prof. dr. enrique mallen - Sam Houston State University

prof. dr. enrique mallen - Sam Houston State University

PROF. DR. ENRIQUE MALLEN
EDUCATION
1986­1989
Cornell University
Ph.D., August 1989.
Honorary Master of Arts,
May 1988.
1984­1986
University of North
Carolina,
Chapel Hill Master of Arts, August 1986.
1977­1982
Universidad de Sevilla
(Spain)
Master of Arts
(Licenciatura), May 1982.
POSITIONS PUBLICATIONS PRESENTATIONS CITATIONS INSTITUTIONS
UNIVERSITY POSITIONS
Director & General Editor. Online Picasso Project. (1997­present)
Professor. Sam Houston State University (2007­present)
Adjunct Professor. Heinrich­Heine Universität, Düsseldorf (2013­
present)
Professor. Texas A&M University (2005­2007)
Associate Professor. Texas A&M University (1997­2005)
Assistant Professor. Texas A&M University (1995­1996)
Assistant Professor. University of Florida­Gainesville (1990­1995)
Assistant Professor. University of Hawai'i­Manoa (1989­1990)
Teaching Assistant. Cornell University (1986­1989)
Teaching Assistant. University of North Carolina­Chapel Hill (1984­
1986)
PUBLICATIONS
Pablo Picasso: A Critical Chronology. Säo Paulo: Lumme
Editor. Forthcoming, 2015.
Expressionism. 1914­1918­Online. International Encyclopedia of
the First World War. ed. by Oliver Janz & Nicolas
Apostolopoulos. Berlin: Freie Universität, Berlin. Forthcoming,
2015.
The Colors of Dora Maar: Pablo Picasso and Ancient Aztec
Myths. Interdisciplinary Journal for Germanic Linguistics &
Semiotic Analysis. Forthcoming, 2015.
La Poesía Multilineal de Pablo Picasso. Lenguaje, poesía y la
búsqueda del sentido. ed. by Melvin González­Rivera. New
York: Peter Lang. Forthcoming, 2015.
Death and the Mask in Pablo Picasso. The Body, Illness, Injury,
Treatment & Death in Hispanic Art & Literature. ed. by Debra
D. Andrist. New York: Sussex Academic Press. Forthcoming,
2015.
Pablo Picasso: From Physical To Mental Dissection of the
Human Body. The Body, Illness, Injury, Treatment & Death in
Hispanic Art & Literature. ed. by Debra D. Andrist. New York:
Sussex Academic Press. Forthcoming, 2015.
Seeing With Eyes Shut: Representations of Blindness in Pablo
​
Picasso. The Body, Illness, Injury, Treatment & Death in
Hispanic Art & Literature. ed. by Debra D. Andrist. New York:
Sussex Academic Press. Forthcoming, 2015.
La Lingüística y el Lenguaje Poético. Enciclopedia de lingüística
hispánica. ed. by J. Gutiérrez Rexach. London: Routledge.
Forthcoming, 2015.
Diego Velázquez, Pablo Picasso and the Affirmation of the
Artist. Interdisciplinary Journal for Germanic Linguistics &
Semiotic Analysis. Volume 20. Forthcoming, Spring, 2015.
La Naturaleza Primigenia en los Dibujos de Francisco de Santos.
O Golpe do anti­ceifo. Säo Paulo: Lumme Editor. Forthcoming,
2015.
The Myth of Narcissus: Themes of Life and Death in Pablo
Picasso and Salvador Dalí. En Garde!. The Dalí Museum in St.
Petersburg. Forthcoming, 2015.
Paul Cézanne y Pablo Picasso: La Proyección del Deseo sobre el
Objeto. Otro Lunes. 36. Año 9. March, 2015.
For Sale: Grandpa Picasso’s Pictures. Newsweek. March 7, 2015.
Running the numbers on the impending sale of Marina Picasso’s
‘inheritance without love'. The Conversation. March 2, 2015.
"The Great Picasso sell­off: Heir to 10,000 Works Ready to
Offload Grandfather’s Art". Interview by Mark Brown. The
Guardian. February 6, 2015.
"Picasso’s Granddaughter Plans to Sell Art, Worrying the
Market". Interview by Doreen Carvajal. The New York Times.
February 4, 2015.
La Pulsión del Lenguaje: Diálogos y Poemas de José Kozer. Säo
Paulo: Lumme Editor. 2015. 577 pp.
La Naturaleza Paradójica de la Realidad en Pablo Picasso. Otro
Lunes 35. Año 9. January, 2015.
Pablo Picasso and the Truth of Greek Art. Athens Journal of
Humanities and Arts. Vol. 1, No. 4. 283­298. October, 2014.
De los Saltimbanquis a las Máscaras Ibéricas en Pablo Picasso.
Otro Lunes. 34. Año 8. October, 2014.
Pablo Picasso and the Truth of Greek Art. 7th Annual
International Conference on Mediterranean Studies Proceedings.
ed. by Gregory A. Katsas. Athens: ATINER Conference Paper
Series, No: MDT2014­1040. 2014.
Los Inicios Parisinos de Pablo Picasso. Otro Lunes 33. Año 8.
June, 2014.
Fluctuación Estilística en Pablo Picasso. Otro Lunes 32. Año 8.
April, 2014.
La Vida (y la Muerte) en Pablo Picasso. Otro Lunes 31. Año 8.
Febrero, 2014.
La Muerte y la Máscara en Pablo Picasso. Berkeley Insights in
Linguistics & Semiotics Series. New York: Peter Lang. 2013.
238 pp.
"Authenticating Picasso". Interview by George Stolz. Artnews.
January 2, 2013.
"Why Larry Ellison Calls Steve Jobs Another Picasso And What
It Teaches Us About Creativity". Interview by Carmine Gallo.
Forbes Magazine. September 16, 2013.
"An Interview With Alison de Lima Green, Curator, and Enrique
Mallén, Founder of the Picasso Project". Interview by Debra D.
Andrist. Revista Literal. 32. Spring, 2013.
The Challenge of Language. Poetics in a New Key: Interviews
and Essays by Marjorie Perloff. ed. by David Jonathan Bayot.
Manila: De La Salle University Press. 145­156. 2013.
Cuestionario de Enrique Mallén: Respuestas de José Kozer. Casa
de las Iguanas: Revista Virtual de Cultura y Poesía. February,
2013.
El “Neobarroco” Latinoamericano y la “Poesía del Lenguaje”
Estadounidense. Revista de Critica Literaria Latinoamericana.
Neobarroco y otras especies. No. 76. 51­80. 2013.
Sympathetic Poetry in Pablo Picasso. Interdisciplinary Journal
for Germanic Linguistics & Semiotic Analysis. 17,2. Fall. 1­45.
2012.
La Poesía Simpatética de Pablo Picasso. Picasso­Poesie­Poetik
(Picasso, his Poetry and Poetics). ed. by Nanette Rißler­Pipka &
Gerhard Wild. Aachen: Shaker Verlag, 105­140. 2012.
Prólogo. Entender a Picasso. Ana Isabel Bernal Triviño.
Universidad de Málaga. 2012.
Computational Approaches to a Catalogue Raisonné of Pablo
Picasso. With Luis Meneses, Carlos Monroy and Richard Furuta.
Interdisciplinary Journal for Germanic Linguistics & Semiotic
Analysis. Volume 16,1. 19­46. Spring, 2011.
Poetry of the Americas: Interview with Charles Bernstein. S/N:
NewWorldPoetics. V. 1, N. 3. 34­57. May, 2011.
Magia y Superstición de Pablo Picasso. Otro Lunes 14, Año 4.
September, 2010.
"Aún Hay Bastantes Picassos Ocultos en Colecciones Privadas".
Interview by Santiago Romero. La Opinión de Málaga.
December 7, 2010.
"Quedan aún obras de Picasso ocultas en colecciones privadas".
Interview by Santiago Romero. La Opinión de A Coruña.
December 5, 2010.
A Concordance of Pablo Picasso's French Writings. New York:
Edwin Mellen Press. 2010. 1,374 pp.
**Awarded the Adele Mellen Prize for Distinguished
Contribution to Scholarship.
Poetry of the Americas: Interview with Marjorie Perloff. S/N:
NewWorldPoetics. 26­41. 5/15/2010.
The Multilineal Poetry of Pablo Picasso. Interdisciplinary
Journal for Germanic Linguistics & Semiotic Analysis 14.2. 163­
202. 2009
Antología Crítica de la Poesía del Lenguaje. Mexico, DF:
Editorial Aldus. 2009. 378 pp.
**Reviewed: José Luis Bobadilla, in Fraguas (Mexico). 2010.
**Reviewed: Ana Franco Ortuño, in Periódico de Poesía
(Universidad Nacional Autónoma de México). No. 46 / Febrero
2012.
**Reviewed: Ana Franco Ortuño, in El Universal. Martes 04 de
enero de 2011.
A Concordance of Pablo Picasso's Spanish Writings. New York:
Edwin Mellen Press. 2009. 928 pp.
**Awarded the Adele Mellen Prize for Distinguished
Contribution to Scholarship.
Pablo Picasso: Trozo de Piel. Edición crítica. Instituto Municipal
del Libro, Málaga. 2009.
Poesía del Lenguaje: De T. S. Eliot a Eduardo Espina. Mexico,
DF.: Editorial Aldus. 2008. 400 pp.
**Reviewed: Dr. Rogelio Guedea. University of Otago, New
Zealand, in La Jornada (Mexico).
**Reviewed: Justa: De Lector a Lector (Mexico). 11 de junio de
2009.
**Reviewed: Ramón I. Martínez, in Revista Siempre (Mexico).
Domingo, 07 de junio de 2009.
Review of Samuel David Epstein and T. Daniel Seely. 2006.
Derivations in Minimalism. Cambridge, MA: Cambridge
University Press. Interdisciplinary Journal for Germanic
Linguistics & Semiotic Analysis. Volume 14.1. Spring 2009.
"Picasso se Desnudaba Escribiendo". Interview by Joseba Elola.
El Pais. June 1, 2008.
Representational Modularity, Synthetic Cubism & Language
Poetry. Interdisciplinary Journal for Germanic Linguistics &
Semiotic Analysis. 12,1. 97­134. Spring, 2007
Cómo Sería Pablo Picasso Hoy ... Diario Sur. October 25, 2006.
La Sintaxis de la Carne: Pablo Picasso y Marie­Thérèse Walter.
Santiago de Chile: Red Internacional del Libro Editores. 2005.
498 pp.
**Reviewed: Dr. José Cardona­López, Texas A&M International
University, in Interdisciplinary Journal for Germanic Linguistics
& Semiotic Analysis (University of California­Berkeley).
Pablo Picasso, Paul Cézanne y La Montaña. Centre Picasso
d’Orta (Spain). 1­5. 2005.
Don Quixotte vu Par Pablo Picasso: Visual Syntax in the
Iconography of Don Quixote. Biblioteca Cervantina. Madrid:
Editorial Maribel. 1­14. 2005
Eduardo Espina: La imparcialidad de la sintaxis. Tse­Tse. 11. 70­
75. 2005
Metaphor & Cognition in Pablo Picasso's Synthetic Cubism.
Interdisciplinary Journal for Germanic Linguistics & Semiotic
Analysis. 9,1 101­128. Spring, 2004
The Embodiment of the Pictorial Sign: Pablo Picasso’s Early
Cubism. Körper ­ Verkörperung ­ Entkörperung. 445­460. ed. by
Winfried Nöth & Guido Ipsen. Kassel: Deutsche
Forschungsgemeinschaft. 2004.
A Dynamic Picasso’s Catalogue: The On­line Picasso Project
Experience. With Carlos Monroy and Richard Furuta. 1­7.
Document Engineering’04. Milwaukee, Wisconsin, USA.
October 28–30, 2004.
Matt Lamb and the Carnevale Masks of Venice. Matt Lamb and
the Carnevale Masks of Venice. ed. by Enrique Mallen. 17­31.
Tünsdorf: Smkt University Press, 2004.
La Distensión del Yo en Matt Lamb, Joan Miró y Pablo Picasso.
Lamb Encounters Miró: Centre Miró de Sant­roig . 1­7. ed. by
Dominicus Rohde. Tünsdorf: Smkt University Press, 2004.
The Visual Grammar of Pablo Picasso. Berkeley Insights in
Linguistics & Semiotics Series. New York: Peter Lang. 2003.
344 pp.
**Reviewed: Dr. W. C. Watt, University of California­Irvine, in
Interdisciplinary Journal for Germanic Linguistics & Semiotic
Analysis (University of California­Berkeley).
**Reviewed: Dr. José Sanjines, Coastal Carolina University, in
Semiotica (University of Toronto).
A Minimalist Approach to Picasso’s Visual Grammar: Les
demoiselles d’Avignon. Interdisciplinary Journal for Germanic
Linguistics & Semiotic Analysis. Volume 8.1 1­21. 2003.
De la Crisis al Climax: Pablo Picasso & Matt Lamb / From Crisis
to Climax: Pablo Picasso & Matt Lamb / Von Krise zu Klimax:
Pablo Picasso & Matt Lamb. Lamb Encounters Picasso: Centre
Picasso d'Orta. 34­53. ed. by Dominicus Rohde. Tünsdorf: Smkt
University Press, 2003.
La Otredad del Yo en Eduardo Espina. Códice­Revista de
Poéticas. El Paso: University of Texas­El Paso. 1­7. 2003.
Texts, Images, Knowledge: Visualizing Cervantes and Picasso.
With Carlos Monroy, Richard Furuta and Eduardo Urbina.
Proceedings of Visual Knowledges Conference. 1­8. University
of Edinburgh, Scotland. September 2003.
Creating, Visualizing, Analyzing & Comparing Series of
Artworks. With Carlos Monroy and Richard Furuta. Selected
Proceedings from the Third ACM+IEEE Joint Conference on
Digital Libraries. 1­6. Rice University. May, 2003.
Picasso Timeline. Selections from the On­Line Picasso Project.
In Picasso: Magic Sex Death. With John Richardson. Richmond
Hill, Ontario: BFS Entertainment and Multimedia Limited, 2003.
754 pp.
Expletive Definites in Relative Clauses. With Javier Guitierrez­
Rexach. Linguistic Theory and Language Development in
Hispanic Languages: Papers from the V Hispanic Linguistics
Symposium and the IV Conference on the Acquisition of Spanish
and Portuguese. 96­112. Ed. by Silvina Montrul and Francisco
Ordóñez. Somerville, MA: Cascadilla Press. 2003.
"Entrevista con Enrique Mallen, estudioso de Picasso y director
del On­line Picasso Project". Interview by Luis Guerrero. La
Opinión de Málaga. January 28, 2002.
Con/figuración Sintáctica: Poesía del Des/lenguaje. Santiago de
Chile: Red Internacional del Libro Editores. 2002. 300 pp.
**Reviewed: Dr. Rafael E. Saumell, Sam Houston State
University, in Revista de Estudios Hispánicos (Washington
University, Saint Louis).
**Reviewed: Dr. Silvia Peart, Texas Tech University, in Chasqui
­ Revista de Literatura Latino Americana (Arizona State
University).
Attributive Adjectives in Germanic & Romance. Issues in Formal
German(ic) Typology. 193­222. ed. by Werner Abraham & C.
Jan­Wouter Zwart. Amsterdam: John Benjamins. 2002.
On the Distribution of Restrictive vs. Nonrestrictive Adjectives in
Germanic & Romance. New Insights in Germanic III. 177­210.
ed. by Irmengard Rauch & Gerald F. Carr. Berlin: Peter Lang.
2002.
Toward a Unified Analysis of Prenominal Adjectives. With
Javier Guitierrez­Rexach. Structure, Meaning, and Acquisition in
Spanish:Papers from the IV Hispanic Linguistics Symposium.
178­192. edited by James F. Lee, Kimberly L. Geeslin, and J.
Clancy Clements. Somerville, MA: Cascadilla Press. 2002.
Features & Interfaces. ed. by Julia Herschensohn, Enrique
Mallen & Karen Zagona. Amsterdam: John Benjamins. 2001. 302
pp.
**Reviewed: Dr. Eric Mathieu, University College London, in
Language (Journal of the Linguistic Society of America).
NP Movement & Adjective Positions in the DP Phases. With
Javier Guitierrez­Rexach. Features & Interfaces. 107­132. ed. by
Julia Herschensohn, Enrique Mallen & Karen Zagona.
Amsterdam: John Benjamins. 2001.
Issues in the Syntax of DP in Romance & Germanic. Current
Issues in Spanish Syntax & Semantics. 39­63. ed. by Javier
Gutierrez­Rexach & Luis Silva­Villar. Berlin: Mouton de
Gruyter. 2001.
A Minimalist Perspective On Wackernagel's Law. New
Approaches to Old Problems: Issues in Romance Historical
Linguistics. 199­215. ed. by Steven Dworkin. Amsterdam: John
Benjamins. 2001.
Conciencia Poética y Lenguaje en la Obra de Eduardo Espina.
Revista de Estudios Hispánicos. 34. 165­187. St. Louis:
Washington University­St. Louis. 2000.
Null Expletives, Complementizers & Wackernagel's Law.
Interdisciplinary Journal for Germanic Linguistics & Semiotic
Analysis. 5.2. 213­219. 2000.
Adjectival Noun Modifiers in French, Spanish & German.
Hispanic Linguistics at the Turn of the Millennium. 381­399. ed.
by Héctor Campos, Elena Herburger, Alfonso Morales & Thomas
Walsh. Somerville, MA: Cascadilla Press. 2000.
Percepción Artística y Experiencia Consciente. Colombre:
Revista de Arte y Literatura. No. 4­5. March­April, 1999, 48­51.
Xalapa: Veracruz, Mexico. 1999.
Binding Conditions on Case Morphology in Noun Phrases.
Interdigitations:Essays for Irmengard Rauch. 345­354. ed. by
Gerald F. Carr, Wayne Harbert, & Lihua Zhang. Berlin: Peter
Lang. 1999.
Nominal Genitive Arguments & Adjective Placement in German.
New Insights in Germanic Linguistics I. 155­180. ed. by
Irmengard Rauch & Gerald Carr. Berlin: Peter Lang. 1999.
Cliticization in Old Spanish & Wackernagel's Law. Theoretical
Linguistics. Berlin: Walter de Gruyter. 25.1 1­14. 1999.
Possessive Dative Constructions & Predicate Inversion in
Spanish. Advances in Hispanic Linguistics. 447­468. ed.
Fernando Martínez­Gil & Javier Gutierrez­Rexach. Somerville,
MA: Cascadilla Press. 1999.
Review of Nikolaus P. Himmelmann. 1997. Deiktikon, Artikel,
Nominalphrase: Zur Emergenz syntaktischer Struktur. Tübingen:
Niemeyer. Interdisciplinary Journal for Germanic Linguistics &
Semiotic Analysis. Volume 4.2. Fall 1999, 307­332. 1999.
Noun Phrase Structure in German & Spanish. Perspectives on
Spanish Linguistics II. 75­97. ed. by Javier Gutierrez­Rexach &
Luis Silva­Villar. Columbus/Los Angeles: Ohio State University
/ University of California, Los Angeles. 1998.
Agreement & Case Matching in Noun Phrases in German.
German: Syntactic Problems ­ Problematic Syntax. 191­230. ed
by Werner Abraham & Elly van Gelderen. Amsterdam: John
Benjamins. 1998.
Condition on Feature Specification & Negative Lexicalization in
Spanish. Romance Linguistics: Theoretical Perspectives. 171­
181. ed. by Armin Schwegler, Bernard Tranel & Myriam Uribe­
Etxebarria. Amsterdam: John Benjamins. 1998.
Constraints on the Prenominal Sphere in Germanic. West Coast
Conference on Formal Linguistics Proceedings. 287­302. ed. by
Emily Curtis, James Lyle & Gabriel Webster. Stanford: Stanford
University. 1998.
Review of Sten Vikner. 1995. Verb Movement & Expletive
Subjects in the Germanic Languages. New York: Oxford
University Press. Studies in Language. 22.1, 227­239.
Amsterdam: John Benjamins. 1998.
Victor Vasarely: Creador de Ilusiones Ópticas. El Observador
Cultural 11/8/97. 1­7. Montevideo: Uruguay. 1997
A Minimalist Approach to Concord in Noun Phrases. Theoretical
Linguistics. 23. 1/2. 49­77. Berlin: Walter de Gruyter. 1997.
Full Feature Specification & Negative Lexicalization in Spanish.
Groninger Arbeiten zur Germanistischen Linguistik. 40. 209­
227.Groningen: GU. 1997.
Agreement & Null Subjects in Germanic & Romance. Insights in
Germanic Linguistics II. 155­174. ed. by Irmengard Rauch &
Gerald Carr. Berlin: Mouton de Gruyter. 1996.
Licensing Null Subjects in Germanic & Romance. Acta
Linguistica Hafniensia, 28, 65­101. Copenhagen: Reitzel. 1996.
Attributive & Predicative Adjective Agreement as Null
Pronominal Identification in Germanic & Romance. Grammatical
Theory & Romance Languages. 169­181. ed by Karen Zagona.
Amsterdam: John Benjamins. 1996.
Review of Robert Bloomer. 1994. System­Congruity & the
Participles of Modern German & Modern English: A Study in
Natural Morphology. Hamburg: Helmut Buske Verlag GmbH.
Interdisciplinary Journal for Germanic Linguistics & Semiotic
Analysis. Volume 1.2. Fall 1996, 343­351. 1996.
The Role of Agreement in Spanish, Icelandic & German.
Linguistische Berichte 157, 216­236. Bochum: Westdeutsche
Verlag GmbH. 1995.
Review of Christiane Laeufer & Terrell A. Morgan. 1992.
Theoretical Analyses in Romance Linguistics. Amsterdam: John
Benjamins. Studies in Language 19.1, 246­256. Amsterdam: John
Benjamins. 1995.
Estudio Comparativo de la Frase Nominal. Vitalidad e influencia
de las lenguas indígenas en Latinoamérica. II Coloquio Mauricio
Swadesh. 257­265. ed. by Arzápalo Marín, Ramón & Yolanda
Lastra de Suárez. Mexico: Instituto de Investigaciones
Antropológicas, UNAM. 1995
Blocking Effects of A­Spec,TP in German & Spanish. Issues &
Theory in Romance Linguistics. 367­383. ed. by Michael
Mazzola. Washington, D.C.: Georgetown University Press. 1994.
Inflection & Proper Government in German & Spanish.
Theoretical Linguistics. 223­274. Berlin: Walter de Gruyter.
1994.
Verb Movement in Spanish & the Licensing Condition on
Variables. Linguistische Berichte 148, 445­476. Bochum:
Westdeutsche Verlag GmbH. 1993.
Secondary Predicates & Lexical Identification. Studia Linguistica
46.1, 1­29. Lund: CWK Gleerup. 1992.
Subject Topicalization & Inflection in Spanish. Theoretical
Linguistics 18.2/3, 179­208. Berlin: Walter de Gruyter. 1992.
Binding Relations in Noun Phrases in Spanish. Acta Linguistica
Hafniensia 24, 109­129. Copenhagen: Reitzel. 1992.
The Internal Structure of Determiner Phrases. Ithaca: DMLL
Publications. Cornell University. 1992
Review of Howard Lasnik. 1990. Essays on Restrictiveness &
Learnability. Dordrecht: Kluwer. Studia Linguistica 45, 81­90.
Lund: CWK Gleerup. 1992.
A Syntactic Analysis of Secondary Predication in Spanish.
Journal of Linguistics 27.2, 375­403. Manchester: Cambridge
University Press. 1991.
Noun Phrase Structure, Clitic­Doubling & Extraction.
Linguistishe Berichte 134, 276­309. Bochum: Westdeutsche
Verlag GmbH. 1991.
Genitive Clitics & Nominal INFL. Canadian Journal of
Linguistics 35.3, 237­263. Ottawa: Carleton University. 1991.
Review of Karen Zagona. 1988. Verb Phrase Syntax. Dordrecht:
Kluwer. Studia Linguistica 44.2, 37­42. Lund: CWK Gleerup.
1991.
Partitive Constructions. Hispanic Linguistics 4.2, 1­41.
Minneapolis: Prisma Institute. 1990.
Clitic Movement Inside Noun Phrases. Studia Linguistica 44.1, 1­
29. Lund: CWK Gleerup. 1990.
Partitive Constructions in Spanish. Revue Romaine de
Linguistique. Jan­Feb. 35.1, 33­52. Bucarest: Redaction. 990.
PRESENTATIONS
Das Kolorit von Pablo Picasso: eine mögliche Verbindung
zwischen Motiv und Farbe?. With Elizabeth Trux. Seminar für
Kunstgeschichte. Heinrich­Heine­Universität, Düsseldorf
(Germany). Forthcoming November, 2015.
The Fichtean Anstoß and Pablo Picasso's Poetry. Congreso de
Lengua, Literatura y Traducción “liLETRAd”. Universidad de
Sevilla (Spain). Forthcoming July, 2015.
Picasso's German Dealers and Collectors: The Heinz Berggruen
Collection. Nationalgalerie, Museum Berggruen, Staatlichen
Museen zu Berlin. Berlin (Germany). May, 2015.
El Lienzo 'La Niña de los Pies Descalzos' (1895) y su Proyección
en la Obra Picassiana. Casa Museo Picasso. A Coruña (Spain).
March, 2015.
Seeing with Eyes Shut: Representations of Blindness in Pablo
Picasso. Seventh Annual Medicine, Humanities, and Social
Sciences Conference. Sam Houston State University. March,
2015.
The Myth of Narcissus: Themes of Life and Death in Pablo
Picasso and Salvador Dalí. Picasso/Dalí, Dalí/Picasso. The Dalí
Museum in St. Petersburg. February, 2015.
Forschungsansätze zum Kolorit von Pablo Picasso II. With
Elizabeth Trux. Seminar für Kunstgeschichte. Heinrich­Heine­
Universität, Düsseldorf (Germany). January, 2015.
Efectos de la Primera Guerra Mundial en el Cubismo Tardío de
Pablo Picasso. Jornadas sobre la 1ª Guerra Mundial.
Universidad de Sevilla (Spain). November, 2014.
Forschungsansätze zum Kolorit von Pablo Picasso I. With
Elizabeth Trux. Seminar für Kunstgeschichte. Heinrich­Heine­
Universität, Düsseldorf (Germany). October, November, 2014.
Women as Forces of Nature in Pablo Picasso's Works from the
1920s and 1930s. South Central Modern Languages Association.
Austin, TX. October, 2014.
The Picasso Project Experience in Managing Collections and
Archives. Recovering the U.S. Hispanic Literary Heritage
Project Prensa, Latinidad y Legado: Spanish Language Press
and Print Culture. Syracuse University. October, 2014.
From Theme to Form: Picasso's Cubist Revolution. Facultad de
Letras. Universidad de Castilla­La Mancha, Ciudad Real (Spain).
June, 2014.
Pablo Picasso and the Truth of Greek Art. Sixth Annual
International Conference on Mediterranean Studies. Athens
Institute for Education and Research, Athens (Greece). April,
2014.
The Art of Deformation: Pablo Picasso and Ancient Mexico. 56th
Annual Conference of the Western Social Science Association.
Albuquerque. April, 2014.
Online Picasso Project y la Difusión del Patrimonio Cultural.
Seminario de Gestión y Difusión del Patrimonio Cultural Local.
Casa de la Provincia & Universidad Pablo de Olavide, Sevilla
(Spain). March, 2014.
Dissociative Identity Disorder: Picasso's Portraits of Dora Maar
and the Fragmentation of the Self. Sixth Annual Medicine,
Humanities, and Social Sciences Conference. Sam Houston State
University. February, 2014.
Pablo Picasso als Kolorist II. With Elizabeth Trux. Seminar für
Kunstgeschichte. Heinrich­Heine­Universität, Düsseldorf
(Germany). January, 2014.
Picasso's Use of Color: Painting in Code. With Elizabeth Trux.
Twenty­Ninth Meeting of The Semiotic Circle of California.
University of California­Berkeley. January, 2014
Pablo Picasso als Kolorist. With Elizabeth Trux. Seminar für
Kunstgeschichte. Heinrich­Heine­Universität, Düsseldorf
(Germany). October, November, 2013.
The Poet and His “Más/caras": The Poetic Language of Pablo
Picasso. South Central Modern Languages Association. New
Orleans. October, 2013.
Retos a la Investigación Académica en Internet: La Experiencia
del Online Picasso Project. III Workshop Internacional de
Historia del Arte Digital: Historia del Arte, computación y
medios digitales en España. Universidad de Málaga & Fundación
Picasso Málaga, Casa Natal (Spain). June, 2013.
Pablo Picasso and the Consequences of War. Facultad de Letras.
Universidad de Castilla­La Mancha, Ciudad Real (Spain). June,
2013.
Semantic Mysteries and Syntactic Artifacts in Pablo Picasso's
Writings. Poetry Versus Philosophy: Life, Artifact & Theory.
Texas A&M University. April, 2013.
Process and Representation in Pablo Picasso. 10th Annual
Southeast Coastal Conference on Languages & Literatures.
Georgia Southern University, April, 2013.
El Online Picasso Project: Arte y Nuevas Tecnologías Digitales.
Departamento de Historia del Arte. Universidad de Málaga,
Málaga (Spain). March, 2013.
On Friendly Terms with the Nobility [of Art]: Diego Velásquez,
Pablo Picasso and the Affirmation of the Artist. SCSECS 2013:
Frontiers Of Friendship Close And Distant. University of Texas,
Austin. February, 2013.
Pablo Picasso: Artist of the 21st Century. CHSS Fourth Annual
Research Conference. Sam Houston State University. February,
2013.
The Anatomy of Art: From Leonardo da Vinci to Pablo Picasso.
The Fifth Annual Medicine and the Humanities and Social
Sciences Conference. Sam Houston State University.February,
2013.
Inflections of Reality: From Les Demoiselles d'Avignon to
Guernica. International Journal of Arts and Sciences (IJAS)
Conference. Washington Rome Center, Rome (Italy). October,
2012.
Pablo Picasso, the Baroque & the Power of the Eye (I). College of
Humanities & Social Sciences and Department of Foreign
Languages. Sam Houston State University. September, 2012.
Les Demoiselles d'Avignon: Staging Modernism. INTS Seminar:
Urbanism and Modernism. Texas A&M University. September,
2012.
A Computational Approach to Pablo Picasso. CHSS Third Annual
Resarch Conference. Sam Houston State University. April, 2012.
Plenary Presentation: Roberto Echavarren. Comparative
Perspectives: Poetic Discourse on Trans­Creation and Re­
Creation in the Baroque/Neobaroque. Texas A&M University.
April, 2012
Computational Approaches to a Catalogue Raisonné of Pablo
Picasso. Berkeley Germanic Linguistics Roundtable. University
of California­Berkeley. March, 2012.
El Exorcismo del Lenguaje en Pablo Picasso. In Wort und Bild:
Picassos literarisches Werk. Universität Zürich & Kunsthaus
Zürich (Switzerland). January, 2011.
Pablo Picasso and Visual Poetry. Conference of The International
Journal of Arts & Sciences Conference. The University of
Washington Rome Center (Italy). November, 2010.
Después de Herrera y Reissig y Lezama Lima: poesía del
lenguaje hispanoamericana. The Languages of Resistance. First
Annual Texas A&M Department of Hispanic Studies Graduate
Student Symposium: In homage of centenaries of Julio Herrera y
Reissig (1875­1910), Miguel Hernández (1910­1942) and José
Lezama Lima (1910­1976). Texas A&M University. November,
2010.
Death and the Mask in Pablo Picasso. CHSS Faculty Colloquia.
Sam Houston State University. October, 2010.
The Multilineal Poetry of Pablo Picasso. Picasso, Poetik und
Poesie. Universität Siegen (Germany). April, 2010.
Pablo Picasso, the Writer. College of Humanities and Social
Scences. First Annual Resarch Conference. Sam Houston State
University. April, 2010.
The Syntax of Silence in Pablo Picasso. Twenty­Fifth Meeting of
The Semiotic Circle of California. University of California­
Berkeley. January, 2010.
The Online Picasso Project and Computer Science. Computer
Science Department. Sam Houston State University. November,
2009.
Pablo Picasso y la Escritura. Cinco Jueves con Picasso. Museo
del Grabado Español Contemporáneo. Organized by the Decanato
de Humanidades, Universidad de Málaga (Spain). March, 2009.
La Sintaxis de la Carne: Pablo Picasso and Marie­Thérese Walter.
Centre Picasso d'Orta and Galería Mayoral. Barcelona (Spain).
October, 2008.
On­line Picasso Project: Una nueva perspectiva sobre la obra de
Pablo Ruiz Picasso. Department of Art, Design and Architecture.
Universidad Iberoamericana, Puebla (Mexico). June, 2008.
Exploring the Biography and Artworks of Picasso with
Interactive Calendars and Timelines. With Luis Meneses and
Richard Furuta. Digital Humanities 2008. University of Oulu
(Finland). June, 2008.
Picasso’s Poetry: The Case of a Bilingual Concordance. With
Luis Meneses, Carlos Monroy and Richard Furuta. Digital
Humanities 2008. University of Oulu (Finland). June, 2008.
The Multifaceted Career of Pablo Picasso as Illustrated through
the Online Picasso Project. Institute of Hispanic Culture ­
Houston. April, 2008.
The Multilineal Poetry of Pablo Picasso. Twenty­Third meeting of
The Semiotic Circle of California. University of California­
Berkeley. January, 2008.
Poesía del lenguaje en Eduardo Espina. Eduardo Espina y la
Poesía de la Dificultad. Conference of Hispanic & Spanish
American Poetry. University of Virginia. November, 2007.
Viewing Texts: An Art­Centered Representation of Picasso’s
Writings. With Neal Audenaert, Unmil Karadkar, Richard Furuta
and Sarah Tonner. Digital Humanities 2007. University of
Illinois, Urbana­Champaign. June, 2007.
Relationship Mapping for Art Education and Research. With
Unmil Karadkar, Neal Audenaert, Adam Mikeal, Scott Phillips,
Alexey Maslov, Richard Furuta and Marlo Nordt. Digital
Humanities 2007. University of Illinois, Urbana­Champaign.
June, 2007.
Semantic Onomatopoieia in Espina’s El Cutis Patrio. The Poetry
of the Americas. Texas A&M University. April, 2007.
The On­Line Picasso Project as an Instructional Tool. Western
Carolina University. March, 2007.
Simultaneity, Synchronicity and Syntax. With Eduardo Espina.
Modern Language Association Convention. Philadelphia.
December, 2006.
Jackendoff's Parallel Structure, Stein's Language Poetry &
Picasso's Cubism. Berkeley Germanic Linguistics Roundtable.
University of California­Berkeley. April, 2006.
Cubism, Language Poetry & Syntactic Con/figuration. Twenty­
First Meeting of The Semiotic Circle of California. University of
California­Berkeley. January, 2006
The New Return to Classicism in Pablo Picasso. Fall 2005
Faculty Presentations. Texas A&M University Santa Chiara
Center, Castiglion Fiorentino (Italy). November, 2005.
From Biomorphs to Surface: The Antecedents of Matt Lamb.
Matt Lamb: Explosion of Color. The Warren Gallery, The
Gresham Hotel, Dublin (Ireland). October, 2005.
The Creation of a Picasso Circle. First Picasso Encounter in
Horta. Horta de Sant Joan (Spain). September, 2005.
An Interactive Digital Art Catalogue for the Humanities: The On­
Line Picasso Project. Third International Conference on New
Directions in the Humanities. Cambridge University (UK).
August, 2005.
Vision, Grammar and the Phases of Cubism. Hispanic Linguistics
Colloquium. Ohio State University. May, 2005.
Pablo Picasso y Pablo Neruda: Sólo la Muerte. Simposio sobre
Pablo Neruda. Texas A&M University. April, 2005.
Visual Syntax in the Iconography of Don Quixote. Don Quixote
Illustrated: Textual Images and Visual Readings. Texas A&M
University, March, 2005.
Matt Lamb and Abstract Expressionism. Matt Lamb Opening.
Rima Fine Art, Scottsdale, Arizona. February, 2005.
Matt Lamb and the Carnevale Masks of Venice. Matt Lamb and
the Carnevale Masks of Venice. Exhibition at Chiostro di
Sant'Apollonia, Venice (Italy). Curated and directed by Dr.
Enrique Mallen. October, 2004.
The On­line Lamb Project and its Picassian Origins. Centre
Picasso d'Horta. Horta de Sant Joan (Spain). May, 2004.
La Distensión del Yo en Matt Lamb, Joan Miró y Pablo Picasso.
Lamb Encounters Miró. Centre Miró de Mont­roig. Mont­roig
(Spain). May, 2004.
A Dynamic Picasso Catalogue: The On­line Picasso Project
Experience. With Carlos Monroy & Richard Furuta. Document
Engineering’04. Milwaukee, Wisconsin. October 28–30, 2004
A German('s) Grammar of Cubism. Berkeley Germanic
Linguistics Roundtable. University of California­Berkeley. April,
2004.
The On­Line Picasso Project in the Hispanic Studies Department.
Spain Week. Texas A&M University. March, 2004.
The Internet as a Research Platform: The On­line Picasso Project
and the On­line Lamb Project. The Importance of Modern Art for
the Promotion of European Integration. Europäische Akademie
Otzenhausen (Germany). March, 2004.
Matt Lamb in the Context of Modern Art. The Importance of
Modern Art for the Promotion of European Integration.
Europäische Akademie Otzenhausen (Germany). March, 2004.
Electronic Catalogue Raisonnés of Old and Modern Artists:
Pablo Picasso and Matt Lamb. Museumswelten 2004. Saarmesse.
Saarbrücken (Germany). February 2004.
The Beginnings of Cubism. Introduction to Mr. Elias Gastón,
Director of Centre Picasso d'Orta. The Spanish Influence on
Cubism: Picasso's Sojourn in Horta de Ebre. Texas A&M
University. October, 2003.
Fuzzy Categorization & Pictorial Metaphors in Pablo Picasso's
Synthetic Cubism. 5th International Conference on Researching
And Applying Metaphor. Université Paris 13, Villetaneuse
(France). September, 2003.
Texts, Images, Knowledge: Visualizing Cervantes and Picasso.
With Carlos Monroy, Richard Furuta & Eduardo Urbina. Visual
Knowledges. Institute for Advanced Studies in the Humanities,
University of Edinburgh (UK). September 2003
Pablo Picasso in Vincenc Kramar's Private Collection. Hotel Villa
Condulmer. Venice (Italy). August, 2003
Visualizing and Exploring Picasso's World. With Carlos Monroy
and Richard Furuta. The Third ACM+IEEE Joint Conference on
Digital Libraries. Rice University. May, 2003
Pablo Picasso: Death of the Matador. Pablo Ruiz Picasso: The
Eternal Spaniard. Thirtieth Anniversary of the Artist's Death.
Texas A&M University. April, 2003.
Kahnweiler's German Approach to Semiosis in Analytic Cubism.
Eighteenth Meeting of The Semiotic Circle of California.
University of California­Berkeley. January, 2003.
Metaphor and Cognition in Pablo Picasso's Synthetic Cubism.
Conference on Metaphor in Language and Thought. Pontifical
Catholic University of São Paulo (Brazil). October, 2002.
The Embodiment of the Pictorial Sign: Pablo Picasso’s Early
Cubism. X International Congress of the Deutsche Gesellschaft
Für Semiotik (DGS). Universität Kassel (Germany). July, 2002.
Pablo Picasso: The Dream & Lie of an Exile. Centers &
Peripheries in the Contemporary Hispanic World. Texas A&M
University. April 2002.
Attributive Adjective Configurations in Germanic and Romance.
First United Kingdom Symposium on Hispanic Linguistics.
University of Surrey, Guilford (UK). April, 2002.
On­Line Picasso Project: Propuesta de Catalogación y Difusión
Electrónicas de la Obra de Pablo Picasso. Centre Picasso
d'Horta. Horta de Sant Joan (Spain). November, 2001.
On­Line Picasso Project: Research & Classroom Implementation.
South Central Modern Language Association. Tulsa, OK.
November, 2001.
Transparencia y Doble Refracción en la Obra de Pablo Picasso y
Eduardo Espina. Universos Discursivos: Congreso Internacional
en Homenaje a Noe Jitrik. Benemérita Universidad Autónoma de
Puebla & Universidad Nacional Autónoma de México. June,
2001
Definiteness & Indefineteness in Relative Clauses. V Hispanic
Linguistics Symposium. University of Illinois­Urbana­
Champaign. October, 2001.
Listening Proficiency in Spanish: Teaching For Receptive Skills.
The Richard Stockton College of New Jersey. July, 2001.
A Minimalist Approach to Picasso's Visual Grammar. Sixteenth
Meeting of The Semiotic Circle of California. University of
California­Berkeley. January, 2001.
Toward a Unified Analysis of Prenominal Adjectives. IV
Hispanic Linguistics Symposium. With Javier Gutierrez­Rexach.
Indiana University­Bloomington. November, 2000.
Multiple NP­Shell & Adjectival Modifiers in DP. X Colloquium
on Generative Grammar. Universidad de Alcalá (Spain). April,
2000.
Non­thematic Adjectives in Germanic & Romance. Berkeley
Germanic Linguistics Roundtable. University of California­
Berkeley. April, 2000.
On the Distribution of Restrictive versus Nonrestrictive
Modifiers. XXX Annual Linguistic Symposium on Romance
Languages. University of Florida­Gainesville. February, 2000.
Adjectival Noun Modifiers in French & Spanish. III Hispanic
Linguistics Symposium. Georgetown University. October, 1999.
A Minimalist Perspective on Wackernagel's Law. XXIX Annual
Linguistic Symposium on Romance Languages. University of
Michigan­Ann Arbor. April, 1999.
Null Expletives & Agr­In­Comp in Germanic. Germanic
Linguistic Association Conference. University of Texas­Austin.
April, 1999.
Predicate Inversion in Spanish. II Hispanic Linguistics
Symposium. Ohio State University. October, 1998.
Predicate Phrase & NP­licensing inside Noun Phrases in German.
Germanic Linguistic Association Conference. Ohio State
University. April, 1998.
Con Penetración Amorosa: Pablo Picasso & Vicente Aleixandre.
Simposio Federico Garcia Lorca ­ Vicence Aleixandre. Texas
A&M University. April, 1998.
Pablo Picasso: Life & Art. Department of Spanish & Italian.
Mount Holyoke College. January, 1998
Constraints on the Prenominal Sphere in DP in Germanic. West
Coast Conference on Formal Linguistics XVI. The University of
Washington, Seattle. February, 1997.
Negative Lexicalization & Full Feature Specification. XXVII
Annual Linguistic Symposium on Romance Languages.
University of California­Irvine. February, 1997.
Galician & Spanish: A Common Heritage. Pilgrimage to Galicia:
the Millennia in Celtic Spain from Santiago de Compostela to the
Life & Works of Alfredo. Conde. Texas A&M University.
November, 1996
Genitive Case Matching in Noun Phrases in German. Germanic
Linguistic Association Conference. University of Wisconsin­
Madison. April, 1996.
Nominal Genitive Arguments & Adjective Placement in German.
Berkeley Germanic Linguistics Roundtable. University of
California­Berkeley. April, 1996.
German Attributive Adjectives & Case Matching. Northwestern
Linguistics Conference. University of Washington­Seattle. March
1996.
Attributive Adjectives & Case Feature Percolation in Germanic &
Romance. Southeastern Conference on Linguistics. Texas A&M
University. March 1996.
Principles & Parameters of Language: Comparing Spanish &
German. Modern & Classical Languages Department Talk.
Texas A&M University. February, 1996.
Attributive & Predicative Adjectives in Germanic & Romance.
XXV Annual Linguistic Symposium on Romance Languages.
University of Washington­Seattle. March, 1995.
Comparative Syntax of Germanic & Romance. Dept. of Foreign
Languages & Literatures. Louisiana State University. February,
1995.
Language Instruction & Language Acquisition: A
Communicative Method. Dept. of Foreign Languages &
Literatures. University of Memphis. January, 1995.
Language Acquisition & the Natural Approach. Dept. of Spanish.
Emory University. January, 1995.
The Role of Agreement in Spanish, Icelandic & German. V
Annual Michigan­Berkeley Germanic Linguistics Roundtable.
University of California­Berkeley. April, 1994.
El Caso y la Legitimación de Sujeto Nulo en Español, Islandés y
Alemán. I Mesa Redonda de Lingüística Española. Universidad
Autónoma Metropolitana­Iztapalapa. Mexico, D.F. (Mexico).
March, 1994.
Language Acquisition & Parameter Setting. Dept. of Spanish &
Portuguese. University of Kansas­Lawrence. February, 1994.
Nominative Case Assignment in German & Spanish. IV Annual
Michigan­Berkeley Germanic Linguistics Roundtable. University
of Michigan­Ann Arbor. April, 1993.
Blocking Effects of A­Spec,IP in German & Spanish. XXIII
Annual Linguistic Symposium on Romance Languages. Northern
Illinois University. April, 1993.
Verb Movement, ECP & Case Assignment in German & Spanish:
A Common Trigger. Georgetown University Round Table on
Languages & Linguistics. Georgetown University. March, 1993.
Nominative Case & Movement in German & Spanish. Linguistics
Program. University of Florida­Gainesville. March, 1993.
The Argument Status of Adjoined Positions in Spanish.
Southeastern Conference on Linguistics. University of Florida­
Gainesville. April, 1992.
Adquisición de Segunda Lengua y Contexto Lingüístico. Dept.
Spanish & Classics. University of California­Davis. January,
1992.
Subject Topicalization in Spanish. Dept. Spanish & Portuguese.
Ohio State University. December, 1991.
Parametrization of Government. XVII Annual Minnesota
Conference on Language & Linguistics. University of Minnesota,
Minneapolis. October, 1991.
A Communicative Account of Spanish Preverbal Subjects. XX
Annual University of Wisconsin­Milwaukee Linguistic
Symposium. University of Wisconsin, Milwaukee. April, 1991.
Infinitival Relatives & Anaphoric Agr. I Coloquio de Gramática
Generativa. Universidad Autónoma de Madrid (UAM), Madrid
(Spain). March, 1991.
Estudio Comparativo de la Frase Nominal. II Coloquio Mauricio
Swadesh. Instituto de Investigaciones
Antropológicas/Universidad Nacional de México (UNAM).
México D.F., (México). October, 1990.
Lexical Identification: Evidence from Spanish. XVI Annual
Minnesota Conference on Language & Linguistics. University of
Minnesota, Minneapolis. October, 1990.
Secondary Predicate Constructions in Spanish. Linguistics
Program. University of Florida­Gainesville. October, 1990.
Wh­Movement of Secondary Predicates, International Linguistic
Association Annual Meeting, Columbia University, New York.
March, 1990.
Evidence for Quantifier Phrases, Symposium on Spanish
Linguistics. University of Illinois­Chicago. Chicago, November,
1988.
On Wh­movement from Spanish NP: A Redefinition of
Minimality. XIV Annual Minnesota Conference on Language &
Linguistics. University of Minnesota, Minneapolis. October,
1988.
Lexical Projections of Nouns & the Minimality Condition. Spring
Linguistics Conference. Cornell University. April, 1988.
SELECTED CITATIONS IN PRINT
Amore, Anthony. 2015. The Art of the Con. New York: St.
Martin's Press.
Friedewald, Boris. 2014. Die Tiere von Picasso. München:
Prestel Verlag.
Preminger, Omer. 2014. Agreement and Its Failures. Volume 68
of Linguistic Inquiry Monographs. Cambridge MA: MIT Press.
López Sánchez, Santiago. 2014. "La Dualidad por Cornada:
Interpretación de La Minotauromaquia". Taller Experimental de
Investigación sobre la obra de Picasso. Fundación Picasso
Málaga, Casa Natal. Málaga. Octubre. 1­16.
Wofsy, Alan, ed. 2014. Picasso's Paintings, Watercolors,
Drawings & Sculpture: The African Period, 1907­1909. Paris
and La Rue­des­Bois. San Francisco: Alan Wofsy Fine Arts.
Sotheby's. 05/07/2014. Impressionist & Modern Art Evening Sale
Catalogue. New York.
Carrete Parrondo, Juan, Juan Malpartida, Manuel Pizarro, Mario
Virgilio Montañez & Rafael Inglada. 2014. Picasso: El
minotauro en su laberinto. Málaga: Fundación Picasso. Museo
Casa Natal.
Soto Calzado, Inocente. 2014. Dibujantes con París al fondo:
Picasso y las revistas ilustradas. Málaga: Fundación Picasso
Museo Casa Natal.
Grunenberg, Christoph, Astrid Becker & Kai Hohenfeld. 2014.
Sylvette, Sylvette, Sylvette: Picasso und das Modell. München:
Prestel.
Christie's. 02/04/2014. Impressionist & Modern Evening Sale
Catalogue. London.
Bondaruk, Anna, Gréte Dalmi & Alexander Grosu, eds. 2014.
Advances in the Syntax of DPs: Structure, Agreement, and Case.
Linguistik Aktuell, Linguistics Today 217. John Benjamins.
Wu, Katrina. 2014. The Google Art Project: An Analysis From A
Legal And Social Perspective On Copyright Implications.
University of San Diego School of Law.
Grill, Genese. 2014. "Primitivisms: (Paradoxically) On
Modernism.". Numéro Cinq. Vol. V, No. 7, July.
Düchting, Hajo. 2013. Pablo Picasso. New York Prestel.
Wright, Barnaby, ed. 2013. Becoming Picasso: Paris 1901.
London: The Courtauld Gallery & Paul Holberton Publishing.
Haldemann, Anita, ed. 2013. The Picassos Are Here!: A
Retrospective from Basel Collection. Ostfildern: Hatje Cantz.
Vallès, Eduard & Isabel Cendoya. 2013. Yo Picasso:
Autorretratos. Barcelona: Ajuntament de Barcelona.
Cobb, Matthew. 2013. Eleven Days in August: The Liberation of
Paris in 1944. New York: Simon and Schuster.
Carrete Parrondo, Juan. 2013. La Minotauromachie (1935):
Picasso in his Labyrinth. Madrid: Fundación Juan March.
Christie's. 09/26/2013. The First Shanghai Auction Catalogue.
Shanghai.
Christie's. 06/19/2013. Impressionist & Modern Day Sale
Catalogue. London.
Christie's. 06/18/2013. Impressionist & Modern Evening Sale
Catalogue. London.
Christie's. 02/07/2013. Impressionist & Modern Day Sale
Catalogue. London.
Christie's. 02/06/2013. Impressionist & Modern Evening Sale
Catalogue. London.
Cuba, Pablo A. de. 2013. La Usina del Lenguaje: Teoría de la
Poesía Neobarroca. Ph.D. Dissertation. Texas A&M University.
Beechey, James & Chris Stephens, eds. 2012. Picasso & Modern
British Art. London: Tate Publishing.
Romero, Pedro F. & Valentín Roma. 2012. Economía: Picasso.
Barcelona: Museu Picasso.
Robinson, William H. 2012. Picasso and the Mysteries of Life:
La Vie. Cleveland, OH: The Cleveland Museum of Art.
Haro González, Salvador. 2012. Procesos artísticos y obra de
Picasso: Una visión desde la práctica artística. Málaga:
Ayuntamiento de Málaga & Fundación Picasso, Museo Casa
Natal.
Schaefer, Barbara, ed. 2012. 1912 Mission Moderne: Die
Jahrhundertschau des Sonderbundes. Köln: Wienand Verlag.
Bernal Triviño, Ana Isabel. 2012. Entender a Picasso. Málaga:
Universidad de Málaga.
Wofsy, Alan, ed. 2012. Picasso's Paintings, Watercolors,
Drawings & Sculpture ­ The Rose Period, 1905­1906. San
Francisco: Alan Wofsy Fine Arts.
Christie's. 11/07/2012. Impressionist & Modern Art Evening Sale
Catalogue. New York.
Statton, Dana. 2012. The ‘Anti­photographic’ Photography of
Pablo Picasso and Its Influence on The Development of The
Movement Now Known As Cubism. Ph. Dissertation. Washington
and Lee University.
Toosarvandani, Maziar & Coppe van Urk. 2012. "Directionality
and Intervention in Nominal Concord: Evidence from Zazaki
ezafe". NELS 43 Proceedings. University of Massachussetts.
Pino, Mirian. 2012. "Nuevas poéticas fuera de lugar a principio
del nuevo milenio: el neobarroco en el Río de la Plata ". Revista
de Crítica Literaria Latinoamericana, Año 38, No. 76, pp. 251­
270.
Green, Christopher, ed. 2011. Modern Antiquity: Picasso, de
Chirico, Léger, Picabia. New York: Getty Publications.
Palau i Fabre, Josep. 2011. Picasso: From the Minotaur to
Guernica (1927­1939). Barcelona: Ediciones Polígrafa.
Galassi, Susan Grace & Marilyn McCully. 2011. Picasso's
Drawings 1890­1921: Reinventing Tradition. New Haven, CT:
Yale University Press.
Bishop, Janet, Cécile Debray & Rebecca Rabinow. 2011. The
Steins Collect: Matisse, Picasso and The Parisian Avant­Garde.
New Haven, CT: Yale University Press.
McCully, Marilyn, et al. 2011. Picasso in Paris 1900­1907:
Eating Fire. Brussels: Mercatorfonds.
Caws, Mary Ann. 2011. Pablo Picasso: Ein Portrait. Bern: Piet
Meyer Verlag.
Wofsy, Alan, ed. 2011. Picasso's Paintings, Watercolors,
Drawings & Sculpture ­ The Blue Period, 1902­1904. San
Francisco: Alan Wofsy Fine Arts.
Christie's. 02/09/2011. Impressionist/Modern Evening Sale
Catalogue. London.
Carmona, Eugenio, ed. 2011. Picasso, Dalí, Miró: Angry Young
Men: The Birth of Modernity. Milano: Skira
Bleicher, Steven. 2011. Contemporary Color: Theory and Use.
Independence, KY: Cengage Learning.
Norris, Mark. 2011. "Agreement in the Nominal Domain: A
View from Icelandic." LASC 2011. University of California,
Santa Cruz.
Schleif, Nina & Armin Zweite. 2010. Picasso Künstlerbücher:
Werke aus der Sammlung Udo und Anette Brandhorst. München:
Hirmer Verlag.
Dueñas Villamiel, Jorge. 2010­2011. La Estampa Moderna y el
Primer Picasso Grabador. M.A. Thesis. Universidad Autónoma
de Madrid.
Tinterow, Gary, et al. 2010. Picasso in The Metropolitan Museum
of Art. New York: Metropolitan Museum of Art.
Cox, Neil. 2010. The Picasso Book. London: Tate Publishing.
Wofsy, Alan, ed. 2010. Picasso's Paintings, Watercolors,
Drawings & Sculpture ­ Turn of the Century, 1900­1901. San
Francisco: Alan Wofsy Fine Arts.
Vallès, Eduard, ed. 2010. Picasso versus Rusiñol. Barcelona:
Institut de Cultura de Barcelona / Museu Picasso.
Christie´s. 05/04/2010. Property from the Collection of Mrs.
Sidney F. Brody Catalogue. New York.
Oboza, Alina. 2010. This odd mix up: Intersectional Spaces in
Virginia Woolf‘s Between the Acts. Ma Thesis. Universitetet i
Tromsø.
Sonheim, Carla. 2010. Drawing Lab for Mixed­Media Artists: 52
Creative Exercises to Make Drawing Fun. New York: Quarry
Books.
Gutiérrez­Rexach, Javier. 2010. "The Biolinguistic Turn: Toward
a New Semiotics of Film." 95­118 pp. Frederick Luis Aldama,
ed. Toward a Cognitive Theory of Narrative Acts.
Ticio, M. Emma. 2009. Locality Domains in the Spanish
Determiner Phrase. Amsterdam: Springer.
Sagarra, Nuria & Julia Herschensohn. 2009. "Asymmetries in
Gender and Number Agreement Processing in Late Bilinguals."
Selected Proceedings of the 13th Hispanic Linguistics
Symposium. ed. by Luis A. Ortiz­López. Somerville, MA:
Cascadilla Press.
Paire, Alaine. 2009. Pablo Picasso à Vauvenargues: Le Grand
Atelier de la Sainte­Victoire. Marseille: En Manœuvres Éditions.
Joyeux­Prunel, Béatrice. 2009. Nul n'est phrophète en son pays?:
L'internationalisation de la peinture des avant­gardes
parisiennes, 1855­1914. Paris: Musée d'Orsay.
Vallès, Eduard, et al. 2009. Picasso: Amics catalans de joventut.
Barcelona: Museu Picasso / Centre Picasso d'Horta.
Hayes, Michael & Úna Ní Aodha, ed. 2009. Migrancy, Memory
and Repossession: Women on the Historical Margins. Newcastle
upon Tyne: Cambridge Scholars Publishing.
Jiménez Burrillo, Pablo, Leyre Bozal & Isabel Menéndez. 2009.
Suite Vollard: Pablo Picasso 1930­1937. Madrid: Fundación
Mapfre.
Schubert, Christoph. 2009. Raumkonstitution durch Sprache:
Blickführung, Bildschemata und Kohäsion in
Deskriptionssequenzen englischer Texte. Berlin: Walter de
Gruyter.
Carthew, Mark. 2009. "Into the Labyrinth. Early Career
Research: the Academic Journey and the Publishing Maze". Text.
Vol 13 No 1 April. 1­13 pp.
Cabrelli­Amaro, Michael Iverson & Tiffany Judy. 2009.
"Informing Adult Acquisition Debates: N­Drop at the Initial State
of L3 Brazilian Portuguese." 177­195. Acrisio Pires, Jason
Rothman, eds. Minimalist Inquiries Into Child and Adult
Language Acquisition: Case Studies acrosss Portuguese. Studies
on Language Acquisition 35. Mouton de Gruyter.
Robbin, Tony. 2008. Shadows of Reality: The Fourth Dimension
in Relativity, Cubism, and Modern Thought. New Haven, CT:
Yale University Press.
Wofsy, Alan, ed. 2008. Picasso's Paintings, Watercolors,
Drawings & Sculpture ­ Picasso in the Nineteenth Century:
Youth in Spain II, 1897­1900. San Francisco: Alan Wofsy Fine
Arts.
Vallès, Eduard. 2008. Picasso i Rusiñol: La Cruïlla de la
Modernitat. Barcelona: Col.lecció L'Amic de les Arts.
Kallen, Suart A. 2008. Picasso. Detroit: Lucent Books.
Cabrelli, Jennifer, Michael Iverson, Tiffany Judy, Jason
Rothman. 2008. What the Start of L3 Tells us About the End of
L2: N­drop in L2 and L3 Brazilian Portuguese. BUCLD 32.
Online Proceedings Supplement. ed. by Edited by Harvey Chan,
Enkeleida Kapia, Heather Jacob.
Rose, Bernice B. ed. 2007. Picasso, Braque, and Early Film in
Cubism. New York: PaceWildenstein.
Jaques Pi, Jèssica. 2007. Picasso en Gósol, 1906: Un Verano
para la Modernidad. Madrid: Antonio Machado.
González, María Jesús & Jesse Sloan. 2007. "María Izquierdo:
Images of the Circus". The Journal of Popular Culture. Volume
40, Issue 2 (April), pages 238–248.
Giménez, Carmen & Francisco Calvo Serraller. 2006. Picasso
Tradición y vanguardia. Madrid: Museo Nacional Centro de Arte
Reina Sofía / Museo del Prado.
Norat, Gisela . 2006. "Expressions of National Crisis: Diamela
Eltit's E. Luminata and Pablo Picasso's Guernica". Studies in 20th
& 21st Century Literature. Volume 30, Issue 2 1­26.
Schuchardt, Beatrice. 2006. "Schreiben auf der Grenze:
Postkoloniale Geschichtsbilder bei Assia Djebar". Europäische
Geschichtsdarstellungen. Vol. 10. Köln: Böhlau Verlag.
Hron, David. 2006. "On the Derivation of Reflexive Nouns: The
Case of Czech." Proceedings of Israel Association for
Theoretical Linguistics 22. 1­17. ed. by Yehuda N. Falk. The
Hebrew University of Jerusalem.
Roehrs, Dorian. 2006. The Morpho­Syntax Of The Germanic
Noun Phrase: Determiners Move into the Determiner Phrase.
Ph.D. Dissertation. Indiana University.
Chiavola Birnbaum, Lucia. 2005. She Is Everywhere!: An
Anthology of Writing in Womanist/Feminist, Volume 1.
iUniverse, Inc.
Nguyen, Tuong Hung. 2004. The Structure of The Vietnamese
Noun Phrase.. Ph.D. Dissertation. Boston University.
Hallman, Peter. 2004. "Symmetry in Structure Building." Syntax
7 (1), 79­100.
González­ Escribano, José Luis. 2004. "Split Adjective Phrases."
Linguistics 42, 1­40.
Kudela, Katy. 2004. Pablo Picasso. Capstone Press.
Cros Ferrándiz, Jordi. 2004. La Guía Amarilla de Internet.
Barcelona: Inforbook.
Gibson, Mary Jane. 2004. Art Past, Art Present. Laurence King
Publishing.
Watkins, Ceri & Ian King. 2004. "The Art of Management and
Organisation." Tamara, Journal of Postmodern Critical
Organization Science.
Lenz, Annemarie, Christina Lenz & Verena Kaindl. 2003. Das
will ich wissen 20: Lernmateriel für den Sachunterricht. Wien:
Verlag Jugend & Volk.
Olivera­Williams, María Rosa. 2003. "De la nada surge la palabra
poética". Guaraguao (Asociación Centro de Estudios y
Cooperación Para América Latina), Año 7, No. 17, Especial
Lenguas Americanas (Winter), pp. 227­229.
Girbau, Núria Martí. 2003. "Partitives: One or Two Nouns?."
XXIX Incontro di Grammatica Generativa. Urbino, 13­15
February.
Johnson, Kristin and Rupert Perrin. 2003. Ordinary Miracles.
PublishAmerica.
Thacker, Mike, Mónica Morcillo Laiz & Fernando Pérez Cos.
2003. ¡Ponte al día! Hodder & Stoughton.
Cinque, Guglielmo. 2003. References on the Adjective. Ms.
Università Ca' Foscari. 1­10.
Vauthier, Bénédicte. 2003. "Regards croisés. Peintres dans leur(s)
ateliers, femmes dans leur appartement". Expressions
maghrebines (CICLIM).
Goodyear, Anne Collins. 2003. Flight: A Celebration of 100
Years in Art and Literature. Welcome Enterprises.
Rushton, Rusty. 2003. "Multi­Perspectivism in Honors". Journal
of the National Collegiate Honors Council.
Gilbers, Dicky & Maartje Schreuder. 2003. "Language and Music
in Optimality Theory I." Re Ud Er. Ms. University of Groningen.
Rubin, Edward J. 2003. The Structure of Modifiers. Oxford
University Press.
Russell, Martin. 2002. Picasso’s War: The Destruction of
Guernica and the Masterpiece that Changed the World. New
York:Dutton Publishing.
Scarborough, Kate. 2002. Artists in Their Time: Pablo Picasso.
New York: Franklin Watts.
Abraham, Werner & C. Jan­Wouter Zwart, eds. 2002. Issues in
Formal German(ic) Typology. John Benjamins. 2002. Linguist
List 13.2117.
Guerrero, Luis. 2002. “Picasso Estaría Fascinado con Internet”.
La Opinión de Málaga. February, 2002.
Zagona, Karen. 2002. The Syntax of Spanish. Cambridge
University Press.
Wallis, Jeremy. 2001. Creative Lives: Pablo Picasso. New York:
Heinemann.
Gess, Randall & Julia Herschensohn. 2001. "Shifting the DP
Parameter". Romance Syntax, Semantics and L2 Acquisition:
Selected Papers from the 30th Linguistic Symposium on Romance
Languages, Gainesville, Florida, February 2000.. ed. Joaquim
Camps & Caroline R. Wiltshire. Amsterdam: John Benjamins.
D'Introno, Francesco. 2001. Sintaxis Generativa del Español:
Evolución y Análisis. Cátedra.
Jones, Kip. 2001. Narratives of Identity and the Informal Care
Role. Ph. D. Dissertation. De Montfort University, Leicester, UK.
Lipski, John M. 2001. "La Lingüística Hispánica en los Estados
Unidos: Logros y Retos para el Siglo XXI." Invited Inaugural
Lecture, Inauguration of Hispanic Cultural Center, Daegua,
South Korea, June 24.
Gutiérrez­Rexach, Javier. 2001. "Spanish Exclamatives and the
Interpretation of the Left Periphery." Selected Papers from Going
Romance 99, ed. Johan Rooryck, Yves de Hulst and Jan
Schroten. Amsterdam/Philadelphia: John Benjamins.
Mark Janse, Sijmen Tol. 2000. Bibliographie linguistique de
l'année 1996/Linguistic Bibliography for the Year 1996.
Amsterdam: Springer
Sotheby's. 06/27/2000. Impressionist & Modern Art Catalogue.
London.
Habarta, Gerhard. 2000. Handbuch Picasso. Seebenstein: Libri
Books.
Carstens, Vicki. 2000. "Concord in Minimalist Theory."
Linguistic Inquiry. Vol. 31, No. 2. Spring. pp. 319­355.
Hummel, Martin. 2000. Adverbiale und adverbialisierte Adjektive
im Spanischen. Gunter Narr Verlag Tübingen.
Nuessel, Frank. 2000. "Review of Armin Swegler, Bernard
Tranel and Myriam Uribe­Exebarria, eds. Romance Linguistics:
Theoretical Perspectives. Amsterdam: John Benjamins. 1998."
Lingua 110. 59­67.
Rodríguez, Álvaro. 1999. Directorio General Internet 99. Abeto
Editorial.
Ishikawa, Masataka. 1999. "Morphological Strength and
Syntactic Change." Linguistic Inquiry. 30.2. 301­310.
Kolliakou, Dimitra. 1999. "De­Phrase Extractability and
Individual/Property Denotation." Natural Language & Linguistic
Theory 17 (4): 713­781, November.
Martinez­Gil, Fernando & Javier Gutiérrez­Rexach, eds. 1999.
Advances in Hispanic Linguistics. Cascadilla Press. Linguist List
10.1186.
Gutiérrez­Rexach, J. 1999. "The Structure and Interpretation of
Spanish Degree Neuter Constructions". Lingua 109: 35­63.
Mikkelsen, Line Hove. 1998. Definiteness Marking in Danish: A
Corpus­Based Study of the Distribution of the Pre­ and
Postnominal Definite Articles. Ph. D. Dissertation. Aarhus
Universitet: Institut for Lingvistik.
Ojea, Ana. 1998. "On the Eventive Structure of Adjectives and
Adverbs". Atlantis. v. 20 n.2. 159­175 pp.
Micronet. 1998. "Picasso". Enciclopedia Universal Micronet. 8th
Edition. Micronet.
Bhattacharya, Tanmoy. 1998. "DP­Internal NP Movement."
Working Papers in Linguistics 10, 1­28. University College
London.
Alexiadou, Artemis & Chris Wilder, eds. 1998. Possessors,
Predicates, and Movement in the Determiner Phrase Amsterdam:
Springer.
Safir, Ken. 1996. Germanic Generative Syntax Newsletter. Vol.
12.1. Spring 1996.
Parodi, Claudia. 1996. "Names & Nouns in Spanish: A Head
Movement Approach." Hispania, 1­29.
Bosque, Ignacio (ed.). 1996. El Sustantivo sin Determinación: La
Ausencia de Determinante en la Lengua Española. Visor Libros.
Suñer, Margarita. 1995. "Negative elements, Island Effects and
Resumptive no." The Linguistic Review 12. 233­273.
D’Introno, Francesco & Guillermo Lorenzo. 1995.
"Homogeneidad Argumental en la Formación de Cadenas."
Hispania 78, 355­369.
Gutiérrez­Rexach, Javier & Luis Silva Villar. 1995. "Prosodic
and Morphological Focus in Spanish Bare Plurals." Language
South of the Rio Bravo (LSoRB). Tulane University, 1995.
Müller, Gereon. 1995. A­bar Syntax: A Study in Movement Types.
Amsterdam: Mouton de Gruyter.
Suñer, Margarita. 1994. "V­Movement and the Licensing of
Argumental Wh­Phrases in Spanish." Natural Language &
Linguistic Theory, Vol. 12, No. 2. May. pp. 335­372.
Kolliakou, Dimitra. 1994. "Possessives and pseudo­possessives in
Modern Greek: evidence for an extensional/intensional partition
of complements in NPs." Edinburgh Linguistics Department
Conference '94 Abstract Booklet. The University of Edinburgh.
May 26­May 27.
Campe, Petra, ed. 1994. Case, Semantic Roles, and Grammatical
Relations: A Comprehensive Bibliography. Amsterdam: John
Benjamins.
Diaz­Insénse, Natalia. 1993. "Catalan Possesives, Extraction
from DP and Strong Crossover." Linguistic Symposium of
Romance Languages, 1­8.
Ostler, Rosemarie. 1992. Theoretical Syntax, 1980­1990: An
Annotated and Classified Bibliography. Amsterdam: John
Benjamins.
Kempchinsky, Paula. 1992. "Syntactic Constraints on the
Expression of Possession in Spanish." Hispania 75.3.
Napoli, Donna Jo. 1992. "Secondary Resultative Predicates in
Italian." Journal of Linguistics 28, 53­90.
Hopkins, Tometio. 1992. "The A/Non­A Status of IP­Adjoined
Positions." Southeastern Conference on Linguistics. Florida
International University.
Schmidt, Stephan. 1992. "Verb Movement." Institut für Deutsch
als Fremdsprachenphilologie. Universität Heidelberg.
Kester, Ellen­Petra. 1991. "Construcciones Infinitivales en las
Lenguas Germánicas y Románicas." Recherches de Linguistique
Française et Romane d’Utrecht.
Contreras, Heles. 1991. "Extraction out of NP in English &
Spanish." University of Washington, 1­31.
Diaz del Gambo, Soledad. 1991. "Secondary Predicates." Centro
Nacional De Información de Ciencias Médicas. Cuba.
Odriozola, Juan Carlos. 1991. "Infinitival Relatives in Spanish
and Anaphoric Agreement." Euskal Herriko Unibertsitatea.
Matute, Esmeralda. 1991. "Secondary Predication in Spanish."
Centro de Investigación Educativa. Universidad de Guadalajara.
Aguado, Georod. 1991. "A Syntactic Analysis of Secondary
Predication." Facultad de Filosofía y Letras. Universidad de
Navarra.
Lanouette, Ruth Lunt. 1990. Prenominal Specifiers in the Early
New High German Noun Phrase (German). Ph.D. Dissertation.
Princeton University.
Suñer, Margarita. 1989. "Spanish Syntax & Semantics in the
80’s: The Principles & Parameters Approach." Hispania. Dec.,
832­847.
Contreras, Heles. 1989. "NPs as Closed Domains." A Modular
Approach to Syntactic Islands. Ch. 5, 1­23. University of
Washington.
SELECTED INSTITUTIONAL REFERENCES
Musée Picasso, Paris
Museu Picasso, Barcelona
Museo Picasso Málaga
Fundación Picasso (Museo Casa Natal)
Casa Museo Picasso, A Coruña
Casa­Museo Emilia Pardo Bazán, A Coruña
The Museum of Modern Art, New York
The Metropolitan Museum of Art, New York
National Gallery of Art, Washington, D.C.
Smithsonian American Art Museum
The Art Institute of Chicago
The Museum of Fine Arts, Houston
McNay Art Museum, San Antonio
The Detroit Institute of Arts
The Cleveland Museum of Art
Barnes Foundation, Philadelphia
The Dalí Museum in St. Petersburg
Frick Art and Historical Center, Pittsburgh
International Art and Antique Loss Register Limited ('The Art
Loss Register'), London
Nationalgalerie. Museum Berggruen. Staatliche Museen zu Berlin
­ Preußischer Kulturbesitz
Kunstsammlung Nordrhein­Westfalen, Düsseldorf
Pinakothek der Moderne, München
Kunsthalle Bremen
Lille Métropole Musée d'art moderne, d'art contemporain et d'art
brut
Centre Georges Pompidou
Musée Granet
Musée de Montmartre
Musée Ariana, Musée Suisse de la Céramique et du Verre
Tate Modern, Britain
National Museums Liverpool
Musée des Beaux­arts de l’Ontario
The Pushkin Museum of Fine Arts, Moscow
Nagasaki Prefectural Art Museum
Ohara Museum of Art, Okayama
Kuboso Museum of Art, Izumi
The Noguchi Museum
Aichi Prefectural Museum of Art.
Musée d'Ethnographie de Genève
Musée d'art et d'histoire, Genève
Wallraf­Richartz­Museum & Fondation Corboud
Triton Foundation
Heinrich­Heine­Universität Düsseldorf
Universität Münster
Universität Hamburg
Universität Bamberg
Universität zu Köln
Johann Wolfgang Goethe­Universität, Frankfurt am Main
New York University
University of California, Berkeley
University of Pennsylvania
Harvard Graduate School of Education
Grand Valley State University
University of St. Gallen, Switzerland
University of the Arts, Philadelphia
Simon Fraser University
Universidad de Vigo
Universidad de Málaga
Universidad de Zaragoza
Institute for the International Education of Students, Barcelona
Arcadia Center for Catalan, Spanish and Mediterranean Studies
Université Paris­Sorbonne
Université de Bourgogne, Dijon
Northumbria University
Bath Spa University
Upper Canada College, Toronto
University of Toronto
Christie's
Sotheby's
Artcurial
Gagosian Gallery, New York
Heather James Fine Art
Leslie Sacks Fine Art
Franklin Bowles Gallery
James Goodman Gallery
Lefevre Fine Art Limited
David Goldstein Fine Art
Michael Caden Gallery
G. B. Tate & Sons Fine Art
Art Insitute of Business and Antiques, Moscow
International Modern Art Foundation
Galerie Michael | Hanover & Ives Fine Art
Walmsley Fine Art Advisory & Research
Sloan Fine Art LLC
El País
The New York Times
The Guardian
Die Welt