FOOTERING NOTES - Royal Institute of Art

h
helena Fernández-Cavada
g1
g3
g3
h
Gabo Camnitzer
g4
c
c
c15
c
h
h
h
cara Tolmie
c
c
b
b
alice Miceli
bronwyn Bailey-Charteris
cara Tolmie
gabo Camnitzer
helena Fernández-Cavada
b
b
bronwyn Bailey -Charteris
b
b
FootEring notes
a7
a4
a5
FOOTERING NOTES
event
a3
Performances / Workshop /
exhibition
Screening / Book-launch
Sunday 15th May
Vernissage
a3
Fylkingen
Friday 13th May 17 00 - 20 00
a3
Torkel Knutssonsgatan 2
118 25 STOCKHOLM
Opening Times
Sat 14th & Sun 15th May 12 00 - 17 00
Please see website and social media for
further information
Mon - Fri 12 00 - 17 00 www kkh se
Final day Sat 21st 12 00 - 17 00
www fylkingen se
a2
a3
Galleri Mejan
alice Miceli
Financed by artistic research and
Exercisplan 3
development funding from Kungl.
Skeppsholmen
Konsthögskolan/Royal Institute of Art
(Next to Moderna Museet)
Stockholm
FootEring
notes
alice Miceli
in depth (landmines) - europe
bronwyn Bailey-Charteris
penelope and lucinda
1 essay the philosophy of
landscape Georg Simmel
Theory Culture & Society December
2007 24 20-29
1 the swimmer by john cheever
http://tcs.sagepub.com/content/24/7-8/20.
extract
2 photograph robert capa s last
shot 1954
It seems to me that the issue of Robert
Capa s death should not go unnoted
While on assignment for Life magazine
in Indochina in 1954 he stepped on a
landmine and was killed still holding
his camera The last image in his film
roll captured an open field extending
towards a horizon that he himself
never reached There is an interesting
spatialization of time or temporization
of space that occurs when considering
mine-contaminated land in every
inch of that ground there might be
someone s last instant spread in space
as far as the eye can see If you die you
cease to exist temporally but in the
situation of a minefield it means that
spatially you don t get to go any further
I wanted to take the problem and carry
it on from where he left off
3 film blow up 1966
Michelangelo Antonioni
http://www.imdb.com/title/
tt0060176/?ref_=fn_al_tt_1
alice Miceli
Narrative discovered in the depth
of field of a still image by way of
enlargement the blowing up of the
physical print
4 performance n p 1977
Neša Paripovi
http://www.dailymotion.com/video/xdclyh_
nesa-paripovic-promesses-du-passe_creation
bronwyn
BaileyCharteris
cara Tolmie
gabo
Camnitzer
helena
FernándezCavada
Moving on a straight axis through the
urban space
5 film rear window 1954
Alfred Hitchcock
http://www.imdb.com/title/tt0047396/
Illustrative depiction of an
immobilized point of view/vantage
point (James Stewart s character in
a wheelchair) and his respective
relationship with a (needed) longer
focal length in order to be able to follow
the unfolding of a narrative from a
3 levaniouk (2011)
Chapter 15 Back to the Loom
Levaniouk Olga 2011 Eve of the
Festival Making Myth in Odyssey 19
Hellenic Studies Series 46 Washington
DC Center for Hellenic Studies
http://nrs.harvard.edu/urn-3:hul.ebook:CHS_
Levaniouk.Eve_of_the_Festival.2011
4 penelope s renown meaning and
indeterminacy in the odyssey
Marilyn A Katz Princeton University
Press 1991 Pp 223 + xii
http://workuntitled.com/micelikubey.html
Financed by artistic research and
development funding from Kungl.
Konsthögskolan/Royal Institute of Art
Stockholm
http://www.metamute.org/editorial/mute-mu
sic/listener-operator-2
The power of those that use the
human voice as their instrument may
lie in the risks entailed in doing an
uncivilised violence to the founding
rigidities of language There is
something agonising and off-putting
in hearing what sounds like the most
unmediated of musical practices
through which music its hopes for
coherence and meaningfulness are
sorely profiled Such vocalising may not
so much be tending towards language
as withdrawing from it retracting from
social contract
6 annette kellermann
Wikipedia entry
4 jeanne lee s voice Eric Porter
7 is a museum a factory?
Hito Steyerl e-flux journal 2009
Jean Lee is mingling among us [ ]
She is not afraid of all this body that
moves so sweet I dare you/ and isn t
this more than you ever imagined her
body is song [ ] We got a woman
among us who isn t afraid of the sound
of her own voice She might lay up
nights wondering how are we staying
alive cause we didn t hear what she just
heard/or sing it Well Did I hear the
congregation say Amen She sings Jean
Lee/ She sings
8 feminism is for everybody
bell hooks South End Press
Cambridge MA
9 john cheevers mock epic the
swimmer the odyssey and
america s pursuit of happiness
Terrance Bowers 2007
10 taking her seriously penelope
& the plot of homer s odyssey
Richard Heitman Ann Arbor The
University of Michigan Press
2005 Pp vi 136 ISBN 0-472-11489-1
11 cross-gender shakespeare
and english national identity
Elizabeth Klett Palgrave Macmillan
12 e unibus pluram television and
u s fiction David Foster Wallace
Review of Contemporary Fiction 13 2
(1993 Summer) p 151
15 #accelerate manifesto for
an accelerationist politics Alex
Williams and Nick Srnicek 2013
16 the penelopiad the myth of
penelope and odysseus
Margaret Atwood (2005)
You don t have to think of us as real
girls real flesh and blood real pain
real injustice That might be too
upsetting Just discard the sordid part
Consider us pure symbol We re no
more real than money
17 la times tv listing for the
wizard of oz (1998)
Transported to a surreal landscape
a young girl kills the first person she
meets and then teams up with three
strangers to kill again
18 joseph roach Culture and
Performance in the Circum-Atlantic
World in Performativity and
Performance edited by Andrew Parker
and Eve Kosofsky Sedgwick 45 - 63
New York Routledge 1995
Relationship between focal lengths
vantage point and constant
magnification size The focal length of
a lens determines its angle of view and
thus how much the real-life subject will 19 Homer emphasizes Penelope s
Vernissage Friday 13th May 17 00 - 20 00
be magnified on the camera sensor/
cunning mind when Antinoös one of
negative for a given position
the leading suitors who finds out about
Opening Times
her trickery says Wits like Penelope s
Sat 14th & Sun 15th May 12 00 - 17 00
Distance (m) / # lenses = Viewpoints
never were before (2 129) Penelope s
Mon - Fri 12 00 - 17 00 intelligence is highlighted by fact that
Final day Sat 21st 12 00 - 17 00
in a society in which honor (kleos) was
paramount Antinoös still commends
event
her on her superior wit even after being
Performances / Workshop / Screening /
duped Gordon
Book Launch
http://www.bu.edu/av/core/journal/xxiv/
Sunday 15th May
Gorden.pdf
Fylkingen
Torkel Knutssonsgatan 2
20 song of the siren Tim Buckley
118 25 STOCKHOLM
Please see website and social media for
21 association of adaptation
further information
studies
www kkh se
www fylkingen se
2 listener as operator
Howard Slater
3 cosas Alma Soderberg
14 the future is self organised
Stephan Dillemuth Anthony Davies
Jakob Jakobsen in London Munich
Copenhagen June 12 2005
When I see birches bend to left and right
Across the lines of straighter darker
trees
I like to think some boy s been swinging
them
But swinging doesn t bend them down to
stay
As ice-storms do Often you must have
seen them
Loaded with ice a sunny winter morning
After a rain They click upon themselves
As the breeze rises and turn manycolored
As the stir cracks and crazes their
enamel
https://www.youtube.com/watch?v=
zl8ueluimp8
5 there s no place like home
Andrea Fraser Whitney Biennale 2012
6 poem birches Robert Frost The
Poetry of Robert Frost (1969)
7 depth of field diagram
exhibition
Galleri Mejan
Exercisplan 3
Skeppsholmen
(Next to Moderna Museet)
2 mueller (2007)
Penelope and the Poetics of
Remembering Melissa Mueller
Arethusa Volume 40 Number 3
Fall 2007 pp 337-362 | 10 1353/
are 2007 0023 published by Johns
Hopkins University Press
13 do the right thing MFK
Tension between content and metric
a strained relationship between
vernacular speech forms in tension
with metrical pattern The extract
below is an example in unrhymed
iambic pentameter
gabo Camnitzer (Meaning Machine)
the art and philosophy of
children from objects to actors
and beyond
1 traffic Lily Greenham
distance inside his neighbor s flat
http://www.poetryfoundation.org/
poem/173524
cara Tolmie
she s singing i can feel
boxes break
https://vimeo.com/16503927
http://www.criticalimprov.com/article/
view/53/184
5 ten theses on touch or writing
touch Hypatia Vourloumis
http://www.womenandperformance.org/am
persand-articles/ten-theses-on-touch-or-writ
ing-touch-hypatia-vourloumis.html
6 top 6 ships in a storm
https://www.youtube.com/watch?v=e7pIix
JOVlE
1 subjects objects or
participants? dilemmas of
psychological research with
children Martin Woodhead and
Dorothy Faulkner
https://goo.gl/4njuwc
Image g1 Meaning Machine
#3 Petitions (Exercises in
Collectivization) Ridgewood Queens
New York (photo credit Alina Tenser)
2 treatise on education
Balthazar Gartien 1646 Cited in
Philippe Ariés Centuries of Childhood
A Social History of Family Life Robert
Baldick (trans ) (New York Alfred A
Knopf 1962) p 131-132
Every man must be conscious of the
insipidity of childhood which disgusts
the sane mind that coarseness of
youth which finds pleasure in scarcely
anything but material objects and
which is only a very crude sketch of the
man of thought Only time can cure a
person of childhood and youth which
are truly ages of imperfection in every
respect
3 Excerpt g3a soap Francis Ponge
Translated by Lane Dunlop Stanford
University Press 1998 p 42
https://goo.gl/FhY5X3
helena Fernández-Cavada
letters and roots
1 la gallina ciega Max Aub
( ) y quieres que me preocupe de la
situación de España? ¿Qué me importa
el OPUS?¿Qué haga cálculos del asunto
Matesa? No Kafka y sus monstruos
estatales burocráticos han invadido
el mundo Estamos inficionados
gangrenados por la injusticia las
guerras insensatas continuas sin
solución Goya escribió <El sueño de la
razón produce monstruos> ¿Porqué el
sueño? La razón sin más
http://www.espaebook.com/book/la-galli
na-ciega/#reporting
2 teaching positions Ellisabeth
Ellsworth
http://www.smudgestudio.org/archive/writ
ing/Teaching%20Positions%20EE.pdf
3 porque fracasó la democracia
en españa Emmanuel Rodriguez
Lopez
http://goo.gl/hjzRk8
4 situated knowledges the
science question in feminism
and the privilege of partial
perspective Donna Haraway
http://www.jstor.org/stable/3178066?se
q=1#page_scan_tab_contents
5 numax presenta Joaquim Jordà
https://youtu.be/RLP7eKY9ih8
Image g3b Meaning Machine #1
Giving up the Ghost (Where Does Soap 6 después de no se os puede dejar
Go) Stockholm Sweden (photo credit solos Cecilia M Bartolomé José Juan
Bartolomé
Pia König)
https://vimeo.com/97168347
4 placebo button
https://en.wikipedia.org/wiki/Placebo_button
Image g4 Meaning Machine #1
Placebo Button Stockholm Sweden
(photo credit Pia König)
5 movement and experimentation
in young children s learning
deleuze and guattari in early
childhood education Liselott
Mariett Olsson Routledge London
New York 2009
7 un septimo hombre John Berger y
Jean Mohr
https://goo.gl/RomJSD
8 on images sites and politics of
memory Maria Ruido
http://www.workandwords.net/en/projects/
view/493
http://www.workandwords.net/uploads/files/
PLAN_ROSEBUD_eng.pdf
9 foreign office Bouchra Khalili
7 don quixote / empire of the
senseless Kathy Acker
Let your place of business—our
bodies and minds—resound!
6 Italian documentary about the
Reggio Emilia Approach
Being landless like a sailor wafting
upon always unknown waves who goes
hither and thither and isn t really able
to go anywhere certainly not anywhere
those unknowable forces the waves
took him or her either of their own
volition or not of their own volition
My mother s mouth is open in a
scream – I will sing
7 chaosmosis an ethico-aesthetic
paradigm Félix Guattari Indiana
University Press Indianapolis 1992
8 star spangled banner Whitney
Houston Superbowl 1991
https://www.youtube.com/watch?v=N_lCmB
vYMRs
9 neoliberal noise Robyn James
https://www.academia.edu/7765633/Neoliber
al_Noise
https://youtu.be/hnCjsQ5vI_8
10 caliban y la bruja Silvia Federici
10 why doesn t this feel
empowering? working through
the repressive myths of critical
pedagogy Elizabeth Ellsworth in
Harvard Educational Review Vol 59 No
3 August 1989
10 killer karaoke
https://pedsub.files.wordpress.com/2010/11/
ellsworth-1989.pdf
11 i m a raver baby Dark Raver
https://youtu.be/DMTA65i_9iI
12 the laurence rassel show
Terre Thaemlitz and Laurence Rassel
http://www.comatonse.com/writings/2007_
laurencerasselshow.html
13 no sleep DJ Bone
https://www.youtube.com/watch?v=PggnAm
3Fnwk
14 four song titles Keiji Haino
1 To pull yourself into existence out of
the swamp of nothingness by your own
hair
2 Look! That large shape moves slowly is
warm but is not friendly all of the time
3 Is better not to know how the sausage
is made
4 A harp might be made from bones if
there was a skilful enough crafter who
could construct it from the bones
http://www.adaptation.uk.com/
15 can t Jessica Rylan
http://goo.gl/SXp6mZ
11 contramodelo a la feminidad
https://monoskop.org/images/2/24/Guattari_ burguesa construcciones visuales
Felix_Chaosmosis_An_Ethico-Aesthetic_Para del poder en la sección femenina
digm.pdf
de falange Maria Roson Villena
El fascismo consigue inmiscuirse en
8 every little thing Nicolas
todos esos espacios de la privacidad
Philibert - A documentary about La
de las personas añade María Rosón
Borde
que asevera que sobre la mujer se
https://youtu.be/CKJp9JLqTkY
instaló el triángulo represor de pecado
enfermedad y femineidad
9 going beyond the theory/
Totalitarian regimes is the coopting
practice divide in early childhood of private matter into public life
education introducing an intraconverting intimate decisions such as
active pedagogy Hillevi Lenz Taguchi forms of relationships or motherhood
Routledge London New York 2010
into matters for the state
Neoliberalism regulates the material
conditions of production defining
a range within which individual
variability can and should be
generated
https://www.youtube.com/watch?v=0AuJo
64zUio
http://www.bouchrakhalili.com/foreign
-office/
http://www.academia.edu/1595063/Contra
modelo_a_la_feminidad_burguesa_con
struciones_visuales_del_poder_en_la_Se
ci%C3%B3n_Femenina_de_Falange
11 If only little children managed to
make their protests heard in nursery
school or even simply their questions
12 el precio de la transición
Gregorio Morán
Lo más significativo del proceso
de transición desde una perspectiva
radical de raíz fue el ocultamiento y la
dilapidación de la memoria histórica
Las exigencias impuestas por las
diversas instituciones ( ) obligaron a
it would be enough to derail the whole
educational system
Gilles Deleuze What Children Say
no tender ningún puente con la última
experiencia democrática de nuestra
historia la republicana
http://goo.gl/zCDsgm
http://www.scribd.com/doc/283487187/M
ran-Gregorio-El-Precio-de-la-Transicion-1-p
f#scribd
12 the queer art of failure Jack
Halberstam Duke University Press
Books 2011
13 el instante de la memoria
https://www.dukeupress.edu/the-queer-art-of- una novela documental Virginia
failure
Villaplana Ruiz
( ) aquello que dejamos atrás por
13 situated learning legitimate
muy doloroso que sea forma parte de
peripheral participation Jean
nosotros mismos Un sentimiento en
Lave and Etienne Wenger New York
suma absolutamente imprescindible
Cambridge University Press 1991
para comprender una nueva realidad
http://goo.gl/FTGvkI
que está hecha con la amalgama de una
realidad perdida y de otra realidad que
14 från kvalitet till
aún no ha sido del todo encontrada
meningsskapande Gunilla Dahlberg
Peter Moss Alan Pence
14 los banqueros de franco
http://goo.gl/doh6hj
Mariano Sánchez Soler
15 In Early Childhood What s
language about? Liane Mozère
Educational Philosophy and Theory
39(3) 291–299 2007
http://onlinelibrary.wiley.com/doi/10.1111/
j.1469-5812.2007.00327.x/abstract
https://books.google.co.uk/books/about/Los_
banqueros_de_Franco.html?id=smNL0CBnS
fQC&redir_esc=y
15 exodo diario de una refugiada
española Silvia Mistral