J25 SEP 2014. Intermediæ. Festivales Internacionales +

J25 SEP 2014. Intermediæ. Festivales Internacionales +

J25 SEP 2014. Intermediæ. Festivales Internacionales +
Videoinstalaciones
> INTERMEDIÆ . 25 sep - 05 oct 2014. J25 set 19h
> PROYECTILES
J25 SEP 2014. 19h. ENRIQUE RAMÍREZ (chi) + CHIARA CATERINA (ita) +
JAVIER LLORET (esp) + OLAIA SENDÓN (esp) + RO CAMINAL (Esp)
+
> FESTIVALES INTERNACIONALES
J25 SEP 2014. 20h.
VAFA - Video Art For All (macão) + COLOGNEOFF (alem) + OJO DE PERRO
(mex)
+
V26 SEP 2014. 20h.
VIDEO BABEL (per) + VISUAL CONTAINER (ita) + FONLAD (por)
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
++++++++
> PROYECTILES
> ENRIQUE RAMÍREZ (chi)
TAFEL
12:36
TAFEL es un proyecto que realiza un viaje y una conversación
imaginaria entre dos de las principales culturas belgas: wallon y
flamand. A partir de entrevistas, el proyecto busca ejemplificar, en
un objeto como la mesa, aquellas divisiones culturales, políticas y
sociales que muchas veces son incomprensibles. Cuales son las 4 patas
que
sostienen
a
Europa
?
MESA es una excusa para retomar estas preguntas, y reflexionar sobre
ciertas diferencias y separaciones invisibles.
> CHIARA CATERINA (ita)
Avant la nuit
2:30
A short reflexion about prison and sunset in the centre of the
European capital city, in that time of day during which things may
seem
possible.
Before
night
falls
prisoners
are
called
by
identification numbers and their voices combine in a new abstract
dimension giving space for an imaginary new life. Sound, as the only
perceptible witness of these lives, crosses a physical border between
the inside and the outside, between what is near and what is
inaccessible.
> JAVIER LLORET (Esp)
Detached Series
5:51
Detached series es una serie de vídeos artísticos en la que sus
personajes
presentan
síntomas
de
alienamiento.
Su
falta
de
expresividad crea un alto contraste con la violencia de las
transformaciones generadas por las repetidas acciones que realizan.
Una serie de personajes secundarios observan e interfieren en el
desencadenamiento de los acontecimientos.
> OLAIA SENDÓN (Esp)
Kauflan
5:47
Pertenezco a una generación a la que se le dijo que todo era posible,
pero ese mundo de oportunidades no era más que la sección de
oportunidades de un comercio global. De este shock nace Kauflan, una
metáfora del mundo en el que acordamos vivir, con una lógica y unas
normas ocultas que crisis como la actual hacen patentes de manera
lamentable.
> RO CAMINAL (Esp)
Le Détournement
3:52
Al impulso inicial de la Revolución sigue un punto muerto, incluso un
retroceso. Los jóvenes tunecinos, protagonistas de la revolución, ven
como sus demandas han sido sustituida por debates identitarios e
intereses económicos y políticos. Un plano fijo, estático como los
acontecimientos post-revolucionarios, sirve de marco visual para la
narración para que uno de los jóvenes de la revolución nos cuente el
desvío
revolucionario.
> FESTIVALES INTERNACIONALES
> COLOGNE OFF (alem)
> COLOGNEOFF _ ALE
CologneOFF
X
10th
Cologne
International
Videoart
Alienating
Festival
Power(s).
Selection curated by Wilfried Agricola de Cologne
JOHANNA REICH (alem)
Phoenix
3:20
2012
Mr MVIN (esp)
BREAK GLASS IN CASE OF CRISIS
1:50
2013
SANGLIM HAN (S.Korea)
Bloom
3:35
2012
ALEXANDER YELTSIN (ukra)
Warning
5:37
2014
GIOVANNI BUCCI (ita)
Never-Never
3:44
2013
WEIGANG SONG (chi)
Walling Dissensus
5:01
2014
GABRIELE TOSI (ita)
The Extreme Challenge
4:56
2014
SANDRA DOLLO (ita)
Tweng
2:15
2013
KAISER NAHHAS (syr)
Anti Censoship Protest at Taksim
4:27
2014
Duración: 35:45
> JOHANNA REICH (alem)
Phoenix
3:20
2012
The artist dressed in black is covering a white wall with
fiery paint. With her hand raised high the brush seems to
transform into a torch. The protagonist keeps on painting
until a flaming pattern of lines is formed. Then she pauses
for an instant and starts to undress herself. Under her
black clothes her body consists of flames: she melts with
the flames on the wall and disappears.
> SANGLIM HAN (S.Korea)
Bloom
3:35
2012
A woman is lying on the floor upside down. She looks up and
blinks her eyes. Fluids, which look like thick slimy paint,
start to drip down on her face. Fluids of various colors
keep dripping down on her face and it creates an abstract
painting on the screen. By the time the video ends the
female face is almost completely indistinguishable and she
seems
to
be
a
part
of
the
painting.
> GIOVANNI BUCCI (ita)
Never-Never
3:44
2013
Directed by Dutch-Italian filmmaker Giovanni Bucci -Never Never
tackles the old
theme of love gone bad through the unexpected
perspective of time. In this video
the band is seen performing
through alternating scenes, shot in green screen,
which some are
played at super slow motion and others at very high speed. In post
they were composited with 3D elements and the final result sees the
band playing inside the exploded machinery of a clock, whose slick
and mechanical hands inexorably travel towards and all around them.
They are maneuvered by
the battling clock-demon woman, the cruel
mistress of time, the symbolic human soul of this machine.
> GABRIELE TOSI (ita)
The Extreme Challenge
4:56
2014
Between two old fashioned chimneys hangs a sculpture of colored
cables: apparently a spider web stretched between the vestiges of an
industrial civilization that no longer exists; but in hindsight,
perhaps, a radiant sun, above whose disk the tightrope walker will
pass, near the end of the path. The way out from the end of an
industrial era is a narrow, dangerous and uncertain path to the point,
that can be effectively represented by the metaphor of a tightrope
walker who must cross an abyss walking on a thin wire stretched at
high altitudes.
> KAISER NAHHAS (syr)
Anti Censoship Protest at Taksim
4:27
2014
A protest against the censorship laws issued by the Turkish
government; which would allow the government to block access to
certain websites and track down people’s activity on the internet.
This was the second protest regarding this matter, and the protesters
failed to protest in Taksim square because the police surrounded it,
so they started the protest from Istiklal Street. The protest didn’t
last more than 4 minutes and then it was clashes with police in the
allies and streets for two hours. I shot this video without having a
gas mask and I faded out at one point but some protesters helped me
regain consciousness.
> Mr MVIN (esp)
BREAK GLASS IN CASE OF CRISIS
1:50
2013
Video
about
the
spanish
crisis
trauma.
> ALEXANDER YELTSIN (ukra)
Warning
5:37
2014
I don't want to see that the anxiety for the future of Ukraine which I
conveyed in this work comes true. Let it be an artist's nightmare. But
unfortunately everything that happens convinces in the possibility
that a nightmare could be a prophetic dream.Mechanism of the splitting
Ukraine is launched. Integrity of the country in jeopardy. Dreams of
Ukrainians of a prosperous and stable Ukraine start being replaced by
fear and worries for its future. Dream become a reality.
> WEIGANG SONG (chi)
Walling Dissensus
5:01
2014
Walling Dissensus investigates a political criticality between
different performative acts staged in a fictional space. Different
identities are performed from soccer players, referees to police
guards; and different situations are staged from police marching,
soccer players walling to police striking rebels. A critical space is
thus created concerning violence, political dissensus,
protests and sportsmanship through aesthetic experience.
repressing
> SANDRA DOLLO (ita)
Tweng
2:15
2013
This is the future! the underground sewers of the mutant city. the
machine controls everything, but something is wrong. A crack of light
appears. a peek into the inside of the universe or just the brain-spam
of a depraved mind? The superhero on the space-mofa takes a
rollercoaster ride to find out and break free from eternal slavery.
His evil twin in the tower of power always close, trying to stop him.
but which one is the evil twin? they all look the same! We use a 2ddigital, stop-motion like technique, where each frame is composed like
a collage, out of photos, drawings and text.
>
OJO
DE
PERRO
(mex)
Curaduría de ¨Ojo de Perro num. 7¨ para la 7ª edición de PROYECTOR.
- Ojo de Perro es un proyecto que genera muestras internacionales de
video
experimental.
A
través
de
estas
acciones
artístico
curatoriales de intervención en espacios públicos y de libre acceso.
ARTISTAS
>
Himno
01:30
2014
EFRAÍN
VELASCO
Nacional
(mex)
Mexicano
Ejercicio de reescritura en aproximación verbicovisual al HNM en los
límites de la legalidad, caracterizada por la ley que determina el uso
del himno, bandera y escudo nacionales.
> BRUNO VARELA (mex)
Ak-pulco
00:51
2013
Un disco de view master de los cincuentas encontrado en un
mercado de pulgas es el detonador de este experimento de
imágenes
estereoscópicas
que
amplifican
la
realidad
nacional de forma elocuente. El puerto paradisiaco de
Acapulco, alguna vez el lugar de la vacación planetaria se
desbarranca
por
la
quebrada
de
forma
irreversible.
>
JULIA BARCO (mex)
Borderline
02:52
En la naturaleza no existen fronteras.
Hay reglas
especies.
de
convivencia
sobre
el
ir
y
venir
de
las
Sólo el género humano delimita lo que considera su espacio,
y
por
tanto
define
su
relación
con
“el
otro”.
>
ROBERTO OLIVARES (mex)
El privilegio de privilegiar la política
02:53
2013
Conversaciones telefónicas que revelan la sumisión de un senador de la
república mexicana, ante un empresario que financia campañas y hace
negocios con el poder.
> TANIA BOHÓRQUEZ (mex)
S / T
01:04
2014
El cuerpo es un territorio de poder, el espacio fronterizo
de intercambio y dominación, éste video, aborda la idea del
cuerpo femenino identificado y definido desde su relación
con un otro, relación generada desde la sexualidad, La
artista sustituye la presencia fálica masculina por la
introducción en su cuerpo de la palabra PUTA, para
desarrollar la idea del prejuicio en la libertad de la
práctica sexual desde el entendimiento social en ciertos
contextos.
> EFRAÍN CONSTANTINO (mex)
Snuff it / Snufar
09:14
> SAÚL LÓPEZ VELARDE (mex)
Bestiario
03:37
El video formula un impulso lirico, una sencilla estructura a suerte
de retablo fílmico, donde lo marginal despliega el vínculo entre la
cultura y la sociedad, lo real y su representación, las acciones y los
símbolos. Film Súper 8 / Revelado a mano.
>
RICHARD MOSZKA (mex/can)
Di no y hazlo
01.40
Dos imperativos, negación y afirmación, privarse y ser productivo, las
consignas de la vida moderna repetidas ad infinitum, ad absurdum, ad
nauseam… el super-yo nunca se desanima, sus reclamos nunca amainan, y
al yo le cuesta cada vez más manifestar su libre albedrío.
>
Caleidoscopio
02:31
ANIS
MICHOUD
(fra)
Caleidoscopio busca mirar desde otro punto de vista la obra de arte
mas visitada del mundo, revelándola en su contexto de consumo cultural
de masa.
> BYRT WAMMACK
(mex)
Mano Dura
01:05
El encanto de la guerra se desvanece ante la impotencia de la fuerza.
>
FERNANDO
Lines (Report from the kitchen)
01:56
Report
from
ARROCHA
(esp)
the
kitchen
> ELENA PARDO (mex)
Próxima Parada Dadar
01:51
Trayecto entre estaciones del tren en Mumbai, desde el vagón reservado
para
las
mujeres.
++++++++++++++++++++++++++++++++++++
++++++++++++++++++++++++++++++++++++++++++++++++
> VAFA - Video Art For All (macão)
ALL
Curated
ROADS
by
LEAD
José
TO
ROME
Drummond
Words are means to express situations or thoughts. They exist with us
but they are only one option of something else. Experimental film and
found footage are joined together to display some serious concerns
over the position and practice of US military over the world.
Somewhere in a desolate and wild place the mythical figure of a Cowboy
loses his place while wandering around. A highway in LA brings the
thoughts of serial killers. A computer voice in 2001 is after all a
woman. So what? A women’s toilet in a Beijing nightclub is then public
to us. Are we sure we want to know? Borders are spaces of
confrontation or of reunion? Israel? Palestine? Turkey? Kurdistan?...
And what to say about the overacting of Hollywood actors? All this are
just roads that lead to Rome. And Rome is the eternal historic figure
of power. This screening more than speaking about power speaks about
the roads that lead to it. Just imagine that to the viewer we give
blue velvet seats and to the artist the only way is to be Lee Harvey
Oswald
and
to
risk
on
everything
to
get
to
Rome.
This screening reunites videos from the collection of VAFA – Video Art
For All, a moving image festival from Macau, and is made possible by
the joint efforts of the not-for-profit art association AFA – Art For
All and the art platform XA – Xiǎng Art.
ARTISTAS
STEFAN RIEBEL
Untitled #68
00:46
2011
CUI XIUWEN
Lady's
6:25
2000
CAROLINE KOEBEL
Sunroof (Benazir Bhutto
Assassination) Part 2 of Flicker On
Off
6:10
2008
ALLEN FERGUSON
Mike Schofield As Nicholas Cage
Loosing His Shit…
2:31
2014
MITRA AZAR
Border Project // Turkey-Kurdistan //
A War Gesture
00:41
MITRA AZAR
Border Project // IsraelPalestine // Live #1
3:50
2013
RUI CALÇADA BASTOS
If You're Going Through Hell Keep
Going
3:55
2012
MAXIMILIAN SCHMÖTZER & FABIAN
HEITZHAUSEN
The Conversation
6:11
2011
SERGIO BELINCHÓN
Adiós Amigo!
15:00
2011
>
Untitled
00:46
2011
CAROLINE KOEBEL
All The House (Haditha
massacre) Part 3 of Flicker On
Off
5:50
2008
STEFAN RIEBEL
Untitled #81
1:14
2013
Duración: 45
STEFAN
RIEBEL
#68
“Untitled” is a series of short text pieces. They are realized as
video sequences, posters or text propositions on the internet, in
festival programs or in public media space. All of them ask and inform
about fictional or real circumstances, sharpen the viewers awareness
for significant details of the surrounding they are presented in and
provoke
the
imagination
of
the
beholder.
>
Sunroof
6:10
2008
(Benazir
Bhutto
CAROLINE
Assassination)
Part
2
of
Flicker
KOEBEL
On Off
Sunroof (Benazir Bhutto Assassination) reconsiders the December 27,
2007 assassination of Benazir Bhutto, former Prime Minister of
Pakistan and leader at the time of the Pakistan People's Party. Gun
shootouts in Miller’s Crossing by Joel Coen are re-shot with a Bolex
16mm camera and then hand processed and clashed against nonfiction
images of rioting and a multi-lingual audio collage. Part 2 of Flicker
On Off, a trilogy applying the idiom of experimental film and artist's
video to big-budget movies in order to speak about world affairs in
what
could
be
described
as
an
alternate
essay
format.
>
Border
00:41
Project
//
MITRA
Turkey-Kurdistan
//
A
War
AZAR
Gesture
A video of an old deaf-mute Kurdish man probably evoking through his
body language some of the atrocities related to the Kurdish-Turkish
conflicts. The video focuses on the relation between language and
image, addressing as well the theme of the un-speakability of war. A
video of nomadic Kurdish children from Caucasus settled in a remote
area of the Kurdistan region in Turkey, close to the border with Iran.
The children sing a very popular Turkish song called "Seni seviorum"
(I love you). The video is reflecting about the infiltration of
Turkish Westernized culture in isolated area of the country, where
Kurdish people have been historically prevented from manifesting their
own
culture
and
speaking
their
own
language.
>
If
3:55
2012
You're
RUI
Going
Through
CALÇADA
Hell
Keep
BASTOS
Going
Accompanying the slow, rhythmic movement of headlights, reminiscent of
the ocean’s waves nearby, is a dark soundtrack whose monologic
narration of short sentences does not add up to a coherent story;
rather, it relays an inconsistent and almost schizophrenic stream of
consciousness. The sentences, which were in fact quotes from infamous
serial killers, ranged from supposed innocence and delight (‘See you
in Disneyland’ and ‘I have a good time’) to dystopian visions (‘People
in this time and age are brain-washed, programmed like a computer,
being nothing more then puppets’, and ‘I want to see the whole city
burned
down’).
>
MAXIMILIAN
SCHMÖTZER
The
6:11
2011
&
FABIAN
HEITZHAUSEN
Conversation
A post dubbing of several scenes cut together from Stanley Kubrick’s
2001: A Space Odyssey. It is played in a loop and negotiates the
question of what makes art into art. To create gravity outer space,
the vast space station Discovery One revolves on its own axis, just as
the voyage through infinite space moves in circles, forever and
unnoticed. The protagonists are caught in an argumentative loop,
unable to solve the question. The computer Hal 9000, a supposedly
omniscient artificial intelligence, tries to give answers but a
solution seems impossible. Again and again, the discussion ends up at
the beginning. The two male astronauts with the same female voice
represent humanity’s insatiable quest for knowledge. And knowledge is
power.
>
Adiós
15:00
2011
SERGIO
BELINCHÓN
Amigo!
This project involves a revision of the imaginary American western,
relocated here to the geography of Huesca, Spain, the stage for
shooting of some thirty spaghetti westerns between the 60s and 70s. A
cowboy leaves behind a completely abandoned town and crosses
landscapes in which Huesca dressed up as Texas, in not only a
geographical but also temporal movement, and that culminates in the
current moment. It is about a twilight film – in this case, a
crepuscular spaghetti western -, where what was has been transformed
into something else; an update in the eternal topic of the search for
a
promised
land.
CUI
>
XIUWEN
Lady's
6:25
2000
Consisted of footage from a hidden camera in the ladies room of a
Beijing night club this work is a daring documentary of the relations
of a society where the figure of power is always present. The image
focuses on a limited area of mirror in front of which young women are
seen stopping. Between social critique and representation of a social
space
challenges
the
notion
of
what
is
public
or
private
simultaneously questioning the empowering and dominant role of the
state.
>
Mike
2:31
2014
Schofield
As
ALLEN
Nicholas
Cage
Loosing
His
FERGUSON
Shit…
Channeling Bertrand Russell's mischaracterization of the writings of
Nietzsche as the "Power Phantasies of an Invalid", Fargosonini took
non-actor and civil engineer Mike Schofield and placed him in his own
bizarre power fantasy; a highlight reel of Nicolas Cage's most
intense, or "cagey", moments. Cage has characterized his style as
"nouveaux-shamanic", cultural theorists have called it "mega acting".
Schofield had to say of the role, "I cannot be Caged. I cannot be
controlled. Know this as you die, ever pathetic! Ever Fools!"
>
Border
3:50
2013
Project
//
MITRA
Israel-Palestine
//
Live
AZAR
#1
Live #1 was shot in different places of the Westbank. The clashes
between soldiers and Palestinian youth were filmed at Belein, one of
the Palestinian villages that for years has enacted forms of active
resistance against the Israeli occupation. Every Friday peaceful
demonstrations are held in vicinity of the wall and they are regularly
repressed by the Israeli army with tear gas and rubber bullets fired
at head height. The images of the clashes show a surreal space-time
component. The images seem to fit in an impossible simultaneity of the
before, during and after the fighting. Both the Israeli army and the
Palestinian youth seem to be fighting an invisible enemy. The audio
emphasizes the alienating component of the image and of the action,
and it is built from recordings of Orthodox Jewish prayers at the
Wailing
wall
in
Jerusalem.
>
All The
5:50
2008
House
(Haditha
CAROLINE
massacre)
Part
3
of
Flicker
KOEBEL
On Off
All the House (Haditha Massacre) collects and reconfigures far-ranging
source materials to ponder the November 19, 2005 killing by US Marines
of 24 unarmed civilians in Haditha, Iraq. Featured is ten-year-old
Iman Walid, who witnessed the slaughter of her family. The Atlantic
City massacre scene from Godfather III by Francis Ford Coppola is reshot with a Bolex 16mm camera and then hand processed.Part 3 of
Flicker On Off, a trilogy applying the idiom of experimental film and
artist's video to big-budget movies in order to speak about world
affairs in what could be described as an alternate essay format.
STEFAN
>
RIEBEL
#81
Untitled
1:14
2013
“Untitled” is a series of short text pieces. They are realized as
video sequences, posters or text propositions on the internet, in
festival programs or in public media space. All of them ask and inform
about fictional or real circumstances, sharpen the viewers awareness
for significant details of the surrounding they are presented in and
provoke
the
imagination
of
the
beholder.
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
++++++++++++++
>
>
Metáforas
06:04
VIDEO
MÁRIA
BABEL(per)
JÚDOVÁ
del
(slo)
cuerpo.
2013.
Video performance inspirada en la danza contemporánea “Animalinside”
de Jaro Viňarský.
>
Miscellanea
09:17
GABRIEL
HOSOVSKY
XIII.
(slo)
2013
En esta video-performance, Gabriel Hosovsky, de manera rutinaria y
eficiente, prepara su propia caída cortando las ramas sobre las que
está sentado.
> ROCIO GAUNA (arg)
Inconstante. Adj. No estable ni permanente. 2012
15:00
“Inconstante” es una video-danza experimental, protagonizada por
cuatro mujeres de la tercera edad que dan cuenta de la llegada de la
muerte a sus cuerpos.
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
++++++++++++++
> VISUAL CONTAINER (ita)
ITALIAN VIDEOART PLATFORM Since 2008, the first italian videoart
distributor and platform for videoart promotion and special projects.
> CON.TATTO (ita)
Indifference
2:46
2013
Although TV and internet give us the possibility to see images from
all over the world and learn in just a few moments what is happening
in other places, we are becoming indifferent. Contemporary society is
creating self- centered people who see but really don't care, who
knows but doesn't make anything abut it. In this video performane the
Con.Tatto group reflected on theis situation with a special attention
to the facts that filling the news paper news: wars, woman's
conditions and the lack of vision of the ones who are leading the
nations of the world.
> KATARINA GRUZEI (aus)
Workers leaving the factory (again)
11:00
2012
Flashing neon transforms a factory corridor into a stunning light and
sound sculpture. The workers move silently towards the exit.
A multitude of silent factory workers walk down a seemingly endless
corridor towards the exit. The flashing neon transforms the space into
a surreal light and sound show. At the end, they pose one last time
for the camera before leaving the building. The automatic gates close
slowly behind them. La sortie de l’usine Lumière à Lyon by the Lumière
brothers dates back to 1895; now we face the end of the industrial
age.
> VALENTINA FERRANDES (ita)
BERG
11:53
2011
Teufelsberg is a well-known man-made hill in the outskirts of Berlin.
It was built by the American Allies with the rubble of a city
destroyed by World War 2, in the 20 years that followed its end.
Created out of debris, on Grunewald’s plateau, Teufelsberg became the
highest viewing point in Berlin and a favourable location for military
observation of the city. Prior to establishing the first permanent
buildings on site in the very late 1950s, American Mobile Allied
listening units used to drive to various other locales throughout West
Berlin hoping to gain the best vantage point for listening to Soviet,
East German, and other Warsaw Pact nations military traffic.
Due to the evident vantage point it could offer, a permanent listening
station was then built on Teufelsberg, to be run by the National
Security Agency until the fall of the Berlin wall. With the end of the
Cold War, the listening station became redundant, it was closed down
and its equipment removed. It remained a disused structure for over 10
years, to which followed another 10 years of negotiations between
various property developers interested in purchasing the land around
it, the possibility to create a spy museum, and the final decision to
classify the hill as forest in the land use plan of Berlin, halting
any possible attempts to build.
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
++++++++++++++
> FONLAD (por)
O Festival On Line de Artes Digitais chega à sua 9ª edição sob o
paradigma da viragem e da renovação. Centrado no Espaço de Artes,
Multimédia e Performance, pretende-se celebrar os 50 anos da vídeo
arte através da realização de projectos de intervenção em espaços não
convencionais e a experimentação de novas linguagens e formas de
apresentação das artes digitais.
Comissários: José Vieira e Sérgio Gomes.
FADRIÁN REGNIER CHÁVEZ (mex)
H.
7:36
2014
First part of the experimental video art modular complex
'H.U.I.D.A.S.', project awarded the 'Jóvenes Creadores' grant, by
Fondo Nacional para la Cultura y las Artes.. H. is a hybrid piece that
integrates experimental stop motion animation, motion graphics, 3D
animation and other resources to illustrate a clear reality: the
international arms race as a phenomenon on the brink of detonation.
With more than 30,000 atomic bombs on the face of Earth, together
they have enough critical mass to not only to turn our planet into a
nuclear cloud, but to extend its impact to the sky, the stars and
space beyond them. This is the story of nine nuclear nations, nine
types of men, nine types of bombs, nine planets and nine forms of
nubifying them.
TAHIR UN (tur)
The Game
2:56
2013
Mardin is an ancient city of Mesopotamia Coombe and nearest to the
border of
Syria. The city is established above the hill and some border villages
can be viewed from. The civil war in Syria has been effective
economically as well as socially in southeastern Anatolia because of
the affective commitment between the peoples.
Maybe someday, the children will establish peaceful World who share
the pain.
FILIP GABRIEL PUDLO (pl)
Operation Castle
4:20
2013
Linguistic summaries for "Operation Castle" (1954) film where possible
machine analysis and description of moving image were examined.
Framework for linguistic summaries using video mining algorithms was
proposed. Image analysis based on machine algorithms was simulated on
technical level. In a near future full analysis on both technical and
symbolic, more abstract levels may be also considered. Hermeneutic
character of the original footage was retained. The study of
peripheral vision, technology development and politics.
GRUPO SINESTÉTICO (ita)
Synaesthetic Wall
8:21
2013
The wall and the understood book as tool-hinge of the transmission of
thought, the Group Sinestetico offers something tangible to revere in
his/her fundamental relationship, physical,
tactile.
VIDEO INSTALACIÓN para ESPACIO MALMO
MARCO SCHIELFELBEIN (alem)
I Can. You Can
7:22
2012
A woman is sitting on a couch while focusing her iron view into the
camera and
suddenly starts to talk. Out of her grows a canny and calm monologue
that manifests
her world of thoughts and ideas. The at first independently created
monologue starts to get tangled up into contradictions, torn between
different views and ideologies. It is a result of phrases taken out
from different commercials that were combined into a continuously
ongoing monologue. The monologue turns out to be commanded and
alienated by advertisement.
Pases:
V25 sep 2014. INTERMEDIAE. 20h
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> INTERMEDIÆ (Matadero Madrid)
Paseo de la Chopera, 14, Madrid
D. 25 sep - 05 oct. H: 10-21h
I. 25 y 26 nov. H: 20.00 (proyecciones)
http://www.fonlad.net
[email protected]