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Eugenio Cuttica contemporary artist born in Buenos Aires, belongs to the middle
generation and has exhibited in galleries, museums and cultural centers, international
art fairs, etc.. for over 30 years
His work is based on a strong imprint of synchronicity and connection to what he calls
the dimension of the infinite frequency of no time.
His works appeal to beauty, not from the intellectual construction, but as something that
just happens, appealing to the idea of the artist as a vehicle of energy that passes and
which he doesn’t owns.
Through its strong belief of showing another invisible reality, his works take on a
connection that enables viewers to rediscover a contemplative state
•
EDUCATION
1984 Architecture, University of Buenos Aires
Studied design with the architect Justo
Solsona.
•
1976-1981 Assistant to painters Howard
Martinez and Antonio Berni. B. F. A.
•
1980 Painting and Sculpture, Argentinean
National School of Fine Arts.
•
GRANTS / AWARDS
•
1988 Selected for First Prize, Young Painters,
Amelita Fortabat Grand Prize, Juries Exhibition
of Expressionist Painters of Argentina.
•
1989 Selected as Finalist for the Biennial in
Venice, Italy.
•
SELECTED SOLO EXHIBITIONS
•
1984 Individual Exhibition, Centro
Paracultural, Buenos Aires, Argentina.
•
1985 Individual Exhibition, Malvinas Cultural
Center, Buenos Aires, Argentina.
•
1986 Individual Exhibition, Three Trees
Gallery, Ámsterdam, Holland.
•
1987 Paintings, Jacques Martinez Gallery,
Buenos Aires, Argentina.
•
1988 Individual Exhibition, Arte Nuevo
Gallery, Santiago de Chile, Chile.
•
Sumo Wrestlers, Jacques Martinez Gallery,
Buenos Aires, Argentina.
•
1989 Paintings, Municipal Gallery of Buenos
Aires, Argentina.
•
Objects and Sculptures, Jacques Martinez
Gallery, Buenos Aires, Argentina.
•
1992 Romanticism in the 90’s, Vincent
Obsession Gallery, Boston, Massachusetts.
• GROUP EXHIBITION
•1985 Adriana Indik Gallery, Buenos Aires,
Argentina. Múltiple Art Gallery, Buenos Aires,
Argentina.
•1987 Painters Not Widely Known, Jacques Martinez
Gallery, Buenos Aires, Argentina. Museum of
Contemporary Art, Río de Janeiro, Brazil. Palais de
Glace, Municipal Gallery of Buenos Aires, Argentina.
•1988 Young, Argentinean Painters, Fortabat
Foundation, Buenos Aires, Argentina.
•Yuries Exhibition of Expressionist-Painters of
Argentina, Ashkenazi Galleries, West Hollywood,
California.
•1992 Museum of Modern, Buenos Aires, Argentina.
•1995 Peronism And Its Time, National Public Library
of Buenos Aires, Argentina.
•1999 Individual Exhibition, Gale Gates Gallery,
Brooklyn, New York.
•2000 Individual Exhibition, Okaloosa-Walton
Museum, Niceville, Florida.
•2001 Beauty, Exhibit A Gallery, New York.
•2006-2007 Lurie Fine Art Gallery , Miami, Los
Angeles, Indianapolis
•2007 Robert Wilson Art Center, Watermill, NY
•2008 23rd St Gallery, Chelsea, NY
•2009 The Tripoli Gallery Of Contemporary Art,
"Alexandra: A Solo Exhibition", Southampton, NY
•2009 Coppa Oliver, “Gente de Pie”, Buenos Aires,
Argentina
•2010 Romany Kramoris Gallery, Sag Harbor, New
York
•2010 Natan, Serie “Alexandra”, Buenos Aires,
Argentina
•2010 Nordiska, Gallery Nights: EUGENIO CUTTICA
en NORDISKA, Serie "Los Maestros”, Buenos Aires,
Argentina
• OTHER WORKS
1978 Restoration of the mural “El Amor “ originally
painted by Antonio Berni in 1945, Pacífico Gallery,
Buenos Aires, Argentina.
1989 Commissioned by Resources Exchange (REX),
Holywood, California.
• INTERNATIONAL EXHIBITIONS
2005
2006
2007
2007
2007
2008
2008
2008
2010
Arte BA, Buenos Aires Argentina.
Art BO, Bogotá Colombia.
Art BO, Bogotá Colombia.
Art Americas, Miami FL. USA.
Arte BA, Buenos Aires Argentina.
Art BO, Bogotá Colombia.
Art Americas, Miami Fl.USA.
Arte BA, Buenos Aires Argentina.
Arte BA Buenos Aires Argentina.
NEW YORKERS
“Search and find
that elusive
beauty in the
crowds of a city
is transforming,
what does not
seeks to look
obvious … in
other words, is to
show this non
conventional
beautiful
discovery as a
task for the
others …the
artist's task”
ALEXANDRA
"There are certain
people among the
vast majority of
people who resort
to formalisms
classified as beauty
and that has
nothing to do with
conveying a state of
aesthetic pleasure
to others.
These beautiful
beings behave
mysteriously in
infinite variations
and resemble a
tableau or an
animated sculpture
rather than a
person "
LUNA
“Luna Sobre la Silla symbolizes the power of fragility and stillness, the
power and strength of not reacting, female power and the passive
conviction of the basis of beauty, truth, a tribute to the resistance in these
values and the tremendous conqueror power of tenderness and
compassion over strength impermanent success.”
www.eugeniocuttica.com.ar
INES R. de MORANDO
Tel. + 54 9 11 6767 9476
[email protected]