including bio, artwork descriptions and prices
Transcripción
including bio, artwork descriptions and prices
P R E S S R E L E A S E FOR IMMEDIATE RELEASE > November 1, 2013 Yellow Peril Gallery 60 Valley Street #5 Providence, RI 02909 Media Contact: V Souvannasane Tel: +1 917 655 1497 E/M: [email protected] Yellow Peril Gallery presents “Model Minority” at SCOPE Miami Beach 2013 RAQUEL PAIEWONSKY, Sensory Insulation / Container of Ideas / Hair Ball (2010) from series: Gurardarropía, photographic print on acrylic, series of 9 / edition of 3, 32” x 48” each December 2 – 8, 2013 | SCOPE PAVILION | 1000 Ocean Drive | Miami Beach, FL 33139 YELLOW PERIL GALLERY | BOOTH G 09 FEATURED ARTISTS: Kathryn Parker Almanas Caleb Cain Marcus Naomi Campbell Jamey Morrill Rodrigo Nava Hao Ni Raquel Paiewonsky Anne Morgan Spalter Quintín Rivera Toro Diego Rodriguez-Warner FIRST VIEW SCHEDULE: Platinum Preview Gala Mon | Dec 02 | 5:00PM-8:00PM Invitation or Platinum VIP card for entry Proceeds benefit the Mourning Family Foundation SHOW HOURS: Wed | Dec 04 | 11:00AM - 8:00PM Thurs | Dec 05 | 11:00AM - 8:00PM Fri | Dec 06 | 11:00AM - 8:00PM Sat | Dec 07 | 11:00AM - 8:00PM Sun | Dec 08 | 11:00AM - 8:00PM Tues | Dec 03 | 1:00PM - 9:00PM For VIP and Press Yellow Peril Gallery is pleased to present "Model Minority" at SCOPE Miami Beach 2013, featuring 10 artists whose body of work is not marginalized by society's definitions of success, beauty and power. This is the Providence-based contemporary art gallery’s debut as one of 15 galleries selected by a panel of independent curators to join SCOPE’s Breeder Program, which introduces the most advanced cutting-edge galleries to the contemporary market for the first time. “Fostering critical dialogue about contemporary art and its impact on society has been integral to the success of Yellow Peril since day one,” notes Vanphouthon Souvannasane, Director. “At SCOPE Miami Beach, we aspire to extend the reach of our artists to new audiences, collectors, curators and critics. We are honored to be a part of the most dynamic and riveting week in the global contemporary art calendar.” At its core, "Model Minority" refers to a minority group (whether ethnic, racial or religious) in certain countries whose members are most often perceived to achieve a higher degree of success than the population average. Typically, this success is measured in income, education, and related factors such as low crime rate and high family stability. “Our mission with “Model Minority” is to exhibit provocative and visually arresting artwork that challenges our pre-conceived notions about the roles of art and artists in the general global conversation,” says Robert P. Stack, Curator. “Not only are our featured artists exceptionally talented, they are ahead of the curve with their vision and execution – they have no qualms about questioning the status quo and engaging with audiences in innovative and original ways.” Featured artists at “Model Minority” include: Kathryn Parker Almanas, Caleb Cain Marcus, Naomi Campbell, Jamey Morrill, Rodrigo Nava, Hao Ni, Raquel Paiewonsky, Anne Morgan Spalter, Quintín Rivera Toro and Diego Rodriguez-Warner. SCOPE Miami Beach opens on Monday, December 2, with its exclusive Platinum VIP Gala, continuing Tuesday, December 3, to welcome VIPs and Press at its First View benefit, and will open to the general public December 4 - 8, 2013. Yellow Peril Gallery will host “Model Minority” in Booth G 09. About SCOPE With over 65 art fairs spanning more than a decade, SCOPE is the largest and most global art fair in the world, celebrated as the premier showcase for international emerging contemporary art and multidisciplinary creative programming. Renowned for its uncanny ability to forecast new visual trends that are embraced globally, SCOPE Art Shows in Miami, Basel, New York, London and the Hamptons have garnered extensive critical acclaim, with sales of over $500 million and attendance of over 700,000 visitors. For more info about SCOPE, visit scope-art.com. About Yellow Peril Gallery YELLOW PERIL GALLERY is a contemporary art gallery located at The Plant, a historic mill complex in the Olneyville neighborhood of Providence, Rhode Island. The Gallery strives to foster modern art critiques on popular culture and society from emerging, mid-career and established artists in the United States and abroad. We aspire to exhibit provocative and visually arresting artwork created specifically to ignite conversations long after viewers have left the building. Artists that we represent share our commitment to social responsibility, and a percentage from the sale of all artwork is donated to a charitable organization of the Artists’ choice. For more info about future exhibitions, visit www.yellowperilgallery.com. ***** If you’d like more information about this press release, or to schedule an interview with artists featured in MODEL MINORITY, please contact Vanphouthon Souvannasane at +1 917 655 1497 or via e-mail at [email protected]. KATHRYN PARKER ALMANAS BIO Kathryn Parker Almanas earned a BFA in Photography from MassArt in 2003 and a MFA in Photography from Yale University in 2007. While at Yale, she was awarded the Schickle-Collingwood Prize, and upon receiving her MFA, was the recipient of the Alice Kimball English Traveling Fellowship to conduct research on the history of anatomical dissection in Italy. Her work has been published in 25 Under 25 Up-and-Coming American Photographers, Photo District News, Metropolis, to name a few. She has created art on commission basis for New York, Time, Details, Culture+Travel, among other magazines. Almanas's work has been exhibited in solo and group exhibitions in New York, Boston, Chicago, Miami, and Philadelphia. Her photographs and collage work investigate destruction and healing within the body and the terrors and pleasures of embodiment, often drawing ideas from the medical world. ARTIST STATEMENT As an artist, I am dedicated to the expression of the human condition; what it means to be alive existing within our skin, the sensations of embodiment, and the relationship between the ethereal and corporeal. I investigate destruction and healing within the body and the terrors and pleasures of embodiment. My visceral tableaux are constructed with dough, jelly, fruit juices, white cloth and women's tights. I create and photograph surrogate organs. Within this work, I play with how we recognize ourselves in textures and materials; dough and jelly act as viscera, light evokes both a surgical and divine gaze. I flirt with and subvert the genre of still life from both historical painting and contemporary editorial photography to evoke an anatomical perspective and awareness of the body. The jelled fruit is encased in a skin of dough. Juice seeps through the stocking skin, surrounded by plastic tubing, draped fabric, or stained cloth. Sweet objects, that could potentially be consumed, act as surrogate body parts. The fleshy forms lie, hang, and nestle within these explicit scenes, both seducing and disgusting the viewer. The images provoke sensations of pain and pleasure, creating an intimate tension. In Piero Camporesi's book entitled Juice of Life, a Franciscan apothecary in 1679 instructs patients how to use blood let from a healthy body and jar it like jelly with the intention of consuming it as a health elixir. This semi-cannibalistic view of blood resonates with contemporary analysis of autoimmune disease as a condition within which the body is destroying (consuming or digesting) itself. I am interested in resonances between forms of selfdestruction – digestion, cannibalism, self-flagellation, autoimmune disease – and their emotional, spiritual, and psychic implications. The collage work shown in correlation with the photographs are works I created prior to and during the making of the photographed visceral tableaux. Creating theses collages opened a way for me to clarify my thoughts, concepts, and materials for the photographs I constructed. I discovered that collage was a way for me to think, but also a form and medium I want to pursue and evolve in my practice as an artist. The collages Fig. 116., Fig. 39., Fig. 104., and Fig. 95. are the first set of collage sketching I was doing prior to the visceral tableaux photographs within Pre-Existing Condition. Using suturing thread, I sewed sections of pastry imagery I cut from magazines over organs in anatomical illustrations. By doing so, I realized I wanted to use actual pastry ingredients to directly create surrogate organs, thereby leading to my photographic works. Chronic Care Collection is a series of twelve collages constructed from photographs cut from one of my mother’s nursing guides from the 1970s, sections of my own photographs, sections of medical bandaging and gauze, sewn together with suturing thread. Within this series, I am considering: the act and confusion of healing and care, the comfort and threat of the medical world, the patient perspective. The triptych Three Systems of a Woman: Digestive, Reproductive, Nervous has to do with the use of the female body within anatomical dissection illustration. It has been noted that the female body has been used to primarily illustrate the nervous and reproductive systems, i.e. woman as “nervous Nelly” or as a vessel for baby-making. I added the digestive element to further extend this conversation of what the female body is thought to represent to that perception of woman being one that devours. CV EDUCATION 2007 2003 2002 Yale University School of Art, New Haven, CT Degree: M.F.A. in Photography Massachusetts College of Art: Boston, MA Degree: B.F.A. in Photography Distinction and Departmental Honors Accademia di Belli Arte: Viterbo, Italy, in conjunction with Montserrat College of Art: Beverly, MA Study Abroad Program EXHIBITIONS 2013 2013 2013 2013 2012 2010 2010 Pre-Existing Condition, Yellow Peril Gallery: Providence, RI Work Harder, Yellow Peril Gallery: Brooklyn, NY Strangely Human, Broad Street Gallery: Hartford, CT Parallax: Women’s Photography Exhibition, Gormley Gallery, Notre Dame of Maryland University: Baltimore, MD Come Together, FotoWeekDC Festival: Washington, DC Try: Benefit Art Show, Jen Bekman Gallery: New York, NY Housed, Women In Photography: online exhibition http://www.wipnyc.org/blog/housed 2010 2009 2008 2008 2008 2007 2007 2007 2007 2007 2007 2006 2006 2005 2004 2004 2003 2003 2002 Housed, Alice Austen House: Staten Island, NY Slide Slam, Real Art Ways: Hartford, CT 25 Under 25 Up-and-Coming American Photographers, Gulf and Western Gallery: New York, NY Slide Slam, Real Art Ways: Hartford, CT FRESH: Emerging Artists Series, Kasia Kay Art Projects Gallery: Chicago, IL Bridge Art Fair, Kasia Kay Art Projects: Miami, FL The Photo Review 2007 Competition Group Show, Gallery 1401, University of the Arts: Philadelphia, PA Yale M.F.A Photography Show, Danziger Projects: New York, NY (photographs) Group Show, (photographs) Gallery: Chicago, IL Yale M.F.A Thesis Show, Green Art Gallery, Yale University: New Haven, CT Recent Work, Culpeper Gallery: Abrons Art Center, Henry Street Settlement: New York, NY Second-year M.F.A Exhibition, Green Art Gallery, Yale University: New Haven, CT Montserrat College of Art’s 20th Annual Artrageous Auction, Montserrat Gallery: Beverly, MA First-year MFA Exhibition, Green Art Gallery, Yale University: New Haven, CT Ladies’ Night Fall: A Convergence of Women, Art, and Fashion, Jose Hernandez Cultural Center: Boston, MA (photographs) Group Show, Worcester Artist Group Gallery: Worcester, MA Senior Photo Show, Tower Gallery, Massachusetts College of Art: Boston, MA Solo Student Exhibition, A4 Gallery, Massachusetts College of Art, Boston, MA Viterbo, Carol Schlosberg Alumni Gallery, Montserrat College of Art: Beverly, MA AWARDS 2012 2010 2010 2009 2008 2007 2006 2002 1999 The American Academy in Rome, nomination for application for the 2013 Rome Prize: New York, NY Aperture Portfolio Prize Runner-up, Aperture Foundation: New York, NY http://www.aperture.org/apertureprize/2010-2.php ScanDigital's Top 100 Online Photographer's Award for 2010 The Louis Comfort Tiffany Foundation Biennial Award: Nominee: New York, NY The Singular Image Color Competition, Center Santa Fe: Santa Fe, NM Alice Kimball English Traveling Fellowship recipient, Yale University School of Art: New Haven, CT Schickle-Collingwood Prize, Yale University School of Art: New Haven, CT Foundation Auction Award, Massachusetts College of Art: Boston, MA Merit Scholarship, Massachusetts College of Art: 1999-2003 HONORS, PANELS, VISITING LECTURES 2013 2013 2012 2012 2011 Visiting Artist Lecture, Humanities in Medicine Lecture Series, Yale School of Medicine: New Haven, CT Visiting Artist Lecture, Art Department: Semester in NYC, Hamilton College: New York, NY Visiting Artist Lecture, Art As A Source Of Healing, Brown University and RISD: Providence, RI Discussion Panelist: Yale Photography MFA Alumni: Kathryn Parker Almanas, Daniel Gordon, and David Benjamin Sherry: Graduate Photography: Yale University School of Art: New Haven, CT Bravo, Work of Art: Season Two: Artist: New York, NY 2011 2011 2010 2009 2008 2008 2008 2007 2008 2005 http://www.bravotv.com/work-of-art/season-2/bio/kathryn Visiting Artist Lecture, Undergraduate Painting, Temple University, Tyler School of Art: Philadelphia, PA Visiting Artist Lecture, Undergraduate Photography, Wesleyan College: Middleton, CT Visiting Artist Lecture, Undergraduate Photography, Rowan University: Glassboro, NJ Visiting Artist Lecture, Undergraduate Photography, Bard College: Annandale-on-Hudson, NY Visiting Artist Lecture, Undergraduate Photography, Rowan University: Glassboro, NJ Review Santa Fe, Conference and Portfolio Review: Center: Santa Fe, NM Visiting Artist Lecture, Undergraduate Photography, Yale University School of Art: New Haven, CT Open Studio Panelist: Ethics in Photography, Graduate Student Symposium: Yale Center for British Art: New Haven, CT Discussion Panelist: Photography Documenting History of Medicine, Research, and Experimentation: Medical Historical Library, Yale University School of Medicine: New Haven, CT Class of 2007 Representative: Graduate Photography Department, Yale University School of Art: Fall 2005-Spring 2007 BIBLIOGRAPHY 2013 2012 2012 2012 2011 2011 2011 2011 2011 2011 2011 2011 2011 2011 2011 Schaufenster Die Presse, Weekend Feature: Gourmet Kostnitiz, Vienna, Austria Kenya Daily Nation Newspaper, Saturday Magazine, Feature: Wangechi Mutu: December 8 TAR Magazine: Wangechi Mutu, cover PMS 485 C Project: Online Portfolio: http://www.pms485c.com/ freq.uenci.es: A collaborative Genealogy of Spirituality: photograph titled Limbic featured: http://freq.uenci.es/2011/10/28/blood/ Village Voice: Q&A: Kathryn Parker Almanas on Her Work of Art Elimination: http://blogs.villagevoice.com/runninscared/2011/10/qa_kathryn_parker_almanas_work_of_art.php Artillery Magazine: Interview: Kathryn Has Intestinal Fortitude: http://www.artillerymag.com/blog/entry.php?id=kathryn-has-intestinal-fortitude ArtInfo.com: "We're All Going to Die": Our "Work of Art" Exit Interview With Kathryn Parker Almanas: http://www.artinfo.com/news/story/38918/were-all-going-to-die-our-work-of-art-exit-interviewwith-kathryn-parker-almanas/ BloggingBravo.com: Interview: http://bloggingbravo.blogspot.com/2011/10/blogging-bravointerview-with-work-of_20.html NewYorkMag.com: Work of Art Recap: Jerry Saltz Shows Appreciation on a Gut Level: October 20, 2011: http://nymag.com/daily/entertainment/2011/10/work_of_art_recap_jerry_saltz_1.html Delicate: New Food Culture: Gestalten: Pastry Anatomy series featured in book publication: p. 147. .default magazine: Online magazine, collage work: Chronic Care Collection featured: p.118: http://www.defaultmagazine.com/eng/issues/16/ Fototazo: Curated Photographer Recognition: http://www.fototazo.com/2011/08/f100-owenbruce-tamar-latzman-kathryn.html 500 Photographers by Pieter Wisse: Photographer #316: http://500photographers.blogspot.com/2011/06/photographer-316-kathryn-parker-almanas.html Photopol.us: Online Interview: ArtStar Kathryn Parker Almanas Photographs the Visceral Tableaux: http://photopol.us/2011/04/28/artstar-kathryn-parker-almanas-photographsthe-visceral-tableaux/ 2011 2011 2010 2010 2010 2010 2009 2009 2009 2008 2008 2008 2008 2008 2008 2007 2007 2007 2006 2004 2004 Share Mag: Online Portfolio: http://SHAREMAG.NET/index.php?option=com_content&view=article&id=1140:pre-existingcondition-kathryn-parker-almanas&catid=19:portfolios&Itemid=214 The Placenta Cookbook , New York Magazine: August 29th Issue. Ruby Magazine: Issue 49: http://www.ruby-mag.com.ar Critics’ Picks: Artforum: Housed at Alice Austen House, by Megan Heuer: http://www.artforum.com/?pn=picks§ion=nyc#picks26059 A Guided Tour, essay by Susan Bright in conjunction with the exhibition, Housed: July Food In Contemporary Photography, Gastronomica Magazine: Winter PDN’s 30 2009, Photo District News Magazine: March Superbugged, Toronto Life Magazine: p.58-59, 61, 62: March The Collector’s Guide to Emerging Art Photography: Humble Arts Foundation: March Emerging Artists 2008, American Photo Magazine: October Between the Rivers, Waterstone Review, Volume 11: October A Dose of Reality, Metropolis Magazine: September 25 Under 25- the World Through Their Eyes, O, The Oprah Magazine: September Wangechi Mutu: A Shady Promise, endpages 25 Under 25 Up-and-Coming American Photographers Catalogue: Duke University Center for Documentary Studies: 2005 competition A Spice Odyssey, Culture+Travel Magazine: p.100-105: Winter Competition 2007, The Photo Review: October Graduate Photography 2007 at Yale Catalogue, GHP, West Haven, CT (photographs) Magazine, p. 3, 6, 16: No.5/ Winter CMYK Magazine, p.15, 45: Summer (photographs) Magazine, p.9-13: No.2/ Spring TEACHING EXPERIENCE 2011- International Center of Photography: New York, NY present Continuing Education Faculty, Course Taught: Building A Vision: Advanced Perspective, Collage and Construction: Navigating the Imagination 2008- Hamilton College: Art Department: Clinton, NY 2010 Visiting Assistant Professor of Art responsible for Photography courses and facilities: July 2008July 2010. Courses taught: Introduction to B&W Photography, Introduction to Digital Photography, Advanced Photography, Senior Art Majors 2007 Yale University School of Art, Undergraduate Department of Photography: New Haven, CT Teaching assistant to Sarah Anne Johnson: Spring 2007. Course: Introductory Photography. 2006 Yale University School of Art, Undergraduate Department of Photography: New Haven, CT Teaching assistant to Lisa Kereszi: Fall 2006. Course: Medium Format Photography. 2004 Massachusetts College of Art, Department of Photography: Boston, MA Teaching assistant to Nicholas Nixon: Fall 2004. Course: Large Format Photography. 2004 Franklin Public School: Franklin, MA Substitute Art Instructor, Franklin High School: October 2003- January 2004 and December 2001- January 2002. 2004 Norwood Public School: Norwood, MA 2003 2003 Substitute Art Instructor, Norwood High School: November 2003- January 2004. Massachusetts College of Art, Department of Photography: Boston, MA Teaching assistant to Nicholas Nixon: Fall 2003. Hostelling International’s Opening Doors, Opening minds Travel Scholars Program in Collaboration with the Greater Boston Arc’s KOALA Program: Boston, MA Volunteer Photographic Instructor: August 2003. PROFESSIONAL 2012 2011 2010 2008 2008 2007 2007 2006 2005 EXPERIENCE Wangechi Mutu Studio: Brooklyn, NY Freelance Photographer commissioned for Installation image to be printed on cover of TAR Magazine. New York Magazine: New York, NY Freelance Photographer commissioned for August 29th Issue story: The Placenta Cookbook. Time Magazine: New York, NY Freelance Photographer commissioned for October 25th Issue story: The Joy of Cookbooks. Details Magazine: New York, NY Freelance Photographer commissioned for September story: Know+Tell Drinks: Obscure Classic Cocktails. Bettyann Holtzmann Kevles: New Haven, CT Assistant to Yale University History of Science & Medicine Professor: Spring 2008. Culture+Travel Magazine Freelance Photographer commissioned for Winter story: A Spice Odyssey. Wangechi Mutu Studio: Brooklyn, NY Freelance Photographer commissioned for Portrait to be included in book publication. Art Collection Deutsche Boerse: Frankfurt am Main, Germany Internship under Curator, Anne-Marie Beckmann: Summer 2006. Yale University School of Art, Admissions Office: New Haven, CT Office assistant, work-study: Winter 2005. KATHRYN PARKER ALMANAS Limbic (2010) from series: Pre-Existing Condition archival pigment print edition of 3 + 1AP / 50" x 40" - $5,000 / $6,500 framed edition of 5 + 1AP / 24” x 20” - $3,300 KATHRYN PARKER ALMANAS Surgical Theatre (2009) from series: Pre-Existing Condition archival pigment print 30" x 40" / Edition of 3 + 1AP - $4,400 / $5,500 framed 16" x 20" / Edition of 5 + 1AP - $2,200 KATHRYN PARKER ALMANAS Bloatation (2009) from series: Pre-Existing Condition Archival Pigment Print 20" x 24" / Edition of 3 + 1AP - $3,300 / $4,400 framed 10" x 12" / Edition of 5 + 1AP - $1,200 CALEB CAIN MARCUS BIO Caleb Cain Marcus is a New York City based photographer, born in the Rocky Mountains. Cain Marcus has dedicated himself to the poetic search for the balance between city, nature, man and the invisible. In an effort to re-create a feeling of solitude that occurs in nature he photographed New York City at night, when the vibrations of the space could be observed without the pollution of people. The series culminated in his first book, The Silent Aftermath of Space (2010), which included a foreword by Robert Frank. Cain Marcus’ response to the night work, A Portrait of Ice (2012), was a two-year journey onto the glaciers of Patagonia, Iceland, Norway, New Zealand and Alaska. Cain Marcus attempts to create a bond between the viewer and the glaciers that is not based on analytic data, but one that is felt through the use of instinctual color. His photographs are in the collections of the Metropolitan Museum of Art, the Museum of Fine Arts Houston, and the High Museum of Art, among others. He holds an MFA from Columbia University. CV EDUCATION MFA Columbia University EXHIBITIONS 2014 National Academy of Sciences, Washington, DC (upcoming) 2013 The Ross Art Museum, Delaware, OH Additions to the Collection from Antiquity to Today, Mead Art Museum, Amherst College, MA 2012 Full of Grace: The Child in Photography, Palm Beach Photo Centre, West Palm Beach, FL 2011 Photography and Its Influence on Contemporary Art, Vanderbilt University Fine Arts Gallery Nashville, TN Cool and Collected, Delaware Art Museum, Wellington, DE The Buhl Collection: Speaking with Hands, Palm Beach Photo Centre, West Palm Beach, FL 2009 Selected Black and White Photography, Schimmel Gallery, New York, NY Through the Lens, Studies in Photography, Trout Gallery, Carlisle, PA 2008 Recent Additions to the Permanent Collection, Delaware Art Museum, Wellington, DE 2007 Between Language and Geography, Miskin Gallery, NY, NY New Acquisitions, Bucknell University, Samek Art Gallery, Lewisburg, PA COLLECTIONS (PARTIAL LIST) Amherst College, Amherst, MA The Buhl Collection, New York, NY Center for Creative Photography, Tucson, AZ The Cohen Collection, New York, NY Cooper Union, New York, NY George Eastman House, Rochester, NY High Museum of Art, Atlanta, GA Hood Museum of Art, Hanover, NH The Metropolitan Museum of Art, New York, NY The Museum of Fine Arts Houston, Houston, TX The Museum of the City of New York, NY The Norton Museum of Art, Palm Beach, FL ART FAIRS SCOPE Miami Beach, Yellow Peril Gallery, 2013 The Armory Show, New York, Howard Greenberg Gallery, 2013 MONOGRAPHS A Portrait of Ice. Text Marvin Heiferman, Robin Bell. Damiani, 2012. The Silent Aftermath of Space. Foreword: Robert Frank. Damiani, 2010. ANTHOLOGIES Shared Space. Damiani, 2009. Full of Grace. PowerHouse, 2006. AWARDS + HONORS William H. Eells National Colloquium Artist. 2013 PDN Annual, A Portrait of Ice. 2013 International Photography Award, The Silent Aftermath of Space. 2010 Double Elephant Editions Portfolio. 2006 ARTIST LECTURES National Colloquium, OH, 2013 FotoFusion, FL, 2012 PRESS Audubon Magazine, “Field Notes” July/August, 2013 Artsy “Follow these four landscape photographers” June 7, 2013 Fraction Magazine “A Portrait of Ice” June, 2013 Photo District News “Photo Annual Photo Books 2013” June, 2013 Smithsonian “Caleb Cain Marcus’ Photos of Glaciers on a Disappearing Horizon” March 21, 2012, Megan Gambino. Musée Magazine “Caleb Cain Marcus” March 13, 2012, Marsin. Urbanautica “Book Review: Caleb Cain Marcus’s Portraits of Ice” December 31, 2012, Steve Bisson. The Watch “Caleb Cain Marcus Brings Clarity to a Brief Moment in the Long History of Glaciers” December 20, Marta Tarbell. Design Arts Daily “Caleb Cain Marcus: A Portrait of Ice” December 17, 2012, Peggy Roalf. Photo-eye Magazine. “A Portrait of Ice” October 26, 2012, Tom Leininger. A Photo Editor. “This Week In Photography Books – Caleb Cain Marcus” October 12, 2012, Jonathan Blaustein. A Sky Filled with Shooting Stars. “Read this now: “A Portrait of Ice” by Caleb Cain Marcus” October 10, 2012, Robert Ayers. Photo District News Blog. “Ice Age” September 18, 2012, Amber Terranova. Trendland. “A Portrait of Ice by Caleb Cain Marcus” September 14, 2012, Izabella Tzenkova. Resource Magazine. “Caleb Cain Marcus’ Portrait of Ice” September 14, 2012. NBC Photo Blog. “A Portrait of Ice” September 11, 2012. Time LightBox. “A Portrait of Ice” September, 2012. Antiques & Fine Art Magazine. “Museum of the City of New York…” Autumn 2011, Sean Corcoran, Lacy Schutz. Photo-eye Magazine. “The Silent Aftermath of Space” June 2011, Tom Leinnger. Frankfurter Allgemeine Zeitung. “Kopfüber in die Nacht” December 23, 2010 CALEB CAIN MARCUS Perito Moreno, Plat I, Patagonia (2012) from series: A Portrait of Ice pigment fiber print 54” x 43” / Edition of 4 + 2AP - $9,000 ($12,000 framed) | 2/4 framed + 1AP framed + 1AP unframed available 29” x 23” / Edition of 9 - $5,000 unframed COLLECTIONS: The Metropolitan Museum of Art EXHIBITION HISTORY: Ross Museum 2013 / National Academy of Sciences 2014 CALEB CAIN MARCUS Nigardsbreen, Plate I, Norway (2011) from series: A Portrait of Ice pigment fiber print 54” x 43” / Edition of 4 + 2AP - $9,000 ($12,000 framed) | 2/4 framed + 2AP available 29” x 23” / Edition of 9 - $5,000 unframed EXHIBITION HISTORY: Ross Museum 2013 / National Academy of Sciences 2014 / Tufts University 2014 CALEB CAIN MARCUS Fox, Plate IV, New Zealand (2010) from series: A Portrait of Ice pigment fiber print 54” x 43” / Edition of 4 + 2AP - $9,000 ($12,000 framed) | 3/4 + 1AP available 29” x 23” / Edition of 9 - $5,000 unframed COLLECTIONS: The Metropolitan Museum of Art EXHIBITION HISTORY: Ross Museum 2013 / National Academy of Sciences 2014 CALEB CAIN MARCUS Sólheimajökull, Plate II, Iceland (2010) from series: A Portrait of Ice pigment fiber print 43” x 54” / Edition of 4 + 2AP - $9,000 ($12,000 framed) | 3/4 + 1AP available 22” x 29” / Edition of 9 - $5,000 unframed COLLECTIONS: The Metropolitan Museum of Art EXHIBITION HISTORY: Ross Museum 2013 / National Academy of Sciences 2014 NAOMI CAMPBELL BIO Canadian born Naomi Campbell grew up in Montréal, now lives in Brooklyn, New York. She is an interdisciplinary artist and instructor of the contemporary figure at the Art Students League of New York whose paintings, graphics and sculpture installations explore the cross section between art, science and social consciousness. Throughout her career she has exhibited extensively both nationally and internationally in galleries and museums. Prior to 2008, a significant part of her work has been site-specific public art projects. In 2003 she took part in the City’s MTA Arts for Transit, a two-year art and redesign project for the New York Transit Authority. Allocated the Bronx Zoo and Wildlife Conservation Society, Naomi created a complex series of stain glass walls, dividers and enclosures. Other projects during that time included the SWIFT Pan-Americas acquisition of her artwork in their permanent collection. This two-year project completed in 2007 was a five hundred pound custom glass sculpture selected to be the central piece in their Times Square head office. The City of Geochang in South Korea commissioned a six-foot granite sculpture for their sculpture park as part of their Sculpture Symposium event in 2007. Recently her practice investigates the human presence questioning the boundaries of identity and individual memory. 20 Seconds, Objects of affection, Ritual and Silence are part of a series addressing the use of firearms in America that began in 2004. Her works on this issue are now being considered for an upcoming book Guns-Love, fear and loathing by Rizzoli. In 2007 she created an installation based on her wire drawings of cancer survivors shown in Berlin and New York. In 2008 exploring the physiological mapping of the face she produced the glass and mirror work Exit/Enter for White Box [NY]. Following that she her attention was drawn to investigate the effects of technology through the context of speed and the passage of time. A renewed examination of Futurism at the time of its centennial, Campbell incorporated glowing industrial nocturnes as freeze-framed “filmstrips” around the gallery. These plexiglas painted panels were bolted to the walls in her solo exhibition at White Box Projects in 2010. Her x-rays and light installation at Governors Island in 2011 and in the recent Seeing Ourselves exhibition curated by Dr. Jeff Koan Baysa developed from her research into the 2011 nuclear power plant disaster in Japan. Homeless myths and Indigo cried black were tributes to the nuclear power plant workers. The room installations used analogue x-rays to create interactive environments for the viewer to walk through. Campbell has lectured and conducted critiques at institutions such as Lehman College [NY], the MTA Arts for Transit, the New York Transit Museum, and several national and international art organizations. She has been a contributing writer to some art journals and magazines. Campbell’s work is featured in public collections including the City of New York, the City of Irving [TX], the Trenton City Museum [NJ], the New York Public Library, and Maimonides Hospital [New York]. CV EDUCATION § Graduate Collège de Champlain, Quèbec, DEC, Studied: University of Guelph, Ontario, CDA § School of Visual Arts, New School, graduate in painting & printmaking at The Art Students League of New York, NY RESIDENCIES § SVA, Public Arts, NY PUBLIC/CORPORATE COMMISSIONS (select) 2006-7 S.W.I.F.T. Pan-Americas NY Corporate head office. 500 lb. glass sculpture 2006 Maimonides Hospital; Cancer Treatment Center entrance. 15 ft. work on paper 2003-5 MTA Arts for Transit, Bronx Zoo subway station 2,5 line, North & South platforms. 2 yr. project, 450 sq. ft. faceted glass 2005 ASPCA Humane Award used in perpetuity LIA London International Advertising, Top Awards used in perpetuity EXHIBITIONS Select, solo to four person, * indicates catalogue/brochure 2012 Retinal Displacement, Yellow Peril Gallery, RI*(solo) 2010 Silent Harvest, White Box Projects, NY*(solo) Silent Harvest, Galerie Gee 71, Netherlands (solo) 2007 2003 Twist of Fate, Trenton City Museum, NJ* Tetrasoma, Heidi Cho Gallery, NY 1997 Urban Relief, Heidi Cho Gallery, NY Blue Exhibition, Heidi Cho Gallery, NY Int’l Group, International House, NY 1996 International Art, International House, NY Select, group, post 2000 2013 Model Minority, Yellow Peril Gallery at SCOPE Miami Beach, FL Work Harder, Yellow Peril at LightSpace, NY, curator Robert Stack Past Perfect, Future Imperfect, Art Share LA, CA, curator Dr. Koan Jeff Baysa 2012 The Flat Files, Yellow Peril Gallery, Providence, RI Seeing Ourselves, Center for Photography and the Moving Image Museum, NY, curators Dr. Koan Jeff Baysa, Dr. Caitlin Hardy* Taiwan International Pastel Group Exhibition, Department of Education of Taiwan, Taipei* 2011 Buildings of New York, George Billis Gallery, NY* Hudson River Contemporary: Works on Paper, curators Dr. Katherine Manthorne & Mr. James McElhinney, Boscobel Museum, Garrison, NY* Governor’s Island Art Fair, NY* Arte et Amicitae, Amsterdam, Netherlands* The Eternal Landscape, curators Christopher Sweet & Charles Yoder, Salmagundi Center for American Art, NY* 2008-10 Documents Please international traveling exhibition* 2009 Theatre of More/21, White Box, NY 2009-10 Etching and Monotype Exhibition, Pyramida Center for Contemporary Art, Haifa, Israel* Zeeland Ontdekt Amerika, Zeeuws, Maritiem Muzeum, Holland* 2008 Talent Preview ’09, White Box, NY* Basel Miami, Scope Art Fair, Miami, FL Asian Contemporary Art Fair, Pier 94, NY 2007 Geochang Sculpture Symposium Exhibition, Geochang, South Korea* Threading Trends, Galeria Galou, NY Threading Trends, Alte Poste, Berlin, Germany Etching Salon, David Kiehl curator of Whitney Museum, Gregg Gallery, NAC, NY* Bennington AAA Invitational, Bennington Center, VT* Clifton Arts Center PSA Invitational, Clifton, NJ2006 Bronx Bound, Lehman College Gallery, CUNY, NY* Taiwan Center for Art International Exhibition, Taiwan Center for Art, NY* Renaissance Pastel, Slater Memorial Museum, CT Trenton City Museum Ellarslie, Trenton City Museum, NJ Greenwich Council of the Arts, Bendheim Gallery, Greenwich, CT 2005 Along the Way MTA Arts for Transit 20 Year Retrospective Exhibition, UBS Gallery, NY The League Then and Now; Art Students League of New York, Gallery Salute to 130th Anniversary, Phyllis-Harriman Mason Gallery, curator Pam Koob, NY Water Mill Museum Annual Exhibition, Water Mill, NY 2003 Contemporary Japanese Prints, Harold Lemmerman Gallery, New Jersey City University, NJ The Lobby Gallery, Durst Organization, NY Japanese Contemporary Prints, GOGA, NY Watercolor U.S.A., Springfield Museum, MI* Okayama Sculpture Exhibition, Okayama, Japan International Art of the Fan, Tokyo Metropolitan Museum of Art, Japan, Seoul, Korea* Paper Ball, Jersey City Museum, NJ Just Visiting, John Meagher Gallery, Jersey City Hall, NJ 2002-3 Message from New York, Traveling, Umeda Sky Gallery, Osaka, Japan, Durst Organization, NY 2002 A Century on Paper, Prints by Art Students League of New York Artists 1901-2001, UBS Gallery, curator Pam Koob, NY Emerging Artists of New York Society of Etchers, Golden Street Galleries, CT* Print Exhibition, GOGA, NY Butler Museum of American Art Annual Exhibition, Youngstown, OH* Emerging Artists of New York Society of Etchers, Golden Street Art Galleries, CT Reactions, Exit Art, NY* New York City Non-Profit Print Workshop, Phyllis Harriman Gallery, ASL, NY* 2001 Butler Museum of American Art Annual Exhibition, Youngstown, OH* International Print Exhibition, Shoreline Gallery, NJ Print Exhibition, Gallery of Graphic Arts, NY Emerging Printmakers from Around the World, Swaine Gallery, CT International Artists Print Exhibition, Shoreline Gallery, NJ 2000 New York Underground, Sylvestre Galleries, NJ International Print Exhibition, Gallery of Graphic Arts, NY Miyazaka, Gendaikko Museum, Miyazaka, Japan AWARDS, HONORS (select) Several scholarships including: § § § Tung Wah Scholarship National Academy UBS Scholarship Several awards including: § § § § § 4 Gold Medals of Honor for visual arts from National Juried Exhibitions 4 Signature Memberships from National Juried Organizations 2004 Award - Annual Okayama Sculpture Invitational Exhibition, Okayama, Japan Award - The Pastel Journal 5th International Competition Top Finalist 3,000 entries 2002 Award - The Artists Magazine International Competition Top Finalist 14,000 entries PROFESSIONAL POSITIONS (select) § Instructor in Fine Arts: the Contemporary Figure in Watercolor, The Art Students League of New York, since 2007 § Serve on Selection Committee for the City of New York, MTA Arts for Transit, for permanent artwork for the subway § Guest Lecturer at New York College & National Art Organizations including New York Transit Museum, City of New York MTA Arts for Transit, Lehman College, & Salmagundi Center for American Art, NY 2005-2011 § Contributing writer, American Artist 2011, Artscape 2009, Linea Art Journal 2003-2004 § Research Assistant, New York art critic and writer 2000, 2005 BIBLIOGRAPHY (select, post 2000) Featured in 14 book publications including: § § 100 Mid-Atlantic Artists, 2010 Along The Way, MTA Arts for Transit, 2006 2012 Naomi Campbell, “Retinal Displacement,” Collect magazine, Autumn 2012 “Editor’s Pick: Retinal Displacement, new works by Naomi Campbell,” Providence Phoenix, Sept. 13 “Top Pick, Get Out Calendar,” Providence Monthly, September “Seeing Ourselves: The Science and Art of Diagnostic Medical Imaging”, Huffington Post 2012/03/06 “Mixed Media; Experiencing the Experimental”, The Complete Painter’s Handbook 2012, American Artist Magazine 2011 Master Palettes, by Naomi Ekperign, American Artist Magazine, Fall Watercolor issue 2010 Bahr, Bob. “Rediscovering Acrylics”, American Artist Magazine 2007 Purcell, Janet. “Detour to Fame,” The Times, Trenton Metro, January 2006 Carpenter, Sandra. “Portraits of Life: Naomi Campbell,” Pastel Journal Magazine Fletcher, Heather. “Bronx Bound,” Daily News, February 2005 McGee, Celia. “Carving out a Niche,” Daily News, Sunday Now, October Purcell, Janet. “Source of Life, Naomi Campbell,” WatercolorMagic Magazine 2004 Haler, Vera. “100 Years of the Subway,” Newsday New York.com, interview & video, October “Master Painters of the World 2004: United States Showcase,” International Artist Magazine, June/July Johnson, Michael Johnson, Michael Chelsey. “The Year’s Best,” Pastel Journal, April 2002 Sullivan, Jenny. “That Something Special,” The Artist’s Magazine Elliot, Virgil. “The Contemporary Portrait,” Journal of American Society of Portrait Artists, Vol. 2 2000 Sasaki, Kana. “Auctioned,” The Yomuri America Newspaper, NY, October NAOMI CAMPBELL Spawning (2013) acrylic and metal on canvas 70” x 38” $15,000 NAOMI CAMPBELL Erasure (2012) from series: Retinal Displacement acrylic on canvas 48" x 72” $12,000 NAOMI CAMPBELL Untitled I (2013) from series: Retinal Displacement acrylic on canvas 48" x 22” $7,000 NAOMI CAMPBELL Untitled II (2013) from series: Retinal Displacement acrylic on canvas 28" x 40” $7,000 JAMEY MORRILL BIO JAMEY MORRILL is a Providence-based sculptor and adjunct professor of art at Rhode Island College in Providence, RI. In recent years Morrill's sculpture has become increasingly sprawling and site-specific, with emphasis on mass-produced materials and organic forms. Often using commonplace materials, such as plastic bottles, chicken wire, and duct tape, Morrill constructs sculptures that are outwardly cerebral and systematic but that are fundamentally random and irrational. Morrill recently completed a residency at Fountainhead in Miami and was nominated for the Rappaport Prize from the DeCordova Museum in 2010 and The Louis Comfort Tiffany Foundation Grant in 2009. Previous select solo and group exhibitions include: Yellow Peril Gallery, Providence (2012 & 2013), Locust Projects, Miami (2011 & 2012), Curfman Gallery at Colorado State University (2011), Maya Allison Projects (2010), Aqua Art Fair, Miami (2009) and David Winton Bell Gallery (2005). He received his M.F.A. in Sculpture from Indiana University, Bloomington in 2002 and his B.A in Art History from Bowdoin College in 1992. CV EDUCATION M.F.A. Sculpture; Indiana University, Bloomington. 2002 Exchange Fellow; Freie Universitaet, Berlin, Germany 1994-1995 B.A. Magna Cum Laude Bowdoin College.1992 DISTINCTIONS Visiting Artist; Fountainhead Residency; Miami, FL. 2012 Artist-in-Residence, Bannister Gallery, Rhode Island College; 2011 Nominee; Rappaport Prize; DeCordova Museum, Lincoln, MA. 2010 Nominee; The Louis Comfort Tiffany Foundation Grant 2009 Visiting Artist and Lecturer; UMass Lowell, Lowell, MA. 2008 Visiting Artist and Lecturer; Marlboro College, Marlboro, VT. 2008 Visiting Lecturer; Rhode Island School of Design, Providence, RI. 2006 Visiting Artist and Lecturer; Bowdoin College, Brunswick, ME. 2004 Fellowship Grantee; Vermont Studio Center, Johnson, VT. 2003 Recipient, Grant-in-aid of Research; Indiana University, Bloomington, IN. 2002 EXHIBITIONS SOLO EXHIBITIONS Yellow Peril Gallery, Providence, RI 2013 Yellow Peril Gallery, Providence, RI 2012 Curfman Gallery, Colorado State University, Fort Collins, CO 2011 Maya Allison Projects, Providence, RI 2010 University Gallery, UMass Lowell, Lowell, MA 2008 Fine Arts Gallery, Community College of Rhode Island, Lincoln, RI 2008 Drury Gallery, Marlboro College, Marlboro, VT 2008 The Space at Alice, Providence, RI 2006 NAO Gallery, Boston, MA. 2005 Clara M. Eagle Gallery, Murray State University, Murray, KY 2004 Bluebird Gallery, Louisville, KY 2003 Hand-Laundry Gallery, Louisville, KY 2002 Indiana University Museum of Art, Bloomington, IN 2002 Gallery Hertz, Louisville, KY 1998 David Hungerford Gallery, Lexington, KY 1998 GROUP EXHIBITIONS Yellow Peril at Lightspace, Brooklyn, NY 2013 Locust Projects, Miami, FL 2012 Locust Projects, Miami, FL 2011 Aqua Art Fair, Miami, FL 2009 Bannister Gallery, Rhode Island College; Providence, RI 2009 David Winton Bell Gallery, Brown University; Providence, RI 2005 South County Art Association, Kingston, RI 2005 Clara M. Eagle Gallery, Murray State University, Murray, KY 2003 Foothills Art Center, Golden, CO 2001 Wood Street Gallery, Chicago, IL 2000 Hunter Museum of Art, Chattanooga, TN 2000 JAMEY MORRILL Untitled (Tire) (2013) rubber, wood, nylon, silk, paint 26” x 26” x 10” $7,500 JAMEY MORRILL Landscape Sculpture #9 (2013) wood, nylon, silk, paint 12” x 8” x 4” $600 JAMEY MORRILL Landscape Sculpture #10 (2013) wood, nylon, silk, paint 24” x 9” x 4” $1,200 JAMEY MORRILL Landscape Sculpture #11 (2013) wood, nylon, silk, paint 12” x 8” x 4.5” $600 JAMEY MORRILL Landscape Sculpture #6 (2013) wood, nylon, silk, paint 15” x 8” x 3” $900 JAMEY MORRILL Landscape Sculpture #8 (2013) wood, nylon, silk, paint 16” x 8” x 3.5” $900 JAMEY MORRILL Stool (2013) wood, nylon, silk, paint 29" H x 14" W x 17" L $2,500 RODRIGO NAVA BIO Mexico City, Mexico, b. 1978 Born in Mexico City, Mexico in 1978, RODRIGO NAVA mentored under artists Edgar Guzman, Joseph Fichter, and Franco Ciarlo. Through these experiences, Nava became familiar with the sculptural use of stone, ironwork and mixed media. Nava took Fichter’s position as Head of Sculpture Department at The Putney School in Putney, Vermont, returning to stone sculpture and incorporating process with materials such as wax, brass, and poured tin. From his current studio in Putney, Nava explores the interaction between the intentional hand of the sculpture, the material quality of steel and experimental explosive processes that alter the form created by hand. Although Nava frequents New York City, he maintains residence in Putney, where he continues to teach part-time, and at times holds process-restrained, temporary art collaborations. CV EDUCATION • American University of Paris, Paris, FRANCE | BFA (2000) EXHIBITIONS • • • • • • Model Minority, SCOPE Miami Beach 2013, Yellow Peril Gallery, Providence, RI Governors Island Art Fair, 7 Sept – 29 Sept 2013, New York, NY Work Harder, Yellow Peril Gallery at LightSpace, 11-13 May 2013, Brooklyn, NY Collect, #102 Satellite Projects at The Plant, Nov - Dec 2013, Providence, RI Visible Force, 19 July – 12 August 2012, Yellow Peril Gallery, Providence, RI Expansions, 10 March – 2 April 2012, Partners & Spade, New York, NY RODRIGO NAVA Expansion #14 (2012) from series: Visible Force expanded, welded steel sculpture dimensions variable $4,200 RODRIGO NAVA Expansion #5 (2012) from series: Visible Force expanded, welded steel sculpture dimensions variable $3,700 RODRIGO NAVA Expansion #7 (2012) from series: Visible Force expanded, welded steel sculpture dimensions variable $3,700 HAO NI BIO B: 1989 in Hsin Chu, Taiwan HAO NI is an artist who is currently pursuing an MFA at The Rhode Island School of Design. Originally born and raised in Taiwan, Hao arrived in the United States in 2007 after obtaining his citizenship in Canada. Lost in translation from one culture to the next, Hao’s work is often informed by the dislocation he feels as a Taiwanese Canadian (now American). Hao’s recent work explores the possibility of finding the sublimity from the banal activities of the middle class. Through understanding the system in place in both society, Hao hopes to bring up new questions about the construction of identity in the increasingly globalized world. ARTIST STATEMENT Over the backdrop of the social, political and economic structures that rule the world today, I wanted to focus on the everyday rituals that, in turn, define our identities. These rituals, while seemingly mundane, become increasingly important as national and cultural boundaries are eroding. As an immigrant, I had to become flexible and ultimately submissive toward these underlying forces and rituals. Over the years, I found myself noticing my experiences with the mundane and the subsequent contradictions. My practice focuses on specific instances of these contradictions at play within modernity. I draw from French philosopher, Paul Virillio's thoughts on invention, speed, distance and violence. Virillio once said, "the invention of the ship was also the invention of the shipwreck." As movement is accelerated and distances are shortened, contradictions become more frequent. My interest in music as a representation of movement signifies the, often incoherent, translation of chaos within structure. CV EDUCATION 2014 2011 Rhode Island School of Design Sculpture MFA candidate, Providence, RI Bachelor of Fine Arts, School of the Art Institute of Chicago (SAIC), Chicago, IL Concentration in Sculpture GRANTS, AWARDS, RESIDENCIES 2012 2011 2007 RISD Presidential Scholarship recipient Edward Ryerson Fellowship, SAIC, Chicago SAIC Merit Scholarship EXHIBITIONS SOLO EXHIBITIONS 2013 2011 "Proximity”, Yellow Peril Gallery "You Have Your Fortress, I Have Mine", Pop Up Art Loop, Chicago SELECT GROUP EXHIBITIONS 2013 2013 2013 2013 2013 2013 2012 2012 2012 2011 2011 2011 2011 2010 2010 2009 “Cloaked and Crashing” RISD Exposé (Curator), Providence, RI “Under The Influence” Gelman Gallery at RISD Museum, Providence, RI “Work Harder” Yellow Peril at LightSpace Studios, Brooklyn, NY “Stalactite” The Granoff Center for the Creative Arts, Providence, RI “Heavy” Sol Koffler Gallery, RISD, Providence, RI “Transmediation” Stephan Stoyanov Gallery, New York NY “Y.O.L.O” Las Manos Gallery, Chicago, IL “With Other People, With Other Sons” Heaven Gallery, Chicago, IL “B.A.D” Beverly Art Center, Chicago, IL “Wood Worked” Chicago Urban Art Society, Chicago, IL “Visual Narration: Contemporary Forms of Storytelling” Robert Bills Contemporary, Chicago, IL NEXT art fair, Robert Bills Contemporary, Chicago, IL BFA show, SAIC, Chicago, IL “Scape”, The Nicole Villeneuve Gallery, Chicago, IL “Melting Point”, Work Studio Chicago, IL “Sense and Form” Crossing” 33 Collective Gallery, Chicago BIBLIOGRAPHY 2012 2011 Make Space. Review: With Other People, With Other Sons Time Out Chicago. Visual Narration at Robert Bills Contemporary. Lauren Weinberg HAO NI Residue (2013) enamel paint and aluminum on cast plastic, fluorescent light and light box 2ft x 4ft each $5,000 each HAO NI Smoke Ring (2013) from series: Smoke Sculptures acrylic paint and glue on cigarette ash edition of 5 dimensions variable $275 each HAO NI The road will never be the same (2013) plaster, clear acrylic, paper 33" x 12" x 12" $3,750 without base / $5,000 with base HAO NI The road will never be the same again (2013) plaster, clear acrylic, paper 33" x 12" x 12" $3,750 without base / $5,000 with base RAQUEL PAIEWONSKY BIO Puerto Plata, Dominican Republic, b. 1969 RAQUEL PAIEWONSKY moved to New York in 1991 to continue her art studies in Parsons School of Design and stayed there for 10 years. In 2001 she returned to Santo Domingo where she currently lives and works. Her work has traveled across the globe. It explores human body, urban life, social constructs and social issues. For more information, visit www.raquelpaiewonsky.com. ARTIST STATEMENT “im propia” speaks of humanity and freedom, through a corporeal symbolism that embodies our experience in the social context but always with an important reference to our natural and instinctive self. Raquel Paiewonsky uses the body as a platform that allows her from an intimate place to approach broader topics ranging from social, philosophical or political. In this exhibition she explores personal relationships, childhood, love, stereotypes, nature, diversity. “I have always been interested in the body as a vessel capable of containing our life experiences within itself, sometimes in mysterious and subtle ways, other times more forcefully,” explains Paiewonsky. “In recent years, my work explores the relationship between our essence and our surroundings, the impact of stereotypes and cultural constructions, always taking as a reference our instinctual selves and the ways in which the primal component of our nature is affected by the new and ever changing contexts of contemporary life.” Although seldom conveying violence explicitly, Paiewonsky’s work is very much concerned with the veiled but insidious violence that permeates the personal, social and political systems in which we live. CV EDUCATION 1993 Bachelor in Fine Arts, Parsons School of Design, New York 1991 Fine Arts and Illustration, Altos de Chavón La Escuela de Diseño, La Romana, Dominican Republic 1990 Textile Design, Parsons School of Design, New York 1988 Painting, Boston Museum of Fine Arts 1986 - 1989 Architecture, Universidad Nacional Pedro Henríquez Ureña, Santo Domingo, Dominican Republic SOLO EXHIBITIONS 2013 Model Minority. SCOPE Miami Beach 2013, Yellow Peril Gallery, Miami Beach, FL im propia. Governors Island Art Fair 2013, Presented by Yellow Peril Gallery, New York, NY im propia. Yellow Peril Gallery, Providence, Rhode Island 2012 impropia. Centro cultural de España Santo Domingo, CCESD, Dominican Republic 2008 re-vuelta. Museo de Arte Moderno, Dominican Republic Una. Galería Lisa Kirkman, Cabarete, Dominican Republic Una. Lyle O’ Reitzel Gallery, Santo Domingo, Dominican Republic 2006 WholeBeing. Lyle O. Reitzel Gallery, Miami, Florida 2004 Vestial. Centre Martiniquais d’Action Culturelle, Martinique 2001 Vestial. Capilla de los remedios (IV Bienal del Caribe), Santo Domingo, D.R. 1999 Sub-cutánea. Lyle O. Reitzel, Arte Contemporáneo, Santo Domingo, D.R. 1997 La Resurrección de los Párpados. Lyle O. Reitzel, Arte Contemporáneo, Santo Domingo, Dominican Republic Kelly Glass Studio & Gallery, New York 1996 A Conversation. Hunter College, New York 1995 Obras recientes: Museo de Arte Moderno Santo Domingo, Dominican Republic 1992 Galería de Arte Nouveau, Santo Domingo, Dominican Republic GROUP EXHIBITIONS 2013 SCOPE Miami Beach 2013, Breeder Program. Booth Yellow Peril Gallery, Miami Beach, Florida 55 Bienal de Venecia. Proyecto con el colectivo Quintapata, Instituto Italo-Latino Americano, Curated by Alfons Hug, Venice, Italy Bienal del sur de Panamá. Panama City, Panama 2012 XXI Bienal de La Habana. Proyecto con el colectivo Quintapata. Pabellón Cuba, Havana, Cuba XXIV Concurso de Arte Eduardo León Jiménez. Santiago, Dominican Republic Los poderes. Dentro del Festival foto 30 de Guatemala. Centro de la imagen, Santo Domingo, Dominican Republic 2011 Caraibe en expansion. Centre Culturel de Recontre Fonds Saint – Jacques, Curated by Jose Manuel Noceda Bienal Nacional de Artes Visuales. Museo de Arte Moderno Santo Domingo, Dominican Republic Crissis…América Latina Arte y Confrontación 1910 – 2010. Museo del Palacio de Bellas Artes. México DF. Curated by Gerardo Mosquera Mover la Roca. Exposición con el Grupo de Artistas Contemporánea Quintapata, Curated by Fernando Castro. CCEMX. México Trajectories, Galerie T&T Art Contemporain, Guadeloupe 2010 Vibrations Caraïbes. Museo de Montparnasse, November 2010, Paris, France Think Twice: New Latin American Jewelry, October 2010. Museum of Art and Design (MAD), New York Bienal XXIII Eduardo León Jiménez. Centro León Jiménez, Santiago, Dominican Republic II Bienal de pintura Guayaquil. Museo Luis Noboa Naranjo, Guayaquil, Ecuador Global Caraibes, Curated by Edouard Duval Carrié. Museé International des arts Modestes (MIAM). Sete, Paris, France Global Caribbean, Curated by Edouard Duval Carrié. Little Haiti Cultural Center, Miami, Florida Des Cubierta, Parte del simposio y serie de exhibiciones Walking the gray area, Curated by Valeria Vallarta. Ex Teresa Arte Actual. Ciudad de México, Mexico Mover la Roca, Exposición con el Grupo de Artistas Contemporánea Quintapata, Curated by Fernando Castro, Centro Cultural Recoleta, Buenos Aires, Argentina 2009 Casa Tomada. II Encuentro de Jóvenes Artistas y Escritores de América Latina y el Caribe, Casa de las Américas, Havana, Cuba X Bienal Cuenca, Curated by José Manuel Noceda. Cuenca, Ecuador Courants Chauds, Créateurs Contemporains Dominicains et Haitiens, Curated by Michêle Alfred, Le Musée du Panthéon National Haitien, Haití Mundus Novus, 53 Exposición Internacional de la Bienal de Venecia, Instituto Italo-Latino Americano. Curated by Irma Arestizábal, Venice, Italy Mover la Roca, Exposición con el Grupo de Artistas Contemporánea Quintapata, Curated by Fernando Castro, Centro Cultural de España, Lima, Peru 2008 Mover la Roca, Exposición con el Grupo de Artistas Contemporánea Quintapata, Curated by Fernando Castro, Centro Cultural de España, Dominican Republic Atlantide Caraibe, Aica Caraibe du sud, La Fondation Clémente, Martinique Bienal XXII Eduardo León Jiménez, Centro León Jiménez, Santiago, Dominican Republic "Starting Over I". Lyle O. Reitzel Gallery, Miami, FL. “Suite Sweet Love” con el colectivo k.b.zonas, Centro Cultural de España, Dominican Republic 2007 Buenos Aires Photo 2007. Palais de Glace, Buenos Aires, Argentina. Galeria Lyle O’ Reitzel. "Bringing the New Blood". Lyle O.Reitzel Gallery, Miami, Florida Face to Face – The Daros Collections. Daros-Latinoamérica Collection, Zurich, Switzerland Infinite Island. Curated by Tumelo Mosaka , Brooklyn Museum, Brooklyn, New York Puntos de Vista – Daros-Latinoamérica Collection, Museum Bochum, Germany “De Alla Pa’ Aca Y De Aquí Pa’ Alla”. Arawak Arte Contemporáneo, Santo Domingo, Dominican Republic El Juego de la Diferencia - penultima imagen de la fotografia y video en Santo Domingo, CIRCA 07, Organizado por el Museo de Arte Moderno de Santo Domingo, Curated by Amable Lopez Melendez – San Juan, Puerto Rico Away - femmes diaspora créativité et dialogue interculturel, Curated by Rafael Perez, UNESCO, Paris, France Arteamericas, Miami Beach Convención Center, Booth Galeria Lyle O. Reitzel, Miami, Florida 2006 Bienal XXI Eduardo León Jiménez, Centro León Jiménez, Santiago, Dominican Republic Inside Miami Garden, Lyle O. Reitzel Gallery, Miami, Florida El Juego de la Diferencia, penultima imagen de la fotografia y video en Santo Domingo, Curated by Amable Lopez Melendez, Museo de Arte Moderno, Santo Domingo, Dominican Republic IX Bienal De La Habana, Taller Vestuario, Havana, Cuba tr3 contemporaneidad dominicana, Centro cultural Dominicano Alemån, Santo Domingo, Dominican Republic tr3 contemporaneidad dominicana, Cambridge Multi Cultural Art Center, Cambridge, Massachusetts 2005 XXIII Bienal Nacional de Artes Visuales, Museo de Arte Moderno, Santo Domingo, Dominican Republic Feria Americas – centro cultural de correos. Booth Galeria Lyle O. Reitzel, Rio de Janeiro, Brazil Bodies of Evidence. The RISD Museum, Providence, Rhode Island Contra Corriente, Lyle O. Reitzel, Arte Contemporáneo. - Santo Domingo, Dominican Republic Arteamericas, Coconut Grove Convención Center, Booth Galeria Lyle O. Reitzel, Miami, Florida Recolection: Nuevas Tendencias. Lyle O. Reitzel, Arte Contemporáneo., Santo Domingo, Dominican Republic cuerpo (in)propio. Museo de Arte Moderno, Santo Domingo, Dominican Republic 2004 monstruos, monstricos…. y aspirantes: 9 años, Lyle O. Reitzel, Arte Contemporáneo, Santo Domingo, Dominican Republic ISLAND NATIONS: New Art from Cuba, the Dominican Republic, Puerto Rico, and the Diaspora, The RISD Museum, Providence, Rhode Island Bienal XX Eduardo León Jiménez. Centro León Jiménez, Santiago, República Dominicana. NOW - arte contemporáneo Dominicano. Varelli - arte contemporáneo, Marina Casa de Campo La Romana, Dominican Republic Postcards from Cuba: A Selection from 8th Havana Biennial, Henie Onstad Kunstsenter, Noruega, Panama 2003 Onda expansiva: ocho años, Galería Lyle O Reitzel, Santo Domingo, Dominican Republic V Bienal del Caribe, Museo de Arte Moderno, Santo Domingo, Dominican Republic VIII Bienal De La Habana, Havana, Cuba XXII Bienal Nacional de Artes Visuales. Museo de Arte Moderno, Santo Domingo, Dominican Republic Muestra 2 Feria de arte contemporáneo, Booth Galeria Lyle O. Reitzel, Mexico City, Mexico Orden del día. Museo de Arte Moderno, Santo Domingo, Dominican Republic Currents, Art Miami 2003, Miami Beach Convention Center, Booth Galeria Lyle O. Reitzel, Miami, Florida 2002 El cuerpo del delito. Museo de Arte Moderno, Santo Domingo, Dominican Republic Esplanade, theatres on the bay visual art fair, Singapore Gota a gota, exposición sexto aniversario, Lyle O. Reitzel, Arte Contemporáneo. Santo Domingo, Dominican Republic Feria Iberoamericana de Arte FIA, Salón CANTV Jóvenes con FIA 2002, Caracas, Venezuela Nada que Ver, Centro Cultural Hispánico – Santo Domingo, Dominican Republic ARCO 2002, Cutting edge, Booth Galeria Lyle O. Reitzel, Madrid, Spain El Ojo del Amo, fotografía contemporánea dominicana, Centro Cultural del ICAIC, Havana, Cuba 2001 Diversidad Caribe, Lyle O. Reitzel, Arte Contemporáneo. - Santo Domingo, Dominican Republic Nuevas Miradas, Curated by Carlos Acero, Escuela de Artes, Pratt-Ventos (IV Bienal del Caribe), Santo Domingo, Dominican Republic Cariveo 2001, Lyle O. Reitzel, Arte Contemporáneo. Santo Domingo, Dominican Republic Art Miami 2001, Miami Beach Convention Center, Booth Galeria Lyle O. Reitzel, Miami, Florida 2000 Artist Books & Objects, Roberto Martin, Contemporary Art, New York Cariveo 2000, Lyle O. Reitzel, Arte Contemporáneo. Santo Domingo, Dominican Republic Art Miami 2000, Miami Beach Convention Center, Booth Galeria Lyle O. Reitzel, Miami, Florida 1999 25 aniversario, Casa de teatro República Dominicana, Dominican Republic Artistas en Residencia, La Galería, Altos de Chavón, Dominican Republic XXI Bienal Nacional de Artes Visuales, Santo Domingo, Dominican Republic Visiones Contemporáneas, Lyle O. Reitzel, Arte Contemporáneo. Santo Domingo, Dominican Republic 1998 Bienal XVII Eduardo León Jiménez. Centro León Jiménez, Santiago, Dominican Republic Arte Contemporáneo de la República Dominicana, Buenos Aires, Argentina Detrás del Silencio, Centro de la Cultura, Santiago, Dominican Republic The Circle Comes Around, resent art from the Dominican Republic, City College, New York Adam Said, Eve Said, Ward-Nasse Gallery, Soho, New York 1997 Between the Acts, Art in General, New York Crossing Borders, Contemporary Art by Latin American Women, Castle Gallery College of New Rochelle, New Rochelle, New York Visiones Contemporáneas, Lyle O. Reitzel, Arte Contemporáneo. Santo Domingo, Dominican Republic Exposición, Concurso de Arte E. León Jiménez, Santiago, Dominican Republic Obsesiones Caribeñas, Lyle O. Reitzel, Arte Contemporáneo. Santo Domingo, Dominican Republic Art in Transit: A Dominican Experience, Intar Latin American Art Gallery, New York Colectiva: Ante la 2da vuelta, Lyle O. Reitzel, Arte Contemporáneo. Santo Domingo, Dominican Republic XX Bienal Nacional de Artes Visuales, Santo Domingo, Dominican Republic Sacred Space, 450 Broadway, soho, New York 1995 Protagonistas en el Puerto de Plata, Museo de Arte Dominicano, Puerto Plata, Dominican Republic Fragments of Illusions, Peter Madero Gallery, Nueva York. Soul in C Minor, Bienal de soho, 450 Broadway, soho, New York Dominican Women in Arts and Literature, Barnard College, New York Currents Bienal de soho, The Eight Floor, New York Mujer y Arte Dominicano Hoy, Casa de Bastidas, Santo Domingo, Dominican Republic 1994 The Ancient and Unexpected, Altos de Chavón, Dominican Republic Salon de Arte y Arquitectura, Zona Colonial, Santo Domingo, Dominican Republic COLLECTIONS § § § § § Centro Leon, Santiago, Dominican Republic The RISD Museum, Providence, Rhode Island Daros-latinamerica AG, Zürich, Switzerland Museo de Arte Moderno, Santo Domingo, Dominican Republic Museo de Arte Latino Americano, Long Beach, California § Centro Cultural de España, Santo Domingo (CCESD) GRANTS + AWARDS § § § § § § § § Gran Premio concurso, Eduardo León Jiménez, 2012 Mencion de honor concurso, Eduardo León Jiménez, 2010 Gran Premio concurso, Eduardo León Jiménez, 2008 Gran Premio concurso, Eduardo León Jiménez, 2006 Premio por instalación, XXII Bienal Nacional de Artes Visuales, 2003. Premio por instalación, XX Bienal Nacional de Artes Visuales, 1996. Parsons School of Design, 1990, 1991 - 1993. Bluhdorn Award 1991 - 1993. PUBLICATIONS Beyond skin deep. Greg Cook, The Providence Phoenix, 2013. impropia. Catálogo personal de Raquel Paiewonsky. Centro Cultural de España Santo Domingo CCESD, República Dominicana. Editora Saladin, 2012. Oncena Bienal de la Habana, Prácticas Artísticas e Imaginarios Sociales. Centro Wifredo Lam, Maretti Editore. 2012. III Bienal del Fin del Mundo. Antropoceno Fundación Patagonia Arte y Desafío, 2011. Revista Bajo techo. Año 4. Edición bimensual, num. 17. Jun/jul. República Dominicana. 2011. Art absolument..numero special Art caribeen: l’heure de la reconnaissance. Oct. 2011. Revista casa. Casa de las Américas 258. Jan/Mar 2010. Agua 17 Artistas Dominicanos Contemporáneos. Museo de Arte Moderno de la República Dominicana / Museo Guayaquil, 2010. Arte Dominicano Joven: Márgenes, género interacciones y nuevos territorios. Casa de teatro, Editorial Cumbre Nazca, Saatchi & Saatchi, 2010. Renaissance Notre, Institute of African – American affairs, New York University. Volume 9 Issue 2-3. Fall/Winter 2009. Making worlds, La Biennale di Venezia. 2009. Mundus novus. Arte contemporáneo de America Latina. IILA. Instituto Italo – Latino Americano. La Biennale di Venezia 2009. Mover La Roca. Centro Cultural de España, Santo Domingo. Primera edición. 2009. Conservación de arte contemporáneo. 10ª jornada. Departamento de conservación – restauración. Museo nacional Centro de Arte Reina Sofía. Edición 2009. Revista Factoria 06. Contemporaneidad. 2009. re vuelta. Catálogo personal Raquel Paiewonsky. Museo de Arte Moderno Santo Domingo, República Dominicana. Editora Amigo del Hogar 2008. Atlantide Caraibe. Aica Caraibe/Fondation Clement. Nov 2008. Face to face, The Daros Collections, Daros Zúrich, 2008. Revista lengua No.2. Chivo. Oct/Nov 2008, República Dominicana. Artmotiv, Revista Internacional de Artes Visuales, Perú, April-July 2008. Puntos de Vista. Daros-Latinoamérica Collection. Museum Bochum. Infinite Island: Contemporary Caribbean Art. Brooklyn Museum, New York, 2007. Revista Arte al limite. Edición No.24 March-April, Santiago, Chile – 2007. Away, Femmes, diaspora creativite et dialogue interculturel. Delegation permanente de la republique dominicaine aupres de L’UNESCO – 2007. Revista Artes No. 22. January – March, 2007. Una. Catálogo personal de Raquel Paiewonsky. Galería Lyle O’ Reitzel Santo Domingo, República Dominicana. Editora Amigo del hogar. 2012. TR3 contemporaneidad dominicana. Arte contemporáneo, folklore y medio ambiente. Editado por Irina Ferreras en colaboración con Harvard department of entomology y Puntacana ecological foundation. 2006. Revista Artes No. 21 October – December, 2006. Revista Artes No. 15 April – June, 2005. Arte Américas, Centro Cultural Correios, Rio de Janeiro – 2005. La mujer en el arte dominicano 1844-2000. Janet Miller, publicado por Banco del Progreso 2005. Island Nations. New art from Cuba, the Dominican Republic, Puerto Rico and the Diáspora. Museum of Art, Rhode Island School of Design, Providence. Judith Tannenbaum / Rene Morales – 2004. Postkort fra Cuba, utvalg fra den 8.Havannabiennalen. Henie onstad Kunstsenter – 2004. 8 Bienal de la Habana. El arte con la vida. Centro de arte contemporáneo Wilfredo Lam. Dirección de Antonio Zaya – 2003. Catálogos concurso de arte E. León Jiménez. Ediciones XVIII, XIX, XX, XXI, XXII, XXIII, XXIV (2000, 2002, 2004, 2006, 2008, 2010, 2012). Producción Centro Cultural Eduardo León Jiménez. Santiago, Republica Dominicana Revista Artnexus No. 44 / Vol. 2 / 2002. Arco 2002, feria internacional de arte contemporáneo. Publicación de IFEMA. Feria de Madrid – 2002. Arte Contemporáneo Dominicano, Casa de América. Editorial Turner 2002 proyecto de Rafael Doctor. Yakarta Port, Singapore, October 10, 2002. Esplanade, Visual Arts opening festival. Published by The Esplanade Co Ltd. Singapore – 2002. Arte Dominicano 1844 – 2000, Escultura, instalaciones, medios no tradicionales y arte vitral. Jeannette Miller / María Ugarte. Publicado por Codetel – 2002. Arte Dominicano 1844 – 2000, Pintura, dibujo, grafica y mural. Jeannette Miller / María Ugarte. Publicado por Codetel – 2001. MoLAA, Museum of Latin American Art. The permanent collection. Produced by the Robert Gumbiner Foundation – 2000. Mujer y Arte Dominicano Hoy. Danilo de los Santos y Myrna Guerrero – 1995 RAQUEL PAIEWONSKY Hair Ball (2010) from series: Gurardarropía photographic print on acrylic series of 9 / edition of 3 32” x 48” $10,000 RAQUEL PAIEWONSKY Container of Ideas (2010) from series: Gurardarropía photographic print on acrylic series of 9 / edition of 3 32” x 48” $10,000 RAQUEL PAIEWONSKY Sensory Insulation (2010) from series: Gurardarropía photographic print on acrylic series of 9 / edition of 3 32” x 48” $10,000 ANNE MORGAN SPALTER BIO Anne Morgan Spalter is an artist and author whose career reflects her long-standing goal of integrating art and technology. Drawing inspiration from painting, mathematics and Islamic art, Spalter shoots original footage in cities around the world and uses personalized software to develop patterned compositions that explore the concept of the “modern landscape” and work to bring order to visual complexity. She shows widely and her work is included in leading contemporary collections in the US, Europe and the Middle East as well as in museums such as the Albright-Knox (Buffalo, NY), the Rhode Island School of Design (RISD) Museum (Providence, RI), and the Victoria & Albert Museum (London, UK). Spalter created and taught the first fine art digital media courses at both RISD and Brown University. Her book, The Computer in the Visual Arts, has become a standard reference text. Roger Mandle, former Executive Director of the Qatar Museums Authority, described Spalter’s book as, “a seductively articulate and illuminating introduction to the rapidly expanding world of the computer and art, design, and animation…” Spalter was a long-time member of the Advisory Board of the Digital Art Museum (Berlin), and has also served on the editorial board of the Journal of Mathematics and Art, and the ACM SIGGRAPH Committee for the Distinguished Artist Award for Lifetime Achievement in Digital Art. She has a BA from Brown in Mathematics, Visual Art, and an independent major, as well as an MFA in Painting from RISD. Spalter is also a martial artist with a black belt in kenpo karate. CV EDUCATION • • Brown University, B.A. in Mathematics, Visual Art (honors), and Independent Concentration (honors), Providence, RI, 1987. Rhode Island School of Design, M.F.A. in Painting (honors), Providence, RI, 1992. ART EXHIBITED 2013 • SCOPE: Miami Beach, in conjunction with Art Basel: Miami Beach. Topio Video Coffee Table and Video Gems, with Yellow Peril Gallery, December 3-8 2013. • • • • • • • • • • • • • • Los Angeles Center for Digital Art (LACDA), Electron Salon, two prints, November 14-December 7, 2013. Studio 1504, "PVD: TLA" Contemporary Art from Providence, RI, fine art digital wall decals, Abu Dhabi, UAE, October 25, 2013. Shattuck Gallery, Digital Art: (R)evolution, works by Anne Spalter, Leslie Thornton, and selections from the Anne & Michael Spalter Collection, Westport, MA, October 2November 10, 2013. DIRT Gallery, “SMORGASBORD,” curated by Lucas Lai and Scott Murphy, Wainscott, NY, July 27-Aug31, 2013. Museum of Art, Rhode Island School of Design (RISD), Locally Made. “Factory” video in group show, video works curated by guest curator Dina Deitsch (Contemporary Art Curator, deCordova Museum) July-November 2013. EXPOSURE: 2013, See | Exhibition Space, Long Island City, NY. Still images from videos. July 2013. IN/SIGHT, Blanc Gallery, Cambridge, MA. Curated by Casey Curry and Matt Doyle. July 6-27, 2013. Unpredictable Patterns of Behavior, ArtCenter/South Florida, “i95” video in group show curated by Ombretta Agro, June and July 2013. Moving Image: Contemporary Video Art Fair (part of Armory Week), New York, NY 2013. “Sky of Dubai,” presented by toomer labdza. March 2013. Mills Pond House Gallery, REFLECTION. “Factory” video in group show. Juror James H. Rubin. St. James, NY. March 2013. Manifest Gallery, CODE D. “I95” video in group show. Cincinnati, OH. March 2013. RADIUS: An Exhibition of RISD Alumni juried by Bunny Harvey. Keeseh Studios, RI. “Multimedia coffee table.” February 2013. Postcards from the Edge by Visual Aids. Fundraiser show at Sikkema Jenkins. January 2013. Women in Photography International Show at Photo LA. Reference: Transportation. Los Angeles, CA. January 2013 2012 • • • • • • • • Artist’s Talk at TriesteContemporanea. Videospritz 2012/ Anne Spalter-Modern Landscapes, Trieste, Italy. December 7, 2012. Solo show in The Forum Gallery, Zagreb, Croatia, December 2012-January 2013. COLLISION18, Boston Cyberarts Gallery, November 9 - December 8, 2012. Digital video work in group show. DECADE: Contemporary Collecting 2002-2012, Albright-Knox Gallery, Buffalo, NY, September 2012-Janurary 2013 ISEA2012: Machine Wilderness, Digital video work “Sunrise over Rockefeller Center,” Albuquerque, NM, September 2012-January 2013. Distributed Microtopias, Fingerlakes Environmental Film Festival (FLEFF), Ithaca College, “Sky of Dubai,” curated by Dale Hudson, 2012. Samek Art Gallery, Bucknell University, Large-scale projection of “Sunrise Over Rockefeller Center,” December, 2012. The Billboard Art Project. 60 images on an Atlanta, GA digital billboard. Atlanta, GA, October 2012. Additional screenings as part of Color Shift, A selection of images curated for the billboard by Katerina Lanfranco. • • Solo Show, “From Las Vegas to Dubai,” digital videos and prints, Candita Clayton Studios, RI. May 31- June 17 2012 Solo Show, “Traffic Circle,” Stephan Stoyanov/Luxe Gallery, New York, NY. Digital video works. December 2011-January 2012 2011 • • • • • • • • ISEA2011: Istanbul. Digital videos shown on panel. September 2011. Istanbul, Turkey. September 2011. Big Screen Plaza, Digital video “Clouds” series shown on outdoor 30-foot-wide screen, Chelsea, New York, July 2011. The RISD Museum of Art, Open Call: Video Art, an outdoor screening event, July 2011. Digital video works in group show “Places,” Stephan Stoyanov/Luxe Gallery, New York, NY. July 2011. Videos and drawings in group show, Candita Clayton Studios, Providence, RI, June 2011. ROMA: The Road to Contemporary Art, still and video works in art fair, Rome Italy, May 2011 Interview on DubaiOne TV on “Studio One” show. Drawings in group show, Candita Clayton Gallery, Providence, RI, December 2010January 2011. 2010 and earlier • • • • • • • • • • Pieces in group show, WestSide Arts, Providence, RI, November 2010. Alpha Gallery, Boston, MA, 2008. Charcoal drawing in group show. SIGGRAPH 2003 Art Show, two oil paintings in group show, San Diego, 2003. Colville Place Gallery, 1 Colville Place, London, England, Digital work in group show, 1998. The DeCordova Museum and Sculpture Park and the Computer Museums, Lincoln and Boston MA. Three digital works in “The Computer in the Studio”, 1994. By Virtue of Excellence: Rhode Island Women Artists, David Winton Bell Gallery, Providence, RI. Three digital works included, 1994. Still Images/Moving Pictures: David Winton Bell Gallery, Providence, RI. Two digital works included, 1994. Grayscale Highway, List Building, Brown University. One-person show, 1993. A Modern Landscape. Billboard in downtown Providence, RI, 1993-1996. SIGGRAPH 1992 Art Show, two pieces in juried show, Chicago, 1992. ART PRESS • • • Art New England Magazine, “Considering Digital Art: (R)evolution, ” Anya Ventura, November/December 2013. The Engagement Aesthetic: Experiencing New Media Art Through Critique, Francisco J. Ricardo, Bloomsbury. Volume 4: International Texts in Critical Media Aesthetics, May 2013. pp.67-71. amazon link ART Berlin. “Armory Week: A Change is Gonna Come,” Myriam Vanneschi. http://www.artberlin.de/kunstmessen/armory-week-review/ • • • • • • • • • • • • • • • BLOUIN ARTINFO, “Moving Image Gathers No Moss, as Video Art Fair Pushes the Medium’s Boundaries.” Benjamin Sutton, March 8, 2013. http://www.artinfo.com/news/story/875310/moving-image-gathers-no-moss-asvideo-art-fair-pushes-the Hyperallergic, “Old Favorites and New Surprises at Moving Image”, Jillian Steinhauer, March 8, 2013. http://hyperallergic.com/66645/old-favorites-and-new-surprises-atmoving-image/ Blog post review and interview, Amber Thibault, Fingerlakes Environmental Film Festival (FLEFF): http://www.ithaca.edu/fleff/blogs/fleff_intern_voices/tags/anne_spalter/ DECADE: CONTEMPORARY COLLECTING 2002–2012. Albright-Knox Art Gallery, Buffalo, NY, 2012. Pages 56, 58, 82, 83, 301, 309, 400. Albright Knox blog. DECADE Theme Preview: The Wayward Line. http://albrightknox.tumblr.com/post/31997411343/decade-theme-preview-thewayward-line-day-five Digital Art Spring 2013, Anne Spalter: Artist Biography. EB Bucknam. January 2013.http://digartebb.blogspot.com/2013/01/anne-spalter-artist-biography.html In Zagreb for Modern Landscapes show, a sampling: o http://port.hr/anne_spalter:_modern_landscapes__moderni_krajolici/pls/w/event. event_page?i_event_id=197586&i_event_area_id=24&i_topic_id=21 o http://www.tportal.hr/servisi/info/info_detalji?eventId=14141 o http://interpublic.hr/dogadjanja/itemlist/tag/galerija%20forum.html o http://www.kic.hr/galerija_forum.php o Also featured on Croatia HRT1 Culture News TV Albright-Knox Art Gallery: Highlights of the Collection, Marianne W. Smith. “Fracture” digital video work featured. Scala Publishers, April 2012. Pages 134-135. In New York for Traffic Circle show, a sampling: o Modern Painters, Review of “Traffic Circle” solo show, Karen Archey, March 2012, p. 78. o SpykedHells.com: Fashion, Art, and Music Blog. Show review.http://www.spykeheels.com/2012/01/14/anne-morgan-spalter-trafficcircle-stephan-stoyanov-gallery-nyc-east-village/. January 2012. o InspirationalLunch, NYC Blog. Show review.http://www.inspirationallunch.com/2012/01/orchard-st-traffic-circleurban-soul.html. January 2012 o ArtSlant Pick-of-the-week. http://www.artslant.com/ny/main. December 2011 o Sundance Channel Blog, “Kaleidoscopic Manhattan.”http://www.sundancechannel.com/sunfiltered/2011/12/kaleidoscopi c-manhattan/.December 2011. Vision Magazine, Artist profile, July 2011 Providence Phoenix, review of pieces in “Creative Collective” group show at the Candita Clayton gallery, Greg Cook. http://providence.thephoenix.com/arts/122247review-leitzel-and-billings-at-as220-and-creat/?page=2#TOPCONTENT. July 17, 2011 Leaders in Software Art (LISA) Profile and work descriptions for digital video drawings from Internal Energies series screened on 30-foot LCD screen in New York City.http://softwareandart.com/?p=619. July 2011. Printeresting. “Drawing with Code” by John Pyper. http://www.printeresting.org/2011/05/23/drawing-with-code/. May 2011. Interview by Ilari Valbonesi ROMA: Radio Art fair. • • • • • • http://www.romaradioartfair.it/2011/05/06/roma-the-road-to-contemporary-art-annemorgan-spalter-stephan-stoyanovluxe-gallery-in-new-york-city/. May 2011. Digital Brushstrokes blog, Artist Interview.http://digitalbrushstrokes.blogspot.com/2011/04/anne-morgan-spalterinterview.html.April 2011. GoLocal Blog, “Trender, Digital Artist Anne Spalter,”http://www.golocalprov.com/lifestyle/trender-digital-artist-anne-spalter/ Brown Alumni Magazine, “Computer Art Comes of Age,” March 2011. http://www.brownalumnimagazine.com/content/view/2787/ RISD VIEWS, Artist Profile, Fall 2001. BOOK Spalter, Anne Morgan, The Computer in the Visual Arts, Addison-Wesley, 1999. BOOK REVIEWS • • • • • • • • • • • WebMaster #9, Andres Sanchez, July 2001. Brown Alumni Monthly, Richard P. Morin, “Pixels and Paint”, March/April 2000. Digital Creativity, Stuart Mealing, January 2000. HOW Now/Technology, September 1999. MIT Technology Review, Wade Roush, September and October, 1999, Vol 102, No. 5 SIAM News, Philip J. Davis, “From Computer Graphics Toward Computer Art”, July 1999. USA TODAY Online, "A techie’s offline summer pleasure … " July 1999. Art2u.com, an interview (This was also published in hard copy in the Oct 1999 issue of the California Printmaker.) July 1999. CGI Magazine, March 1999. Art Tech Review Guide, February, 1999. New York Times, William Safire, “Office Pool” column, December 1999. TALKS & PRESENTATIONS • • • • • • • • Artist’s Talk, Rhode Island School of Design, in conjunction with work in the Locally Made show, September 2013. Artist’s Talk, Leaders in Software and Art (LISA) Conference at The Guggenheim Museum, New York, NY, February, 2013. “Moving Image Technology of Tomorrow,” panel presentation, part of Moving Image Fair at the Armory Show, New York, NY. March 10, 2012. Artist’s Talk, Leaders in Software and Art, New York City. November 2011. Artist’s talk, “What is Digital Painting?” Graduate Digital Arts Seminar, The School of Visual Arts, New York, NY, April 2012. Collecting Now/New Media, RISD Museum, March 2011. Symposium lecture, Creating, Critiquing, Collecting, Who’s Afraid of New Media?, The Boston Museum of Fine Arts, Boston, MA, February 2010. Symposium lecture, Creating, Critiquing, Collecting, Decoding the Digital Symposium, The Victoria & Albert Museum, London, UK, February, 2010 • • • • • • • • • • • • Visiting Artist lecture and critiques, Pioneers of Early Computer Art, Digital Nature wintersession course, The Rhode Island School of Design, January 2010. Harvard University, Initiative in Innovative Computer lecture series, Digital Visual Literacy, February 2006 Public lecture and master class at Richmond University, Visual Thinking/Visual Computing, Richmond Virginia, November 2004 Lecture in RISD Interior Architecture Program, Digital Color, Providence, RI, April 2004. Keynote talk, Visual Literacy Association, Modeling and Visualization Literacy: The Role of Computer Graphics, Newport, RI, October 2003. Keynote talk, MITC Digital Images Symposium, DePauw University, The Work of Art in the Age of Digital Reproduction, Greencastle, IN, August 2003. The University of Florida, Gainesville, FL, Anderson Consulting Digital Arts and Science Lecture Series, The Computer in the Visual Arts, 2000. Brown University, Providence, RI, Points on the Compass program, “Interdisciplinary Investigations: Computer Art & Science,” January 2000. Brown University, Providence, RI, The Artemis Project, Computers and Art, July 2000. Carnegie Mellon HCI Seminar Series, New Interaction Techniques for Color Selection, Carnegie Mellon, Pittsburgh, PA, February 2000. Johnson and Wales University, Providence, RI, The Computer in the Visual Arts, Evolution or Revolution? November 1999. Richmond University, Richmond, VA, The Computer in the Visual Arts, Evolution or Revolution? October 1999. WORK • • • • • • • Artist, Anne Spalter Studios, Pawtucket, RI (2009-present) Adjunct Lecturer, Brown University, Department of Computer Science (2004-2007). Artist in Residence and Visual Computing Researcher, Brown University, Department of Computer Science (2004-2007). Outreach Coordinator and Artist-in-Residence, NSF Science and Technology Center for Computer Graphics and Scientific Visualization, Brown University (1995-2004). Adjunct Lecturer, Rhode Island School of Design, Graduate Studies (1991-94). Adjunct Lecturer, Brown University, Department of Visual Art (1992-94). Adjunct Lecturer, Rhode Island School of Design, Master of Arts in Teaching (199293). ACADEMIC ARTICLES • • • • Martin, F., Spalter, A., Friesen, O., & Gibson, J. (2008). An Approach to Developing Digital Visual Literacy (DVL) College and University Media Review. 14, 117-143, (2008). Spalter, Anne Morgan and Andries van Dam, Digital Visual Literacy, Theory Into Practice, Volume 47, Issue 2 April 2008 , pages 93 – 101. Spalter, Anne Morgan, and Tenneson, Dana K. The Graphics Teaching Tool, ACM SIGGRAPH 2006 Proceedings, Education Program, (2006). Meier, Barbara, Spalter, Anne Morgan, and Karelitz, David, Interactive Color Palette Tools, IEEE Computer Graphics and Applications, Volume 24, No. 3, (2004). • • • • • • • • • • • • • Spalter, Anne Morgan, Will There Be Computer Art in the Year 2020? ACM SIGGRAPH 2003 Proceedings, Electronic Art and Animation Catalog, (2003). Spalter, Anne Morgan, and van Dam, Andries. Problems with Using Components in Educational Software, [an expanded version of the SIGGRAPH 2002 paper of the same name]. Computers and Graphics, V. 27, pp. 329-337, (2003). Henry Fuchs, Andries van Dam, Sascha Becker, Loring Holden, Adrian Ilie, Kok-Lim Low, Anne Morgan Spalter, Ruigang Yang, and Greg Welch,Immersive Electronic Books for Teaching Surgical Procedures, in Proceedings of CREST Symposium, ICAT 2002, Susumu Tachi, editor. Ohmsha, IOS Press, (2003). Spalter, Anne Morgan. Problems with Using Components in Educational Software, ACM SIGGRAPH 2002, Proceedings, Conference Abstracts and Applications, (2002). Spalter, Anne Morgan, CyberWork, RISD VIEWS, (Fall 2001). Laleuf, Jean R. and Spalter, Anne Morgan, A Component Repository for Learning Objects: A Progress Report, Proceedings of the ACM/IEEE Joint Conference on Digital Libraries, (June 2001). van Dam, Andries, Forsberg, Andy S., Laidlaw, David L., LaViola Jr., Joseph J., and Simpson, Rosemary M., Side bar section in Immersive VR for Scientific Visualization, A Progress Report, . IEEE Computer Graphics and Application November/December 2000, pp.26-52 (side bar on p. 30). Spalter, Anne Morgan and Simpson, Rosemary Michelle, Considering a Full Range of Teaching Techniques for Use in Interactive Educational Software: A Practical Guide and Brainstorming Session, Proceedings of IEEE Frontiers in Education (FIE) 2000. Spalter, Anne Morgan, Stone, Philip A., Meier, Barb J., Miller, Timothy S., and Simpson, Rosemary Michelle. Interaction in an IVR Museum of Color: Constructivism Meets Virtual Reality, [an expanded version of the SIGGRAPH 2000 IVR Museum Paper], Leonardo, Vol. 35, Issue 1, February 2002. Spalter, Anne Morgan, Stone, Philip A., Meier, Barb J., Miller, Timothy S., and Simpson, Rosemary Michelle. Interaction in an IVR Museum of Color. ACM SIGGRAPH 2000, Proceedings, Conference Abstracts and Applications, and accepted for an upcoming issue of Leonardo, MIT Press, (2000). Spalter, Anne Morgan and Simpson, Rosemary Michelle. Integrating Interactive Computer-Based Learning Experiences Into Established Curricula. Proceedings of ACM Information Technology in Computer Science Education (ITiCSE) 2000, pp. 116-119. [ Spalter, Anne Morgan and Simpson, Rosemary Michelle. Reusable Hypertext Structures for Distance and JIT Learning. Proceedings of ACM Hypertext 2000, pp. 2938, (2000). Simpson, Rosemary Michelle, Spalter, Anne Morgan, and van Dam, Andries. Exploratories: An Educational Strategy for the 21st Century. ACM SIGGRAPH 1999, Proceedings, Conference Abstracts and Applications, pp. 43-45, (1999). PROFESSIONAL ACTIVITIES • • • • • Reviewer, Leonardo Journal, 2008, 2009, 2011, 2012. Reviewer, Information & Culture: A Journal of History, 2012. Member, Awards Committee for SIGGRAPH Distinguished Artist Award for Lifetime Achievement in Digital Art, 2008-2010 Reviewer, SIGGRAPH 2006 Art Show Member, Editorial Advisory Board, CG Educational Materials Source (CGEMS), (20042008). • • • • • • • • • • Member, Editorial Board, Journal of Mathematics and Art, (2006-2009). Panelist/presenter in SIGGRAPH 2004 Education Forum, “The Technological Imperative in Art and Design Education,” (2004). Member, Advisory Board, Digital Learning Interactive (now iLrn), Medford, MA, (20002002). Member of committee to fund grants to attend the Grace Hopper Celebration of Women in Computing conference, held September 14-16, (2000). SIGGRAPH 99 Course #31, “Why Does it Do That? 10 Mysteries of Computer Artmaking Revealed”, Notes published by ACM SIGGRAPH, (1999). SIGGRAPH 99 Electronic Schoolhouse Playground exhibit, “The Color Playground,” a series of exploratories teaching color theory. Moderator for NSF Virtual Workshop, Research Foundations for Improving the Representation of Women in the Information Technology Workforce(9/27/99 to10/5/99). IEEE FIE (Frontiers in Education) 1996, "A Summer Workshop in 3D Computer Graphics and The World Wide Web," (1996) College Art Association (CAA) Intellectual Property Rights Committee (1995-1997). Founder, CAA SIG for Computers in the Visual Arts (SIG-CIVA), (1995). ACADEMIC GRANTS • • • • • Co-PI of NSF Broadening Participation in Computing (BPC) Grant, Computation by Design.” Co-PI of NSF Advanced Technology Education (ATE) grant, Digital Visual Literacy.” Grant from Sun Microsystems for continuing work on Java-based education software, 2002, 2003, 2004, 2006. Co-PI of NSF National Science Digital Library grant #1078520, A Component Repository and Environment for Creating of Teaching Environments (CREATE), September 2000 - September 2002. PI of grants from Adobe Systems, Inc., Accessible Color I and II, 1999-2000 and 20002001, respectively. MARTIAL ARTS • Greatest Lessons from the Martial Arts: A Compilation of Martial Wisdom, Tim Johnson. CreateSpace Independent Publishing Platform, 2012 ISBN-10: 1480156434 ISBN-13: 978-1480156432. Essay in this compilation. ANNE MORGAN SPALTER Topío (2013) glass, steel, digital screen, video 54"L x 33"W x 20"H videos in editions of 3 $10,000 - $15,000 ANNE MORGAN SPALTER Gems (2013) digital VPAK screen, HD 1080p, 3min loop, embedded in resin screens range in size: 2.4", 3.5”, 5” videos in editions of 3 $1,500 - $3,500 ANNE MORGAN SPALTER Bora Bora: Palm Fronds (2013) HD 1080p digital video, 3 minute seamless loop ANNE MORGAN SPALTER Bora Bora: Glitter Palm Island (2013) HD 1080p digital video, 3 minute seamless loop ANNE MORGAN SPALTER Bora Bora: Sunset (2013) HD 1080p digital video, 3 minute seamless loop ANNE MORGAN SPALTER Bora Bora: Day and Night in the Blue Lagoon (2013) HD 1080p digital video, 3 minute seamless loop ANNE MORGAN SPALTER Sky Over Dubai (2012) HD 1080p digital video, 3 minute seamless loop ANNE MORGAN SPALTER 5th Avenue Boogie Woogie (2011) HD 1080p digital video, 3 minute seamless loop ANNE MORGAN SPALTER i95 (2011) HD 1080p digital video, 3 minute seamless loop QUINTÍN RIVERA TORO BIO Quintín Rivera Toro was born in Caguas, Puerto Rico in 1978. He holds a B.F.A. in Sculpture from Hunter College, New York - 2001 and a B.A. in Communications and Film Studies, from the University of Puerto Rico in Río Piedras – 2007, and a M.F.A. Degree in Sculpture from Rhode Island School of Design in Providence, Rhode Island in 2013. In his native Puerto Rico, Quintín was awarded The Lexus Grant for artists. His public art project “Un espacio libre,” originally shown in his hometown of Caguas, was invited to travel to El Museo del Barrio for the S-Files biennial and the art fair PINTA, both in NYC; it was also shown in the Museo de Arte de Puerto Rico and with F.I.S.T. ART in Dorado. His photographic work received an Honorable Mention from Puerto Rico’s Museum of Contemporary Art and a First Prize award from the University of Sagrado Corazón’s Contemporary Photography Contest, in San Juan. He co-founded and worked as the Director of ÁREA, lugar de proyectos in Caguas. Quintín has been awarded with the DAAD German Academic Exchange Travel Grant, with which he travelled to Cologne and Berlin in Germany. He has received full fellowships for residencies at the Vermont Studio Center, in Johnson Vermont and the National Academy of Design in New York City; he has also been an artist in residence at the Ox Bow School of Art, S.A.I.C. in Saugatuck, Michigan. Quintín also worked as an intern at the Chinati Museum in Marfa, Texas, and he studied with the Escuela Internacional de Teatro de América Latina y el Caribe (E.I.T.A.L.C.) in Cuernavaca, Mexico. His work was selected by Zona MACO art fair as a focused work and displayed his “Weak Paintings” in a solo booth sponsored by VH1. He was awarded an Achievement Scholarship from Transart Institute and completed their summer residency program in Berlin, Germany. Quintín is a R.I.S.C.A. (N.E.A.) Individual Artist Grant Recipient, and has received a Sylvia Leslie Young Herman Scholarship Award as well as Academic Honors from the Rhode Island School of Design. CV EDUCATION 2013 2007 M.F.A. Sculpture. Rhode Island School of Design, Providence, R.I. B.A. Communications, Film studies. University of Puerto Rico, R.P., P.R. 2001 B.F.A. Sculpture. Hunter College, NYC SOLO EXHIBITIONS 2013 2012 2011 2010 2008 2006 2005 2001 2000 Percussions/Repercussions - Villa Victoria Center for the Arts, Boston, MA Summer Grid - I.P.R.A.C., Chicago, IL Business As Usual - Yellow Peril Gallery, Providence, RI Summer Grid - Yellow Peril Gallery, Providence, RI The Bridge - Public art project - Dexter Field, Providence, RI Allafuera - Espacio La Metro, San Juan, PR Sobre el miedo y otros problemas del inconsciente colectivo Museo de las Américas, Cuartel de Ballajá, San Juan, PR Performing a vivir: el soundtrack aleatorio - Galería de Arte, Universidad Sagrado Corazón, San Juan, PR Quintín Rivera Toro: Atmospherics - 280 Cubic Feet Gallery, M.S.U., MN Un espacio libre - Public art project - MuAC/Caguas, PR Área - Museo de Arte de Caguas, PR Buscando la figura - Museo de Arte de Caguas, PR GROUP EXHIBITIONS 2013 Model Minority – SCOPE Miami Beach / Yellow Peril Gallery, Miami, FL Work Harder – Yellow Peril Gallery at LightSpace, Brooklyn, NY Hybrida Art Festival - Espacio Las Naves, Valencia, Spain Witness Tree - F.D.R. Museum and Library of Congress, Hyde Park, NY R.I.S.D. Thesis Graduation - Rhode Island Convention Center, Providence, RI USAo - R.E.M. Galería, San Juan, PR Region 0 - Centro Rey Juan Carlos, New York University, NYC Vial - Museo de Arte de Puerto Rico, San Juan, PR Colectiva 1 - Espacio Dobleó, San Juan, PR Heavy - Sol Koffler Gallery, RISD, Providence, RI Transmediation - ARTspace media lounge, CAA Conference, NYC 2012 Operating System - Sylvia Wald and Po Kim Gallery, NYC Show Me Your Glands - N.A.R.S. Foundation, Brooklyn, NY Smart Action - Hostos Community College, NYC Concrete Illusions - Villa Victoria Arts Center, Boston, MA IV Semana de Vídeo Iberoamericano - Filmoteca de Andalucía, Spain Do You Think I Care? - Gelman Gallery, RISD Museum, RI Personal Culture - Gelman Gallery, RISD Museum, RI Come Here, I Need You - Gelman Gallery, RISD Museum, RI Archivos de lo efímero - U. Sagrado Corazón, Santurce, PR Artistas Boricuas Contemporáneos - Trailer Park Projects, San Juan, PR Trienal Poligráfica - Instituto de Cultura, San Juan, PR 2011 Muestra Nacional 11ʼ - Arte en el medio - Instituto de Cultura, PR Signos Vitales - Museo de Arte Contemporáneo, PR Historia Urbanas - Centro Cultural Casa Tejas Verdes, La Habana, Cuba Preámbulo - M.C.E.H., Universidad del Turabo, Gurabo, PR Diversity Exhibit - Warwick Art Museum, Warwick, RI Egofilia: Narcicismos y Bizarrerías - cART WATCH, San Juan, PR Dallas Art Fair - Dean Project Gallery, Dallas, TX 2010 Recent Acquisitions of the Latin American Collection - The Museum of Art, Fort Lauderdale , Nova Southeastern University, FL Everyone Has a Different View - Nottingham Play House, London, UK Mobile Spaces - University of Madison, Wisconsin Hair Tactics - Jersey City Museum, NJ ZONA MACO - Dean Project Gallery, Centro Banamex, D.F., MX CIRCA 10 - Walter Otero Gallery, San Juan Convention Center, PR Serie Regional Liga Pampers - I.C.P., San Juan, PR Geografía Humana - M.A.P.R., San Juan, PR 2009 Puerto Rico: Human Geography - Smithsonian Museum, Washigton D.C. Nostalgia Futuro/Homenaje Renau - Centre del Carme, Valencia, Spain Facing Locality - C.M.C.A. , St. Croix, U.S. Virgin Islands Muestra Nacional 09ʼ - Instituto de Cultura Puertorriqueña, San Juan, PR Publica 3 - Trienal Poligráfica, Arsenal de la Puntilla, San Juan, PR P PINTA 09 - Dean Project Gallery, Met Pavilion, Altman Building, NY, NY CIRCA 09 - Walter Otero Gallery, San Juan Convention Center , PR 2008 Garden of Delights - Yeosu International Arts Festival Biennial- Yeosu South Korea III Ciclo de video arte Latinoamericano, I.V.A.M. - Valencia, Spain Cataño DC: Distrito Cultural - Cataño, P.R. Art of Democracy - ÁREA, lugar de proyectos, Caguas, PR Colectivo Angora - Municipio Autónomo de Caguas, PR Terruño y paraíso perdido - Museo de arte de Caguas, PR PINTA 08 - Metropolitan Pavilion, Altman Building, NY, NY CIRCA 08 - Walter Otero Gallery, San Juan Convention Center , PR 2007 The Building Show - Exit Art, NYC II Ciclo de video arte Latinoamericano - I.V.A.M., Valencia, Spain America's Paradise and Isla Del Encanto - SMFA, Boston, MA Sonotube(r) - Santa Barbara Contemporary Arts Forum, CA Enfrentamientos - M.A.A.C., Guayaquil, Ecuador VI Salon de dibujo - Museo de Arte Moderno de Santo Domingo, RD Introspectiva/Awilda Sterling, Teatro Arriví, Santurce, PR Terruño y paraíso perdido - Cuartel de Ballajá, San Juan, PR Sucio Difícil: Los 70 - performance, Teatro Yerbabruja, Río Piedras, PR En tiempos de video - Galería 356, San Juan, PR Optika 2 - Symposium, R.U.M., Mayagüez, PR CIRCA 07 - Walter Otero Gallery, San Juan Convention Center, PR 2006 The (S) Files Biennial - El Museo del Barrio, NYC The Fourth Floor - Western Exhibitions Gallery, Chicago, IL No Man Is An Island - Open Gallery, Art School, NJ Pantalla Breve - video experimental, San Juan Cinemafest, PR Nuevas voces en el arte video - M.A.C., San Juan, PR The Happiest Peeps - public installation, 303 Tetuán, San Juan, PR Windows on Main Street - Beacon, NY CIRCA 06 - Walter Otero Gallery, San Juan Convention Center, PR 2005 More or less 3,480 Seconds - Gallery 3175, San Francisco, CA 05982:01 Montevideo Digital - F. A.C., Montevideo, Uruguay Flow: Navigating the Super Paradigm - Bulldog Studios, Beacon, NY Now Playing -The Iron Fish Trading Company, Beacon, NY Muestra Nacional 06ʼ - Instituto de Cultura Puertorriqueña, San Juan, PR Becas Lexus para artistas - M.A.C., San Juan, PR Polverío - El polvorín, Parque Luis Muñoz Rivera, San Juan, PR REWIND REWIND - Museo Arsenal de la Puntilla, San Juan, PR La gran feria de marzo - =DESTO, Santurce, PR AWARDS 2012 • • • 2011 • • • • • Honors - Rhode Island School of Design, Providence, RI W.B.N.A. Community Development Award, Providence, RI Selection - Buy Art Providence Button, Providence, RI Sylvia Leslie Young Herman Scholarship Award Rhode Island School of Design Individual Artist Project Grant - R.I.S.C.A. (N.E.A.) - Providence, RI First Prize - Certamen de Fotografía Contemporánea - UBS/Galería de Arte, U.S.C. San Juan, PR Honorable Mention - Foto MAC competition, San Juan, PR 2010 • Achievement Scholarship - Transart Institute, Berlin, Germany 2009 • • Ox Bow School of Art Residency - Saugatauck, Michigan Special Mention - Oriental Bank Art Contest of Puerto Rico 2007 • Art Person of the Year, El Nuevo Día, Puerto Rico 2006 • AICA Prize, AICA Chapters in Puerto Rico 2005 • • • E.I.T.A.L.C. residency, Cuernavaca, MX Lexus Grant for Artists, Fundación Comunitaria de PR, San Juan, PR Nomination: Louis Comfort Tiffany Foundation Grant 2004 • Public Art Comission, Villas Miantojo / Municipio de Caguas, PR 2003 • Chinati Foundation Internship, Marfa, TX 2002 • • • • DAAD Travel Grant, German Academic Exchange Service, Germany Artist Full Fellowship Award, Vermont Studio Center, Johnson, VT Scholarship Welfare Fund Alumni Award, Hunter College, NYC Richard M. Kaye Scholarship Award, Hunter College, NYC 2001 • Edwin Austin Abbey Grant, National Academy of Design, NYC Quintín Rivera Toro has been a visiting artist and speaker at: • • • • • • University of Wisconsin, Madison, WI The SMFA in Boston, MA Museo de Arte Contemporáneo, San Juan , PR Universidad de Puerto Rico en Río Piedras, PR Universidad de Puerto Rico en Mayagüez, PR CIRCA 05ʼ art fair, San Juan Convention Center, PR QUINTÍN RIVERA TORO Ma Grillz (2010) polished and patinaed bronze on mahogany and black walnut pedestal 60" H 5.25” W x 11.25” L $9,500 QUINTÍN RIVERA TORO Shush (El Tapaboca) (2013) bronze, wood (various species), brass, paint, springs, mdf 4’ L x 8’ W x 10’ H L Price Upon Request QUINTÍN RIVERA TORO Summer Grid at The Plant in Olneyville (2012) Pigment Fiber Print 50” x 40” $5,500 unframed DIEGO RODRIGUEZ-WARNER BIO Diego Rodriguez-Warner was born in Managua, Nicaragua in 1986. In 2008, he studied under the Cuban Minister for Fine Arts, Lesbia Vent Dumois, in Havana and completed his BA in COIN Theory and Fine Art from Hampshire College in 2009. In 2013, he received his Masters in Fine Arts from the Printmaking Department of the Rhode Island School of Design. The artist lives and works in Berlin. CV EDUCATION 2013 2009 Master of Fine Arts, Rhode Island School of Design, Providence RI Bachelor of Arts, COIN Theory and Fine Arts, Hampshire College, Amherst MA AWARDS 2013 RISD Toby Devan Lewis Fellowship Recipient EXHIBITIONS SOLO EXHIBITIONS 2013 My Name is Too Long to be Marketable: New Paintings By Diego Rodriguez-Warner, Von Tornow Gallery, Denver CO Perilism, LEON Gallery, Denver CO 2012 The New Face, Sims Projects, Denver CO 2011 Savage, Guerilla Garden Gallery, Denver, CO 2010 Zebra: Multiple Personalities in Order, Guerilla Garden Gallery, Denver, CO 2009 Admit One: Thesis Exhibition, Hampshire College Gallery, Amherst, MA GROUP EXHIBITIONS 2013 Spring Chickens, Free Range, David Krut Projects, New York NY Out of Print: RISD MFA Print Biennial, Sol Koffler Gallery, Providence RI 2012 From This Point Forward, Gelman Gallery, RISD Museum, Providence RI 2010 Inaugural Exhibition, Metro State Center for Visual Arts, Denver, CO Figures, Sizzle and Bang Galleries, Denver, CO 2009 Works in Color, Guerilla Garden Gallery, Denver, CO Denver's New Artists, Sizzle and Bang Galleries, Denver, CO Guerilla Garden Debut Exhibition, Guerilla Garden Gallery, Denver, CO 2008 Works from Abroad, Hampshire College Gallery, Amherst, MA Recent Works with Wilson Ward Kemp, Nueva Galeria, Havana, Cuba DIEGO RODRIGUEZ-WARNER boom (2012) acrylic, gouache, spray paint, sumi-e ink + wood stain on hand carved wooden panel 48” x 72” $15,000 DIEGO RODRIGUEZ-WARNER To the Beat of Drums and Bells (2012) acrylic, gouache, spray paint, sumi-e ink + wood stain on hand carved wooden panel 36” x 48” $12,000 DIEGO RODRIGUEZ-WARNER The Hummingbird (2012) latex, acrylic, spraypaint, and woodstain on hand carved panel 36” x 48” $12,000 DIEGO RODRIGUEZ-WARNER Steel String of Man With Harmonica (2012) acrylic, goauche, woodstain on hand carved wooden panel 36” x 48” $12,000 DIEGO RODRIGUEZ-WARNER Flippin Channels (2012) hand carved and un-printed wooden panel 48” x 72” $15,000