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catálogo... - Liliana Iturriaga
wards &
uction
Rozas-Botrán Foundation
WARDS &
UCTION
Rozas-Botrán Foundation
Central American, Panamian
& Latin American Art
3
Northern Trust & Rozas Botran Foundation
I n v i t e
y o u
t o
t h e :
Rozas-Botrán Art Auction
November 5 · Espace Expression Gallery
317 NW 28 Street, Miami, Florida
Itinerary
5:00pm
5:00-6:30pm
6:45-8:45pm
Doors open
Silent Auction
Live Auction
Gustavo Villeda
[email protected]
RSVP: 954 707 8737
Valet Parking
55
Index
Credits
7
Letter from the President of Fundación Rozas-Botrán
9
Rozas-Botrán Foundation
INVEGEM
COELI
La Galería, FRB
Hospicio San José
CREA
11
13
14
15
16
17
About
José Rozas-Botrán
Curators
Sponsor
Organizers
18
19
20
21
Featured Artists
23
Central America & Panama
67
Latin America
75
Acknowledgements
88
Terms and Conditions
89
WARDS
UCTION
Rozas-Botrán Foundation
Board of Directors, Fundación Rozas-Botrán
Jose Rozas-Botrán, President
Cristina Rozas-Botrán, Communications Director
María de Botrán, Chief Executive
Mariana Solórzano, Cultural Director
Coordination and Selection of Artwork
Mariana Solórzano, Central America and Panama
Alex Slato, Latin America
Alberto Gorodi, Latin America
Jose Moreno, Latin America
Rozas-Botrán Awards and Auction
Alex Slato, Auctioneer and Organizer
Alberto Gorodi, Organizer
Gustavo Villeda, Organizer
Jose Moreno, Collaborator
Sponsor
Northern Trust
Catalogue
Cristina Rozas-Botrán, Coordinator
Valeria Montes, Graphic Designer
Thelma Castillo, Editor
Fernando Quel, Lot Photographer
Photography
Waseem Syed
Ange Bourda
Andrea de León
Managing Assistants
Oscar Lotán
Ana Aquil
Printed in Guatemala by: Corporación Litográfica
All rights reserved
No part of this publication may be reproduced by any means
without permission of Fundación Rozas-Botrán.
Guatemala, 2015.
7
Jose Rozas-Botrán
Presidente, Fundación Rozas-Botrán
Bienvenidos a la primera edición de Rozas-Botrán Foundation Awards
and Auction. Dentro del marco de celebraciones Cien30 de la Fundación
Rozas-Botrán, que cumple cien años de servicio social y treinta de
gestión artística y cultural, hemos creado una plataforma para difundir las
expresiones de las Artes Visuales contemporáneas de Centroamérica y
Panamá, para que sean apreciadas en toda su magnitud y con su propia
identidad.
Contamos con el apoyo de Northern Trust, institución financiera que se ha
identificado con la misión social que la Fundación Rozas-Botrán desarrolla
en el ámbito de la salud en Guatemala y sus países vecinos. Al equipo se
ha unido un grupo profesional de curadores y especialistas para presentar
un evento diferente. La selección de las obras que se premiarán se llevará a
cabo durante la exposición anual en la sede de Northern Trust.
Posteriormente, la obra participante se unirá con obra muy importante de
artistas internacionales invitados para la Subasta de Arte Latinoamericano
Rozas-Botrán en la galería Espace Expression, en la Ciudad de Miami,
dentro del ambiente artístico y cultural de la temporada pre Art Basel
2015. En este ambiente se llevará a cabo la subasta. El objetivo social de
la subasta se enfoca, en esta oportunidad, a la recaudación de fondos
para atender a la población más necesitada de Guatemala por medio
del INVEGEM. La tarea se desarrolla a través del programa de tamizaje
neonatal, dirigido a la población infantil de escasos recursos de las áreas
más vulnerables de esta región.
Agradecemos de forma especial la generosidad y el apoyo incondicional
de nuestros amigos, coleccionistas, galeristas y a los artistas porque sin su
apoyo no sería posible alcanzar nuestra meta.
Jose Rozas-Botrán
President, Fundación Rozas-Botrán
Welcome to the first edition of the Rozas-Botrán Foundation
Awards and Auction. As part of our Cien30 celebration,
commemorating 100 years of social service and 30 years of
promoting culture through art, we have created a platform to
promote the contemporary Visual Arts of Central America and
Panama so that they can be appreciated in all its magnitude
and authenticity.
We are extremely thankful to count with the support of our
sponsor, Northern Trust, who has identified with our cause and
the impact the Fundación Rozas-Botrán has had in Guatemala,
and now Central America. The selection of artworks awarded
will be showcased during our annual exposition in the
Northern Trust headquarters.
Subsequently, the exhibition will join well-known Latin
American artists invited for the Rozas-Botrán Awards and
Auction. This event will take place in Espace Expression
Gallery located in the Wynwood Art and Design District, where
it will serve as a prelude to Art Basel Miami Beach 2015.
The social objective of the Awards and Auction will focus this
year on generating funds for INVEGEM, our genetic research
center, and their neonatal screening program, which provides
preventive care for thousands of families in Guatemala.
We thank the generosity and unconditional support of our
friends, art collectors, gallery owners, and artists. Without
them all we have achieved could not be possible.
9
Fundación Rozas-Botrán
Fundación Rozas-Botrán es
una organización sin fines
de lucro que apoya la salud,
la educación y el desarrollo
cultural en Guatemala. La Familia
Rozas-Botrán cumple 100 años
de servicio social y 30 años
de promoción de la cultura a
través del arte en Guatemala.
En los últimos años también
promueve la obra del resto de
Centroamérica y Panamá.
A través de la promoción del
arte, subvenciones, donaciones
generosas y la ayuda del
gobierno tenemos la capacidad
de apoyar a nuestras diferentes
entidades sin fines de lucro:
Hospicio San José: el Hospicio y
Hospital San José atiende a
adultos, jóvenes y niños con
VIH/SIDA. Desde 1989 ofrece
refugio, alimentación, educación,
tratamiento y terapia a los
pacientes residentes; así como
educación, tratamiento y terapia
a pacientes ambulatorios.
INVEGEM: es un centro de
investigación genética que asiste
a las familias y personas individuales
afectadas por enfermedades hereditarias.
Es el único instituto de su tipo en el país
con el objetivo de ayudar a prevenir
ciertas enfermedades comunes de origen
genético y metabólico en la población
guatemalteca.
CREA: este centro ofrece servicios
científicos y artísticos para restaurar el
patrimonio artístico del país, así como
el de entidades privadas y personas
particulares. También apoya a las galerías
de la Fundación Rozas-Botrán con la
conservación y el cuidado de la obra que
manejan.
COELI: es un centro ocupacional que
brinda ayuda a jóvenes con necesidades
educativas especiales para incluirlos en la
vida laboral con la preparación adecuada.
La formación de los jóvenes incluye el
área académica, laboral y personal.
Las galerías: nuestras galerías colaboran
con la Fundación Rozas-Botrán en la
recaudación de fondos a través del
arte que promueven. Se encuentran
entre los espacios expositivos más
contemporáneos al servicio del arte
centroamericano y del resto del
continente.
Rozas-Botrán Foundation
Fundación RozasBotrán is a non-profit
organization that supports
health, education, and
cultural developments
in Guatemala. We are
currently celebrating 100
years of social service
of the Rozas-Botrán
family and 30 years of
promoting culture through
art in Guatemala, and
now Central America and
Panama.
Through the promotion
of art, grants, generous
donations, and
government assistance we
are able to support our
different entities:
Hospicio San José: is a non-
profit hospice and hospital
for children and young
adults born HIV positive.
Since 1989, Hospicio San
José offers shelter, food,
education, treatment, and
therapy for all resident
patients.
INVEGEM: is a genetic research center
that attends families and individuals
affected by hereditary illness. INVEGEM
is the only one of its kind in the country,
aiming to aid and prevent certain
illnesses common in the Guatemalan
population.
CREA: offers scientific and artistic services
to restore our artistic heritage while
also offering their services to private
entities. They also support the galleries
of Fundación Rozas-Botrán with
conserving and caring for the artwork
they handle.
COELI: is an educational center that
teaches specific work skills to young
adults with special needs. COELI
teaches its students culinary, artistic,
and technological skills so they can
integrate the work force and be
appreciated by our society.
Las Galerías: Our galleries help Fundación
Rozas-Botrán raise funds through
the art they promote. Furthermore,
they serve as some of the most
contemporary spaces in Central
America to exhibit artwork from our
region and the rest of the continent.
11
INVEGEM
Care for families with inherited genetic diseases
13
COELI
Educational Programs for people with special needs
LA GALERÍA, FRB
Some of the most contemporary spaces
in Central America, the galleries serve to
raise funds through art.
15
HOSPICIO SAN JOSÉ
Integrated treatment for people with HIV
CREA
Restoration of cultural heritage
17
Jose Rozas-Botrán
(Guatemala, 1963)
The Rozas-Botrán family is known for their altruism, solidarity,
and Christian values. They have, through Fundación Rozas-Botrán,
developed a social enterprise that provides treatment, education,
and research for an entire country. As part of the fourth generation,
Jose Rozas-Botrán pioneered the project until it became what it is
today. He has a degree in Business Administration and Art History,
is the President of Fundación Rozas-Botrán, founder of Campus
Médico San José, and chairman of Hospicio San José, (which offers
medical attention to anyone with HIV/AIDS) and INVEGEM (a genetic
research institute created for the education, prevention, diagnosis,
and treatment of human genetic and metabolic diseases).
Jose has also supported and has been a part of Obras Sociales
del Hermano Pedro that cares for patients with severe disabilities,
Guardería Virgen del Camino that offers nutrition to malnourished
children, and has been chairman of several other companies,
foundations, and private institutions in Guatemala. He is also an
active member of Club Rotario las Américas, and has belonged
to several committees within the District 4250. Additionally, Jose
took an active role in the national emergency and reconstruction
of his club, particularly to support reconstruction in the South
Coast of Guatemala. Former President of the committee for literacy
in Guatemala, Honduras, and Belize. He was awarded the Rotary
International Award "Service Above Self", the highest honor bestowed
annually to only 150 people worldwide.
Parallel to social entrepreneurship, Jose has ventured into cultural and
artistic management for over 30 years through the Fundación RozasBotrán galleries: promoting awareness and social sensibility through
art. Also in the cultural spectrum, Jose chairs CREA, which focuses on
the study, restoration, and scientific analysis of artistic heritage.
Jose is, at the present time, working on two major projects; the
establishment of an international platform for visual arts in Central
America and Panama through the Rozas-Botrán Foundation US,
and creating the UNIS Rozas-Botrán Museum – a contemporary
museum focused on the harmonious coexistence of the students of
Universidad del Istmo with Fundación Rozas-Botrán’s collection of
visual art from the XX and XXI centuries.
Curators
Carol Damian (United States)
Professor of Latin American art at Florida International University and former
Director and Chief Curator of the Patricia and Phillip Frost Museum, FIU (2008-2014).
Her recent work deals with Latin American female artists and Cuban exiles for which
she has written several catalogs and articles. Author of “La Virgen de los Andes, Arte
y Rito en el Cusco Colonial” (Grassfield Press, 1995) among other publications. She
lectures on Latin American art and has curated numerous exhibitions. Graduate of
Wheaton College, Norton, Mass., with a Master’s Degree and a Doctorate from the
University of Miami in pre-Columbian art in Latin American history. She has a long
trajectory in artistic teaching and a wide knowledge of Latin American art.
Francine Birbragher-Rozencwaig (United States-Colombia)
Curator, writer and critic of independent art. Licensed in Communication Sciences,
Universidad Javierana, Colombia. Master in Art History and Doctor in Latin American
History, Miami University. Former editor of ArtNexus magazine, member of the
board of the Contemporary Art Museum in North Miami and co-curator of the
Patricia and Phillip Frost Art Museum, FIU. Recent curatorial projects: Colombia
Recounted; Christie´s (New York, 2015), “Realidades en Conflicto”; Museum of
the Antioquia University (Medellín, 2015), and “Espacio ArtNexus” (Bogota, 2014).
Author of numerous texts, she has presided and belongs to important professional
associations. In philanthropy, she stands out as a founding member of Funding Arts
Broward, co-captain in the BeLive gala (2011 and 2012), and supports non-lucrative
entities dealing with culture, education and health. She currently serves as president
of ArtNexus Foundation and member of the advisory board of the Friends of the
Uffizi Gallery organization.
José Mario Maza (Guatemala)
Architect with a M.A. in Museum Studies. Director of the National Museum of
Modern Art since 2001, University professor of the School of Architecture and
Design in Rafael Landívar University since 2000. Currently enrolled in an M.A. in
Culture and Heritage Management, Rafael Landívar University. José Mario has
been involved in studies and projects internationally, including ventures in Spain
and Japan. Participant in revision and organization commissions, as well as an
international speaker. He has also had important roles in National Museum Policy
(revision), Exhibition Manual (publication), 1st Central American Museum Congress
(organization and speech), UNESCO/U.S.A. Committee (speech), and the educational
project “Our Stories are your Stories” (coordination). Jose Mario has taken part in
several publications: articles, guides, catalogues, exhibit guidelines, development of
museums, and education. His curatorial assignments have taken place internationally,
including projects in Idearte/Honduras (2010); 2nd Sculpture Festival/Guatemala
(2009); Arte Vivo/Colombia (2008, 2009, 2010); Cuenca Biennial/Ecuador (2007);
AMARTE/El Salvador (2006); Arte en Mayo (2003 to date). Judgment and selection
process of art contests, sales and auctions, including Helvetas Foundation/Young art
(2004-2008); FUNSILEC/Art for the Child (2006-2008); Fundación Rozas-Botrán/
Arte en Mayo (2003-2008); and Rotary Club Guatemala/ArtxArt (2006, 2007).
1919
Sponsor
Northern Trust
Northern Trust first opened its doors
for business in 1889. The Chicago-based
global bank, established by Byron Laflin
Smith, has more than 20 international
locations. Founded the same year the
Eiffel Tower was completed and the
Dakotas, Montana and Washington
became states, Northern Trust has
weathered the Great Depression, two
world wars and the 2008 financial crisis.
The bank not only survived, but thrived
during these times of significant market
and economic stress.
Northern Trust is a global leader in
delivering innovative investment
management, asset and fund
administration, fiduciary and banking
solutions to corporations, institutions and
affluent individuals. For over 125 years,
they have evolved with the changing
needs of their clients and our world.
In 2014, Northern Trust partnered with
Fundación Rozas-Botrán to gather funds
for INVEGEM, Fundación Rozas-Botrán’s
genetic research center. The partnership,
now in its second year, gathers funds for
social programs through the promotion
of the visual arts of Central America and
Panama.
Organizers
Alex Slato
Alex Slato & the Business of Art has 25 years of experience as art advisor,
public speaker, curator, auctioneer, art appraiser, and a modern and
contemporary art writer. He is the former Associate Director and Vice
President of Exhibitions for the Museum of Latin American Art (MOLAA)
and the LA Artcore Center, both located in Los Angeles, California.
Former VP of Exhibitions and Special projects for the Museum of Latin
American Art; managing the Development and Curatorial departments.
Member of the National Auctioneers Association, the Auctioneers of
Florida and California, and the International Society of Appraisers. He
currently spends his time between Miami and Los Angeles.
Espace-Expression Gallery
Espace-Expression is located at the heart of the Wynwood Art and
Design District in Miami and is directed by José Ramón Moreno. Espace
Expression Gallery gathers guest curators, art collectors and galleries,
as well as the general public with their thematic exhibitions focused on
contemporary art key concepts.
A.G. Gallery
After 20 years of experience in the world of art, Alberto Gorodi opens AG
Gallery in the Wynwood Art and Design District in Miami on December
2013. This respected gallery space is mostly devoted to promoting Latin
American masters and specializing in geometric abstraction and kinetic
art. Additionally, the space holds exhibitions of contemporary artists who
present innovative proposals in the continuity of this artistic trend.
21
Ramón Ávila
Mayra Barraza
Marlov Barrios
Jamie Bischof
Agustín Cárdenas
Luis Cornejo
Rudy Cotton
Carlos Cruz Diez
Fernando De Szyszlo
Rodrigo Echeverri
Darío Escobar
Luciano Goizueta
Roberto Fabelo
Gunther Gerzso
Corina Hóher
Walterio Iraheta
Wilfredo Lam
Julio Larraz
Mauro Mejíaz
Manuel Mendive
Carlos Mérida
César Menéndez
Ronal Morán
Vik Muñiz
Amelia Peláez
Ángel Poyón
René Portocarrero
Omar Rayo
Joaquín Rodríguez del Paso
Tomás Sánchez
Jesús Soto
Rufino Tamayo
Luis Tomasello
Javier Valle
Featured Artists
23
23
Marlov Barrios (Guatemala) · Series: Transfiguración · Acrylic on canvas · 59x59in ·
2014-2015 · $5,000-$6,000
Jamie Bischof (Guatemala) · #5 · Cedar, aluminum and stainless steel screws · 59.5x43x3.5in ·
2010 · $4,000-$4,800
25
Rudy Cotton (Guatemala) · Tópicos del trópico · Oil on canvas · 59x59in · 2015 ·
$10,000-$12,000
Angel Poyón (Guatemala) · Series: El Retorno 2/3 · Photography · 39x59in · 2014 ·
$3,200-$3,840
27
Mayra Barraza (El Salvador) · Series: “Sweet Dazzle”, Fugue I · Oil on Canvas · 2015
37x47in · $5,500-$6,600
Luis Cornejo (El Salvador) · Oil and acrylic on canvas · Chica con mostacho ·
27x39in · 2014 · $3,500-$4,200
29
César Menéndez (El Salvador) · Viaje interno · Acrylic on canvas · 47x47in · 2015 ·
$19,000-$22,800
Ronald Morán (El Salvador) · Sueño I · Photography on cotton paper · 4/5 · 53x35in ·
2013 · $5,500-$6,500
31
Walterio Iraheta (El Salvador) · Happy meal series, White Toys, 2/5 · High definition
printing/ fiber paper 100% acid-free cotton · 24x43in ·
$2,000-$2,400
Luciano Goizueta (Costa Rica) · Ausencia VIII · Acrylic on canvas · 35x47in · 2015 ·
$5,000-$6,000
33
Joaquín Rodríguez del Paso (Costa Rica) · Djoki 2 · Oil on canvas · 59x79in ·
$12,000-$14,400
Javier Valle (Nicaragua)
Paisaje lunar · Oil on canvas · 39x55in · 2015 · $4,600-$5,600
35
Ramón ávila (Guatemala)
Untitled · 60x64in · Oil on canvas ·
2013 · $24,000-$26,000
Ramón ávila
(España/Guatemala)
Encuentro en el mar ·
67x63in · Oil on canvas ·
2011 · $24,000-$26,000
René Portocarrero (Cuba)
Figura ornamentada · Watercolor on paper · 26x20In. · 1976 · $ 20,000-,000
37
Agustín Cárdenas (Cuba)
Thunder Man · Bronze sculpture on marble base · 17x8x4in· 1983-1985 ·
$20,000-$25,000
Wilfredo Lam (Cuba)
Untitled · Pastel on paper · 19x25 in · 1959 · $50,000-$60,000
39
Fernando de Szyszlo (Perú)
Camino a Mendieta
“Orrantia” · Oil on canvas · 39x31in ·
1978 · $35,000-$45,000
Fernando de Szyszlo
(Perú)
Orrantia · Oil on canvas ·
63x79in · 1994 ·
$75,000-$95,000
Carlos Cruz Diez (Venezuela)
Color Aditivo Permutable · Ed. Series E 64/120 ·
Acrylic on metal sculpture · 94x79in · 1982 ·
$70,000-$90,000
Carlos Cruz Diez (Venezuela)
Cromovela Alfa Cuatro · Sculpture ·
Original, Ed 9 · No. EA I · 23x4x4in · 2001 ·
$10,000-$15,000
41
Mauro Mejíaz (Venezuela)
Untitled · Oil on canvas · 51x76in · 1972 · $25,000-$30,000
Vik Muñiz (Brasil)
Series: “Puzzles” · “Gordian Puzzles: The Tower of Babel, after Pieter Breugel” · C-print ·
43x43in · 2007 · $50,000-$60,000
43
Corina Höher (Venezuela)
Nanofreciencia 680nm · Acrylic on plexi · 39x39in · 2015 · $4,000–$5,500
Rodrigo Echeverri Calero (Colombia)
Series: Una astilla en el ojo · Wood on paper · 14x20in · 2012 ·
$3,000-$5,000
45
Carlos Mérida (Guatemala)
Untitled · Gouache on paper · 12x9in · 1961 · $8,000-$10,000
Carlos Mérida (Guatemala)
Untitled · Oil on wood · 21x17.5in ·
1960 · $35,000-$40,000
Carlos Mérida (Guatemala)
Hunchoven · Watercolor and ink on paper
· 25x19in · 1974 · $24,000-$28,000
Carlos Mérida (Guatemala)
La Ofrenda · Piroxilina on amate paper ·
13x18in · 1975 · $35,000-$40,000
47
Rufino Tamayo (Mexico)
Perfil con sombrero · “Mixografía” on handmade
paper · 29x34in · 1981 ·
$10,000-$14,000
Rufino Tamayo (Mexico)
Personaje con pájaros ·
“Mixografía” on handmade paper · 1988 ·
34x42in · $12,000-$14,000
Rufino Tamayo (Mexico)
Figura en rojo · “Mixografía” on handmade paper · 35x27in · 1989 ·
$10,000-$14,000
49
Omar Rayo (Colombia)
Mammon · Acrylic on canvas · 39x39in · 1971 · $35,000-$45,000
Gunther Gerszo (Mexico)
Feminine variations · Ink and graphite on paper · 14x12in · 1970 · $12,000-$14,000
51
Roberto Fabelo (Cuba)
Viaje fantástico · Acrylic on canvas · 40x47in · 2012 · $40,000-$50,000
Darío Escobar (Guatemala)
Untitled · Hand cut cardboard · 24x18in · 2006 · $10,000-$15,000
53
Julio Larraz (Cuba)
Winter Ride · Oil on canvas · 16x19in · 2000 ·
$70,000 - $80,000
Julio Larraz (Cuba)
City of New Orleans · Oil on canvas · 59x71in · 2011 ·
$120,000-$140,000
Luis Tomasello (Argentina)
Atmosphere Chromoplastique No.932 · Acrylic and wood assembly · 11x11x2in ·
Ed 50 · 2009 · $7,000-$9,000
55
Jesús Soto (Venezuela)
Incline Blue et Noir · Metal and wood assembly ·
Ed 100 · 16x14in · 1966 ·
$35,000-$45,000
Jesus Soto (Venezuela)
“Homenaje Raul Villanueva” · Acrylic · Ed.
Denise Rene · No. 64/100 · 13.5x13.5x13.5in ·
$ 35,000-$40,000
Jesús Soto (Venezuela)
Series: Jai Alai · Ed 300 · Metal and wood
assembly · 20x9x4in · 1969 ·
$15,000-$20,000
Amelia Peláez (Cuba)
Florero · Gouache on paper · 19x14in · 1963 · $15,000-$20,000
57
Manuel Mendive (Cuba)
El Alimento · Acrylic on canvas · 40x40in · 2001 · $20,000-$25,000
59
Central America & Panama
61
Antonio Romero (El Salvador)
Untitled · Acrylic and oil on canvas ·
47x35in · 2015 · $2,300-$2,760
Darwin Andino (Honduras)
Landscape, Normandía · Photography
on canvas · 39x26in · 2015
$3,000-$3,600
Eny Roland (Guatemala)
San Sebastián y la muerte · Operated
photography 1/3 · 53x35in · 2015 ·
$2,500-$3,000
Erick Menchú (Guatemala)
La danza · Oil on canvas · 39x31in · 2015 ·
$2,000-$2,400
Mario Maffioli Reyes (Costa Rica)
Claudia Fuentes de Lacayo (Nicaragua)
Parvada · Acrylic on canvas · 51x47in ·
2014 · $6,000-$7,200
Tun, la piedra sabia entre el consumo masivo ·
Mixed media on canvas · 20x14in · 2014 ·
$1,000-$1,200
Medardo Cardona (Honduras)
Itziel Vega (Panama)
Penetrable 4 · Acrylic on canvas,
Polyptych · 60x37x7in · 2015
$2,500-$3,000
Festival en Guanajuato · Oil on canvas ·
42x35in · $2,500-$3,000
63
César Cartagena (Guatemala)
Juego de pelota II · Acrylic on canvas ·
90x77in · 2015 · $16,000-$19,200
Carmen Elena Trigueros
(El Salvador) · Pin up 9 · Oil on canvas
· 59x47in · 2014 · $3,000-$3,600
Josué Romero (Guatemala)
Geometría proyectual, Series: Geometría discreta
de lo irregular · Acrylic on canvas, Polyptych ·
23x19in, 19x19in, 11x11in· 2015 · $2,550-$3,100
Efraín Cruz (El Salvador)
Pop · Mixed media on canvas · 57x47in · 2015 ·
$2,800-$3,360
Jorge Linares (Guatemala)
Calle Martí II · Pigmented printing ink on
100 % paper · 42x35in · $2,000-$2,400
Ilse Ortiz de Manzanares (Nicaragua)
Nahui Ollin reciclado · Recycled soda cans,
aluminum wire · 43x20x13in · 2014 ·
$3,500-$4,200
Lezzueck Asturias (Guatemala)
Das Rennen · Acrylic on canvas ·
51x47in · 2015 · $1,500-$1,800
Mónica Serra (Guatemala)
Untitled · Acylic on canvas · 43x43in ·
2015 · $4,000-$4,800
65
Jorge Crespo (Costa Rica)
Juglar · Acrylic on canvas · 37x29in ·
2015 · $2,000-$2,400
Rebeca Calderón Pittman (Guatemala)
Éfeso · Acrylic and collage on canvas · 31x53in ·
2014 · $3,000-$3,600
Alex Cuchilla (El Salvador)
Gabriel Galeano (Honduras)
Peces de ciudad · Oil con canvas · 66x80in ·
$10,000-$12,000
Espacio 18 · Acrylic on canvas · 53x46in · 2015 ·
$2,250-$2,700
Norlan Santana (Nicaragua)
Laura Báez de Lacayo (Nicaragua)
Arquitecto de ciudad roja · Mixed media
on canvas · 47x59in · 2013 ·
$10,000-$12,000
Chancho con yuca ·Acrylic on canvas ·
48x42in · 2014 · $5,000-$6,000
Alessandra Sequeira (Costa Rica)
Interconexiones · Chinese ink · 71x16in · 2015 · $1,000-$1,200
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Juan Ramón Meza (Guatemala)
Paisaje etéreo · Drawing on paper ·
8x14in e/o · $1,600-$2,000
Federico Rosa (Honduras)
Ernesto Bautista (El Salvador)
Las manos entre las hojas · Encaustic oil
painting · 27x35in · 2014 · $1,200-$1,440
Aliento · Photography 1/5 · 39x59in · 2015 ·
$2,500-$3,000
Norman Morales (Guatemala)
José Pablo Ureña (Costa Rica)
La tormenta · Acrylic on canvas · 63x55in ·
2014 · $4,500-$5400
La caída · Oil on canvas · 50x35in · 2012 ·
$3,600- $4,320
Beatriz de León (El Salvador)
En la alfombra roja 1/8 · Photography ·
31x47in · 2015 · $2,500-$3,000
Arturo Monroy (Guatemala)
Selva Virgen · Coal and ash on canvas · 19x19in ·
2014 · $2,500-$3,000
69
Mauricio Esquivel (El Salvador)
Fernando Valdiviezo (Guatemala)
Centroamérica invertida · Photography · 39x59in
· 2013 · $1,500-1800
“Hablando en plata” Series: En el viaje de
los símbolos · Drawing on paper · 24x21in ·
2015 · $4,000-4,800
Luis Landa (Honduras)
Mónica Torrebiarte (Guatemala)
Fenotipo I · Acrylic on canvas · 39x43in·
2015 · $1,900-$2,300
Recitación · Xylography· 30x36in · 2015 ·
$1,500-$1,800
Álvaro Sánchez (Guatemala)
El hilo de Dios · Digital collage, cotton paper· 11x28in · 2015 · $1,500-$1,800
Legan Roster (Honduras)
La sierva de luto · Digital collage on
cotton paper · 35x35in · 2015 ·
$900-$1,200
Juan Carlos Calderón (Guatemala)
La Divina comedia · Acrylic on canvas · 64x57in ·
2015 · $8,500-$10,200
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Manuel Jaen (Panamá)
Especial K · Acrylic on canvas · 59x59in ·
$1,500-$1,800
Gabriel González (Panamá)
#2 · Acrylic on canvas · 18x18in · 2015
$4,500-$5,400
Mariu F. de Lacayo (Nicaragua)
Quipu universal · Mixed media on canvas · 51x78in · 2015 ·
$5,000- $6,000
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Latin America
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Liliana Iturriaga (Chile)
Estrato geométrico · Acrylic on plexiglass · 23x57x4in · 2015 · $4,000-$6,000
Roberto Arráiz Herrera (Venezuela)
Martha Boto (Argentina)
Cuerdas · Acrylic on canvas · 31x39in ·
2015 · $2,500-$3,000
Caja de luz · Sculpture · 18x15x8in · 1969
$18,000-$22,000
Antonio Segui (Argentina)
Julio Alpuy (Uruguay)
Atardecer · Acrylic on canvas · 14x18in ·
2006 · $8,000 - $12,000
Composición · Oil on canvas · 14x19in ·
1957 · $15,000 -$20,000
Fernando Arias (Colombia/England)
Francisco Zúñiga (Costa Rica)
Sale, Rojo · Bronze sculpture, 3/7 · 7x7x2in
· 2011 · $6,000-8,000
Desnudo · Sepia conte on paper · 25x19in ·
1971 · $6,500-$8,500
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Francisco Zúñiga (Costa Rica)
Mirna Salamanqués (Venezuela)
Mujer de pie con rebozo · Bronce Sculpture ·
15x6x3in · Edition 3/6 · 1970 ·
$22,000-$26,000
Proyección F.L.1 · Acrylic on canvas · 51x39in ·
2015 · $1,500-$2,000
José Merchant (Venezuela)
Francisco Toledo (Mexico)
Untitled · Acrylic on canvas · 39x29in
· 2015 · $1,500-$2,500
La Muerte agachada · Circa 70's
Oil and sand on paper · 11x14in ·
$30,000-$35,000
Muu Blanco (Cuba)
Víctor Manuel García (Cuba)
Ella · Series: Abstracciones paisajistas · Photography 5/6 · 23x31in · 2008 ·
$5,000-$8,000
Gitana con sombrero · Gouache on Paper
· 24x16in · 1929 · $20,000-$25,000
Felipe Castañeda (Mexico)
Andrés Michelena (Venezuela)
Mujer con caracol · Marble sculpture ·
10x25x14in · 2006 · $18,000-$22,000
From the Series “Countervision” ·
21.5x21.5in e/o · Acrylic paint on Ikea
Board · 2012 · $8,000-$10,000
79
Jorge Salas (Venezuela)
Gastón Ugalde (Bolivia)
Series: Tu y Yo · Marble sculpture ·
19x19x5in · 2014 · $10,000-$12,000
Flying Colors X · Archival Inkjet print on
museum · Quality photo rag (TBD) · Ed 1/3 +
1AP · 35x23in · 2012 · $4,500-$5,500
Paulo Castro (Venezuela)
Lubeshka Suárez (Venezuela)
Tensopintura · Intervened synthetic fabric
on MDF frame · 27x27x3in · 2015 ·
$2,200-$3,200
Series: Lineamientos fotográficos ·
Photography Archival Ink on Museum Grade
Cotton · 19x19in · 2015 · $ 800-$1,200
Gladys Triana (Cuba)
Héctor Pérez (Cuba)
Stillness III · C-Print Photography · 24x36in ·
2007 · $4,000-$5,000
Frozen thoughts · Mix on canvas · 61x49 in
· 2013 · $8,000-$12,000
José Margulis (Venezuela)
Luis Millé (Venezuela)
Topographic Series: “Ávila” · Edition: 1 + 1AP
Acrylic Sheets, Metal and Poard · 36x24in · 2015
· $4,500-$5,500
Flexocromo Blue · Assembled and
painted aluminum · 29x29x14in · 2015 ·
$6,500-$8,500
81
Richard Garret (Venezuela/USA)
Salvador Corratge (Cuba)
Glowing Mindfield · Edition 1/3 · Fuji flex
print mounted on plexiglass · 18x12in · 2009
· $3,000-$4,000
Untitled · Acrylic on canvas · 24x30in ·
2012 · $12,000-$15,000
Nina Dotti (Venezuela)
Ofill Echevarría (Cuba)
Let it go, The best is yet to come · Archival Ink
on metallic chrome · Photography · 31x23in · 2013
· $3,000-$5,000
Red bag · Painting · 40x63in ·
2011 · $10,000-$12,000
Jesús Briceño (Venezuela)
Consuelo Castañeda (Cuba)
Low · Mix on canvas · 39x31in · 2015 ·
$2,800-$3,200
Betty-Khalo · Digital Print · 23x15in · 2011
· $2,300-$2,900
Tomás Sánchez (Cuba)
Uaio Antor (Venezuela)
Orilla · Acrylic on canvas · 9x12in ·
1995 · $40,000-$50,000
PS · MDF and acrylic · 43.5x31.5in ·
2013 · $6,800-$7,800
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Rodrigo Machado Iturbe (Venezuela)
Opticinético · Cut Giclé on German paper ·
39x39in · 2015 · $3,000-$4,000
Alexander Martínez (Venezuela)
Trino Sánchez (Venezuela)
Paisaje Tropical · Mixed media on canvas ·
27x35in · 2015 · $2,600-$3,200
Laberinto Azul ·Acrylic on canvas · 31x39in ·
2008 · $3,000-$5,000
Tony Vázquez Figueroa (Venezuela)
In the land where gold is black II ·
Crude oil and pencil · 33x25in ·
Detail of a triptych · 2015 · $4,000-$6,000
José Vivenes (Venezuela)
Leslie Gabaldón (Venezuela/USA)
Cuento real para Baco · Oil on canvas ·
39x39in · 2015 · $2,000-$3,500
Más que dos · Archival Ink on museum grade
cotton · 39x26in · 2014 · $4,000-$5,000
85
Roberto Arráiz Herrera (Venezuela)
Sydia Reyes (Venezuela)
Persiana Americana · 39.5x31.5in ·
Acrylic on canvas · $2,800-$3,800
Soltando amarras · Painted iron sculpture ·
28x4x11in · 2013 · $12,000-$16,000
Paul Amundarain (Venezuela)
Piel Anarquica gold · 8x45in · 2015 · Acrylic and
wood · $ 3,000-$4,000
Mirna Salamanques (Venezuela)
Rodrigo Echeverri Calero (colombia)
Escritura Mántrica Roja 2 · 51.2X39.4in ·
Acrilyc on canvas · 2005 · Taller de El Limón
$2,600-$3,200
Una Astilla en el Ojo · Wood on paper ·
20x14in · 2012 · $ 3,000-$5,000
Richard Garret (Venezuela/USA)
Jorge Salas (Venezuela)
Glowing Mindfield Series · Fuji flex print
mounted on plexiglass · 12x18in ·
Edition 3/3 · $3,000-$4,000
Marble and wood sculpture ·
18.1x15x4.3in · 2007 · $6,000-$8,000
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Acknowledgements
The Rozas-Botrán Foundation US would like to thank the
artists in this catalogue for supporting our cause.
We’d like to give a special thanks to the following artists for
donating 100% of the proceeds of their work to our cause:
Roberto Arráiz Herrera
Jesús Briceño Reyes
Paulo Castro
Nina Dotti
Ofill Echeverría
Nina Fuentes
Leslie Gabaldón
Liliana Iturriaga
Rodrigo Machado
Jose Margulis
Alexander Martínez
José Merchant
Andrés Michelena
Luis Mille
Héctor “Chino” Pérez
Sydia Reyes
Mirna Salamanqués
Jorge Salas
Trino Sánchez
Lubeshka Suarez
Gladys Triana
Gastón Ugalde
Tony Vázquez
José Vivenes
And to Nina Fuentes for donating
the works of the following artists:
Fernando Arias
Muu Blanco
Consuelo Castañeda
Rodrigo Echeverrri
Darío Escobar
Richard Garret
We are eternally grateful.
TERMS AND CONDITIONS OF SALE
This catalog, as amended by any posted notices or oral announcements made solely by the RozasBotrán Foundation US Inc.’s authorized representatives at auction (“Rozas-Botrán” or “We” or “Us”),
are collectively Rozas-Botrán’s agreement with the purchaser (the “Purchaser” or “Bidder” or “You”)
relative to the property listed in the catalog (the “Agreement”). The following conditions of sale are
the only terms and conditions on which all property is offered for sale. By bidding at auction you
agree to be bound by these terms and conditions (“Terms and Conditions”).
1. Lots offered in this auction will be exhibited for preview at Northern Trust Bank, 600 Brickell Avenue,
Suite 2400, Miami, FL 33131, from October 15 through October 31, 2015, during regular banking hours.
2. All Bidders must register and provide identification in order to bid on items in the auction. Only
individuals who can lawfully enter into and form contracts under applicable law may bid for and buy
the items. In all cases Bidders must be at least 18 years of age. Registration will be on a confidential
basis and no bids will be accepted from unregistered Bidders. To register prior to the day of the
auction, call one of the representatives of Rozas-Botrán at 954-707-8737 or by email at [email protected]
fundacionrozasbotran.org.
3. When making a bid, a Bidder is accepting personal liability to pay the purchase or hammer price,
including all other Applicable Charges (as defined below), unless it has been explicitly agreed in
writing before commencement of the sale that the Bidder is acting as agent on behalf of an identified
third party acceptable to Rozas-Botrán, and that Rozas-Botrán will only look to the principal for
payment.
4. Bidders are strongly advised to examine personally any property in which they are interested
before the auction takes place. The property is sold “as is”. Statements in the catalog entry for
the property regarding size, quality, rarity, importance, provenance or historical relevance do not
constitute a representation, warranty or assumption of liability by Us of any kind. References in the
catalog entry or the condition report to damage or restoration are for guidance only and should be
evaluated independently by the Bidder. The absence of such a reference does not imply that an item
is free from defects or restoration, nor does a reference to particular defects imply the absence of
others. Estimates of the selling price should not be relied on as a statement that this is the price at
which the item will sell or its value for any other purpose. Rozas-Botrán is not responsible in any way
for errors and omissions in the catalog, or any supplemental material. Bidders are responsible for
satisfying themselves concerning the condition of the property and the matters referred to in the
catalog entry.
5. On the day of the auction, registered Bidders will receive a numbered paddle for identification
during the bidding and as an instrument with which to make their bids. We reserve the right to
withdraw any property at any time before the actual sale and we shall have no liability for each such
withdrawal. We reserve the right to reject any bid. The base price is the price in which the property
will be offered the day of the auction. The base price can be found in the catalog and in the list of
prices.
6. We will use reasonable efforts to carry out written bids delivered to us prior to the auction for the
convenience of clients who are not present at the auction in person or by an agent. Please refer to
the catalog for the Absentee Bid Form. If We receive written bids for an identical amount, and at
auction these are the highest bids on the property, it will be sold to the person whose written bid
was received and accepted first. We do not accept liability for failing to execute a written bid or for
errors or omissions in connection with it.
7. Unless otherwise indicated, all lots are offered subject to a reserve, which is the confidential
minimum price below which the lot will not be sold. The auctioneer may open the bidding on any
lot below the reserve by placing a bid on behalf of the seller. The auctioneer may continue to bid on
behalf of the seller up to the amount of the reserve, either by placing consecutive bids or by placing
bids in response to other bidders. If the auctioneer decides that any opening bid is below the value
of the articles offered, he may reject the same and withdraw the article from sale, and if, having
acknowledged an opening bid, he decides that any advance thereafter is insufficient, he may reject
the advance.
89
8. Subject to the auctioneer’s discretion, the highest bidder accepted by the auctioneer will be the Purchaser
and the striking of his hammer marks the acceptance of the highest bid and the conclusion of a contract for
sale between the seller and the Purchaser. Risk and responsibility for the lot (including frames or glass where
relevant) passes to the Purchaser upon delivery. The Purchaser must pay the full amount due (comprising
the sale or hammer price, Buyer’s Premium (defined below), and any other Applicable Charges) by check
or credit card immediately following the sale. The Purchaser does not acquire title until all amounts due
have been received in good cleared funds even in circumstances where the lot has been released to the
Purchaser. All property must be removed by the Purchaser not later than 5 business days following its
sale, and it is not so removed, a handling charge of 1% of the purchase price per month will be payable
by Purchaser, or We may send the purchased property to a public warehouse at the account, risk and
expense of the Purchaser. If any applicable conditions are not complied with by the Purchaser, in addition
to other remedies available to us by law, including without limitation holding the Purchaser liable for the
total purchase price, We may, at our option, either a) cancel the sale, retaining as liquidated damages all
payments made by Purchaser, or b) resell the property at public auction without reserve, and the Purchaser
will be liable for any deficiency and costs, including handling charges and incidental damages in additional
to the charges referenced above. We shall have the rights afforded a secured party with respect to such
property. The Purchaser may not remove any lot from Our premises until it has been paid for in full.
9. In addition to the purchase or hammer price the Purchaser agrees to pay a Buyer’s Premium (15% of the
purchase or hammer price), which shall be added to all purchases, and all other Applicable Charges which
may include, but are not limited to, storage fees, shipping and handling charges, and taxes and duties where
applicable. Unless exempted by law, the Purchaser shall be required to pay Florida State and local sales tax.
If the Purchaser is exempted from sales tax by law, appropriate documentation is required before payment
and delivery of the property.
10. Any property that is not sold at auction will be transferred to AG Gallery, 311 NW 28th Street, Miami,
Florida 33127. You may contact the gallery at 305-591-8223 to inquire about any property that was not sold
at auction and which may still be available for sale.
11. The rights and obligations of the parties with respect to this Agreement, the conduct of the auction and
any matters connected with the foregoing shall be exclusively governed by and construed and enforced in
accordance with the laws of the State of Florida, without regard to principles of conflicts of laws. By bidding
at the auction, whether present in person or by an agent, absentee bid or other means, the You shall be
deemed to have consented to the jurisdiction of the state and federal courts of the State of Florida.
12. We are not responsible for the acts or omissions of carriers or packers, whether or not recommended
by Us.
13. Except as specifically set out in this Agreement, Rozas-Botrán makes no representation and expressly
excludes all conditions or warranties, expressed or implied, including (but not limited to) the availability,
quality, timeliness, performance, or fitness for a particular purpose of any of the items available, to the full
extent permitted by law. In no event will our liability to the Purchaser exceed the purchase price actually
paid.
14. If any of the provisions of this Agreement will be invalid or unenforceable, such invalidity or unenforceability
will not invalidate or render unenforceable the remainder of this Agreement, but rather the remainder of
this Agreement will be construed as if not containing the particular invalid or unenforceable provision or
provisions, and the rights and obligations of the parties will be enforced accordingly. Moreover, if one or
more of the provisions contained in this Agreement will for any reason be held to be excessively broad
as to scope, activity, subject or otherwise so as to be unenforceable at law, such provision or provisions
will be construed by the appropriate judicial body by limiting, revising or reducing it or them, so as to be
enforceable to the maximum extent compatible with the applicable law as it then exists.
15. ALL SALES ARE FINAL.
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