Press Kit

Transcripción

Press Kit

10th creation by the company
2013-2014 season
stage and dance-theatre creation since 1995
B.FLOWERS
(2013)
creation & direction: Marta Carrasco
A production by: Salometa SL (Companyia Marta Carrasco)
Coproduction: CAET – Centre d’Arts Escèniques de Terrassa
CCVV – Centre Cultural Vilanova del Vallès
Temporada Alta Festival in Girona
B.FLOWERS
table of contents
1.
2.
3.
4.
5.
6.
performance synopsis
cast & crew
curricula vitae
graphic materials
initial performance chronology
contact
(ENG) B.FLOWERS Press kit 10/01/2014
p2
B.FLOWERS
SYNOPSIS
Another flower, another life...
A whipping that never ends. First and last journey
The flower represents beauty in nature. The beauty of life, the beauty of death and
once again life
Millions of flowers are mutilated each and every day in the name of romance and
decoration
decorative decorative romantic romantic
We pull them up by their roots and they continue to cling onto existence
What happens afterward with flowers...? What is happening...? What are we doing
with them...? What is happening to us...?
Flowers speak to us and it seems like nobody hears them. What are flowers telling us?
21st century 21st century 21st century Humanity would not be possible without
flowers
… First and foremost we all left all of us
Antonio Castaño
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B.FLOWERS
CAST & CREW
Title: B.FLOWERS
Genre: dance-theatre
Creation & direction: Marta Carrasco
Performers: Marta Carrasco, Anna Coll, Majo Cordonet
Production assistant: Antonio Castaño
Assistant director: Neus Cots
Scenography: Marta Carrasco, Pau Fernández
Scenography production: Dario Aguilar
Lighting: Quico Gutiérrez
Music editing: José Antonio Gutiérrez (Guti)
Wardrobe: Marta Carrasco, Pau Fernández, Alba Viader
Makeup: Pau Fernández
Technical manager: Antoni Vilicic
Sound technician: Joan Valldeperas
Photography: David Ruano
Production: Salometa SL
Technical production: Antoni Vilicic
Executive production: Rosa Isart
Co-production: CAET (Centre d’Arts Escèniques de Terrassa), CCVV (Centre Cultural
Vilanova del Vallès), Festival Temporada Alta de Girona With the support of:
Regional Ministry of Culture of the Catalan Government, Ramon Llull Institute
Approx. Length: 60 minutes
Music: Mendelssohn, Vivaldi, Händel, Bach, Puccini, etc. ‘Capullito del Alheli’ (Rafael
Hernández Marín) © Peer lnternational Corp., authorised by Peermusic Española,
SAU, ‘Angelitos Negros’ (Manuel Álvarez Maciste / Eloy Blanco) © Editorial Mexicana
de Música lnternacional/ Peer lnternational Corp., authorised by Peermusic Española,
SAU
Thanks:
L’Estruch – Fábrica de Creación de las Artes en Vivo (Sabadell), Pep Bou, Masnou
Town Council. My entire team, who has been working under extremely adverse
financial conditions, and giving all of their hard work and talent more than ever.
The Compañía Marta Carrasco is a resident company of the CCVV, the Centre Cultural Vilanova del Vallès
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B.FLOWERS
CURRICULA VITAE
ARTISTIC TEAM
Marta Carrasco
(Barcelona, 1963)
Stage creator, performer, dancer, choreographer, theatre professor. After starting off her career
working at several dance companies, in 1995 she created her first dance-theatre solo show Aiguardent
(Cheap Brandy), a show about loneliness, the abyss of alcoholism, fragility and human weakness. Then,
her next shows in chronological order: Blanc d’Ombra; recordant Camille Claudel (Shadow Target;
Remembering Camille Claudel) (1998), a passionate homage to the French sculptress (1864-1943),
Mira’m (Look at Me; They Say so Many Things) (2000), a show dedicated to beauty and imperfection,
Eterno? Això sí que no! (Eternal? Not that!) (2003), which presents topics of desperation, hope and
texts by Cioran (1911-1995; El Circo de la Soledad) and Dostoyevsky (1821-1881; The Dream of a
Ridiculous Man). Next up the show Ga-gá (2005) sprang forth, to speak to us of the need for laughter,
for special and imperfect beings, and for human survival in a world that no longer makes us laugh.
J’arrive...! (2006) reminds us that the company has already spent 10 years showcasing an entire
evocative universe on stage, asserting that it is essential to keep working, and moving forward. Bin &
Go was the show for 2008, which saw the participation of musician Llibert Fortuny and premiered at
the 2008 Temporada Alta Festival in Girona. Dies Irae; en el Réquiem de Mozart (2009) was a
(macro)creation by Carrasco, in which 13 actors took to the stage to reflect and question –with great
risk and beauty– that which is sacred and what is profane, to speak to us of religion and liturgy, of
women, of rage, of human impotence, fear and of life. 2011’s small-format show received great praise
from critics and was her 9th creation, No sé si... (I Don’t Know If...), a vital and lively plea depicted
through the peculiar relationship between two very extraordinary twins. Her 10th work premiered in
2013: B.FLOWERS.
Since 1996, with Pesombra, Carrasco has worked on more than 25 shows by other artists. Since she
received her very first award, the 1996-97 Barcelona Theatre Critics’ Award for Aiguardent and for
Pesombra, the creator has been recognised with over 20 awards and mentions, where highlights
include the Catalan Government’s National Dance Award (2005), the City of Barcelona Award (2007)
and the Serra d’Or Theatre Critics Award (2007) for the best theatre work, for J'arrive...!
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B.FLOWERS
STAGE COLLABORATIONS
PESOMBRA. Dir.: Magda Puyo. Based on the literary work by Joan Salvat-Papasseït. 1996-97.
Choreographic direction.
A LA JUNGLA DE LES CIUTATS, by Bertolt Brecht. Dir.: Ricard Salvat. 1998. Director of Choreography.
EL MANIQUÍ, Dir.: Pere Planella. Production by the Teatre Nacional de Catalunya (TNC). 1998.
AMBROSIA, by and dir.: Pep Bou. 1999. Collaboration in directing the play.
¿BAILAS? Show by the Sèmola Teatre Company. 1999. Co-creator.
A LITTLE NIGHT MUSIC, Dir.: Mario Gas. 2000. Director of Choreography.
LULÚ. Dir.: Mario Gas. 2001. Director of Choreography.
BODAS DE SANGRE, Dir.: Ferran Madico. 2001. Stage Movement Director.
UNA NIT AMB LEOPARDI, Dir.: Pere Arquillué. 2001. Stage Movement Director.
EL PERRO DEL HORTELANO, by Lope de Vega. Dir.: Magüi Mira. 2001. Director of Choreography.
RONDA DE MORT A SINERA, by Salvador Espriu. Dir.: Ricard Salvat. Lliure Theatre, 2002. Stage
Gesture and Movement Director.
NARCÍS, by Jordi Bertran. 2002. Collaboration with stage movement.
SOMNI D’UNA NIT D’ESTIU, by Shakespeare. Dir.: Àngel Llacer. Borràs Theatre, 2002. Collaboration
with stage movement.
DIAFAN, by and dir.: Pep Bou. 2003. Assistance with direction.
AL OTRO LADO DE LA CAMA, Dir.: Josep Maria Mestres. 2004. Director of Choreography.
IBERIA (film). Participation in this feature film by Carlos Saura. 2005.
EL PLAN B, by Isabel Díaz. Dir.: Pep Pla. Proyecto T6 at the TNC. 2005. Theatre Movement Director.
RACCORD, by Rodolf Sirera. Dir.: Carme Portaceli. Proyecto T6 at the TNC. 2005. Theatre Movement
Director.
(DE)LIRIOS Y OTROS PE(S)CADOS. Ran workshop and made public presentation, as part of the
Territorio Danza programme of La Cuarta Pared, Madrid. 2005.
ABOUT DARWIN’S NIGHTMARE. Ran workshop, with actors from the Latino Theater Company from
Los Angeles (International Hispanic Theatre Festival). 2005.
LA FINESTRA TANCADA, by Agustí Vila. Dir.: Carme Portaceli. Espai Lliure (Lliure Theatre), 2006.
Theatrical Movement Director.
L’AGRESSOR, by Thomas Jonigk. Dir.: Carme Portaceli. Nau Ivanow (Barcelona), 2006. Theatrical
Movement Director.
TRANUITES CIRCUS. Dir.: Lluís Danés. Music: Lluís Llach. TNC, 2006. Movement Director.
JOSEP I MARIA, by Peter Turrini. Dir.: Carme Portaceli. 2007 Temporada Alta Festival in Girona.
Theatrical Movement Director.
FAIRY, by Toni Martín and Carme Portaceli. Dir.: Carme Portaceli. Nau Ivanow (Barcelona), Greek
Festival of Barcelona, 2007.
DAVANT LA JUBILACIÓ, by Thomas Bernhard. Dir.: Carme Portaceli. National Dramatic Centre
(Madrid), 2008. Theatrical Movement Director.
QUÈ VA PASSAR QUAN NORA VA DEIXAR EL SEU HOME (O ELS PILARS DE LA SOCIETAT), by Elfriede
Jelinek. Dir.: Carme Portaceli. Teatre Nacional de Catalunya (TNC). 2008. Stage Movement and
Choreography Director.
CANTS D’AMOR, FUROR I LLÀGRIMES. Verses by Torquato Tasso, music by several Baroque
composers (Monteverdi, Mazzocchi). Dir.: Carme Portaceli. Palau de la Música Catalana (Barcelona),
Greek Festival in Barcelona, 2008. Choreographic movement and performer.
EL AMOR BRUJO, by Rojas & Rodríguez. Music: Manuel de Falla. Dir.: Marta Carrasco. Performers:
Ángel Rojas & Carlos Rodríguez (‘Nuevo Ballet Flamenco’), Antonio Canales, Chevy Muraday, Lola
Greco, Gema Morado. San Lorenzo Theatre-Auditorium (El Escorial, Madrid), Summer Festival, 2012.
#PEROESPOTSABERQUEHASMENJAT (#PEROSEPUEDESABERQUEHASCOMIDO), by Pep Pla/Marc
Artigau/Marta Carrasco. Dir.: Pep Pla. IT-Sala Maria Plans, Terrassa (Barcelona). 2012 TNT Festival.
Performers: Marta Carrasco, Ireneu Tranis, Artur Martínez.
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B.FLOWERS
AWARDS & RECOGNITIONS
1996-97 Barcelona Theatre Critics Award, for the dance and choreography in Aiguardent, a show
created and directed, choreographically, by Marta Carrasco.
1996-97 Barcelona Theatre Critics Award, for the dance and choreography in Pesombra, a show
directed by Magda Puyo, based on the literary work by Joan Salvat-Papasseït.
Nomination in the category of Best Non-Valencian Performance at the 1998 Performing Arts of
Valencia Award, for Aiguardent.
1999 Butaca Award in the Dance category for Blanc d’Ombra (Recordant Camille Claudel), a solo
show by Marta Carrasco based on the life of Camille Claudel.
2001 Almada Festival Honour Award (Portugal) for Mira’m (Se dicen tantas cosas), a show created
and directed by Marta Carrasco.
2001 Butaca Award in the category of Best Dance Performance for Mira’m (Se dicen tantas cosas).
2003 MAX Performing Arts Award in the category of Best Female Dance Performer for
Aiguardent.
2003 MAX Performing Arts Award in the category of Best Choreography for Aiguardent.
2003 Audience and Readers Award by El País newspaper for Eterno? (Això sí que no!), a show
created and directed by Marta Carrasco.
Government of Catalonia’s National Dance Award (2005).
Finalist in the 2005 MAX Performing Arts Awards for Eterno (Això sí que no!).
2006 MAX Performing Arts Award in the category of Best Dance Performance for Ga-gá, a show
created and directed by Marta Carrasco.
2006 MAX Performing Arts Award in the category of Best Choreography for Ga-gá.
2006 Butaca Award in the category of Best Dance Performance for J'arrive...! , a show created and
directed by Marta Carrasco.
2007 City of Barcelona Award for Marta Carrasco’s career.
2007 Serra d’Or Theatre Critics’ Award for the best Theatrical Performance for J'arrive...!
2007 Special Mention of TAC in Valladolid for J'arrive...!
Nomination for the ACE New York Critics’ Awards in the category of Best Solo Performance.
First Prize, Best Director at the 13th National Theatre Competition for Stage Directors City of
Torrejón de Ardoz, April 2010, for the show Dies Irae; en el Réquiem de Mozart.
Special “José María Rodero” Award at the 13th National Theatre Competition for Stage Directors
City of Torrejón de Ardoz, April 2010, for the show Dies Irae; en el Réquiem de Mozart.
Homage Award at the 11th International Street Theatre and Arts Festival of Valladolid (TAC), for
being a never-failing leader in dance and for her artistic commitment to creation (2010).
2010 Butaca Award (16th ed.) in the category of Best Dance Performance for Dies Irae; en el
Rèquiem de Mozart, a show created and directed by Marta Carrasco.
Finalist at the 2011 MAX Performing Arts Awards in the category of Best Dance Performance for
Dies Irae; en el Réquiem de Mozart.
Racimo Award, Dance category (2011), Serrada City Council (Valladolid).
Finalist in the 15th National Theatre Competition for Stage Directors City of Torrejón de Ardoz
(2012), for the show No sé si...
Finalist in the 2012 Butaca Awards in the category of Best Dance Performance for No sé si..., a
show created and directed by Marta Carrasco.
Finalist in the 2013 MAX Performing Arts Awards (16th ed.) in the category of Best Dance
Performance for No sé si..., a show created and directed by Marta Carrasco.
Finalist in the 2013 MAX Performing Arts Awards (16th ed.) in the category of Best
Choreographer for No sé si...
Finalist in the 2013 MAX Performing Arts Awards (16th ed.) in the category of Best Female
Dance Performer for No sé si...
CURRICULA VITAE
ARTISTIC TEAM
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B.FLOWERS
Anna Coll
(Igualada, Barcelona, 1978)
A graduate of the Barcelona Theatre Institute (IT), specialising in performance. Her teachers there
included: Joan Ollé, Jaume Melendres, Joan Castells, Ramon Vila, Gemma Beltran, etc. Complementary
training in the subjects of theatre, dance, dance-theatre and cinema, under professionals including
Enrique Vargas (Teatro de los Sentidos), Alain Denis (Shakespeare in Moviment), Agustí Villaronga,
Miquel Garcia Borda, Bea Fernández (Las Santas; Espacio para la danza La Poderosa, Barcelona), Mercè
Boronat.
She has also worked in children’s and youth theatre. She has acted in street theatre works, including
with the Artristas Company, the Discípulos de Morales Company (2004 Barcelona Universal Forum of
Cultures), etc. She was an actress in the show Dies Irae, en el Rèquiem de Mozart, by Marta Carrasco,
which toured throughout Spain, Portugal and Brazil, and won the 2010 Butaca Award for the Best
Dance Performance.
She is now back to embark on another adventure with this international creator.
Theatre: Macbeth, by Shakespeare (dir.: Dani Salgado), Dits en joc, by David Ribera (dir.: David Ribera),
L’illa dels esclaus, by Marivaux (dir.: Gemma Beltran; Compañía Dei Furbi), La pasión de mi tetera, by
Carlos Roo (dir.: Carlos Roo). Television: Participation in regional Catalan series (TV3; Porca misèria,
El cor de la ciutat, Majoria absoluta) and documentaries (The Power of Art, BBC Productions).
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B.FLOWERS
CURRICULA VITAE
ARTISTIC TEAM
Majo Cordonet
(Lomas de Zamora, Buenos Aires, 1982)
She started her career in performance at the Antonio Mentruyt de Banfield School, in the south district
of Gran Buenos Aires (1996). She then continued her studies at the Lomas de Zamora Municipal Dance
School (1998-2000), before enrolling at the Barcelona Theatre Institute (IT) (2009 to present). She has
received complementary training in the subjects of theatre, dance and body language, where
noteworthy teachers include: Pedro Gómez (theatre and body language, Teatro del Sol, Banfield,
1999), Nelson Valente (Banfield Teatro Ensamble, 1999-2001), Stefan Metz (Théâtre de Complicité,
Barcelona, 2003), Bertus Compañó (Granollers, Barcelona, 2004), Maria Garriga (Granollers,
Barcelona, 2004), Blai Llopis and Isabel Rocatti (cinematography studies, 2004-2005), Carmen Nájera
(Les Franqueses del Vallès, 2007), Elena Castelar (Alexander Technique, La Garriga, Barcelona, 20062007), Andrea Acosta (Centro Cívico La Barceloneta, Barcelona, 2007), Felipe Cabezas (Commedia
dell’arte, Berty Tovías School, Barcelona, 2007-2008), Marta Carrasco (Centre Cultural, Vilanova del
Vallès, Barcelona, 2008-2009), Alejandro Catalán (Festival Ulls, Barcelona, 2011), Enrique Federman
(Palermo, Buenos Aires, 2012), Guillermo Angelelli and Mónica Cabrera (Buenos Aires, Banfield Teatro
Ensamble, 2012), Ignacio Gómez Bustamante (Buenos Aires, Banfield Teatro Ensamble, 2012). She has
worked extensively as a teacher of theatre, psychomotor skills, body language, and also with groups
with mental/physical handicaps and immigrants (in Cardedeu, Granollers, Montornès del Vallès,
Vilanova del Vallès, Barcelona, ONG Nexes, Buenos Aires, etc.). She has participated in European
intercultural exchanges (Budapest, Hungary, 2010; Linz, Austria, 2011). She has worked with Marta
Carrasco, La Fura dels Baus, the Banfield Teatro Ensamble in Buenos Aires, and move. Her most recent
work in summer 2013, saw her acting in the play 8 veces te dejo, by Gabriel Beck, in the Barcelona
performance space Porta 4 (Provensa Company, of which she is a cofounder).
María Jose, ‘Majo’, is once again embarking on an adventure with our international and incombustible
creator.
Theatre: Muerte, by Woody Allen (dir.: Pablo Cordonet; 1999), Completamente en medias (dir. Pablo
Cordonet; 2000-2001), XXX by La Fura dels Baus (2003), Vainilla Lila, by Bertus Compañó (dir.: Txell
Roda; 2003-2004), Dies Irae, en el Rèquiem de Mozart by Marta Carrasco (2009-2011), Miserere nobis,
by Ignacio Gómez Bustamante (a play awarded at the 2nd Independent Theatre Encounter, Conurbano
Sur, Buenos Aires, 2012), 8 veces te dejo, by Gabriel Beck (2013).
p9
B.FLOWERS
CURRICULA VITAE
Antonio Castaño
(Puerto Real, Cádiz, 1964)
ARTISTIC TEAM
(production assistant)
Playwright, poet, filmmaker. He lived in Colombia for a long period of time. ‘Atypical author, he takes
his creations along indomitable roads, cultivating a poetic vision of images and words, inundated with
sounds and voices, smells and flavours... textures, like a single indivisible whole; alchemist on a journey
of no return that eludes conventions. He lives his own paradoxes...’ ‘and once again words left me
flabbergasted and without difficulty questioning myself like in a Soliloquy of Augustine. I refuse to reconcile
and orchestrate what I am.’ Further comments on this artist include:
‘He writes, creates(me) walks composes shares designs learns dies… more than anything he unlearns
and howls. He returns less full of life, An tonio with the sad eyes, voice of rainfall and stateless Eastern
wind.
With an odd way of seeing and dealing with life. Clearly endemic animal by nature, with affiliations
both surreal and free, which define him in the world by his actions and his works, shaping an
extraordinary reality from the absurd.
Existential. An attack at the borders… desperado, outcast, disobedient, eclectic, furtive, mad… He
flunked out of almost everything, so decided to devote himself to what he best knew what to do and
not be… Quixote-vagabond. Invisibly explicit in silence. "I swim in infinite drowning words, a castaway
essence that I sail...” He reads poems on the palms of his hands. He continues, being, unknown.’
p 10
B.FLOWERS
CURRICULA VITAE
Neus Cots
(Granollers, 1984)
ARTISTIC TEAM
(assistant director)
Dancer trained in classical and contemporary dance, and an actress. Her teachers include, but are in no
way limited to: Montse Sánchez, Marisa Guimil, Cristina Casanovas, Eva Maria Santiago, Sonia Garcia,
Elisa Guertas, Eva Arques, Isabel Gómez, Livio Panieri, Nausica Guitart, Àngels Margarit, Marta
Carrasco, Olga Tragant, Ramon Oller, Mercedes Boronat, Núria Martínez, Tatiana Yerojovets, Lívio
Panieri, Esmeralda Maycas, Sandrine Rouet, Noelia Mora. Complementary circus studies at the Rogelio
Rivel School in Barcelona, in the areas of contortion and flexibility, with Anne Miren. Grantee at the
Performers House, performing arts institute, in Silkeborg (Denmark, 2011). She has also been in
charge of direction in several different areas and has worked as a teacher of classical dance.
p 11
B.FLOWERS
CURRICULA VITAE
Pau Fernández
ARTISTIC TEAM
(wardrobe, makeup)
Clothing designer, cultural manager and graphic designer. He works in the fields of cultural
management, theatre, stage design and styling in all their myriad applications. Specialist in wardrobe
design and creation for opera, theatre and dance, with a highly-recognised impact in the field of
traditional Catalan dress. He has worked at the Teatre Lliure, Gran Teatre del Liceu, Teatre Nacional de
Catalunya, L’Estruch and La Faràndula in Sabadell, Temporada Alta, Versus Teatre, Sala Beckett, Sant
Cugat Auditorium, Granollers Auditorium, Teatre de Ponent, the Principal in Girona, Teatre Bartrina
and Teatre Fortuny in Reus, and others, with dance companies with different disciplines. Regularly
works at the Compañía Marta Carrasco (Dies Irae, etc.).
He works with Fusic and the Ministry of Culture at the Government of Catalonia at FESCAT workshops,
and with the Pere Tarrés Foundation on workshops for the festival in different geographic regions. He
teaches classes at the Science Education Dance Classroom at the Autonomous University of Barcelona
(UAB).
At present, in addition to directing and scheduling at the Vilanova del Vallès Cultural Centre (CCVV), he
continues working in the field of performing arts and other artistic disciplines.
p 12
B.FLOWERS
CURRICULA VITAE
ARTISTIC TEAM
Alba Viader
(wardrobe)
She started off in the world of stage materials at the Castells Planas Scenography Workshop
(Cardedeu). She studied industrial pattern making and grading from 1994-1997; and entered the
world of footwear pattern making in 1995 at the Footwear Artisans Trade Union. In 1999 she started
working at the Gran Teatro del Liceu (Barcelona), at a senior ranking in the tailoring department, and
would remain at this prestigious theatre for over 12 years. She has repeatedly collaborated (2000-01)
with Ankara (Pilar Albaladejo), designing a wide range of wardrobes and creating large-scale curtains,
drapery and modelling. Her participation in the creation of shows include: Cegada de amor by La
Cubana (1995; tailor in charge of wardrobe), Els contes de Ionesco (The Stories of Ionesco) by the
Talleret de Salt (1997; pattern making, wardrobe creation and attrezzo), Leonci i Lena directed by Xicu
Masó (1998, Banyoles Municipal Theatre; pattern making, tailor and wardrobe design), Utopista by
Monti & Cia (1999; pattern making, wardrobe tailoring and creation), Colors by Javier Mariscal (1999,
Perelada Festival; tailor), B.FLOWERS by Marta Carrasco (2013). She has worked for the Cardedeu
grallers and gegants (giant figures), Carnival (‘Carnestoltes’) at the Barcelona markets, the Vic Live
Music Festival, amongst others.
p 13
B.FLOWERS
CURRICULA VITAE
Quico Gutiérrez
ARTISTIC TEAM
(lighting design)
Founding member of the Associació d’Autors d’Il·luminació (AAI, Association of Lighting Artists). He
has received numerous awards and mentions for his lighting designs: 2000 MAX Award (El lector por
horas by Sanchis Sinisterra), 2001 Butaca Award (nomination for Top Dogs by Urs Widmer), 2001 MAX
Award (nomination for Top Dogs by Urs Widmer), 2003 ADE Award (nomination for Las bicicletas son
para el verano by F. Fernán Gómez), 2003 MAX Award (Las bicicletas son para el verano by F. Fernán
Gómez), 2006 Butaca Award (nomination for J'arrive... by Marta Carrasco), Barcelona Critics Award (La
América de Edward Hopper by Eva Hibernia), 2009 Butaca Award (Mort de dama by Llorenç
Villalonga), 2010 Escénica Award (nomination for Mort de dama by Llorenç Villalonga).
Some of his works in the theatre arena: Fuenteovejuna (by Lope de Vega, dir.: Ramon Simó), Suite
Bufa (musical action, by Mestres Quadreny/Joan Brossa, dir. Víctor Álvaro), Mundomono (by Vol Ras),
Fatma (by M. Benguetaff, dir.: Toni Vives), Aigües encantades (by Joan Puig i Ferreter, dir.: Ramon
Simó), Mika i el paradís (by Francesc Cerrö, dir.: Ricard Salvat), J’arrive...! (by Marta Carrasco), Interior
anglès (by Jordi Coca, dir.: Joan Maria Gual), El mentider (by Jean Cocteau, dir.: Damià Barbany),
Arcàdia (by Tom Stoppard, dir.: Ramon Simó), Una mujer en transparencia (by & dir.: Eva Hibernia),
L’Home, la bèstia i la virtud (by Luigi Pirandello, dir.: Pep Pla), El parany de la medusa (by Erik Satie,
dir.: Zep Santos), Sexe, amor i literatura (by & dir.: Joan Gallart), La dama de Reus (by Ambrosi Carrion,
dir.: Ramon Simó), Mort de dama (by Llorenç Villalonga, dir.: Rafel Duran), Bin & Go (de Marta Carrasco
and Llibert Fortuny), La América de Edward Hopper (by Eva Hibernia), El casament de Terregada (by
Juli Vallmitjana, dir.: Joan Castells), Dies Irae, en el Rèquiem de Mozart (by Marta Carrasco), Petita feina
per a pallasso vell (by Matéï Visniec, dir.: Ramon Simó), Cos en coma (by Tays Sampablo, dir.: Ginnette
Muñoz Rocha), La música (by Marguerite Duras, dir.: Zep Santos), El bosc (by Daniela Feixas, dir.:
Ramon Simó), Peus descalços sota la lluna d'agost (by Joan Cavallé, dir.: Albert Mestres), Copenhaguen
(by Michael Frayn, dir.: Ramon Simó), Grimègies (Tortell Poltrona), Julieta & Romeo (dir.: Marc
Martínez).
p 14
B.FLOWERS
CURRICULA VITAE
José Antonio Gutiérrez
ARTISTIC TEAM
(music editing)
Creator of soundtracks and musical effects. Critics Award (1995) for the Best Soundtrack, for El Zoo de
Cristal in 1995, and Critics Award (1997) for the Best Soundtrack for El Malaguanyat. He has
collaborated with stage directors including Mario Gas, Carles Alfaro, Josep Maria Flotats, Georges
Lavaudant, Rafel Duran, Mathias Langhoff, Marta Carrasco, Alfredo Arias, Sergi Belbel, John Strassberg,
José Luis García Sánchez, Rosa Novell, Francisco Vidal, Angel F. Montesinos, Eugenio Navarro, Mariona
Masgrau, Lurdes Barba, Montse Sánchez and Ramón Baeza, Ramón Oller, Ángel Facio, Carme Portaceli,
Elisa Crehuet and Joan Maria Gual.
Some of his latest works as stage director: Manon, by Massenet (Oviedo Opera Festival, 2000),
Gianni Schicchi, by Puccini (International Music Festival of Santander, 2000), Manon, by Massenet
(Cervantes Theatre in Malaga, 2001), Gianni Schicchi, by Puccini (Arriaga Theatre, Bilbao, 2001), Aida,
by Verdi (Gran Teatre del Liceu, May 2001), Aida, by Verdi (Festival Hall, International Music Festival
of Santander, August 2001), Il Tabarro, by Puccini and Gianni Schicchi, by Puccini (Peralada Festival,
August 2001), Lucia di Lammermoor, by Donizetti (Santander Festival Hall, November 2001), Gaudí, by
Guinovart/Galceran/Miralles (Teatre Musical in Barcelona, September 2002), L'amico Fritz, by
Mascagni (Campoamor Theatre in Oviedo, November 2002), Aida, by Verdi (Gran Teatre del Liceo, July
2003), Rigoletto, by Verdi (Santander Festival Hall, 2003), Higroma (play performed daily during the
Universal Forum of Cultures in Barcelona, 2004), L´Elisir d´Amore, by Donizetti (co-director; Opera
Hall, A Coruña, Mozart Festival, 2004), Aida, by Verdi (Campoamor Theatre, Oviedo, 2005), Roberto
Devereux, by Donizetti (semi-stage; Gran Teatre del Liceu, 2005), L'Elisir d'Amore (Gran Teatre del
Liceu, 2005), L'Elisir d'Amore, by Donizetti (Savonlinna Opera Festival, Finland, 2005), Salir el amor del
Mundo, by Durón (Baroque zarzuela; Baroque Music Festival, Arriaga Theatre, Bilbao, 2005), L'Elisir
d'Amore, by Donizetti (co-director, Real Theatre, Madrid, 2006), De la contemplación al éxtasis (show
with texts by mystic poets from the Spanish Golden Age; Sacred Music Festival, Fine Arts Museum,
Bilbao, 2006), Andrea Chénier, by Giordano (Principal Theatre, Maó, 2006), Aida, by Verdi (Gran Teatre
del Liceu, 2007-2008), La Bohème, by Puccini (Principal Theatre, Palma de Mallorca, 2009).
www.gutigutierrez.com
p 15
B.FLOWERS
CURRICULA VITAE
Dario Aguilar
ARTISTIC TEAM
(scenography production)
He has a degree in Fine Arts (1989) from the University of Barcelona. His first works in his career were
predominantly in the field of painting, although he progressively started to experiment in other fields:
sculpture and furniture design, among others. He especially enjoys ironwork. Some of his more recent
projects, by way of example, include participating in Estampa in 2005 (with the publisher Quadrat
Nou), an exhibition of his sculptures in 2006 at the Vilacasas Foundation (Palafrugell) and the creation
of large-format sculptures for the Fabres-Lecina private collection (Mataró). He was an artist in 2008
with a solo exhibition at the ArtLoft Gallery (Reus). Lately he has become a regular collaborator in a
wide range of different stage creations. He has worked in scenography in: J’arrive (2006), Tranuites
Circus (2007), Dies Irae (2009), Napoli (2009; Bruno Oro).
www.darioaguilar.com
p 16
B.FLOWERS
CURRICULA VITAE
Antoni Vilicic
(Vallenar, Chile, 1962)
TECHNICAL TEAM
(technical manager)
Technical manager. Regular lighting technician for the company, with which he has worked since 1998
(Aiguardent). He has also worked as assistant director, production assistant, tour producer, theatre
scheduler and theatre manager. A graduate from the Actors Studio in Santiago de Chile (1986), he
studied as a Lighting Technician (1985-1986) at SIDARTE (Actors and Technicians Union in Chile) and
Dramatic Arts at the Barcelona Theatre Institute (1990-1994). He has also frequently collaborated
with Pep Bou Produccions, especially as a technical manager and lighting technician.
Contact: [email protected]
Joan Valldeperas
(Terrassa, Barcelona, 1978)
(sound technician)
Regular sound technician for the company. He has also worked as a production assistant on some
stagings.
p 17
B.FLOWERS
GRAPHIC MATERIALS
dflowers_107 © David Ruano
dflowers_219 © David Ruano
p 18
B.FLOWERS
INITIAL PERFORMANCE CHRONOLOGY
First performances:
05/10/2013 Festival Temporada Alta 2013 (Girona), official premiere
10-27/10/2013 Teatre Tantarantana, season run in Barcelona
20/10/2013 Sala Maria Plans (IT) (Terrassa, Barcelona)
22/11/2013 Tolosa (Guipúzcoa, Basque Country)
23/11/2013 Lasarte-Oria (Guipúzcoa, Basque Country)
05-06/02/2014 Teatro Piemonte (Turín, Italy)
09/02/2014 Teatre L’Escorxador (Lleida)
p 19
B.FLOWERS
CONTACT
Press, production and administration:
Management Department, Compañía Marta Carrasco
[email protected]
tel. (0034) 600 446 445
(Barcelona)
Normal opening hours for personal attention: 10.00 am to 2.00 pm
www.martacarrasco.com [email protected]
www.vimeo.com/martacarrasco
www.facebook.com/martacarrasco.dancetheatre
www.martacarrasco.cat (library;
library; new
new online resources centre)
centre)
dossier created on: 18/04/2013
latest edition: 10/01/2014
p 20
B.FLOWERS
A production by: Salometa SL (Companyia Marta Carrasco)
Co-production:
CAET-Centre d’Arts Escèniques de Terrassa, CCVV-Centre Cultural
Vilanova del Vallès, Festival Temporada Alta de Girona.
With the support of:
Technical residency done at:
p 21

Press Kit

Transcripción

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World Dance Alliance - Americas Announcements May 2011