of the “25 coolest film
festivals” and the “25 film festivals worth the entry fee” by Moviemaker Magazine.
Film Festival, Distribution, Production Company
The Palm Springs International Film Festival is one of the largest film festivals in the United States, screening over
180 films from more than 70 countries to an audience of over 140,000. The festival also features cultural events,
filmmaker tributes, industry seminars & annual black-tie gala award presentations. The festival screens a majority
of the official international submissions to AMPAS for Best Foreign Language Film. Juried awards include
FIPRESCI, New Directors and International Filmmaker. We also present the largest annual short film festival
and film market in North America each June, Palm Springs ShortFest.
PALM SPRINGS INTERNATIONAL FILM FESTIVAL
Hebe Tabachnik
Iberoamerican Programm [email protected]
1700 E. Tahquitz Canyon Way, # 3, 92262, Palm Springs (California), USA
1 760 322 2930 info@psfilmfest.org www.psfilmfest.org
Rodney Perkins
Lead Film Programmer, Programming, Legal/Finance [email protected]
1120 S. Lamar Blvd., 78704, Austin (Texas), USA 1 512 378 0926
[email protected] www.fantasticfest.com
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USA
USA
Production Company
F LLC was founded by Theo Brooks and Joshua Sobel in 2013 as a multi¬media production company that
produces high concept films and original content for wide release.
As the market continues to express its desire for diverse entertainment, Shoreline Entertainment is dedicated
to satisfying those needs. By producing several films a year, and acquiring many others, Shoreline ensures there
will always be new products available.
Additionally, Shoreline Entertainment films have enjoyed abundant critical acclaim, theatrical release and
prestigious premieres at festivals like Sundance, Toronto and Cannes. But more importantly, Shoreline has
established itself as a reputable source of quality content to distributors worldwide.
I N D U S T R Y
Joshua Sobel
346 N Gardner St, 90036, Los Angeles (California), USA 1 954 683 9048
www.wearef.com
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SHORELINE ENTERTAINMENT
P R O F I L E S
P R O F I L E S
F LLC
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I N D U S T R Y
FANTASTIC FEST
Vanessa Haney
Producer vanessa@slefilms.com
400 S Beverly Blvd Suite 210, 89104, Las Vegas, United States 13105512060
vanessa@slefilms.com www.slefilms.com
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Catálogo Blood Window 2015

Transcripción

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