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Beyond words
FILM Lipyantara, a documentary on the acclaimed lexicographer G. Venkatasubbaiah by K. Suchindra Prasad,
seeks an entry into the world of words
K.N. VENKATASUBBA RAG
n his continued effort to
document the life and
achievements of centu­
orion and nonagenarian
persons of public impor­
tance, artiste and filmmaker
K. Suchindra Prasad is all set
to launch· "Lipyantara" as
part of the Antara Sarani
documentary film series ort
August 20 (Sunday) at Bha­
ratiya Vidaya Bhavan in Ban­
galore. The occasion marks
the 98 th birthday of the ac­
claimed lexicographer G.
Venkatasubbaiah.
Under the Antara Sarani,
produced by the Dharmad­
hikari of Sri Kshetra Dhar­
mastala Veerendra Heggade,
Mr. Prasad has already pro­
duced five documentary
films. The earlier ones are on
freedom fighter Sudhakara
Chaturvedi, who is said to be
117 year old and has report­
edly witnessed the Jalian
Wallah Bagh massacre, the
walking god of music Pandit
Puttaraja Gavai, the Kanna­
da poet from Kasargod Kay­
Rai,
yara . Kinhanna
acclaimed Gandhian H.S.
Doreswamy and the interna­
tionally known. yoga expo­
nent B.K.S. Iyengar. From
the master title to chapter
titles the Antara series at­
tempts to read multiple con­
textual meanings to into the
very term 'antara' in all its
connotations such as gap,
difference, courage, efficien­
.cy, opportunity and soul, as
it manifests itself in a partic­
ular context. In the context
of "Lipyantara", a film on
Prof. G. Venaktasubbaiah,
familiarly known as G.V. in
Kannada cultural and litera­
ry-circles, the very term 'an­
tara' with its prefix gains a
discursive dimension, which
is rather beyond the film­
makers conception.
According to G.V. the very
I
Word
wizard
P
CAPTURING THE ABSTRACT The 98 -year-old lexicographer Prof G. V. with thejilmmaker
Suchindra Prasad
term 'antara' could be employed not only as an independent semantic unit in the
respective context but also a
conjunction for uniting and
disuniting both time and
space at a particular or different junctures simultane.
ously. From that point of
view Lipyantara would mean
separate situation and beyond words or loss of words
or a phoneme or morpheme.
What did G.V. think of the
documentary film? "I am
.
happy with the purpose and
effort of the product and ea­
ger to learn the views ofthe
public as the film attempts to
speak of umpteen things in a
limited space."
The filmmaker Mr. Prasad
concedes to the view of G.Y.
. Capturing the details of life
\nd achievements of centu­
r)ons and nonagenarians in a
30~minute documentary is
next~o impossib.Ie. A film)Ilake could capture the es­
sence f the experiences of
such personalities from his­
torical, social, political and
cultural view points in de­
taiL The films under the An­
tara Saraniare only essential
capsules that could be devel­
oped into volumes by the
concerned authorities in due
course. Capturing experi­
ences and achievements
through visuals with limited
infrastructure is itself a chal­
lenging task. Subjects such
as music, yoga, commitment
and action of freedom fight-
.-""
"
ers, social, political and cul­
tural outlook of poets could
be balanced through narra­
tive technique and available
visuals. But how to capture
the world of words with all
its abstract and concrete
qualities and its undertones
in a visual format? It is in­
deed a challenge. Lipyantara
was a big challenge for his
creativity. All films under
the series are only an at­
tempt to understand the val­
ues of men and matter.
"'I'
rof. G.V. has compiled
over 10 dictionaries
including the eight-vol­
ume Kannada-Kannada
dictionary. His column
"Igo Kannada" in Praja­
vani, a Kannada daily,
had been popular for
over a decade. He has
edited over 25 books and
published several pa­
pers. He was an advisor
for the Multi-lingual
Dictionary Project (Ja­
panese-Kannada-En­
glish-Tamil-1988) ofthe
Institute of Asian Stud­
ies, Chennai. He was a
member ofthe consulta­
tive committee of the
Shabda Saagara project
(Telugu lexicon) of the
Telugu Academy of the
Andhra Pradesh Gov­
ernment from 1970 to
1985. He was the vice­
president of the Lexico­
graphical Association of
India for 17 years from
1973.
The 98 -year-old lex­
icographer ProLG.V. is a
proclaimed classicist in
literary traditions and
has compiled Kannada­
Kannada dictionary of
difficult words.
He has earned the dis­
tinction of being a se­
nior most lexicographer
in the 20th century in
the world. He was felici­
tated at the first Inter­
national lexicographers
convention held at An­
namalai University, Ta­
mil Nadu, recently.
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FILM Prapaatha, a film made by K. Suchendra Prasad, is based on what some ~believe to be the ,concealed truth
Anekal Su~raya Shastri flying a plane
he plot is ambitious enough. An unemployed
and impossibly slothful young man Abhaya
teams up with a perpetually truant college
student Narahari to find ,out what he can
about Anekal Subbaraya Shastri (1866 - 1941)
-because he is intrigued by news reports that this
mystic flew an aircraft sometime towards the end
ofthe 19th century AD. They end up with no proof
and poorer than before in more ways than one.
The movie is apparently based on a few real
people, some readily identifiable as was evident at
a post-screening discussion on the film at Suchi­
tra auditorium last Sunday. Abhaya (AmanuUa)
and Narahari (Santhosh) encounter a series of
weird people - including scientists, savants and
surviving relatives of the Subbaraya Shastri - to
get to the bottom ofthe it: Did Shastri indeed fly a
plane?
.
Director K. Suchendra Prasad's own take on it
. is not clear in his movie, nor was.it in the post­
T
screening talk, but the prom~ters of the movie
believe it did and with a passion. Their pam­
phlet 'reads: "...Vimana Shastra, authored by
Shri Bhaaradwaaja Muni, one of the transcend­
ent sages in the exceedingly ancient land of
India, is, but a' mine of marvels... The erudite
scholar that Shri Anekal Subbaraya Shastri was,
not only scripted the very epic of technology
and its ann'otation;but also sucpessfully flew an
aircraft titled 'Marutshakti'. It's only despairing
that such an iconic achievement didn't find its
way to the pages of history (sic)."
Published scientific opinion is in vehement
disagreement. In their paper, "A Critical Study.
of the Work Vymanika Shastra", scien'tists H.S.
Mukunda, S.M. Deshpande, H.R. Nagendra, A.
Prabhu and S.P..Govindaraju ofIndian Institute
of Science, Bangalore (Scientific Opinion, 1974),
come to the conclusion that "...the planes
described above (in old m;mu~cripts) are the
StudyOfTheWorkVaimanik,a
Shastra.pdf).
'
Suchendra Prasad resorts to a repetitive
juxtaposition of scenes alternating between
bizarre encounters in the seekers' never-pro­
gressing quest, bits from the past and hard-on­
the-eye privations of poverty and unemploy­
ment on the one side and the tedium of
linfnspired college education on the .other:
"Prapaata~', produced by Maruthi S. Jadiyavllr
and presented by the Voicing SilJnce, is filled
with well-known actors - H.G. Dattatreya,
Shivaram, Srinivasa, MP Venkata Rao, KSL
Swamy and Sethunim - who represent charac­
ters we don't know and never understand:
Eventually, Suchendra Prasad's "Prapaata" fails
to make a point, either in favour or against a
historical ch,aracter, reporting a search as he
found himself found it - futile and bewildering.
PRAKASH BELAWADI
~
AMBITIOUS PLOT Anekal Subbaraya
Shastri
\
'\
_______________________________
best poor concoctions, rather th;m expressions
of something real. None of the planes has
properties or capabilities of being flown; the
geometries are unimaginably horrendous from
the point of view of flying; and the principles of
propulsion make them resist rather than assist
flying."
The movie does have at least one scientist
(Srinivas Prabhu) who describes the stories of
the flight as "cock'and bull stories." But the real
scientists of ,IISc. go further: "What we feel
unfortunate in history is that some people tend
to eulogise and glorify whatever they.can find
about our past, even without valid evidence. In
the absence of any evidence, efforts will be
made to produce part of the evidence in favour
of antiquity."
(http://cgpl.iisc.ernet.in/site/
Portals/O/Publications/
ReferedJolirnal/ACritical
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