Presentación ¡Ka-Boom! Estudio 2008

Transcripción

Service’s Portfolio
What is ¡Ka-Boom! Estudio?
¡Ka-Boom! Estudio is born mainly by two fundamental aspects:
1. Create a comic book industry
CONCEPT AND VALUES
in Mexico, introducing a new format that fulfill the requirements
to give a quality that makes us
competitive worldwide.
2. The necessity to open up a
space to promote new talents
and comic book masters (writers,
artists and colorists), introducing
the art of comics in the new audiences, leaving behind disposable
comics.
The original ¡Ka-Boom! Studio, where it all began.
PHILOSOPHY.
*Professionalism: Demostrate that charging for a
job is not deserving to be a professional if there’s a
lack of the following points:
*Update in information and techniques: Not staying behind, unifying the experience and the new
tools to be always fresh in favor of creativity.
*Discipline, responsability, seriousness and commitment: Beyond limited schedules, personal tastes
and mediocre attitudes; to think in others before that
in ourselves and to perform at 110%
*Ethics, companionship and love for this profession: Teamwork and fighting for a common good allows for healthy and constructive competition, and
helps us to grow as artists and human beings. To
avoid that the economical surpasses creativity’s limit,
gives as a result a product with a heart.
*Loyalty, trust and honor: Unification of mind, heart
and spirit among the members, is more powerful
than individuality, that destroys and divides.
*Human and artistic quality: Our works will always
be a reflection of our inner self.
Paseo de la Alteña 207, Alteña 1, Lomas Verdes, Naucalpan, Edo. de México, C.P. 53120
Tel: (+52 55) 5572 6245 and (+52 55) 5562 9506 Fax:(+52 55) 5562 5846
www.ka-boom.com.mx
[email protected]
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All the material and works included here are for informative use. All intelectual property rights are reserved by their respective owners.
CONCEPT
AND VALUES
VISION.
*To be prophets in our own land: It’s more praiseworthy being able to trascend in the place of origin where
there’s not an existance of an industry and obstacles
slow down the projects, than developing in a country
where industry already exists.
*Show with facts our commitment with a First
World way of thinking, in a Third World country: The
thought can be the first obstacle, or be the success.
*Not to waver in winding roads, but to acquire experience to strengthen our spirit: The inconveniences give
strength, comfort gives mediocrity.
*Generate, mantain and look for alliances that promote
the advance and growth between Companies: It’s a time
to create synergies, form teams, be a team player, to win,
win.
MISSION.
*Be one of the Companies that represents Mexico for
their quality at national and international levels: Generate products that speak of the Studio’s talent and quality
for themselves, and compete with the best.
*Upgrade the national quality level: To be an artist’s
melting pot with the quality that is required to represent
Mexico worthily at an international level.
*Re-activate the Ninth Art’s industry in Mexico: Generate products of continuity and of several styles;
direct the new talents to guide them to professionalism with tutoring for free; promote conventions and
original comic book stores; create consciousness in people about the virus of crimes against intellectual
property, as the called “piracy.”
*Promote the comic book as a mass media: To put this
media in the place that deserves as one of the principal
media because of it’s great capacity to communicate; for
it’s versatility to be understood among audiences of al
sectors and ages; for it’s different genres (corporate, advertisement, educational, informational and entertainment); for it’s permanence and for it’s economical production when compared to other media; and as Ninth Art in
Mexico.
Tel: (+52 55) 5572 6245 and (+52 55) 5562 9506 Fax:(+52 55) 5562 5846
www.ka-boom.com.mx
[email protected]
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CONCEPT
AND VALUES
*To take boldly the Ninth Art, to all sectors and levels that it hasn’t gone before: To achieve that people
gives it it’s real value, promote it and take it to the big
spaces where only the great works of art have place: as
well as commercially.
*Professionallize our media: Instruct the new artists
in the values and commitments that a professional
needs; advise them legally about copyrights and
about the responsibility as communicators of such a
noble media; make aptitude tests to direct the artist in
the different comic book specialities in a professional
way and take them to their realization as person and
artist, not allowing to be exploited, or cheated, by mercantilist schools with no prestige at all; direct them to
the knowledge of the cost of their artwork as well as to
advise them in the ways of commercializing their art.
To keep fighting for the artist’s respect in their career
and experience; to promote historic knowledge as a
cornerstone where new roads are built.
*Promote copyright respect: Create this culture in
Institutions, Companies, general audiences and the
own artists about the value of Art and their authors.
*Promote Fantasy and Sci-Fi: These days, people consume inconsequential and banal products, which contribute to build young people that lack values.
*Promote the universal, infantile and juvenile comic
books: If we don’t show comic book art to the new generations, we’ll be contributing to the disappearance of future readers, situation that already started happening in a
global scale.
*Promote the authorial comic book: Avoid being fad artists, strengthen as classical artists.
*Create quality products: Respect the consumer: In spite
of technological advance, the essence of persons is the same.
Audience support is invaluable.
* Create employment sources: The entertainment medium
creates vast alternate media fed by the generated and materialized fantasy in stores, merchandise, amusement parks,
entertainment ceneters, animations, dubbing, etc., taking big
profits to the companies and to the same country.
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FOUNDERS
Oscar González Loyo. Chief Executive Officer.
Only Mexican recipient of two Will Eisner Awards (equivalent to the Academy Award in the film industry), one of the highest worldwide recognitions in
the comic book media, an winner of the La Plumilla de Plata (The Silver Inkpen) award in Mexico by request of his readers, comic book artists, dealers and
publishers from the media.
He started his professional career at age 14
making the back-covers on Capulina and Cepillín magazines. His first collaboration in a weekly magazine was in Las Aventuras de Parchís,
which increased his drawing ability.
Oscar González Loyo and Susy Romero
in the Will Eisner Awards ceremony 2000
at the San Diego Comic-Con.
Oscar González Loyo.
It was in 1986 when he publishes Karmatrón y los Transformables (conceived since 1978), a weekly publication that circulated newsstands for
6 years aimed to children, teenagers and adults; it was the first children
comic book where esoteric themes were told, oriental. Mayan, Indian philosophies, UFOs’ stories, of ancient lost cities wrapped up in fantasy and
adventures, treated with a great wit.
He has also collaborated for publishing houses in the USA, becoming an official artist for characters like
Looney Tunes, Astroboy, Kimba, Gigantor, Speed Racer and The Simpsons, this last one for the London Times,
and the monthly comic book working directly with Matt Groening, among others. Unrelenting promotor
of the comic book culture in our country, he established the La Plumilla de Plata award in 2003, for those
distinguished works and authors in our country and the world.
Susana L. Romero Medina.
Assistant Director of Editorial Assistance, Contents and Scripts.
Started her artistic career in 1990 as co-author and writer of the Némesis 3000
La Alianza and XPCTRM comic books. Collaborated in Editorial Vid as writer for
El Pájaro Loco (Woody Woodpecker) and Tom & Jerry. Collaborated as a scriptwriter
for the animated shorts in Sesame Street Latin America.
She developed the concept and universe of the ‘Chocomiel’ bee for the Nestlé
brand, as well as for the theme parks and entertainment centers Mundo Deadeveras, Monterrey; Sierra X-Trema, Mexico City; Misión Fantasti-K, Mexico City;
among others.
Susy Romero in her Place of Power,
never-ending source of ideas.
Susy Romero.
Her perception, ability and sensibility to develop concepts, universes,
stories and characters of several styles mark a natural talent in her: superheroes, funny animals and toons; and in handling the sequential
language, is an expert in using this communication media as a tool:
corporate comics, educational, advertising, informative... Currently,
she’s author and and scriptwriter of the Blue Demon Jr., El Legado
comic book; she’s developing the Radio Comic (as she has named it)
of Karmatrón y los Transformables; the book Tinta, Sudor, Lágrimas ...y
algo más (Ink, Sweat, Tears ...and something more); and organizing
the international event ¡Ka-Boom! Con to promote the Ninth Art Industry in Mexico. She guides new talents in the area of scripting.
Tel: (+52 55) 5572 6245 and (+52 55) 5562 9506 Fax:(+52 55) 5562 5846
www.ka-boom.com.mx
[email protected]
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Oscar González Guerrero. Art Director.
Photo: Oscar González Guerrero in his work
table where he guides new talents.
Started his artistic career 53 years ago. As the co-creator of
Hermelinda Linda, he established a change of course in that
time comic book market. Among his creations are Las Aventuras de Capulina and XPCTRM. Art Director of several publishing
houses, has formed many writers, artists and personalities from
the field. Was Art Director for Sesame Street Latin America’s animated shorts. These days he offers guidance to new talents in
the drawing field.
Members of ¡Ka-Boom! Estudio.
¡Ka-Boom! Estudio is a creative team conformed by writers,
artists, illustrators, designers, colorists and animators that longer than 40 years ago have worked in and developed a great
amount of recognized and accepted prestige projects by
the audience: they legally advise and guide future artists on
author’s rights and the value of their works.
Photo: Part of the ¡Ka-Boom! Staff, a
talented group of professionals in several
disciplines.
International Friends.
The team has the support and collaboration of international
artists friends: Sergio Aragonés, creator of Groo the Wanderer, considered the best humor cartoonist
in the world; Alan Grant, writer of The Judge Dredd and Batman; Stan Sakai, creator of Usagi Yojimbo;
François Boucq, European and Heavy Metal comic book artist; Phil Yeh, educational comic book artist;
Stan Lee, creator of Spider-Man; Marv Wolfman, creator of Blade; among others.
Sergio Aragonés,
K! god-father in the USA.
Jean Giraud “Moebius”
one of the maximum
exponents of European
and worldwide comic.
Matt Groening, creator of the most famous
yellow characters in the world: The Simpsons.
Stan Sakai, creator of
Usagi Yojimbo, recurring
character in Teenage
Mutant Ninja Turtles.
Members of K! Studio with Phil Yeh,
tireless promotor of culture and reading
around the world.
Stan Lee, creator of Spider-Man,
Fantastic Four, X-Men and nearly
all the MARVEL Universe.
K! With John Romita Sr. & Jr., masters of comic
and classic Spider-Man artists.
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www.ka-boom.com.mx
[email protected]
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•Creation of ideas, Universes and Concepts in written form.
•Creation, design and redesign of main and antagonist
characters: image, psychology and history.
•Character Model Sheets: expressions, poses and attitudes,
views and height comparison chart.
•Color Psychology.
•Logo design.
•Character’s Art Guides.
SERVICES
Having the previous as a basis, the art can be developed in the
following communication media:
1.P ROFESSIONAL A RTISTIC S TUDIO
1. GENERAL ARTISTIC SERVICES:
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www.ka-boom.com.mx
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GENERAL ARTISTIC SERVICES
SERVICES
1.1. COMICS.
• Artistic advise and consultancy.
• Art Direction.
• Script elaboration.
• Style correction.
• Artwork in different styles:
cartoon, semi-toon, funny animals,
serious and realistic.
• Inks.
• Color in different techniques:
watercolor, digital, pastel, gouache,
acrylic and several other techniques.
• Storyboards production.
• Layouts.
• Design.
• Comic strips elaboration.
1.2. TELEVISION.
• Art Direction.
• Script ellaboration.
• B&W and color Storyboards
production.
• Scene Design.
• Stunt Man: services and
performance; Stunt Man training,
actors and choreography.
• Design, musical creation and foley,
jingles.
• Voice acting, dubbing and
voice direction.
• Costumed characters.
Tel: (+52 55) 5572 6245 and (+52 55) 5562 9506 Fax:(+52 55) 5562 5846
www.ka-boom.com.mx
[email protected]
[email protected]
SERVICES
1.3. INTERNET.
• Webcomics.
• Web pages production.
• Programming and web design.
• Hosting.
• Programming, animation,
voice dubbing and direction for web
games in Flash.
1.4. THEATER.
• Art Direction.
• Storyboards elaboration.
• Scene Design.
• Stunt Man: services and performance;
Stunt Man training, actors and
choreography.
jingles.
• Storytellers.
1.5. RADIO.
• Production.
• Art Direction.
voice direction.
jingles.
Tel: (+52 55) 5572 6245 and (+52 55) 5562 9506 Fax:(+52 55) 5562 5846
www.ka-boom.com.mx
[email protected]
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SERVICES
1.6. CINEMA.
• Art Direction.
• Scene Design.
jingles.
voice direction.
• Stunt Man: services and
performance; Stunt Man training,
actors and choreography.
1.7. ANIMATION.
• Art Direction.
• Layouts production.
• Flash, 2D & 3D animation;
basic, semi and full animation.
voice direction.
jingles.
The same Media can be used
in the services we offer through our
Advertising Agency.
Tel: (+52 55) 5572 6245 and (+52 55) 5562 9506 Fax:(+52 55) 5562 5846
www.ka-boom.com.mx
[email protected]
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servicios
SERVICIOS ARTÍSTICOS GENERALES
2. PUBLISHING SERVICES:
• Board, Card and Role games creation
and development.
• Clip Art.
• Entertainment, educational,
informational, advertising and
corporate comics.
• Design.
• Publishing of printed material:
magazines, books, comics, calendars,
posters, stamps album, trading cards,
puzzles, role-playing games, coloring
books, text books, etc.
• Scripts and articles elaboration for
books and magazines.
• Distribution.
• Consultancy and supervision
in publishing distribution.
• Promoter of editorial titles. Registry
of intellectual property (copyrights,
trademarks and patents; advertising
slogans, advertising campaigns, etc.).
• Making, revision and modification of
contracts and/or sponsorship,
advertising and franchises
agreements, as every one in which
intellectual property is involved.
Tel: (+52 55) 5572 6245 and (+52 55) 5562 9506 Fax:(+52 55) 5562 5846
www.ka-boom.com.mx
[email protected]
[email protected]
SERVICES
• B&W and color pin-ups.
2.P UBLISHING S ERVICES
Examples:
• B&W and color illustrations
(in different techniques) for books,
comics, music albums, posters,
animation, etc.
SERVICES
3. ADVERTISING
AGENCY
3. ADVERTISING AGENCY SPECIALIZED
IN SCI-FI AND FANTASY:
• Marketing.
Examples:
• Emotional Marketing
and Branding.
• Corporate Identity design
or redesign.
• Brand Guidelines.
• Logo design.
• Flash, 2D & 3D animation;
basic, semi and full animation.
• Advertising: graphic, radio,
alternative media, press,
outdoors, mail marketing,
one to one.
• Radio spots and shows
production.
• Voice acting, dubbing
and voice direction.
• Design, musical creation and
foley, jingles.
• Promotional and corporate
info publications.
• Promotional products.
• Advertising illustration.
• Advertising and corporate,
for internal communication,
comics.
• Creation and reproduction
of characters or advertising
mascots.
Tel: (+52 55) 5572 6245 and (+52 55) 5562 9506 Fax:(+52 55) 5562 5846
www.ka-boom.com.mx
[email protected]
[email protected]
ADVERTISING AGENCY SPECIALIZED
IN SCI-FI AND FANTASY
• POP Material (posters, racks, banners,
stands, flyers, pamphlets, supermarket
aisle caps, displays, exhibitors, etc.).
SERVICES
Examples:
• Merchandising and Merchandising Kits.
• Promotional events for the presentation of products or presentations.
• Tactic campaigns, strategies
and merchandising plans.
• Multimedia (icons, screensavers,
wallpapers, etc.).
• Web page design and hosting.
• Package design.
• Registry of intellectual property
(copyrights, trademarks and patents;
advertising slogans, advertising
campaigns, etc.).
• Making, revision and modification
of contracts and/or sponsorship,
advertising and franchises agreements,
as every one in which intellectual
property is involved.
• Sports marketing,
• Other printed media (stamps album,
trading cards, role-playing games,
coloring books, puzzles, text books,
puzzles, etc.).
• Photography.
Tel: (+52 55) 5572 6245 and (+52 55) 5562 9506 Fax:(+52 55) 5562 5846
www.ka-boom.com.mx
[email protected]
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• Editorial legal consultancy.
• Consultancy at any level and any legal and negotiation subject.
• Assembly and Corporate Records.
• Presentation of legal proceedings and replies in any subject.
• External fiscal and legal audits.
• Consultancy in negotiations with providers and clients.
• Bussiness closures proposals.
• Accounting Consultancy.
• Fiscal Consultancy.
• Interpreter-translator service: Simultaneous interpreting
and translation of all kind of documents in:
English-Spanish / Spanish-English.
servicios
4. S ervicios G ENErales
4. GENERAL SERVICES:
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www.ka-boom.com.mx
[email protected]
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Glub and Takete, are two sound effects that
enclose the balance between sound and form,
it’s in this simple concept that ¡Ka-Boom! bases
to develop the following:
CONCEPT.
This is the base and point of departure for a better use and
advantage as in positioning, advertising, promotion, communication, etc. campaigns. The development of all kind of
merchandise from the comic: clothes line, toys, prints, etc;
up to the promotional and entertainment animation in 2D
as in 3D.
The kids and general audience, are attracted by the magic
it entails the production process of a given project, because
the history behind curtains, is something a little unusual,
because of this, we’ll introduce kids to the product’s production world in a magical and fun way with the goal of
getting them closer to the Company ---that after all started out as a dream--- and create an identification with the
brand and its products.
OBJECTIVE.
The objective of using fantasy as the image of brands, products and companies targeted to every audience, is to create an emotional link between the Company, the product,
the brand and the people that consume the goods and/or
services, who become faithful, loyal and excellent consumers. In the case of a children product, the fantasy will help
us to submerge in the wonderful world of kids: speak their
language, not in a morphologic way, but in an equal essence that helps us to communicate with no masks or falsifications, in a honest and simple way; without complications,
as they are.
Tel: (+52 55) 5572 6245 and (+52 55) 5562 9506 Fax:(+52 55) 5562 5846
www.ka-boom.com.mx
[email protected]
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CREATIVE PROCESS
The concept and creation of a character’s universe is thought to be exploited in every possible media, if required, not
only for promotion but for positioning, for the communication and commercialization of these, their products and
all the information that the Company wishes, opening an
specter of big potential possibilities that can give your
Company and/or your products and/or brands, an infinite
and powerful projection.
OF COMMERCIAL AND ADVERTISING CHARACTERS/MASCOTS
Creative process of Commercial
and Advertising Characters/Mascots.
COMMERCIAL AND ADVERTISING
CHARACTERS/MASCOTS
CREATIVE PROCESS
THE CORPORATE IMAGE.
It’s the most important intangible of your Company. It represents your philosophy, your vision, your
values and the perceived image that the general audience has, and this is represented by:
BRANDS.
The brand represents a distinction seal of your products and services in regard of quality and price
among others, making a difference from those similar in the market; turning in a corporate image’s
fundamental element, and therefore, in one of your essential intangible assets and it’s represented
by:
THE LOGO.
The logo is the distintive brand’s seal, is not just a simple design that represents you, it is an icon of
the Company, and because of that it must have a “spirit”, a feeling that becomes a part of the people
that consumes your products.
Example:
The logo is a character by itself, and we
could say that when people identify in such
a way that they even buy or collect products
with your image on them, then and only
then it’ll be a success, because you’ll be permanently fixed in the mind of those people
that’ll be your potential, permanent and
faithful clients for generations.
THE UNIVERSE.
It must be universal, to focus as in children
as in teens and adults in general, these last ones are who finally have the purchasing power and will
be potential consumers. That universe is an important part of your image and what your Company
reflect and desire to the audiences. Because of that, every detail is taken into care, to create that link
that’ll be permanent. Example:
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CREATIVE PROCESS
CHARACTERS/MASCOTS
Example:
THE CHARACTERS.
The characters are created not just
for the kids’ fun, but will be the tools
that will function us to inform in a
subjective way what you wish, for
the benefit of your Company and
products. They will represent you in
image and sound, therefore, can be
used in the following way:
a) Costumed Characters: The
character(s) shall move and talk (given
the case) according to their attitudes
and psychology, these movements will
be known by the audience by some
printed media as comics, comic strips y
packaging or other media where they
advertise. Examples:
b) Radio Spots: The character(s) have a
timbre, the color and style will manifest physically in a search through castings with professional voice actors that represent it with their
voice, in a way that, when people listen to the
character’s voice, immediately evokes the image of it and the promoted product, in their
minds.
c) Advertising or commercial animation: The character(s) must reflect their
personality to standardize the static and animated images.
d) Merchandising: Wether publicity or consumer targeted, in both cases your brand
will always be in the consumer’s top of mind, because the whole concept is focused to be
collectable. Examples:
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CHARACTERS/MASCOTS
CREATIVE PROCESS
e) Therefore, everything printed, animated or characterized
must be guided through this image and
sound that will represent it, and something
to put special care on, are the scripts: subjects, attitudes and way of talking in each of
them. Examples:
f) The brand becomes the product, because it can be licensed to be exploited by thirds with the logic economic and publicity benefit of these.
That being the case, it is indispensable to find a graphic style
before specifying the character, but not leaning towards the
logo; it can be made in thin or thick outline. Example:
It is very important, when designing
a character, to include its psychology and universe, because this will
provide a spiritual and solid life that
the consuming audience will perceive even without even knowing how
the character is, this is where many
clients and designers don’t understand why mascots have success or
not, because it is not the same thing
to design an empty image than one
with a psychological content, and
that above all, represents the brand.
On the other hand, perhaps it’s needed to include a group of friends
and foes, but we’ll get into that in a
bit. Examples:
For the mascot search, we consider the following genders:
a) Human, it identifies with some sectors of
the consumer audience.
b) Animal, with it we can take advantage of
the cuteness, sympathy and the fable.
c) Amorphous, it is more universal, doesn’t
offend susceptibilities and a fictional universe
specially designed for it can be created.
Examples:
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CREATIVE PROCESS
CHARACTERS/MASCOTS
The process is divided in four stages:
1. Brainstorming Stage: where we don’t come
short in forms and figures, because at this point, we
must eliminate and suggest audacious, traditional or
modern designs that are liked by the client, the involved people, and us that are experts in the design of
fantasy and sci-fi characters applied to a commercial
or advertising product. It is in this moment where we
use the semiotics.
2. Definition: Once we have come across the genre and style, under
client’s approval, we proceed to develop the final design and the color
psychology tests.
3. Model Sheets:
At this last point, we’ll develop the Main Model Sheets
(expressions, poses and attitudes, views and height
comparison chart), which
will serve as an art guide
for creatives when developing applications in Points
Of Purchase: comics, packages, posters, publicity in general, animation, etc.
4. Aditional Material:
In case of needing
extra poses to the
model sheets, the
interested will ask
to ¡Ka-Boom! for the
positions in specific.
The creation of the concept; the universe;
the characters and their psychology, will
be the base and never ending source of
possibilities for the commercial or advertising development of a product.
Tel: (+52 55) 5572 6245 and (+52 55) 5562 9506 Fax:(+52 55) 5562 5846
www.ka-boom.com.mx
[email protected]
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CHARACTERS/MASCOTS
CREATIVE PROCESS
Comment.
One of the existing and very clear differences between a comic and
any other graphic advertising media, is that the comic is not disposed, it’s collected and being an easy to read media, flexible and friendly in it’s subjects, besides of not being a disposable publicity tool,
represents an excellent mass media, because it is proved that one
single issue is read by, at least, 10 persons. Therefore, the integrated
publicity and information contained in it, will last a long time, going
from generation to generation and not like other media that are disposable or ephemeral.
The comic can contain a great dose of fantasy, adventure, intrigue,
and humor and it is the seal of our company to give readers, not just
an entertaining product but something that leaves a positive message as the legacy of ¡Ka-Boom! Estudio, because we are convinced of
the responsibility we have with the consuming audience.
Production Timelines.
We have mentioned that it takes a whole process to create the universe
and design of one or several characters, and it is required, in the case of
a company or product, the involvement of the artists with the brief, so
we can fulfill the client’s expectations and reach a good result. The time
needed to develop the concept, idea and universe ranges between a
month or up to three months and much will depend of the revisions
and client’s approvals to keep a good creative rhythm.
In the case of needing the production of a 32-page comic, the production time is one month to write the script (having al the base already
developed) and later on, timelines can be adjusted to develop a weekly
script. The development time of the storyboard, layout, art, inks, color,
letter, design and pre-press will be of one month and a half up to two
months, previously having the script.
Other services will be negotiated in advance.
It is of sum importance to
take into notice the real
creation and production
timelines to achieve success and not to sacrifice
the quality in the result,
because it is the reflection
of the Brand, the Product
or the Company.
Tel: (+52 55) 5572 6245 and (+52 55) 5562 9506 Fax:(+52 55) 5562 5846
www.ka-boom.com.mx
[email protected]
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OUR CLIENTS.
Complot Internacional Ekoss
Editorial Antea
Editorial Cepsa --later Measa--.
Editorial Ejea.
Editorial Esfinge.
Editorial Limusa.
Editorial Macc División Historietas.
Editorial Medios Especializados.
Editorial Mina.
Editorial Proyección.
Editorial Revista de América.
Editorial Selector.
Editorial Tassilli.
Editorial Televisa.
Editormex Mexicana.
Fernández Editores.
Grupo Editorial Vid.
Impresiones Aéreas.
Mundo Editorial Americano.
Novedades Editores.
Organización Editorial Mexicana (ESTO).
Reader’s Digest.
INTERNATIONAL PUBLISHING
HOUSES.
Bongo Comics.
DC Comics.
London Times.
Movie Tees.
Now Comics.
Reader’s Digest.
Right Stuff.
Warner Brothers Publishing.
TV & PRODUCTION HOUSES.
Black Out (Adal Ramones).
Calabazitaz Tiernaz.
Sony Pictures Mexico.
Talento Post.
Televisa.
Televisión Azteca.
Teve Promo.
Twentieth Century Fox Film de México.
Visiographis.
Walt Disney Pictures México.
ADVERTISING AGENCIES.
Addivina Publicidad.
A.R. Weitzner y Asociados.
Bozell.
FORUM.
Grupo Vale Euro RSCG.
Harry Möller Publicidad.
Olabuenaga Chemistri.
Publicis Arredondo de Haro.
Z Publicidad.
GOVERNMENT AND
ORGANIZATIONS.
Consejo de la Comunicación.
Fundación México Unido.
Instituto Coahuilense de Cultura.
Presidencia de la República.
Secretaría de Desarrollo Social, SEDESOL.
Suprema Corte de Justicia de la Nación.
UNICEF México.
OTHERS.
BD Producciones.
B&V Bufete Jurídico y Empresarial.
Cadbury Bebidas México.
Calzado Bata (Bubblegummers).
Calzado Coqueta.
Chabelo.com
Colegio Sunhills Valley.
Dimensión Gráfica, diseño.
esmas.com
Exacto Design.
FEMSA, Coca-Cola.
Grupo Financiero Banamex.
Grupo Financiero Serfin.
Grupo Herdez.
Grupo Posadas de México.
Jugos del Valle.
La Granja del Tío Pepe.
Mundo Deadeveras.
Mundo E.
Nafta Trading.
Nestlé México.
Net-Ideas.
Operadora de Parques y Servicios (Misión
Fantásti-K).
Parque Acuático Tepetongo.
Publicaciones Armol.
Richardson Vicks.
Restaurante Tierras Colombianas.
Salón de Fiestas Chabelo.
SANLUIS Corporación.
Tremark.
Zoogy Kids.
Tel: (+52 55) 5572 6245 and (+52 55) 5562 9506 Fax:(+52 55) 5562 5846
www.ka-boom.com.mx
[email protected]
[email protected]
OUR CLIENTS
NATIONAL PUBLISHING
HOUSES.
Oscar González Loyo
Chief Executive Officer
Susana L. Romero Medina
Chief Editor, Contents and Scripts assistant.
Oscar González Guerrero
Art Director
Horacio M. Sandoval Pérez
Assistant Art Director
Mauricio Martínez Cosío
Production Director
José Tonatiuh Rocha Miranda
Design and Color Director
Martín Cervantes Lona
Radio and Television Production Director
Francisco Javier Rivero Pichardo
Dubbing and Voice Acting Director
Eduardo Israel Santiago López
IT Director
Teresa Vilchis Arias
Accounting Director
Rebeca Soriano Castañeda
Accounting Assistant
Edgar Estrella Rocha
Distribution Director
Carlos A. Villagrana Romero
Legal, Commercial and Business Director
Carlos Eduardo Bargalló Rocha
Legal Assistant Director
Alejandro Palomares González
Lourdes Mariana Moreno Ayala
Coordinators
Eduardo Mendoza Hernández
Readers assistance and correspondence
Contact:
¡Ka-Boom! Estudio, S.A. de C.V.
Paseo de la Alteña 207, Alteña 1, Lomas Verdes, Naucalpan, Edo. de México. C.P. 53120
Tel: +(52 55) 5572 6245 and +(52 55) 5562 9506 Fax: +(52 55) 5562 58 46 Cell. 044 55 2128 1608
[email protected] [email protected]
www.ka-boom.com.mx

Presentación ¡Ka-Boom! Estudio 2008

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